Academic literature on the topic 'Violon'

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Journal articles on the topic "Violon"

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Suchowiejko, Renata. "Orator or Poet? Some Thoughts About the Translation of Feelings in the Art of Violin Playing in the Nineteenth Century." Roczniki Humanistyczne 72, no. 12 (2024): 163–75. https://doi.org/10.18290/rh247212.10.

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The image of the virtuoso violinist as an “orator” was firmly established in the 19th-century musical culture. He possessed all the qualities of a good speaker: he mastered his instrument, could speak in public, and was eloquent and convincing. However, brilliance and eloquence were not everything. The violinist also had to move the audience. This task was facilitated by the instrument itself, which had enormous expressive possibilities. This article reflects on “translating feelings,” as explained by 19th-century French masters in violin method books, particularly Pierre Baillot (L’Art du vio
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Katz, Barry. "Le Violon rouge (The Red Violin), François Girard (1998)." Design and Culture 1, no. 2 (2009): 212–14. http://dx.doi.org/10.2752/175470709x12450568847776.

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Boivin, Aurélien. "Les Contes de Jos Violon : passage de l’oral à l’écrit." Troisième séance : comment éditer en l’absence de l’oral?, no. 16-17 (December 22, 2010): 123–33. http://dx.doi.org/10.7202/045136ar.

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De tous les conteurs du xixe siècle, dont les récits ont été fixés à l’écrit par des littéraires, Jos Violon est indéniablement le meilleur et probablement le plus authentique. Par l’entremise de ce conteur d’expérience à qui il délègue la parole, Fréchette ne fait que reproduire la simulation du conte oral et de l’échange verbal entre un conteur et son public. S’il est moralisateur, Jos Violon est aussi pédagogue, comme tout bon conteur qui maîtrise bien l’art de conter, et il n’oublie jamais ses auditeurs, que l’on sait présents constamment, même s’ils n’interviennent pratiquement pas pour n
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Troubetzkoy, Wladimir. "Le violon de Tchékhov." Littératures 25, no. 1 (1991): 117–35. http://dx.doi.org/10.3406/litts.1991.1565.

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Bauer, Jacques. "Le violon de Savart." Bulletin de la Sabix, no. 18 (December 1, 1997): 55–56. http://dx.doi.org/10.4000/sabix.835.

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Stuckenbruck, Dale, and Iannis Xenakis. "Dikhthas; pour piano et violon." Notes 42, no. 1 (1985): 152. http://dx.doi.org/10.2307/898265.

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King, Adele, and Alain Fleischer. "La Hache et le violon." World Literature Today 79, no. 2 (2005): 92. http://dx.doi.org/10.2307/40158719.

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Taskin, Naudot. "Geminiani : un maçon au violon." La chaîne d'union N° 102, no. 4 (2022): 11–13. http://dx.doi.org/10.3917/cdu.102.0011.

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Podmazova, Polina B. "“Le père-créateur” of modern school of violin playing: marking the anniversary of Giovanni B. Viotti." Contemporary Musicology, no. 2 (2020): 27–49. http://dx.doi.org/10.56620/2587-9731-2020-2-027-049.

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The article focuses on one of the key figures in the world of music at the turn of the 18th/19th centuries, an acknowledged leader of French school of violin playing—G.B. Viotti. The study is the first attempt of Russian musicology to highlight the role of Viotti as the founder of the modern school of violin playing. Viotti's performing art with its large-scale and expressive manner of playing that reveals all the possibilities of violin as an instrument as well as ample opportunity for its artistic presentation, is vividly reflected in the genre of the solo violin concerto. His vision of the
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Dupraz, Christophe, and Jacques Duphly. "Pièces de Clavecin avec violon (1756)." Revue de musicologie 77, no. 1 (1991): 141. http://dx.doi.org/10.2307/947198.

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Dissertations / Theses on the topic "Violon"

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Fourés, Olivier. "L’oeuvre pour violon d’Antonio Vivaldi, "Ossia il violino in maschera"." Lyon 2, 2007. http://theses.univ-lyon2.fr/documents/lyon2/2007/foures_o.

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Même à l’heure où sa musique vocale suscite de plus en plus d’intérêts, Vivaldi reste avant tout perçu comme un compositeur virtuose du violon. Rien de plus normal, après tout, si l’on considère la réputation de violoniste qu’il avait de son vivant, mais aussi le fait que plus de la moitié de ses compositions emploient un violon soliste, et bien plus du tiers lui sont exclusivement destinées. Paradoxalement, pourtant, ce corpus violonistique est aujourd’hui le plus mal connu et diffusé de tous les domaines de composition du musicien. Si le répertoire violonistique programmé lors des concerts a
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Fourés, Olivier Penesco Anne. "L'œuvre pour violon d'Antonio Vivaldi, Ossia il violino in maschera." Lyon : Université Lumière Lyon 2, 2007. http://demeter.univ-lyon2.fr/sdx/theses/lyon2/2007/foures_o.

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Erodi, Gyongy Iren. "The sixteenth century basse de violon fact or fiction?, identification of the bass violin (1535-1635) /." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/ark:/67531/metadc12121.

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NAVARRO, DANIEL. "Un violon sous les doigts." Nice, 1994. http://www.theses.fr/1994NICE6506.

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Drescher, Thomas. "Spielmännische Tradition und höfische Virtuosität : Studien zu Voraussetzungen, Repertoire und Gestaltung von Violinsonaten des deutschsprachigen Südens im späten 17. Jahrhundert /." Tutzing : H. Schneider, 2004. http://catalogue.bnf.fr/ark:/12148/cb41008009n.

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Dincer, Tayfun. "Une nouvelle approche de l'enseignement du violon." Aix-Marseille 1, 2001. http://www.theses.fr/2001AIX1A106.

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Petersen, Kay. "Schülertypbezogene Methodik des Violinunterrichts : die Berücksichtigung individueller Lernprozesse in der Phase der Vorbereitung auf das Hochschulstudium im Rahmen des gymnasialen Leistungskurses Musik /." Ludwigsburg : [K. Petersen], 1993. http://catalogue.bnf.fr/ark:/12148/cb35642945v.

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Mirkovic, Kristina. "L'apprentissage du violon à la croisée de l'école rationaliste française et de l'école pragmatiste Suzuki." Rouen, 2016. http://www.theses.fr/2016ROUEL001.

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Gläss, Susanne. "Die Rolle der Geige im Jazz /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1991. http://catalogue.bnf.fr/ark:/12148/cb35553132k.

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McCallum, Amy. "Le violon enchanté dans les contes littéraires québécois du XIXe siècle /." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98557.

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This Master's thesis is centered on the enchanted violin and its role in six literary tales from nineteenth century Quebec. The motif is traced throughout its history and its developments in various Indo-European contexts. The importance of the enchanted violin in the oral traditions of Europe and French-Canada is underlined. The motif's literary transformation in the nineteenth century is also analyzed; authors of the tales studied were chiefly concerned with the creation of a national literature, and this affected their portrayal of the enchanted violin in several ways. Vladimir Propp's stru
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Books on the topic "Violon"

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Vivier, Claude. Pièce pour violon et piano: Violon et piano = violin and piano = Violine und Klavier. Doberman-Yppan, 1986.

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Phạm, Thiên Tử. Violin trio: Tam tấu violon. Nhà xuất bản Dân Trí, 2017.

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Moï, Anna. Violon. Flammarion, 2006.

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Flammer, Ami. Le violon. J.-C. Lattès/Salabert, 1988.

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1928-, Shtibel Adam, York University (Toronto, Ont.). Centre for Jewish Studies., and Fondation Azrieli, eds. Le violon. Fondation Azrieli, 2007.

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Rice, Anne. Le violon. Plon, 1999.

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Allen, Robert Thomas. Le violon. Éditions P. Tisseyre, 1995.

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Bounouara, Mohamed. VIOLON DINGUE. Editions L'Harmattan, 2005.

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Ducloz, Albert. Le violon d'or. De Borée, 2012.

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Julie, Fil et, and Julie 1975-, eds. Le violon dingue. Éditions de la Paix, 2003.

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Book chapters on the topic "Violon"

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Brooks, N. "Concluding Remarks to Preceding Contributions of N. Sichez-Auclair and A. Violon." In Personality and Neurosurgery. Springer Vienna, 1988. http://dx.doi.org/10.1007/978-3-7091-9005-0_18.

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MacLeod, Rebecca B. "Violin and Viola Fingerings." In Teaching Strings in Today’s Classroom. Routledge, 2018. http://dx.doi.org/10.4324/9781351254144-11.

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Jeong, Jong Yeong. "Fiddler’s Neck, Violin and Viola Player’s Neck." In Dermatology Diaries. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-1578-7_27.

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Yu, Lauren Jane, and Andrea Pohoreckyj Danyluk. "Predicting Expressive Bow Controls for Violin and Viola." In Computational Intelligence in Music, Sound, Art and Design. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55750-2_24.

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Colwell, Richard J., and Michael P. Hewitt. "Violin." In The Teaching of Instrumental Music, 6th ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003406891-33.

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Curtin, Joseph, and Thomas D. Rossing. "Violin." In The Science of String Instruments. Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-7110-4_13.

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Ihas, Dijana, Miranda Wilson, and Gaelen McCormick. "Teaching right-hand techniques." In Teaching Violin, Viola, Cello, and Double Bass. Routledge, 2023. http://dx.doi.org/10.4324/9781003154938-30.

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Ihas, Dijana, Miranda Wilson, and Gaelen McCormick. "Every Child Can." In Teaching Violin, Viola, Cello, and Double Bass. Routledge, 2023. http://dx.doi.org/10.4324/9781003154938-25.

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McCormick, Gaelen. "Approaches and methods for beginning and intermediate students." In Teaching Violin, Viola, Cello, and Double Bass. Routledge, 2023. http://dx.doi.org/10.4324/9781003154938-62.

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Wilson, Miranda. "Approaches and Methods for Beginning and Intermediate Students." In Teaching Violin, Viola, Cello, and Double Bass. Routledge, 2023. http://dx.doi.org/10.4324/9781003154938-45.

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Conference papers on the topic "Violon"

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Dubey, Ratnesh Kumar, Mr Mohit Kumar, Dr Salim Ahmad, Dr Shubha Mishra, Suraj Sharma, and Aravendra Kumar Sharma. "Intelligent Noise Reduction for Violin Signals." In 2024 International Conference on Advances in Computing, Communication and Materials (ICACCM). IEEE, 2024. https://doi.org/10.1109/icaccm61117.2024.11059012.

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Biletska, Maryna, Tatiana Pidvarko, Lina Kotova, and Karina Oleksenko. "THE CREATIVE HERITAGE OF DAVID OISTRAKH IN THE MUSICAL ART OF THE XX CENTURY." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s08.21.

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The creation of D. Oistrakh is one of the highest achievements in the native musical art of the 20th century. D. Oistrakh�s impressive performing skills, the philosophical depth and the scale of his interpretations, the sensitivity to everything new were combined with the inspiration of the pedagogical work, the special care about the transformation of his great creative experience to the new generation of the violinists. Studying the creative heritage of D. Oistrakh, we can confirm that he has created the original pedagogical system that synthesized the most progressive methods of the native
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Kim, Daewoong, Hao-Wen Dong, and Dasaem Jeong. "ViolinDiff: Enhancing Expressive Violin Synthesis with Pitch Bend Conditioning." In ICASSP 2025 - 2025 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2025. https://doi.org/10.1109/icassp49660.2025.10890613.

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BOUTILLON, X. "LE VIOLON: STRUCTURE MÉCANIQUE À RÉSONANCE SENSIBLE." In Acoustics '93. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/20575.

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Ravet, David. "La représentation du violon et la figure du violoniste dans la culture juive d’Europe de l’Est à travers les Arts." In Figure(s) du musicien. Corps, gestes, instruments en texte. Fabula, 2016. http://dx.doi.org/10.58282/colloques.4041.

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Sedih, Inessa. "Mixed genres in the chamber-instrumental works by Boris Dubosarschi: setting the problem." In Cultura și arta: cercetare, valorificare, promovare. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2024. https://doi.org/10.55383/ca2024.07.

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The article is devoted to the mixed genre interpretation in the chamber-instrumental works written by B. Dubosarschi. The composer’s opuses –Aquarelles for violin and piano, Sonata-ballad for viola and piano, Capriccio a la rustique for violin and piano – demonstrate different kinds of the mixed genre such as genre diffusion, genre reconceptualization and creation of new genre names.
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Ali, Zaineb, Widad Alani, Suzan ALAMDAR, Muhamed Abbas, and Muntadher Alrabeeah. "Isolation of Esculetin and Umbelliferone from Viola Odorata Cultivated in Iraq." In 5th International Conference on Biomedical and Health Sciences. Cihan University-Erbil, 2024. http://dx.doi.org/10.24086/biohs2024/paper.1435.

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Abstract—Viola odorata is a species of the viola family, may be found naturally occurring over Europe and Asia. This little plant is tough and perennially herbaceous. It's also known as sweet violet and English violet. There are several medicinal uses for this flowering plant, including anticancer, antibacterial, inflammation., antioxidant activity and antipyretic activity. The phytochemical studies of Viola odorata different parts resulted in identification and isolation of different chemical constituents such as Coumarins, caffeic acid, methyl salicylate, flavonoids (Quercetin, kaempferol),
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Avci, Kemal, Murat Arican, and Kemal Polat. "Machine learning based classification of violin and viola instrument sounds for the same notes." In 2018 26th Signal Processing and Communications Applications Conference (SIU). IEEE, 2018. http://dx.doi.org/10.1109/siu.2018.8404422.

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Cojocaru, Daniela. "THE FOLKLORIC ORIGINS IN RUSTIC TRIO FOR VIOLIN, VIOLA AND CELLO BY ION GHIGA." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/61/s15.055.

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Lo, Yu-Hsuan, Shih-Peng Li, and Shih-Wei Sun. "Deep Violin: Deep Learning-Based Violin Bowing Training System." In 2023 International Conference on Consumer Electronics - Taiwan (ICCE-Taiwan). IEEE, 2023. http://dx.doi.org/10.1109/icce-taiwan58799.2023.10227040.

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Reports on the topic "Violon"

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Graham, R. A., M. U. Anderson, G. T. Holman, and M. R. Baer. Prediction of violent mechanochemical processes. Office of Scientific and Technical Information (OSTI), 1997. http://dx.doi.org/10.2172/437696.

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Sagartz, M. J. Violent reaction source term study. Office of Scientific and Technical Information (OSTI), 1995. http://dx.doi.org/10.2172/10114881.

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Secretariat, Commonwealth. Preventing and Countering Violent Extremism. Commonwealth Secretariat, 2022. https://doi.org/10.14217/comsec.971.

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The capacity-building workshop on Preventing/Countering Violent Extremism, on which this Practitioners’ Guide is based, came at the right time for the Governing Board, Regional Peace Councils, Regional Executive Secretaries and Management of the Head Office of the National Peace Council, considering the threats posed by terrorism and violent extremism in West Africa and the Sahel and in other neighbouring countries. Even though Ghana has consistently been celebrated as a stable democracy, growing fears of the spread of extremist groups across the sub-region — given the porous borders — have he
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Scrivens, Ryan, Steven M. Chermak, Joshua D. Freilich, Thomas W. Wojciechowski, and Richard Frank. Detecting Extremists Online: Examining Online Posting Behaviors of Violent and Non-Violent Right-Wing Extremists. RESOLVE Network, 2021. http://dx.doi.org/10.37805/pn2021.21.remve.

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Like most of us, violent extremists often leave a digital footprint behind. Researchers, practitioners, and policymakers raise questions about whether violent individuals can be identified online prior to their attacks offline based on their online posting behaviors. Despite ongoing concerns, few empirically grounded analyses have identified which online users have engaged in violent extremism offline and then assessed their digital footprints, and fewer analyses have identified differences in posting behaviors of those who share extreme ideological beliefs but are violent or non-violent in th
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Villalta, Carlos J., José G. Castillo, and Juan A. Torres. Violent Crime in Latin American Cities. Inter-American Development Bank, 2016. http://dx.doi.org/10.18235/0000428.

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Dahl, Gordon, and Stefano DellaVigna. Does Movie Violence Increase Violent Crime? National Bureau of Economic Research, 2008. http://dx.doi.org/10.3386/w13718.

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Lindo, Jason, Isaac Swensen, and Glen Waddell. Persistent Effects of Violent Media Content. National Bureau of Economic Research, 2020. http://dx.doi.org/10.3386/w27240.

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Torres, Juan A., José G. Castillo, and Carlos J. Vilalta Perdomo. Violent Crime in Latin American Cities. Inter-American Development Bank, 2016. http://dx.doi.org/10.18235/0007973.

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In the last two decades, Latin America has been describes as an unsafe and violent region. Nonetheless, such picture is mostly based on homicide rates. Even though homicide is considered the best recorded crime, it does not provide full account of other forms of violent crime. Moreover, a great deal of research on crime throughout the region tends to be descriptive and anecdotal. Misunderstanding the causes of crime and disregarding evidence might induce policy makers to implement ineffective strategies, particularly at the local level. Therefore, based on Social Disorganization Theory, this s
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Boyd, Francesca, and Rowena Bermingham. Early Interventions to Reduce Violent Crime. Parliamentary Office of Science and Technology, 2019. http://dx.doi.org/10.58248/pn599.

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Violent crime includes a range of offences, from assault to murder. It can be any action that intentionally inflicts (or threatens) physical or psychological damage. Over the past decade overall crime has decreased, and violent crime is down by 69% since 1995. However, homicides and crimes involving knives or sharp instruments have risen since 2014. This has been reflected in an increase in hospital admissions for assaults with knives or sharp instruments. Violent offences are disproportionately concentrated in metropolitan areas, such as London and cities in West Yorkshire, Greater Manchester
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Crawford, Justin. Homegrown violent extremists: A seemingly undetectable threat. Office of Scientific and Technical Information (OSTI), 2017. http://dx.doi.org/10.2172/1365521.

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