Relevant bibliographies by topics / Visual vernacular

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Visual vernacular'

Author: Grafiati
Published: 25 May 2024
Last updated: 31 July 2025

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Journal articles on the topic "Visual vernacular"

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Tjipto Rahardjo, Sudjadi, and Martinus Dwi Marianto. "KAJIAN DESAIN GRAFIS VERNAKULAR, ADAKAH PELUANG DILUAR TIPOGRAFI VERNAKULAR?" AKSA: Jurnal Desain Komunikasi Visual 8, no. 2 (2025): 68–80. https://doi.org/10.37505/aksa.v8i2.192.

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Visual cultural artifacts in Indonesia are abundant and spread throughout the region. These objects are visual riches that have not been widely studied. From visual culture researchers who are interested in local graphic design, what is called vernacular graphic design emerged. This research was conducted using a qualitative method of literature study to reveal a basic understanding of visual culture, vernacular design and vernacular graphic design. From the literature that has been collected, it turns out that the study of vernacular graphic design focuses on vernacular typography. There has
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Butsykina, Y. O. "VERNACULAR DESIGN AS VISUAL PRACTICE OF URBAN SPACE ORGANIZATION." UKRAINIAN CULTURAL STUDIES, no. 1 (6) (2020): 5–8. http://dx.doi.org/10.17721/ucs.2020.1(6).01.

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Article discusses specific status of the vernacular design in the visual style of the modern Ukrainian city, where indigenous dwellers coexist with those who came recently from the country. The vernacular regions in Ukrainian cities are analyzed as complex, eclectic and grass-roots. The vernacular design is understood within the complex cultural environment, where different traditions and cultural identities coexist. The terms "vernacular life", "vernacular landscape" are explicated. The vernacular landscape is interpreted in the context of the everyday human activities brought into the public
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Godson, Lisa. "Vernacular." Design and Culture 8, no. 1 (2016): 135–38. http://dx.doi.org/10.1080/17547075.2016.1142352.

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Wantoro, Ahmad Nurzaeni Fauzi, and Hafidz Maulana. "Content Analysis of Vernacular Letters of Street Vendors Selling Typical Snacks in Bandung City." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 8 (June 20, 2025): 61–75. https://doi.org/10.34010/icobest.v8i.680.

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The purpose of this study was to determine the tendency of letter characteristics in vernacular typography on Bandung's snack carts. Bandung is known as a city with diverse culinary delights. Various types of typical snacks can be found in this city, such as batagor, baso tahu, cimol, cilok, cilor, es cendol, and es goyobod. Street vendors who sell these typical snacks usually use carts, and these carts are often decorated with vernacular typography that functions as the trader's identity, a medium to attract consumers' attention, and provide information about the products being sold. This phe
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Hwang sae bom and 정보민. "Study on vernacular expression of visual humor." Journal of Digital Design 7, no. 4 (2007): 241–48. http://dx.doi.org/10.17280/jdd.2007.7.4.025.

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Cleland, Jennifer, and Anna MacLeod. "The visual vernacular: embracing photographs in research." Perspectives on Medical Education 10, no. 4 (2021): 230–37. http://dx.doi.org/10.1007/s40037-021-00672-x.

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AbstractThe increasing use of digital images for communication and interaction in everyday life can give a new lease of life to photographs in research. In contexts where smartphones are ubiquitous and many people are “digital natives”, asking participants to share and engage with photographs aligns with their everyday activities and norms more than textual or analogue approaches to data collection. Thus, it is time to consider fully the opportunities afforded by digital images and photographs for research purposes. This paper joins a long-standing conversation in the social science literature
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Asmal, Atiyah, and Michiko Kaneko. "Visual Vernacular in South African Sign Language." Sign Language Studies 20, no. 3 (2020): 491–517. http://dx.doi.org/10.1353/sls.2020.0010.

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Knorr, Karen. "Vernacular Masquerades." Photography and Culture 3, no. 1 (2010): 107–10. http://dx.doi.org/10.2752/175145110x12615814378478.

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Maghsoudi Nia, Elham, Titi Hajihasani, Mohd Yazid Mohd Yunos, and Nordin Abdul Rahman. "Daylighting Strategies in Iranian Vernacular Residential Buildings in Hot and Dry Climate." Applied Mechanics and Materials 747 (March 2015): 329–32. http://dx.doi.org/10.4028/www.scientific.net/amm.747.329.

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Daylighting strategies and control of it, plays a significant role in energy efficiency and provision of visual comforts in buildings. This study conducted a review of literature and observation in a hot and dry region of Iran in order to investigate daylighting strategies and control of it by shading devices in the vernacular residential buildings. The results show thatdaylight in vernacular rooms was provided through door, window, Rozan, Moshabak, and Goljam. These components were equipped with thevertical and horizontalshading devices such as Orsi, Sarsayeh, Tabeshband and Kharakpoushto con
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Chavez, Mercedes. "Vernacular Landscapes." Afterimage 48, no. 1 (2021): 37–53. http://dx.doi.org/10.1525/aft.2021.48.1.37.

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This essay employs Anthropocene frameworks to examine United States independent director Kelly Reichardt’s quiet vignettes of American precarity through the interpretive cinematic apparatus. Reichardt’s slow style and lingering gaze are primarily read as affective interpretations of human exhaustion or as a critique of capital temporalities. However, the critical attention paid toward the human in Reichardt’s films overlooks the primacy of landscape as a site of knowledge in the visual aesthetic. It is the entanglement between the human and the landscape in Reichardt’s films that invites an An
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Dissertations / Theses on the topic "Visual vernacular"

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Ayers, Drew R. "Vernacular Posthumanism: Visual Culture and Material Imagination." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/communication_diss/34.

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Vernacular Posthumanism: Visual Culture and Material Imagination uses a theory of image vernaculars in order to explore the ways in which contemporary visual culture both reflects on and constructs 21st century cultural attitudes toward the human and the nonhuman. This project argues that visual culture manifests a vernacular posthumanism that expresses a fundamental contradiction: the desire to transcend the human while at the same time reasserting the importance of the flesh and the materiality of lived experience. This contradiction is based in a biodeterminist desire, one that fantasizes a
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Choi, Sung Hun. "Graffiti a visual vernacular as graphic design source /." [Ames, Iowa : Iowa State University], 2007.

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Dones, Vera Lúcia. "A estética vernacular como retórica visual da publicidade gráfica." Pontifícia Universidade Católica do Rio Grande do Sul, 2012. http://hdl.handle.net/10923/2120.

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Made available in DSpace on 2013-08-07T18:46:19Z (GMT). No. of bitstreams: 1 000446642-Texto+Completo-0.pdf: 5868112 bytes, checksum: 2db458954ce077c130851ad9481adbca (MD5) Previous issue date: 2012<br>This thesis aims at understanding the role of the vernacular aesthetics as a rhetorical element in advertising messages. We have proposed a reflection on what we has been called 'vernacular', which is characterized as an aesthetical dimension of contemporary culture. In Chapter I, we have both gathered information that contribute to the presentation of the concept of 'vernacular', and presente
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Bainbridge, Jason. "Visual law : an exegesis of vernacular jurisprudence in popular media /." [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18608.pdf.

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PEREIRA, Natália Cristina Rodrigues. "Design vernacular: a comunicação visual informal no cotidiano da Amazônia." Universidade Federal do Pará, 2018. http://repositorio.ufpa.br/jspui/handle/2011/10019.

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Submitted by Rejane Coelho (rejanecoelho@ufpa.br) on 2018-06-14T11:40:58Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_DesignVernacularComunicacao.pdf: 21759774 bytes, checksum: f552f15fda697f52e37df3c16e72a2e6 (MD5)<br>Approved for entry into archive by Rejane Coelho (rejanecoelho@ufpa.br) on 2018-06-14T11:44:26Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_DesignVernacularComunicacao.pdf: 21759774 bytes, checksum: f552f15fda697f52e37df3c16e72a2e6 (MD5)<br>Made avai
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Liu, Shanshan. "Visual Social Media and Vernacular Responses to Environmental Issues in China." Thesis, Curtin University, 2019. http://hdl.handle.net/20.500.11937/79905.

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This thesis investigates the role of visual social media in providing ordinary Chinese with an alternative space to articulate their opinions on environmental issues. By studying three notable environmental cases, this thesis explores how ordinary Chinese adopt visual social media practices as a response to environmental issues, and to aid in the fight for environmental justice. This thesis provides a new perspective to understand China’s visual social media practices and its networked civic engagement.
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Dones, Vera L?cia. "A est?tica vernacular como ret?rica visual da publicidade gr?fica." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2013. http://tede2.pucrs.br/tede2/handle/tede/4522.

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Made available in DSpace on 2015-04-14T14:41:43Z (GMT). No. of bitstreams: 1 446642.pdf: 5868112 bytes, checksum: 2db458954ce077c130851ad9481adbca (MD5) Previous issue date: 2013-03-05<br>This thesis aims at understanding the role of the vernacular aesthetics as a rhetorical element in advertising messages. We have proposed a reflection on what we has been called 'vernacular', which is characterized as an aesthetical dimension of contemporary culture. In Chapter I, we have both gathered information that contribute to the presentation of the concept of 'vernacular', and presented the contexts
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James, Sule. "Tracing the Idea of African Vernacular-Rooted Art: A Critical Analysis of Selected Contemporary South African and Nigerian Artists (2007-2016)." Thesis, University of Pretoria, 2019. http://hdl.handle.net/2263/72462.

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In this study, I seek to explore how contemporary art created by Nigerian and South African artists can be described to be rooted in an African vernacular. To this end, I conducted a comparative analysis of the cultural imageries and symbolisms of four Nigerian and four South African artists. For each of the artists, five of their works produced between 2007 and 2016 were purposively sampled. Thus, the study investigates forty works within the ten year period. The comparative analysis focuses on visual hermeneutics theory and art historical methodologies (formal analysis). Accordingly, the ana
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Edwards, Jamie Lee. "Netherlandish vernacular narrative painting in the age of Bruegel : 'entangling the eyes' & 'enlightening the mind'." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7703/.

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This thesis sheds new light on the origins and significance of ‘compositional inversion’ in sixteenth-century Netherlandish art. Taking Pieter Bruegel’s inverted religious narratives as primary examples of a wider phenomenon, it seeks to account for the seemingly paradoxical method of narrative obfuscation evident in these works. It does so by situating them in art theoretical, iconographic, social, political and spiritual contexts. Chapter 1 turns to the art theories of Karel van Mander, contained in the first book of Het Schilder-Boeck (1604): ‘Den Grondt … ’. Here I suggest that Bruegel’s i
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Ardinghi, Maria Beatriz. "Glossário visual popular paulista: artefatos memoráveis presentes em residências de famílias de origem rural no estado de São Paulo." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-07032016-190553/.

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O propósito desta pesquisa é contribuir para os estudos da cultura material popular brasileira em relação à possibilidade da existência de identidades regionais do artefato brasileiro popular, sob a ótica do design. Para tanto, foram identificados e analisados, do ponto de vista da percepção, uso e significado, determinados artefatos domésticos considerados memoráveis e notáveis em residências de famílias de origem rural no estado de São Paulo. Tendo em vista o pressuposto de que esses artefatos correspondem à materialidade presente nas memórias afetivas de uma parte significativa da população
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Books on the topic "Visual vernacular"

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Couto, Nasbahry. Budaya visual seni tradisi Minangkabau. Universitas Negeri Padang Press, 2008.

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Couto, Nasbahry. Budaya visual seni tradisi Minangkabau. Universitas Negeri Padang Press, 2008.

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University of California, Berkeley. Center for Environmental Design Research, ed. Theoretical models for visual and textual representation. Center for Environmental Design Research, University of California at Berkeley, 1991.

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Alzate, Adriana Gómez. Expresión visual en las ciudades del bahareque. Universidad de Caldas, 1994.

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Pangarsa, Galih Widjil. Arsitektur untuk kemanusiaan: Teropong visual culture atas karya-karya Eko Prawoto. Wastu Lanas Grafika, 2008.

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Guo, Qinghua. [Zhongguo jian zhu Ying Han shuang jie ci dian] =: A visual dictionary of Chinese architecture. Images Pub., 2002.

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Powell, M. C. The re-use of vernacular farm buildings with reference to visual character and the rural economy. Oxford Brookes University, 1997.

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Grgic, Ana. Early Cinema, Modernity and Visual Culture. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728300.

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At the end of the nineteenth century, the Balkans were animated by cultural movements and socio-political turmoil with the onset of the collapse of the empires. Around the same period, the proliferation of print media and the arrival of moving images gradually transformed urban life, and played an important role in the creation of national and regional cultures. Based on archival research that explores previously overlooked footage and early press materials, Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans is the first study on early cinema in the region from a transnat
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Bolzoni, Lina. The web of images: Vernacular preaching from its origins to St Bernardino da Siena. Ashgate, 2003.

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Mickūnaitė, Giedrė. Maniera Greca in Europe’s Catholic East. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789462982666.

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How and why does vernacular art become foreign? What does ‘Greek manner’ mean in regions far beyond the Mediterranean? What stories do images need? How do narratives shape pictures? The study addresses these questions in Byzantine paintings from the former Grand Duchy of Lithuania, contextualized with evidence from Poland, Serbia, Russia, and Italy. The research follows developments in artistic practices and the reception of these images, as well as distinguishing between the Greek manner – based on visual qualities – and the style favoured by the devout, sustained by cults and altered through
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Book chapters on the topic "Visual vernacular"

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Jha, Sadan. "Vernacular Visual." In Seeing South Asia. Routledge India, 2022. http://dx.doi.org/10.4324/9781003276753-3.

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Becht-Jördens, Gereon. "“Textual images” and “visual texts”." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. https://doi.org/10.1075/chlel.34.24bec.

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Abstract Since the dawn of literature, text and image have accompanied one another not merely as competing but also as cooperating media. Based on theoretical considerations of their relationship and their expressive possibilities on the one hand, and on the conditions of the culture of writing and images in antiquity and late antique Christianity on the other, this piece portrays the collaboration between text and image to aid the reader across genres and throughout the ages with an outlook towards vernacular literature and translations.
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Haltman, Kenneth. "Cartographic Representation in the Age of Vernacular Landscape." In Cartographic Expeditions and Visual Culture in the Nineteenth-Century Americas. Routledge, 2020. http://dx.doi.org/10.4324/9780429319211-5.

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Becht-Jördens, Gedeon. "Chapter 24. “Textual images” and “visual texts”." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxiv.24bec.

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Since the dawn of literature, text and image have accompanied one another not merely as competing but also as cooperating media. Based on theoretical considerations of their relationship and their expressive possibilities on the one hand, and on the conditions of the culture of writing and images in antiquity and late antique Christianity on the other, this piece portrays the collaboration between text and image to aid the reader across genres and throughout the ages with an outlook towards vernacular literature and translations.
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Krase, Jerome, and Timothy Shortell. "Story-Making and Photography: The Visual Essay and Migration." In IMISCOE Research Series. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67608-7_8.

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AbstractIt can be argued that migrants express their own agency, via spatial practices, to change the meanings of the spaces and places they occupy and use. Although they are not the most powerful agents in our glocalized world, they nevertheless sometimes consciously and more often unconsciously, compete with others to visually define their micro-worlds for themselves and, therefore, for more powerful others as well (Krase &amp; Shortell, 2015). Of course, migrants move, but they also settle and can establish more or less permanent enclaves. As students of mid- to large-scale urban change, we
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Brown, Neil C. M. "Distinguishing Artistic from Vernacular Performances in the Visual Arts: A Classroom Perspective." In Studies in Philosophical Realism in Art, Design and Education. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-42906-9_13.

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Ishisaka Yreijo, Estefania Alexandra Ami, and Byungkeun Oh. "Application of Vernacular Design for Emotional Communication: Focus on Visual Arts of Ancient Peruvian Inca." In [ ] With Design: Reinventing Design Modes. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-4472-7_15.

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Índias Cordeiro, Graça, and Giuseppe Formato. "Azorean-American Resilience in Camberville: A Visual Approach to a Vernacular Landscape in a Gentrified Neighborhood." In The Everydayness of Cities in Transition. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63414-7_6.

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Vandi, Loretta. "The Visual Vernacular: The Construction of Communal Literacy at the Convent of Santa Maria in Pontetetto (Lucca)." In Medieval Women: Texts and Contexts. Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.mwtc-eb.5.105530.

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Berry, Marsha. "Playing with Visual Vernaculars." In Creating with Mobile Media. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-65316-7_2.

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Conference papers on the topic "Visual vernacular"

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EL HARROUNI, Khalid. "Seismic vulnerability of vernacular architectural heritage in the Al Haouz region in Morocco." In Vernacular Architecture: Support for Territorial Development. Materials Research Forum LLC, 2025. https://doi.org/10.21741/9781644903391-28.

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Abstract. Vernacular architectural heritage in the Al Haouz Region of Morocco faces significant seismic vulnerability. This poses a serious threat to preserving these valuable structures made of local materials including earth, wood, and stone. It is therefore crucial to analyze and assess the seismic vulnerability of these buildings to develop effective strategies for their protection and conservation. The seismic vulnerability of vernacular architectural heritage refers to the susceptibility of these structures to damage or collapse during seismic events. Vernacular architecture, characteriz
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Cardoso, Fernanda de Abreu. "An analysis of the translation of the vernacular graphic design’s symbolisms through their visual representations." In 6th Information Design International Conference. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-cidi-72.

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Ali, S. Omar. "Collective Domestic: Theorizing the Intermediate Commons." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.64.

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This paper introduces research from a special topics seminar that explores the incorporation of collective intermediate space (also referred to as gray space and the intermediate commons), as a possible alternative to the isolated condition of most housing design arrangements in North America. Gray space is most easily understood as the transitional intermediate space prior to entering or after exiting a domestic space to the public domain. These spaces often blur the line between public and private space; inside and outside; formal and informal; are truly multi-functional and can be defined b
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Ferrer Forés, Jaime J. "Binibeca Vell. Interpreting tradition." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15325.

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Following the visual and volumetric bases extracted from the traditional Mediterranean architecture, Francisco Juan Barba Corsini (1916-2008) and Antoni Sintes Mercadal (1921-1981) designed Binibeca Vell (1964-1972) a respectful complex with the environment and the constructive traditions. The integration in the site, the built forms, the materials used and the urban structure reflect the organization of a traditional village. The research aims to analyze the architectural features, the reinterpretation of vernacular elements and the local traditional construction crafts involved in the comple
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Zavidovskaia, Ekaterina, and Dmitrii Maiatskii. "COMPARATIVE STUDY OF THE ILLUSTRATIONS OF THE NOVEL INVESTITURE OF THE GODS BASED ON WOODBLOCK EDITIONS AND POPULAR PRINTS NIANHUA." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.13.

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The authors of this paper discuss visual material based on the plot of the Ming dynasty novel Investiture of the Gods (Fengshen yanyi, 封神演義), formed on the basis of large corpus of written historical works and Song-Yuan vernacular literature. Various illustrated woodblock and lithographic editions of the novel (published before 1911) are discussed in chronological order with focus on the special features and artistic level of their illustrations, whose content and technique are compared. Popular woodblock prints nianhua from Russian collections are examined in order to trace whether connection
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Naik, Niyati S., and Ihab Elzeyadi. "External Dynamic Screens for Thermal Delight and ‘Alliesthesia’." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.12.

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External dynamic screens, inspired from geometric patterns of vernacular screens, are popular building facade treatments because of their aesthetic significance. Their potential to impact building cooling energy demand and visual comfort has been well-realized, However, their impact on occupant com¬fort has been under-researched. This study is part of a larger research problem that investigates the impact of external dynamic screens on occupants’ thermal comfort and ‘alliesthesia’/thermal pleasure. This paper focuses on investigating the sensitivity of predicted thermal comfort to geometric pa
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Martinez Cousinou, Pablo. "El archivo fotográfico Atín Aya, claves para una interpretación." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6895.

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Esta comunicación pretende dar a conocer el archivo fotográfico Atín Aya, su proceso de inventariado y catalogación así como analizar sus principales ejes temáticos. Atín Aya documentó extensamente la realidad social de Andalucía durante el último cuarto del siglo XX, un período caracterizado por el salto a la modernidad y al concurso internacional de España: integración europea, Expo 92, Juegos Olímpicos, etc... Su legado alberga abundante documentación visual de la creación y primeros años de la autonomía andaluza, de la transformación urbanística de Sevilla con motivo de la Exposición Unive
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Whelan, Debbie. "Light Touch on the land – continued conversations about architectural change, informality and sustainability." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15043.

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Including ‘informally constructed’ buildings in the cornucopia of ‘vernacular’ has its opponents. They are not visually compelling, strongly represent the ‘other’, and their unpopularity derives from worldviews that prioritise ‘architecture’ as modernity rather than, perhaps, ‘buildings’ as humanity. However, it is argued that informal settlements are not only the kernel of new cities (using modern materials), but are inevitable and sanitized by health legislation, with slum ‘clearing’ having different potentials, to ‘slum building’. Considering informal settlements in Pietermaritzburg, South
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Marques, Patrícia Sousa, Filemon Alves Tiago, and Fabíolla Xavier Rocha Ferreira Lima. "Architecture, Permaculture and Bioconstruction." In ENSUS2023 - XI Encontro de Sustentabilidade em Projeto. Grupo de Pesquisa Virtuhab/UFSC, 2023. http://dx.doi.org/10.29183/2596-237x.ensus2023.v11.n1.p97-109.

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In this work, we seek to discuss and understand the concepts of permaculture and sustainability in architecture and urbanism, based on bibliographical research on sustainable construction alternatives. The methodology presents viable solutions for architectural practice permeating bioconstruction techniques and methods. Based on these concepts, the architects and biobuilders of the ArqViva Project, with the participation of collaborators, volunteers and residents, carried out the architectural project and the beginning of the construction of a day care center in the urban occupation Alto da Bo
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Hadzantonis, Michael. "Karangiozis in the Shadows: A Linguistic Anthropology of Greece's Shadow Puppetry." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.1-4.

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Abstract:
The Karangiozi theatre play has existed for centuries in its various forms and across territories. Initially emanating from the Ottoman regions, it entered Greece several centuries prior, and was popularized during Ottoman occupation of Greece. Structured on a system of multilayered symbolisms, the visuals, performances and narratives in Karangiozi present the lead character, Karangiozi, a poor and benevolent man who is frequently oppressed and beaten for his misdoings. The character must contend with the arrogance and comical approaches of other characters, and must support his family, all wh
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