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1

De, la Mare Walter. The voice. Faber and Faber, 1986.

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Walter, De la Mare. The voice. Faber and Faber, 1986.

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3

Sommers, Jeffrey. Model voices: Finding a writing voice. McGraw-Hill, 1989.

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4

1984-, Marshall Sarah, ed. The inner voice. StrongWords, 2005.

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5

H, New William, and Messenger W. E. 1931-, eds. Active voice. 2nd ed. Prentice-Hall of Canada, 1985.

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6

Romano, Tom. Crafting authentic voice. Heinemann, 2004.

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7

Shakabpa, Tsoltim Ngima. Voice of Tibet. [Paljor Publications], 2006.

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8

Loy, Sandra. The writer's voice. Holt, Rinehart, and Winston, 1985.

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9

Pasternak, Boris Leonidovich. The voice of prose. Polygon, 1986.

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10

Pasternak, Boris Leonidovich. The voice of prose. Polygon, 1986.

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11

Pasternak, Boris Leonidovich. The voice of prose. Grove Press, 1986.

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12

Michael, Rosen. I see a voice. Stanley Thornes, 1989.

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13

De, la Mare Walter. The voice: A sequence of poems. Faber and Faber, 1986.

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14

Pavlović, Miodrag. A voice locked in stone. Exile Editions, 1985.

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15

Green, Joan M. Your voice and mine 2. Holt, Rinehart and Winston of Canada, 1987.

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16

Goldberg, Jonathan. Voice terminal echo: Postmodernism and English Renaissance texts. Methuen, 1986.

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17

Clarke, Rebecca. Three old English songs: Arranged for voice and violin. Boosey & Hawkes, 1995.

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18

C, Hahner Jeffrey, ed. Speaking clearly: Improving voice and diction. 2nd ed. Random House, 1986.

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19

A, Sokoloff Martin, and Salisch Sandra L, eds. Speaking clearly: Improving voice and diction. 6th ed. McGraw-Hill, 2002.

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20

Eadith, Joan. A very loud voice. Warner, 1998.

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21

Thapelo, Ndlovu, ed. Echoes of the unforbidden voice. A re Chencheng Writers, 1997.

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22

B, McCully C., and Adcock Fleur, eds. The poet's voice and craft. Carcanet, 1994.

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23

Nationwide, Napier, ed. Hear my voice 1995: Poetry anthology. Napier Nationwide, 1995.

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24

Amelia, Lapeña-Bonifacio, University of the Philippines. Creative Writing Center., and National Commission on Culture and the Arts (Philippines). Committee on Literary Arts., eds. Tinig: The living voice in conversation. Published by the U.P. Creative Writing Center with the assistance of the Committee on Literary Arts, National Commission for Culture and the Arts, 1993.

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25

Nationwide, Napier, ed. Hear my voice 1995: Poetry anthology. NapierNationwide, 1995.

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26

Lenica. English Passive Voice - Active Voice. Independently Published, 2021.

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27

Yancey, Kathleen Blake. Voices on Voice: Perspectives, Definitions, Inquiry. National Council of Teachers of English, 1994.

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28

Reid, John. Voice. Pegasus Elliot Mackenzie Publishers, 2022.

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29

Upadhyaya, A. Ssc Narration & Voice English. Independently Published, 2019.

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30

Voices: Tapping the Child's Voice. Alliance Press, 2000.

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31

Chambers, Budgie. Inner Voice. Austin Macauley Publishers Ltd., 2022.

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32

Brian, Martin. Village Voice. Austin Macauley Publishers Ltd., 2019.

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33

Shirley-Davies, Joan. Alyona's Voice. Austin Macauley Publishers Ltd., 2019.

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34

Alim, Abdul. Voice: English and Bangla Version. Independently Published, 2021.

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35

Showman, Niranjan Jha. English Voice Accent and Pronunciation. Independently Published, 2022.

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36

Lyric Voice in English Theology. Bloomsbury Publishing Plc, 2023.

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37

FULWILER. Writer's Voice. Prentice Hall, 1998.

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38

Dean, Nancy. Discovering Voice: Voice Lessons for Middle and High School. Capstone, 2013.

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39

Caliban's Voice. Routledge, 2008.

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40

Voice for Rebekah. Austin Macauley Publishers Ltd., 2022.

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41

Active voice. 2nd ed. Prentice-Hall Canada, 1986.

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42

Hear My Voice. Napier Nationwide Ltd, 1995.

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43

Hear My Voice. Napier Nationwide Ltd, 1995.

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44

Svartvik, Jan. On Voice in the English Verb. De Gruyter, Inc., 1985.

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45

KAUR, Ramandeep. All about Voice: English Grammar Basics. Independently Published, 2018.

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46

Svartvik, Jan. On Voice in the English Verb. de Gruyter GmbH, Walter, 1985.

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47

On Voice in the English Verb. De Gruyter, Inc., 2011.

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48

Dodd, Elizabeth S. The Lyric Voice in English Theology. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9780567670335.

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Elizabeth S. Dodd explores how the lyric voice in English theology has spoken to, within and between church, self and society. By examining a number of texts by authors such as Lancelot Andrewes, William Blake, Samuel Taylor Coleridge, as well as T. S. Elliot and Geoffrey Hill, Dodd concludes that lyric is a vehicle for the imagination; which is the engine of theological thought, but it also has practical, ethical and public implications. In contemporary discussions of genre in theological aesthetics, as in the work of Charles Taylor, David Ford, Ben Quash, Kevin Vanhoozer and Sam Wells, lyric
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49

Garner, Alan. Voice That Thunders. Penguin Random House, 2011.

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50

Garner, Alan. Voice That Thunders. Penguin Random House, 2014.

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