Relevant bibliographies by topics / Voice - sacred

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Voice - sacred'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Voice - sacred"

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Marsh, Karen R., and Michael D. Smith. "The Native American voice in United States water rights." Journal of Water, Sanitation and Hygiene for Development 5, no. 2 (2015): 173–82. http://dx.doi.org/10.2166/washdev.2015.089.

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There is a sacred relationship between Native Americans and the environment. The importance of those sacred beliefs in water rights in the United States (US) is examined through a series of case studies. A thorough review of available literature displays a trend toward less dependence on the US for representation and a greater recognition of Native American traditions. The increased role of Native Americans in water rights quantification and resource development provides greater appreciation and understanding of their traditions and beliefs.
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Reuland, Jamie. "Voicing the Doge’s Sacred Image." Journal of Musicology 32, no. 2 (2015): 198–245. http://dx.doi.org/10.1525/jm.2015.32.2.198.

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During the fourteenth century, Venetian chronicles, art, and ceremony fostered provocative analogies between angelic annunciation and the political voice of the Venetian populace. Such analogies imagined a city whose civic and heavenly members were united through the sound of unanimity. At the intersection of the state’s civic and celestial bodies stood the doge, considered to be the image of the Republic and of its patron, Saint Mark. A complex of sung ceremonies and musical compositions addressed to the doge dramatized the notion that the voice, as a ritual instrument, could engender real po
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Moreira Vieira, Caroline, and Joana Bahia. "Yaô africano: the orixá in the voice of Patricio Teixeira." Religiones y religiosidades en América Latina, no. 26 (December 31, 2020): 39–62. http://dx.doi.org/10.36551/2081-1160.2020.26.39-62.

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Patricio Teixeira was an important voice in Brazilian music, particularly during the 1920s and 1930s. His career in radio broadcasting extended into the mid-1950s. Teixeira’s work gave visibility to black subjects and their cultural identities. This article analyzes the sacred elements that overflow into the musical and recreational universe of Rio through some of the songs recorded by Teixeira. With varied appropriations, these recordings of chants for orixá, Afro-Brazilian practices, and rituals mark the presence of the Afro-Brazilian sacred in Brazilian popular song.
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AQUILINA, FREDERICK. "A SHORT BIOGRAPHY OF BENIGNO ZERAFA (1726-1804): A MID-EIGHTEENTH-CENTURY MALTESE COMPOSER OF SACRED MUSIC." Eighteenth Century Music 4, no. 1 (2007): 107–18. http://dx.doi.org/10.1017/s1478570607000723.

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The outstanding (though still insufficiently recognized) development of Maltese sacred music in the mid-eighteenth century culminated in the works of Benigno Zerafa (1726–1804), a highly talented priest-composer who served as maestro di cappella at the Cathedral of St Paul at Mdina from 1744 to 1786. Zerafa’s entire collection of sacred vocal works, with one exception, was discovered in 1969 by the then-curator of the Archives of Mdina, Mgr Rev John Azzopardi. The collection, comprising, among others, masses, Credo settings, psalms, graduals, offertories, litanies, hymns, sequences, antiphons,
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Lane, Belden C. "Giving Voice to Place: Three Models for Understanding American Sacred Space." Religion and American Culture: A Journal of Interpretation 11, no. 1 (2001): 53–81. http://dx.doi.org/10.1525/rac.2001.11.1.53.

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Ten miles east of Bighorn Canyon in northern Wyoming, you start to climb up out of the desert heat toward Medicine Mountain, looming in the distant haze. At this point, Highway 14A begins a torturous seven-mile ascent along a 10 percent grade, rising ever higher into sweet clover and green meadows, spruce trees and lodgepole pines. Staying in first or second gear the whole way up, your engine still overheats by the time you have reached the crest. But, if you follow the small National Forest sign off to the left near the summit and walk another mile and a half after parking the car, you come t
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El-Desouky, Ayman A. "Naẓm, iʿjāz, Discontinuous Kerygma: Approaching Qur'anic Voice on the Other Side of the Poetic". Journal of Qur'anic Studies 15, № 2 (2013): 1–21. http://dx.doi.org/10.3366/jqs.2013.0094.

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The present study offers tentative reflections toward approaching the questions of revelation, iʿjāz, naẓm and Qur'anic voice from within modern conceptual frames of the literary and the sacred which focus not so much on the poetic and the metaphorical as on the historical. What is meant by the historical here is the locus of human experience in its receptivity to the revealed word: the response to the very fact of revelation, which turns the experience of the sacred text and its rhetorics into an experience of sacred hermeneutics – whether on the level of the individual, from within the uniqu
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Reisner, Philipp. "Cold War and New Sacred Poetry." JAAAS: Journal of the Austrian Association for American Studies 1, no. 1 (2020): 101–18. http://dx.doi.org/10.47060/jaaas.v1i1.83.

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Contrary to what one might expect, many poets who engage with the Cold War adopt not primarily a political but rather a religious voice. Indeed, poets such as Li-Young Lee, Suji Kwock Kim, and Kathleen Ossip examine the Cold War in light of theological questions. Their poems bear witness not to personal suffering inflicted by political and societal circumstances but instead to human resilience bolstered by faith in the face of traumatic experience. Their writings are not best captured by the frequently invoked "Poetry of Witness," understood as witness to injustice, but rather "new sacred poet
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Borton, Lady. "An Impostor's Voice." Harvard Educational Review 55, no. 1 (1985): 118–21. http://dx.doi.org/10.17763/haer.55.1.qh240878867650h2.

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Lady Borton is a United States citizen of Quaker background, and a former high school teacher. Inspired by her pacifist conviction that all lives are sacred and that violence is not an appropriate choice to resolve human conflict, she volunteered to work in Vietnam for the American Friends Service Committee (AFSC). The AFSC is a Quaker-based organization dedicated to the elimination of social injustice and to the promotion of world peace. From 1969 to 1971 Borton served as adminstrator of the AFSC project in Quang Ngai, a Vietnamese province that saw some of the heaviest civilian and military
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Khalfaoui, Andrea, Ana Burgués, Elena Duque, and Ariadna Munté. "Believers, Attractiveness and Values." Religions 12, no. 3 (2021): 213. http://dx.doi.org/10.3390/rel12030213.

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Societies are undergoing an intensive process of transformation, and the role that religion plays in guiding such rapid changes remains underexplored. In recent decades, postmodern discourse has hindered the attractiveness of involvement in religious affairs and reading sacred books, highlighting how “uncool” and useless these practices are in responding to current daily life challenges. Decades of research have evidenced the positive impact of reading the most precious universal literary creations. Since sacred books are considered universal texts, this study explores the potential of dialogi
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Cyr, Mary. "Ariane consolée par Bacchus and François Couperin’s early writing for the viol." Early Music 48, no. 3 (2020): 291–306. http://dx.doi.org/10.1093/em/caaa037.

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Abstract Ariane consolée par Bacchus, newly discovered by Christophe Rousset and the only surviving cantata attributed to François Couperin, is scored for bass voice, obbligato bass viol and continuo. Because Couperin passionately engaged with Italian music, scholars have long assumed that he would have composed cantatas, but until now none had been known to survive. His choice of bass voice and viol, an unusual combination in the French cantata repertory, opens several avenues for investigation. A precursor to his choice of bass voice and viol can be found in his petits motets, some of which
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Dissertations / Theses on the topic "Voice - sacred"

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Monroe, Deborah Jean. "Prayers of adoration, confession, thanksgiving and supplication a composition for soprano and chamber ensemble /." connect to online resource, 2004. http://www.unt.edu/etd/all/Aug2004/monroe%5Fdeborah%5Fjean/index.htm.

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Thesis (M.M.)--University of North Texas, 2004.<br>For soprano, clarinet, bassoon, trumpet, trombone, violin, double bass, and percussion. Duration: 14:00. Includes commentary by composer. Includes bibliographical references (p. 33-35).
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Ramsey, Michael W. Shakespeare William Shakespeare William Shakespeare William Mobberley James. "In praise of fathers three pictures from Shakespeare /." Diss., UMK access, 2008.

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Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2008.<br>A three movement work for orchestra and bass-baritone soloist using texts from three Shakespeare plays: Hamlet, Titus Andronicus and King Lear. "A dissertation in music composition." Advisor: James Mobberley. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Aug. 07, 2009. Online version of the print edition.
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Persaud, Shanti Meeradevi. "Grace unfolding, self-transformation as a sacred, transgressive art of listening to the inner voice; a Jungian perspective." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq66307.pdf.

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Cooper, Gavin M. "Raising the Voice for Communion and Conquest: Hymn Singing in Contact among the Brainerd Missionaries and the Cherokees, 1817-1838." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/rs_theses/34.

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Many scholars have recognized the communicative and emotive power of singing as a ritual performance, and some have argued that hymn singing has played a significant role as a medium of cultural and religious communication and exchange. To better understand how and why singing might facilitate such exchange, this essay explores as a case study, the role of hymn singing in the cultural contact between the Cherokees and the missionaries at Brainerd, near Chattanooga, TN. By examining accounts of ritual singing recorded by both missionaries and Cherokees, the project illuminates how these communi
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Gutierrez, Jason. "The Prayer of Daniel: for flute (with alto flute), clarinet (with bass clarinet), violin, cello, doumbek, percussion, piano, bass-baritone voice, and men's chorus." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20032/gutierrez%5Fjason/index.htm.

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Forbes, Anne-Marie H., and Johann Sebastian 1685-1750 Vergnügte Ruh beliebte Seelenlust Vergnügte Ruh beliebte Seelenlust Bach. "A master's recital and analytical programme notes." Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9839.

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Title from accompanying document.<br>A.M. Forbes, soprano ; J. Anschutz, piano, organ ; K. Irwin, oboe ; D. Bakke, T. McClure, violins ; E. Takehana, viola ; V. Pugh, violoncello ; J. Langenkamp, tenor ; S. Rushing, narrator.<br>Digitized by Kansas Correctional Industries
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Monroe, Deborah J. "Prayers of Adoration, Confession, Thanksgiving and Supplication: A Composition for Soprano and Chamber Ensemble." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4584/.

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This paper examines the relationship between text and music in Prayers of Adoration, Confession, Thanksgiving and Supplication - a four-movement composition, fourteen minutes in length, for soprano, clarinet, bassoon, trumpet, trombone, violin, double bass, and percussion. The text of the composition is taken from the Psalms and The Book of Common Prayer. The names and themes of the movements follow an ancient pattern for prayer identified by the acronym, A.C.T.S. Compositional considerations are contrasted to those of Igor Stravinsky and Steve Reich, with special emphasis on the use of mus
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Lopes, Maria Cláudia Santos. "A voz e o sagrado: cantos sobre poéticas da voz em contextos diversos." Universidade Federal de Uberlândia, 2016. https://repositorio.ufu.br/handle/123456789/12376.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This chant-dissertation is the sharing of my reflection on the theme of the sacred dimension of poetic voice, done through dialogue and intersection of two research fields. The first field is the work of Cecilia Valentim in her approach A Arte do Ser Cantante and the second one is the creation process the play Recusa, by Cia Balagan , where I frame the research on the vocal poetic work developed, both fields are mainly located in São Paulo. To thicken the discussion on the theme voice and sacred, I bring the concepts discussed by G
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吳俊凱 and Chun Hoi Daniel Ng. "Original compositions for young musicians." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31212608.

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McBride, Melissa Lyn. "For Unto Us…" Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc501092/.

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For Unto Us is a one movement work for soprano and orchestra. The text, by the composer, describes the thoughts and feelings of Mary, the mother of Jesus, as she watches the crucifixion. Mary's process of faith is traced through the sequence of dramatic events which proceed and follow the crucifixion. The work explores symbolic instrumentation, juxtaposition of harmonic languages, and extended techniques for performance and notation. The setting of the text combines traditional operatic idioms with new elements in the music. The duration of this dramatic, quasi-operatic scene is approximately
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Books on the topic "Voice - sacred"

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Songs for bass voice: An annotated guide to works for bass voice. Scarecrow Press, 1994.

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Pāṇḍuraṅgarāva, Āi. The voice of vision: Commentary on some sacred hymns. Akshara Bharati, 1998.

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Pāṇḍuraṅgārāva, Āi. The voice of vision: Commentary on some sacred hymns. Akshara Bharati, 1993.

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Patrick, David M. Sacred songs for the soloist: [20 songs on religious texts for] medium high voice. Boosey & Hawkes, 1996.

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Scelsi, Giacinto. Musique sacrée. RCA, 1985.

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A sacred voice is calling: Personal vocation and social conscience. Orbis Books, 2006.

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Pinkham, Daniel. Three alleluias: For high voice and piano. E.C. Schirmer, 1988.

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Pinkham, Daniel. Music in the manger: For medium voice & piano (or harpsichord). Ione Press, 1987.

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Still, William Grant. Here's one: For voice and piano (or guitar) : Negro spiritual. John Church, 1996.

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Guerre, Elisabeth-Claude Jacquet de La. Susanne: Cinquième cantate, à voix seule. Hildegard Pub. Co., 1995.

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Book chapters on the topic "Voice - sacred"

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Evans, Jennifer. "Giving voice to the sacred black female body in takayna country." In Indigenous Perspectives on Sacred Natural Sites. Routledge, 2018. http://dx.doi.org/10.4324/9781351234900-2.

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Brauner, David. "No Man’s Land: the Transgendered Voice in Jeffrey Eugenides’s Middlesex and Rose Tremain’s Sacred Country." In Cross-Gendered Literary Voices. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137020758_9.

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Shapiro, Ester, and Darcy Alcántara. "Mujerista creativity: Latin@ sacred arts as life-course developmental resources." In Womanist and mujerista psychologies: Voices of fire, acts of courage. American Psychological Association, 2016. http://dx.doi.org/10.1037/14937-009.

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Deák, Viktória Hedvig. "Beguines in Hungary? The Case of St Margareta of Hungary (1242–71): A Mystic without a Voice." In Europa Sacra. Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.es-eb.1.102245.

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Gloria, Alberta M., and Jeanett Castellanos. "Latinas poderosas: Shaping mujerismo to manifest sacred spaces for healing and transformation." In Womanist and mujerista psychologies: Voices of fire, acts of courage. American Psychological Association, 2016. http://dx.doi.org/10.1037/14937-005.

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Colombo, Michele. "Lettera e voce nella «Passione Mai» in veneziano antico." In 978-3-11-030025-3VAStoria sacra e profana nei volgarizzamenti medioevali, edited by Michele Colombo, Paolo Pellegrini, and Simone Pregnolato. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110611113-006.

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"Chapter 1. Sacred Words, Sacred Book." In The Voice, the Word, the Books. Princeton University Press, 2007. http://dx.doi.org/10.1515/9780691190471-002.

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Hess, Carol A. "The European Neoclassicist: Finding His Voice." In Sacred Passions. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780195383584.003.0006.

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"Voice and Voices in Oratorios: On Sacred and Other Voices." In On Voice. Brill | Rodopi, 2014. http://dx.doi.org/10.1163/9789401210683_011.

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"Why the Island Hill Was Sacred." In Eagle Voice Remembers. Bison Books, 2021. http://dx.doi.org/10.2307/j.ctv1c9hq8g.27.

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