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Dissertations / Theses on the topic 'Voice - sacred'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Monroe, Deborah Jean. "Prayers of adoration, confession, thanksgiving and supplication a composition for soprano and chamber ensemble /." connect to online resource, 2004. http://www.unt.edu/etd/all/Aug2004/monroe%5Fdeborah%5Fjean/index.htm.

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Thesis (M.M.)--University of North Texas, 2004.<br>For soprano, clarinet, bassoon, trumpet, trombone, violin, double bass, and percussion. Duration: 14:00. Includes commentary by composer. Includes bibliographical references (p. 33-35).

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2

Ramsey, Michael W. Shakespeare William Shakespeare William Shakespeare William Mobberley James. "In praise of fathers three pictures from Shakespeare /." Diss., UMK access, 2008.

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Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2008.<br>A three movement work for orchestra and bass-baritone soloist using texts from three Shakespeare plays: Hamlet, Titus Andronicus and King Lear. "A dissertation in music composition." Advisor: James Mobberley. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Aug. 07, 2009. Online version of the print edition.

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3

Persaud, Shanti Meeradevi. "Grace unfolding, self-transformation as a sacred, transgressive art of listening to the inner voice; a Jungian perspective." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq66307.pdf.

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4

Cooper, Gavin M. "Raising the Voice for Communion and Conquest: Hymn Singing in Contact among the Brainerd Missionaries and the Cherokees, 1817-1838." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/rs_theses/34.

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Many scholars have recognized the communicative and emotive power of singing as a ritual performance, and some have argued that hymn singing has played a significant role as a medium of cultural and religious communication and exchange. To better understand how and why singing might facilitate such exchange, this essay explores as a case study, the role of hymn singing in the cultural contact between the Cherokees and the missionaries at Brainerd, near Chattanooga, TN. By examining accounts of ritual singing recorded by both missionaries and Cherokees, the project illuminates how these communi

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5

Gutierrez, Jason. "The Prayer of Daniel: for flute (with alto flute), clarinet (with bass clarinet), violin, cello, doumbek, percussion, piano, bass-baritone voice, and men's chorus." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20032/gutierrez%5Fjason/index.htm.

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6

Forbes, Anne-Marie H., and Johann Sebastian 1685-1750 Vergnügte Ruh beliebte Seelenlust Vergnügte Ruh beliebte Seelenlust Bach. "A master's recital and analytical programme notes." Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9839.

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Title from accompanying document.<br>A.M. Forbes, soprano ; J. Anschutz, piano, organ ; K. Irwin, oboe ; D. Bakke, T. McClure, violins ; E. Takehana, viola ; V. Pugh, violoncello ; J. Langenkamp, tenor ; S. Rushing, narrator.<br>Digitized by Kansas Correctional Industries

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7

Monroe, Deborah J. "Prayers of Adoration, Confession, Thanksgiving and Supplication: A Composition for Soprano and Chamber Ensemble." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4584/.

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This paper examines the relationship between text and music in Prayers of Adoration, Confession, Thanksgiving and Supplication - a four-movement composition, fourteen minutes in length, for soprano, clarinet, bassoon, trumpet, trombone, violin, double bass, and percussion. The text of the composition is taken from the Psalms and The Book of Common Prayer. The names and themes of the movements follow an ancient pattern for prayer identified by the acronym, A.C.T.S. Compositional considerations are contrasted to those of Igor Stravinsky and Steve Reich, with special emphasis on the use of mus

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8

Lopes, Maria Cláudia Santos. "A voz e o sagrado: cantos sobre poéticas da voz em contextos diversos." Universidade Federal de Uberlândia, 2016. https://repositorio.ufu.br/handle/123456789/12376.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This chant-dissertation is the sharing of my reflection on the theme of the sacred dimension of poetic voice, done through dialogue and intersection of two research fields. The first field is the work of Cecilia Valentim in her approach A Arte do Ser Cantante and the second one is the creation process the play Recusa, by Cia Balagan , where I frame the research on the vocal poetic work developed, both fields are mainly located in São Paulo. To thicken the discussion on the theme voice and sacred, I bring the concepts discussed by G

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9

吳俊凱 and Chun Hoi Daniel Ng. "Original compositions for young musicians." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31212608.

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10

McBride, Melissa Lyn. "For Unto Us…" Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc501092/.

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For Unto Us is a one movement work for soprano and orchestra. The text, by the composer, describes the thoughts and feelings of Mary, the mother of Jesus, as she watches the crucifixion. Mary's process of faith is traced through the sequence of dramatic events which proceed and follow the crucifixion. The work explores symbolic instrumentation, juxtaposition of harmonic languages, and extended techniques for performance and notation. The setting of the text combines traditional operatic idioms with new elements in the music. The duration of this dramatic, quasi-operatic scene is approximately

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11

Lemieux, Glenn C. (Glenn Claude). "Sacred Symphony." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc330973/.

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Sacred Symphony is a work for orchestra, chorus and 8 soloists. It is scored for three horns in F, three trumpets in B flat (1st doubling trumpet in C), tenor trombone, bass trombone, percussion, celesta, piano and strings. The percussion consists of suspended cymbal, glockenspiel, vibraphone, marimba, bass marimba, tenor drum, snare drum, bass drum, two slit drums (4 tom-toms if unavailable), small triangle, and finger cymbals. The work is in three movements: Sanctus, Beatitudes (Matt. 5: 3-12) and Gloria. The Sanctus primarily gives glory to God the Father while the Beatitudes are Christ's

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12

Alexander, Patrick Elliot. "Black Man Kneeling, Black Man Standing: Exploring the Interplay Between Secular and Sacred Spaces in Representations of Black Masculinity in Zora Neale Hurston's Jonah's Gourd Vine, James Baldwin's Go Tell It on the Mountain, and Ernest J Gaines's A Lesso." Miami University Honors Theses / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1146345025.

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13

Clark-King, Ellen Jane. "Sacred hearts : feminist theology interrogated by the voices of working-class women." Thesis, Lancaster University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.418877.

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This thesis brings together the spiritual and theological insights of feminist writers with those of working-class church-going women from the council estates in the east end of Newcastle upon Tyne, opening up new possibilities for a theology based on feminist methodology. The central argument of the thesis is that feminist theology, in order to avoid becoming just another theology of the elite, needs to attend to the theology and spirituality of women outside the academy, and outside the feminist fold. The findings include areas of overlap, relationality for example, and points of conflict, e

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Friman, Anna Maria. "Modern performance of sacred medieval music, with particular reference to women's voices." Thesis, University of York, 2008. http://etheses.whiterose.ac.uk/14212/.

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15

Lee, Brent 1964. "En una noche oscura, canticle II." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59568.

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En una Noche Oscura, Canticle II, is a musical composition scored for a capella chorus in eight parts, with occasional solo passages in some voices. The piece takes its title from St. John-of-the-Cross, and is in one sense a musical response to the spiritual journey undertaken by the pilgrim of St. John's text, of Job, of David, and of countless other mystics, Christian and otherwise.<br>I have divided the accompanying analysis of the work into two parts: first, an introductory discussion of the technical ideas behind the composition of Canticle II, and second, a more thorough, section-by-sect

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16

Garcia-Castells, Federico Jose Chen Yi. "Pervigilivm [i.e. Pervigilium] veneris for mixed choir, piano and percussion quartet /." Diss., UMK access, 2007.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2007.<br>"A thesis in music composition." Typescript. Advisor: Chen Yi. Includes vita and English translation of text. Title from "catalog record" of the print edition Description based on contents viewed Nov. 13, 2007. Online version of the print edition.

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17

Klund, Heather A. "Music, lyrics, and plot synopsis for Redemption, a musical on the book of Ruth." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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18

Clifton, Jeremy J. "The four horsemen : an original composition for choir and mixed ensemble." CardinalScholar 1.0, 2009. http://liblink.bsu.edu/uhtbin/catkey/1466724.

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The Four Horsemen is an original composition in three movements that sets the texts of the Greetings and Doxology, the story of the four horsemen, and the River of Life from the Book of Revelation as found in the New International Version of the Bible. The text, which is presented in English, is set for a large SATB choir and narrator with a mixed ensemble, which consists of flute, clarinet, horn, trumpet, piano, organ, and cello. This fifteen-minute composition makes extensive use of pitch and numerical symbolism by way of a twelve-tone row. Although the piece uses a row, it contains elements

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19

Piekarski, James. "Te Deum." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc935762/.

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Te Deum is a single movement work for chorus and orchestra. It employs an ensemble comprising the complement of string, woodwind, and brass instruments typically available in a small symphony orchestra with an expanded percussion section. The choral forces are in proportional relation to the instrumental forces are in proportional relation to the instrumental forces and it is sung in the original Latin. The intended performance time is approximately 18 minutes. Temporal aspects of the work are characterized by three contrasting sections. The slow and solemn opening section is given to long str

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20

Lécuyer, Laurence. "Le ghunghat dévoilé. Voile, corps et société en Inde du Nord." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCF030/document.

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Le ghunghat est une pratique du voile particulière à l’Inde du Nord. Il a pour singularité d’être non-confessionnel et peut être pratiqué par des femmes de toutes confessions religieuses, hindoues, musulmanes ou sikhes, mais pas par toutes les femmes. Il consiste pour une femme à baisser sur son visage le voile qu’elle porte sur sa tête devant certains individus parmi ses affins, mais jamais devant ses consanguins. Il est observé de façon inégale en fonction des castes, des classes, du niveau d’éducation, des lieux de résidence dans une grande partie de l’Inde du Nord, hormis au Pendjab, d’où

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21

Man, Stanlas Ping Kwan. "Psalm 23." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc500804/.

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Psalm 23 is a sacred work in four movements, written for women's chorus (SSAA), a tenor solo and a chamber ensemble consisting of flute, oboe, trumpet, percussion, timpani, and string quartet. It is designed to be performed as a portion of a church service or in concert. The text, Psalm 23 from the Bible is sung in Chinese, and the verses of the Psalm are arranged as follows: Movement 1, Verse 1, General musical characteristics: pastoral; Movement 2, Verses 2-3, General musical characteristics: peaceful; Movement 3, Verses 4-5, General musical characteristics: agitated; Movement 4, Verse 6, Ge

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22

Dondero, Paul Stephen Sheba Mechthild Hildegard. "Rebeka and the matriarchs /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=765991401&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (D. M. A.)--University of Oregon, 2003.<br>Sacred oratorio for female narrator, 4 solo female voices, SA chorus, and chamber orchestra. Libretto compiled from biblical sources and the writings of Makeda, Queen of Sheba, Mechthild of Magdeburg, and Hildegard of Bingen. Includes libretto, p. 309-313. Includes vita and abstract. Also available for download via the World Wide Web; free to University of Oregon users.

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23

ISAACS, KEVIN JAY. "TE DEUM OPUS 62. (ORIGINAL COMPOSITION)." Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/188189.

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This work is a setting of the hymn of Thanksgiving written by St. Nicetius in the sixth century, the TE DEUM. In the Roman Catholic liturgy it replaces the last responsory of Matins on Feast Days and Sundays and in the Anglican liturgy it is one of the canticles of Morning Prayer. The text is one of the few surviving examples of Latin "Psalmus Idioticus" which were, along with the GLORIA of the Ordinary of the Mass and the EXULTET, early Latin texts written in imitation of the Psalms. This TE DEUM was written to continue a tradition of choral settings of this text, in Latin, English, and Germa

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24

King, Deborah Simpkin. "The Full Anthems and Services of John Blow and the Question of an English Stile Antico." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc332091/.

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John Blow (1649-1708) was among the first group of boys pressed into the service of King Charles II, following the decade of Puritan rule. Blow would make compositional efforts as early as 1664 and, at the age of nineteen, began to assume professional positions within the London musical establishment, ultimately becoming, along with his pupil and colleague, Henry Purcell, London's foremost musician. Restoration sacred music is generally thought of in connection with the stile nuovo which, for the first time, came to be a fully accepted practice among English musicians for the church. But the

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25

Paolizzi, Michele. "Analisi della complessità del voice leading di musica polifonica sacra tramite matrici di permutazione parziale." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/15784/.

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Recentemente abbiamo osservato un mutamento drastico nella disponibilità e fruizione di contenuti; di conseguenza, la capacità di trattare dati massivi in maniera automatica è divenuta essenziale. Uno dei problemi aperti nel campo del music information retrieval (MIR) è la classificazione automatica di contenuti, applicata ai fini più svariati, come ad esempio musicologia e raccomandazione; la raccomandazione di contenuti è un processo di capitale importanza sia in ambito di puro business che a livello molto più alto: algoritmi basati su un processo di apprendimento (come intelligenze artifici

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26

Milholland, Sharon. "Native Voices and Native Values in Sacred Landscapes Management: Bridging the Indigenous Values Gap on Public Lands Through Co-Management Policy." Diss., The University of Arizona, 2008. http://hdl.handle.net/10150/194070.

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This dissertation is a qualitative investigation into Navajo citizen opinion on the need and form of a federal-tribal co-management model for sacred lands held in federal stewardship. The central question in this inquiry is, are co-management agreements appropriate for sacred landscapes management, and if so, how would they work? In other words, what are the issues, fundamental elements and core values of a "best-practices" sacred lands co-management model? This question is important because Native sacred lands protection and access are essential to reinforcing cultural identity and well-being

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27

Wilson, Kathleen McCormick, and Giovanni Giacomo fl 1582-1609 Balletti voices (5) Selections Gastoldi. "A recital." Thesis, Kansas State University, 1986. http://hdl.handle.net/2097/9980.

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Title from accompanying document.<br>Collegiate Chorale ; conducted by Kathleen Wilson ; J. Sloop, soprano ; D. Huyett, piano ; J. Hall, organ ; Student String quartet ; Student Recorder Ensemble.<br>Digitized by Kansas Correctional Industries

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28

Burleson, Jill L. "Selected choral works from Musica sacra by Heitor Villa-Lobos : a performance edition with critical notes and commentary." Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1369912.

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Heitor Villa-Lobos (1887-1959) is regarded as the composer of highest distinction in twentieth-century Brazilian music. His musical compositions, representing virtually every musical genre, reflect his concerted effort toward developing a nationalistic Brazilian style. While the importance of this composer's ouvre and his contribution to a national Brazilian style is well established, particularly with regard to his instrumental works, his sacred choral compositions are generally considered to be peripheral in his overall compositional productivity. Although his major sacred choral works such

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29

Job, Lynn R. (Lynn Renee). "Elatio: Praises and Prophecies." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935642/.

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ELATIO: Praises and Prophecies is an allegorical composition based upon a collection of carols, poetry and prose in selected verses, phrases and fragments from medieval Christian liturgy, the canonical Hebrew Bible (Old Testament) and New Testament, and portions of various non-canonical Dead Sea Scroll texts. The languages used in the selections presented here are English, Medieval Latin, and transliterated Biblical Hebrew.

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30

Cieminski, Theresa. "A Wedding Ceremony: Processional, Kyrie, Alleluia!, Hosanna!, Recessional." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc279062/.

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A Wedding Ceremony is a composition of approximately 17 minutes in duration and is scored for horn in F, two trumpets in B-flat, trombone, two percussionists (timpani, roto toms, chimes, snare, triangle, suspended cymbal), 2-part boys choir, female soprano, and organ. The work consists of five parts of a mass, the Processional, Kyrie, Alleluia!, Hosanna!, and Recessional, with texted sections being taken from the Latin mass. The work is intended for a sacred wedding service of any denomination. The work was composed with the traditional aspects of the Latin mass in combination with a contempor

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31

McDonough, Daniel Thomas. ""-- for the waters are come in unto my soul --" fragments of Psalm 69 /." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1178139061.

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Thesis (M.M.)--Bowling Green State University, 2007.<br>For SATB chorus (up to SSSAAATTTBBB), with flute, clarinet in B♭, horn, bassoon and piano. Document formatted into pages; contains 1 score (vi, 39 p.) Includes bibliographical references.

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32

Yang, Chuan-Tsing. "The Crucifixion." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc501140/.

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The Crucifixion, a composition for three vocal soloists, four-part mixed chorus, and instrumental ensemble, is a setting of passages taken from the four Gospels of the Holy Bible. It describes the mocking of Christ and includes the Seven Last Words of Christ on the cross. It uses serial technique in the structuring of pitches and rhythm. Special attention is paid in designing and combining pitch and rhythm to create monophonic, homophonic and polyphonic textures. Besides traditional performance techniques, the work employs some modern vocal and instrumental techniques.

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33

Au, Siu-ming Stefan. "Jonah's Prayer: a Composition for Solo Tenor, Mixed Chorus and Two Pianos." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277770/.

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Jonah's Prayer is a choral work for solo tenor, a mixed choir of not fewer than 30 members, two pianos and a few percussion instruments to be played by choir members. The piece lasts about 13 minutes; it is a work intended for church choir use but could be performed in other venues as well.

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34

Martin, Nathalie. "Voiler son visage en Grèce ancienne : étude d'iconographie féminine." Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3002.

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Le regard de l'autre est ce qui fait de nous des êtres humains. L'homme se nourrit de l'homme. Voiler son visage c'est priver l'autre de son image, c'est-à-dire de son identité naturelle et culturelle. Les motifs de femmes aux visage voilé apparaissent à Athènes au début du Ve siècle sur des vases à figures rouges. Des « mantel dancers » aux femmes trônantes différentes façon de voiler son visage ont été représentées. Ces images ont été découvertes de l'Asie mineure à l'Italie et de la mer Noire à la Cyrénaïque et à l'Egypte et dont les significations sont peu connues. La prise en compte des i

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35

Grant, John Ward. "Folio of compositions and critical commentary /." [St. Lucia, Qld.], 2006. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19321.pdf.

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Neikirk, Anne L. "Missa Ad Honorem Sancti Francisci for Satb Choir, Soloists and Woodwind Quintet." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1242249236.

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37

Ribeyre, Damien. "Arthrodèse intersomatique de la charnière lombo-sacrée par voie laparoscopique : principes et évaluation de cette technique utilisant un ancillaire double canon." Bordeaux 2, 2000. http://www.theses.fr/2000BOR23033.

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38

Green, Richard T. (Richard Thurmond). "Remembrance of the Fiftieth Anniversary of the Dedication of the Moravian Church at Lititz, Pennsylvania, 13 August 1837: An Edition of Moravian Music." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc500942/.

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This thesis is a musical reconstruction of the primary services held on 13 August 1837, for the fiftieth anniversary of the dedication of the Moravian church at Lititz, Pennsylvania. The work includes general background on the Moravians and interprets information from contemporary sources to place the music in its accurate historical context. The edition of music comprises more than one half of the paper, and is taken from the original manuscript scores used. Included in the edition are five concerted anthems for choir and orchestra, and eighteen hymns from eighteenth- and early nineteenth-cen

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Cordier, Alexandra. "Sanctuaires et établissements ruraux aux abords de la voie Lyon - Trèves sur le territoire des Lingons." Thesis, Dijon, 2015. http://www.theses.fr/2015DIJOL019/document.

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A partir d'un mémoire du master sur l'étude du mobilier issu du sanctuaire de Beire-le-Châtel « Le Pâtis du Letto » ainsi que de nouvelles études comme celle du matériel provenant du fanum de Lux « Le Bois Giraud », l'ambition de cette thèse est d'appréhender la population qui le long de la voie Lyon - Trèves en pays lingon à l'époque romaine et fréquentent ses lieux de culte. Le mobilier retrouvé dans les sanctuaires a été confronté à celui issu des fouilles d’établissements ruraux, permettant de distinguer fréquentation locale et voyageurs de passage. Enfin, l’étude permet de mettre en avant

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Persaud, Shanti Meeradevi. "Grace unfolding: self-transformation as a sacred, trangressive art of listening to the inner voice - a Jungian perspective." Thesis, 2000. https://dspace.library.uvic.ca//handle/1828/10179.

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This research inquiry is an autobiographical exploration and elucidation of the lived-experience of Self-Transformation; Self-transformation connoting a comprehensive framework that comprises personal, professional, social and spiritual renewal. The study emphasizes a mind-body-spirit holism as the whole experiential reality of the person is considered. Thus, transformation is viewed as a psycho-spiritual process. An integral aspect of the transformation process is listening to the inner voice, “the voice of a fuller life, of a wider more comprehensive consciousness” (Jung, 1954. p. 184). The

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41

Knapp, Brady Keith. "Charles Villiers Stanford's sacred repertoire for solo voice, choir, and organ: An analysis of "Six Bible Songs and Hymns", Opus 113." Thesis, 2003. http://hdl.handle.net/1911/18546.

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This paper explores aspects of Sir Charles Villiers Stanford's life and music, with an emphasis on his sacred works for solo voice, choir, and organ, and an analysis of the Six Bible Songs and Hymns or Chorales (to follow the Bible songs), Opus 113 for baritone solo, SATB choir, and organ. The second chapter is a brief biography of significant events and major accomplishments in Stanford's life. The third chapter provides an overview of his compositional style, with an emphasis on the defining characteristics of his vocal music. The fourth chapter focuses on Stanford's sacred vocal music, par

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42

Garris, Nathaniel Berle Callender Clifton. "Requiem brevis." Diss., 2006. http://etd.lib.fsu.edu/theses/available/etd-05082006-163721/.

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Thesis (M.M.) Florida State University, 2006.<br>Advisor: Clifton Callender, Florida State University, College of Music. Title and description from dissertation home page (viewed 8-20-2007). Document formatted into pages; contains 46 pages. For SATB choir with soprano soloist, string choir, and piano. Includes biographical sketch.

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43

"Requiem and dream: a ballet suite." Chinese University of Hong Kong, 1995. http://library.cuhk.edu.hk/record=b5888418.

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by Lo Hau Man.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 1995.<br>Chapter 1 --- Programme notes of Requiem --- p.1-1<br>Text of Requiem --- p.1-3<br>Programme notes of Dream --- p.1-7<br>Chapter 2 --- Requiem --- p.2-i<br>Instrumentation --- p.2-ii<br>Note and Directions --- p.2-iii<br>Chapter (I) --- Requiem Aeternam --- p.2-1<br>Chapter (II) --- Dies Irae 2- --- p.24<br>Chapter (III) --- Offertorio --- p.2-108<br>Chapter (IV) --- Sanctus --- p.2-122<br>Chapter (V) --- Agnus Dei --- p.2-137<br>Chapter (VI) --- Libera Me --- p.2-147<br>Chapter 3 --- Dream - Ballet Suite

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Johnson, Julie. "A woman's work a music composition portfolio : a thesis submitted in fulfilment of the requirements for the degree of Master of Music in Composition in the University of Canterbury /." 2007. http://library.canterbury.ac.nz/etd/adt-NZCU20080310.014500.

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Ellis, Christopher E. "The choral anthems of Alice Mary Smith : performance editions of three anthems by a woman composer in Victorian England." 2014. http://liblink.bsu.edu/uhtbin/catkey/1744491.

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