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Relevant bibliographies by topics / Walls paintings

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Academic literature on the topic 'Walls paintings'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "Walls paintings"

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A. M., Bisalla,, Osakor, A. A., and Oboshi, O. S. "Developing Painting Possibilities on Calabash as a Support." Journal of Advanced Research and Multidisciplinary Studies 4, no. 4 (2024): 150–61. https://doi.org/10.52589/jarms-gqioxeao.

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Creating artworks, especially, painting have undergone a lot of changes overtime. Over the years, artists have adopted different styles and techniques in creating painting using different materials. Most of the inspirations for creating the work are gathered from their immediate environment. This paper discusses how cave walls, rocks, animal skins, animal horns and bones became surfaces on which drawings and paintings were depicted. It also notes how assorted papers, canvases, walls, wood, metal panels and many others have become surfaces used by contemporary artists in creating paintings. In

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Gresser, P. J. "Aborigine Rock Paintings-Kanangra Walls." Mankind 6, no. 5 (2009): 215–17. http://dx.doi.org/10.1111/j.1835-9310.1965.tb00350.x.

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Bai, Haochen. "Painting in Situ: Su Shi’s Mural Practices and Its Impact on Song Paintings." Studies in Art and Architecture 4, no. 2 (2025): 28–36. https://doi.org/10.56397/saa.2025.04.04.

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Su Shi and his circle have long been credited as originators of the Chinese literati painting tradition and with the inception of distinct literati art practices, including painting on silk, paper, and walls. Literati mural painting, due to its fragility, exists only in Song accounts, colophons, and poems. Building on the pioneering research of Maggie Bickford, Susan Bush, and others, this paper synthesizes their interpretations, elucidates the distinctness of literati mural practices, and sheds new light on cross-medium connections in literati paintings. The paper opens by focusing on the con

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Titarenko, E. M. "Russian painting of the 19th century in the context of the projective aesthetics of N.F. Fyodorov." Solov’evskie issledovaniya, no. 4 (December 15, 2019): 114–27. http://dx.doi.org/10.17588/2076-9210.2019.4.114-127.

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The article is dedicated to the insufficiently studied problem of N.F. Fyodorov’s projective aesthetics research connected to his interpretation of Russian painting of the 19th century. The objects of the analysis are such works of the philosopher as “The Question of Restoration of Kinship among Mankind. The Means for the Restoration of Kinship (Sobor)” (1880s), “About the Kremlin Walls Paintings” (1893), “Kremlin Walls” (1893), “The brilliant robber. (About Ge’s Painting “The Crucifixion”)” (1894), “Moscow Rumyantsev’s Museum by the Kremlin and the Monument to the Founder of this Museum in th

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GUNAWAN, Elizabeth Susanti, and Miki TJANDRA. "UTILIZATION OF DIGITAL TECHNOLOGY TO PRESERVE CHINESE WALL PAINTINGS AS CULTURAL HERITAGE." GeoJournal of Tourism and Geosites 55, no. 3 (2024): 1198–207. http://dx.doi.org/10.30892/gtg.55320-1292.

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According to historical records of Admiral Chengho's arrival, Jamblang Indonesia has existed since the fifteenth century. The temple in Jamblang has a very valuable historical heritage. Classic Chinese stories are displayed in paintings t hat cover every wall of the temple structure. However, the condition of the paintings is not good due to damage from incense smoke, faded colors, and cracked and moldy walls. The Chinese paintings on the temple walls are evidence of traces of Chinese culture which has a long history. The paintings were left unattended due to a lack of understanding and care,

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Gil-Torrano, Andrea, Auxiliadora Gómez-Morón, José María Martín, Rocío Ortiz, Mª del Camino Fuertes Santos, and Pilar Ortiz. "Characterization of Roman and Arabic Mural Paintings of the Archaeological Site of Cercadilla (Cordoba, Spain)." Scanning 2019 (July 28, 2019): 1–14. http://dx.doi.org/10.1155/2019/3578083.

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The archaeological site of Cercadilla (Cordoba, Spain) includes a complete chronological sequence from the 3rd to 12th centuries. The most relevant monument is a Roman palace dated between the end of the 3rd century and the beginning of the 4th century AD. It is believed that it was the headquarters of the Emperor Maximiano Herculeo. A bathtub with mural paintings has been found in the thermal zone of the palace. Regarding the occupation of the archaeological site in the medieval period, it should be pointed out that two houses with mural paintings were found; these belong to the Caliphal era

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Vos, Lisette, Ige Verslype, Richard Harmanni, and Margriet Van Eikema Hommes. "Rooms without Houses, Paintings without Walls." Rijksmuseum Bulletin 65, no. 1 (2017): 78–95. http://dx.doi.org/10.52476/trb.9779.

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Sana, Ashraf T. "KERALA MURAL ART AND ITS TRADITIONAL PROCEDURES TO PAINT ON WALLS BY USING NATURAL MATERIALS." International Journal of Interdisciplinary Research in Arts and Humanities (IJIRAH) 5, no. 2 (2020): 4–8. https://doi.org/10.5281/zenodo.4013959.

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Mural paintings are usually seen in the walls and ceilings of temples and churches. Earlier Mural forms used natural materials and vegetative colors such as herbal dyes, fruits juices, and also chemicals obtained from stones and roots etc. Five colors are majorly used red, yellow, green, black, and white. Painting brushes are prepared by taking from grass and bamboos. Wooden utensils are used to mix colors and roller stone is to grind the mudstones to make pigment paste. Wall for traditional murals is done in three stages. The brick wall is a plastered mixture of lime and clean sand, different

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Richardson, Sarah. "When Walls Could Talk." Archives of Asian Art 71, no. 2 (2021): 243–68. http://dx.doi.org/10.1215/00666637-9302528.

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Abstract How can visual texts, closed books, and painted images work together in Buddhist temples to reinforce one another and act upon viewers? The fourteenth-century murals at the Tibetan temple of Shalu integrate pictures with long passages of Tibetan texts and select inscriptions that explain the powers of seeing paintings. The murals combine and mix media—books, paintings, cloth—into expressive wholes that ultimately argue that walls are in fact much more than walls. The paintings find ways to make the temple's book collections more accessible. Here we find a public art effort that weaves

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Freeman, Kathryn. "If These Walls Could Talk." Issues in Science and Technology 41, no. 3 (2025): 52–59. https://doi.org/10.58875/bcru1531.

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Dissertations / Theses on the topic "Walls paintings"

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Guerry, Emily Davenport. "The wall paintings of the Sainte-Chapelle." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608270.

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Kristoff, Donna. "Wall works : painting as record and revelation /." Online version of thesis, 1992. http://hdl.handle.net/1850/11746.

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Kirkham, Andrea. "Sixteenth- and seventeenth-century secular wall paintings in Suffolk." Thesis, University of East Anglia, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533732.

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Tamm, John A. "Argentum potorium in Romano-Campanian wall-painting /." *McMaster only, 2001.

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Bellingham, David Charles. "Sympotic scenes in Romano-Campanian wall-painting." Thesis, University of Manchester, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525923.

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Howard, Helen Catherine. "The pigments of English medieval wall painting." Thesis, Courtauld Institute of Art (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369503.

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Balmuth, Sara. "Raman analysis of a Maya wall painting." Master's thesis, Universidade de Évora, 2020. http://hdl.handle.net/10174/29038.

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Ek’ Balam is a Maya archaeological site located in Yucatán, Mexico. Due to its considerable size, the quality of its monumental architecture, and its substantial epigraphic record, archaeologists believe that it was a powerful regional polity throughout the Late and Terminal Classic period. As part of restoration projects conducted in the early 2000s, Vandenabeele et al. (2005a) employed Raman spectroscopy using a traditional benchtop spectrometer as well as an early portable Raman spectrometer to analyze thirty-three samples of a wall painting from Room 23 of the Ek’ Balam Acropolis. In the p

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Grimaldi, Dulce Maria. "Painting techniques and deterioration due to air pollution of the wall paintings of the Aztecs at the Great Temple of Tenochtitlan, in Mexico City." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0015/MQ52991.pdf.

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Miller, Lucy. "Egyptian imagery on Roman walls: The Relationship between Roman and Egyptian Elements in the First-century CE Roman Wall Painting Isiac Ritual Worship from Herculaneum." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23785.

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Incorporating Egyptian imagery in a Roman medium, Isiac Ritual Worship is a remarkable example of first-century CE Roman wall painting. Discovered in Herculaneum, it illustrates a ritual to the Egyptian goddess Isis. Discussions of Isiac Ritual Worship in modern scholarship position the wall painting as evidence of Isiac ritual practice in Roman Italy without conducting a close visual analysis and examining its combined use of Roman and Egyptian imagery. Therefore, in this thesis, I ask two pressing questions: How does Roman and Egyptian imagery coalesce in Isiac Ritual Worship? And why are th

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Baird, Kathryn. "Secular wall painting in the sixteenth and seventeenth centuries." Thesis, University of Oxford, 2003. http://ora.ox.ac.uk/objects/uuid:bcc25824-3997-43ce-91d1-a58331519d68.

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Wall paintings survive in many houses dating from the late sixteenth and early seventeenth centuries yet, apart from recording the phenomenon, there has been very little written about them. This research explores how common wall paintings were, what sort of houses had them, when they were painted and most importantly, what was their significance in terms of what they can reveal about the lives of the people who chose to decorate their homes in this manner. Research has concentrated on the Welsh Marches although examples from elsewhere have been referred to. The research hypotheses are: <ul><li

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Books on the topic "Walls paintings"

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L, Roldán Deborah, and Marlborough Chelsea (Gallery), eds. Bruce Robbins: Walls, paintings, and sculptures. Marlborough Gallery, 2009.

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1970-, Betancourt Michael, Brielmaier Isolde 1971-, Tate Greg, and Bryce Wolkowitz Gallery, eds. José Parlá: Walls, diaries, and paintings. Hatje Cantz, 2011.

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Dubuffet, Jean. Dubuffet's walls: Lithographs for Les murs. Hayward Gallery, 1999.

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Ching, Isabel. Without walls: A tour of Philippine paintings at the turn of the millennium. Winrum Pub., 2010.

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Scully, Sean. Sean Scully: Paintings. Manchester City Art Galleries, 1997.

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Fliciński, Jarosław. Estela negra: Paredes, pinturas, desenhos e objetos = Black star : walls, paintings, drawings and objects. CIAJG, 2014.

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7

Loendorf, Lawrence L. Visions from canyon walls: Petroglyphs and pictographs from the Pinon Canyon Maneuver Site. Midwest Archaeological Center?], 1998.

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Scully, Sean. Sean Scully: Paintings, 1987-1988. David McKee Gallery, 1989.

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Scully, Sean. Sean Scully: Paintings, pastels, watercolors, photographs. Richter Verlag, 2001.

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Scully, Sean. Sean Scully: Paintings and works on paper. Bernd Klüser, 1993.

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Book chapters on the topic "Walls paintings"

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Goodson, Caroline J. "The Devotional Paintings." In Walls and Memory: The Abbey of San Sebastiano at Alatri (Lazio), from Late Roman Monastery to Renaissance Villa and Beyond. Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.dm-eb.4.00006.

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Benay, Erin. "Painting on Walls." In The Routledge Companion to Public Humanities Scholarship. Routledge, 2024. http://dx.doi.org/10.4324/9781003248125-8.

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Shimadzu, Yoshiko. "Painting Materials and Techniques of the Ajanta Wall Paintings." In Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-4161-6_8.

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Lorenz, Katharina. "Wall Painting." In A Companion to Roman Art. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118886205.ch13.

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Green, Susan L. "Wall Painting." In An Introduction to the Making of Western Art. Routledge, 2024. http://dx.doi.org/10.4324/9781003354840-2.

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Moormann, Eric M. "Roman Wall Painting." In Encyclopedia of Global Archaeology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_3405.

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Moormann, Eric M. "Roman Wall Painting." In Encyclopedia of Global Archaeology. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-51726-1_3405-1.

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Pieraccini, Lisa C. "Etruscan Wall Painting." In A Companion to the Etruscans. John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781118354933.ch17.

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Malin, Michael J. "Aging of Wall Paintings." In The Chemistry and Mechanism of Art Materials. CRC Press, 2021. http://dx.doi.org/10.1201/9781003053453-7.

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Andaloro, Maria, and Paola Pogliani. "Materials and Techniques of Cappadocian Wall Paintings." In Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-4161-6_4.

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Conference papers on the topic "Walls paintings"

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Shashikala, B. N., Lavanya K P, Nagashree D, Pragathi Reddy P, and Ummadisetty Yashaswini. "Automatic Solar Wall Painting Robot." In 2025 3rd International Conference on Smart Systems for applications in Electrical Sciences (ICSSES). IEEE, 2025. https://doi.org/10.1109/icsses64899.2025.11009442.

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Page, Rick. "Coating Systems Selection Concrete Masonry Unit (CMU) Block Walls & Buildings." In SSPC 2011. SSPC, 2011. https://doi.org/10.5006/s2011-00056.

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Loukusa, James. "Cleaning and Painting Techniques and Practices Used on Commercial Stores." In SSPC 2011. SSPC, 2011. https://doi.org/10.5006/s2011-00043.

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The following describes some equipment and practices used for cleaning and painting the variety of substrates found on commercial stores: concrete masonry units (CMU), precast and tilt-up panels, steel awnings and canopies, Exterior Insulation Finish Systems (EIFS), and polycarbonate. Many contributing factors can create either a fairly straightforward and simple process or a very complex project. Contractors and manufacturers must be able recognize the different situations, locations, conditions, substrates and adapt accordingly. Most commercial stores are constructed using a single Wythe wal

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Jesenko, David, Aljaž Žel, Andraž Krivic, et al. "Colouring LiDAR Point Cloud of Wall Paintings From Images Based on ICP." In 2024 1st International Conference on Innovative and Intelligent Information Technologies (IC3IT). IEEE, 2024. https://doi.org/10.1109/ic3it63743.2024.10869409.

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Al-Ayoub, J., F. Marafie, D. Al-Hasan, K. Al-Ansari, S. E. Esmaeili, and R. Kassem. "PaintBot: Autonomous Robotic Solution for Safe and Efficient Wall Painting." In 2024 International Conference on Engineering and Emerging Technologies (ICEET). IEEE, 2024. https://doi.org/10.1109/iceet65156.2024.10913741.

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Das, Diganta, Dipanjali Kundu, Anichur Rahman, Muaz Rahman, and Sadia Sazzad. "A Robotic-based Remote Control Painting System for Exterior Walls of High-Rise Buildings." In 2024 IEEE International Conference on Computing, Applications and Systems (COMPAS). IEEE, 2024. https://doi.org/10.1109/compas60761.2024.10796801.

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Rosyid, Abdur, and Bashar El-Khasawneh. "A Large-scale Suction-based Climbing Parallel Robot for Wall Painting Application." In 2024 IEEE International Conference on Robotics and Automation (ICRA). IEEE, 2024. http://dx.doi.org/10.1109/icra57147.2024.10610067.

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Calvo, R. Philip. "Regulatory Need for Containment Structures." In CORROSION 1991. NACE International, 1991. https://doi.org/10.5006/c1991-91491.

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Abstract Containment enclosures for surface preparation and coatings pose a real challenge to the corrosion engineer and painting contractor of tomorrow. It is one thing to hang a barrier wall of tarpaulins or screens separating the blasting and painting operation from other crafts, but it takes a whole different process when the job must provide for an air-tight, dust-tight enclosure for the removal of hazardous coatings.

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de Freitas, Renato Teixeira, and Thomas Georg Fink. "How a Combination of a Polymer and PVC Film Can Provide Complete Green Coating Solutions?" In SSPC 2018. SSPC, 2018. https://doi.org/10.5006/s2018-00024.

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Abstract Vegetal polymers are today an cost effective solution for complex metallic geometry parts (bolts, flanges, valves, etc…), PVC vinyl film became the same for flat and semi flat shapes (bulkheads, tank walls, pipes, etc…). These methods do not require costly surface preparation such as SSPC-SP10, just cleaning per SSPC-SP2. Together it leads complete and long longevity if compared to most of conventional painting procedures, generating both performance and economic benefits. Vegetal thermoplastic Polymers; Current solutions prove challenging to totally eradicate corrosion since many ind

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Tiwari, Mayur V., Prajwal S. Raut, Raj S. Dhandekar, Dr S. V. Pattalwar, Amol S. Mahore, and Jay D. Bidkar. "The Survey of Self Driven Wall Painting Robots for Interior and Exterior Applications." In First International Conference on Computer, Computation and Communication (IC3C-2025). River Publishers, 2025. https://doi.org/10.13052/rp-9788743808268a008.

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Reports on the topic "Walls paintings"

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Yancheva, Denitsa, Stefan Tapanov, Neda Anastasova, Evelina Velcheva, Simeon Stoyanov, and Bistra Stamboliyska. Pigments and Organic Binders in the Wall Paintings of Chapel “St. Nikolay” in Rila Monastery Catholicon, Bulgaria. "Prof. Marin Drinov" Publishing House of Bulgarian Academy of Sciences, 2019. http://dx.doi.org/10.7546/crabs.2019.11.03.

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Melbourne Project - December 1961-September 1966 - Strongroom No. 2 showing parquetry in position, plasterers repairing "drummy" walls and painters painting ceiling - 20 May 1965. Reserve Bank of Australia, 2023. http://dx.doi.org/10.47688/rba_archives_pn-011810.

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