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Dissertations / Theses on the topic 'Walt Disney Company'

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Published: 4 June 2021
Last updated: 25 July 2025

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1

Rudetska, I. O. "The Walt Disney Company." Thesis, Видавництво СумДУ, 2012. http://essuir.sumdu.edu.ua/handle/123456789/26086.

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2

Barbosa, Miguel Sousa Montes Ferreira. "Equity research - The Walt Disney Company." Master's thesis, Instituto Superior de Economia e Gestão, 2020. http://hdl.handle.net/10400.5/20569.

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Mestrado em Finanças<br>Este Relatório de Equity Research foi escrito como Trabalho Final de Mestrado em Finanças e segue o formato recomendado pelo CFA Institute. A escolha da The Walt Disney Company para este trabalho deveu-se a vários motivos: a longa e interessante história da empresa que, com pontos altos e baixos, é uma oportunidade de aprendizagem com o seu estudo; o seu negócio dividido em vários segmentos que, apesar de terem diferenças significativas, são altamente sinergéticos e, em alguns casos, estão mudar o paradigma da indústria do entretenimento; mais importantemente, sabiamos
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3

Hamel, Gérard. "Evolution d'une entreprise vouée à la communication et aux nouvelles technologies Walt Disney Productions." Lille 3 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb37598221h.

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4

Hamel, Gérard. "Evolution d'une entreprise vouée à la communication et aux nouvelles technologies : Walt Disney Productions." Paris 13, 1986. http://www.theses.fr/1986PA131002.

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Cette étude se présente à la fois sous un aspect historique, couvrant la période 1901-1985, et comme une enquête qui dévoile toutes les activités qui se sont enchainées les unes aux autres pour aboutir au complexe de loisirs actuel. Nous avons d'abord retrace la vie de Walt Disney : son enfance, son adolescence, ses débuts, ses premiers succès, ses réussites en pleine maturité et sa fin prématurée a l'apogée d'une carrière hors du commun. Nous avons ainsi appris à le connaitre, à comprendre ses motivations profondes, à découvrir les traits de caractère de son personnage, tout ce qui lui a perm
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5

Guillaume, Cédric. "Genèse et construction d'un "empire ludo-industriel" : la Walt Disney Company (1923-2000)." Bordeaux 3, 2010. https://extranet.u-bordeaux-montaigne.fr/memoires/diffusion.php?nnt=2010BOR30086.

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Les loisirs sont devenus un phénomène global qui s’inscrit dans le développement d’une société industrielle et urbaine. Ils sont avant tout un phénomène social car ils sont le miroir d’une société. Cela, Walt Disney l’avait compris dès les années 40. Notre étude porte sur un temps relativement long, environ 80 ans, entre la création du Disney Brothers studio en 1923 et les années 2000. Nous pouvons donc étudier comment, par la démocratisation et la massification, la Walt Disney Company est passée d’une petite affaire familiale à une multinationale leader dans le cinéma, la télévision, la commu
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6

Jay, Lance Edward. "Total Quality Management within the decentralized orientation process of the Walt Disney World Company." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0016/MQ57180.pdf.

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7

Magagna, Lucrezia <1995&gt. "The Walt Disney Company in China: a journey from Mickey Mouse to Shanghai Disneyland." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16677.

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Founded in 1923 by Walter Elias Disney, The Walt Disney Company from a small cartoon studio has become a multinational media and entertainment enterprise, well-known worldwide. All its four business segments, Media Networks; Parks, Experiences and Products; Studio Entertainment; and Direct-to-Consumer and International are coordinated through the power of storytelling. In fact, the storytelling and the innovative technology are the two key points for the success in Company’s expansion into foreign markets, initially with its cartoons and later with the theme parks. Disney’s worldwide expansion
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8

Reyers, Anne. "Emotional regulation at Walt Disney World deep acting vs. surface acting." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5017.

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The objective of this study is to examine the emotional regulation strategies used by Walt Disney World on-stage employees as a way to fulfill requirements set forth by the company. Ten Disney on-stage employees were interviewed off-property in Orlando. The emotional regulation framework was divided into several categories: (1) a distinction between deep acting and surface acting, (2) emotional deviance, and (3) emotional exhaustion. "Surface acting" is a strategy by which employees display company-imposed emotions not genuinely felt, whereas "deep acting" occurs when employees do feel the emo
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9

Roy, Travis Brandon. "The Edutainer: Walt Disney, Nature Films, and American Understandings of Nature in the Twentieth Century." Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/345277.

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History<br>M.A.<br>Throughout much of the twentieth century Walt Disney wielded considerable influence in American culture. By identifying and commercially exploiting a strain of environmental thought that sentimentalized and romanticized nature, Walt Disney influenced the attitudes of millions of Americans concerning how they conceptualized environmental issues. The Walt Disney Company’s nature documentaries and their popularity as both entertainment as well as educational material helped disseminate the virtues of conservation within the American mindset. The Disney interpretation of conserv
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10

Linder, Anne. "Bücher zu Disney-Filmen - Vergleich von ausgewählten Filmen und ihrer Umsetzung in Buchform." [S.l. : s.n.], 2003. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB11612102.

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11

Stålnacke, Annika. "Idioma y género en Disney : Un estudio de los rasgos de habla femenina en Moana, la princesa moderna de Walt Disney Company." Thesis, Uppsala universitet, Institutionen för moderna språk, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-385485.

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ResumenEste estudio tiene como objetivo explorar el lenguaje de la princesa moderna de Disney y qué mensaje transmite su discurso a los niños con el fin de clarificar si Disney hace uso del “lenguaje femenino” cómo ha sido investigado por la investigadora Robin Lakoff. Es fundamental analizar la visión de la princesa Disneyana transmitida por la multinacional ya que por el lenguaje empleado se averiguan los valores que van dirigidos al público infantil en todo el mundo. Aunque se puede rechazar la afirmación de que las películas infantiles transmitan ideas y valores, la carga ideológica de los
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12

Lachance, Julie. "L'actualisation de la pensée amoureuse platonicienne dans les films d'animation de Disney." Thesis, Université Laval, 2014. http://www.theses.ulaval.ca/2014/30594/30594.pdf.

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Ce travail aborde les relations existant entre l’amour platonicien et l’amour présent dans les films d’animation de Walt Disney. Disney étant l’un des plus grands médias culturels occidentaux, si ce n’est mondiaux, retrouver Platon chez Disney, c’est voir l’influence de la philosophie grecque sur l’Occident actuel et son héritage. La comparaison sera déployée selon quatre grands thèmes : le rôle du beau dans l’amour, ἔρως comme intermédiaire, l’amour comme folie divine, l’amour comme méthode éducative. Nous commencerons par exposer les mœurs en Grèce antique, pour présenter adéquatement la pos
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13

Sammond, Nicholas S. "The uses of childhood : the making of Walt Disney and the generic American child, 1930-1960 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9956451.

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14

Cheang, I. Ian. "Deconstruction of the Disney Princess Empire." Thesis, University of Macau, 2006. http://umaclib3.umac.mo/record=b1874212.

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15

Clément, Thibaut. "De la mise en récit de l'environnement et de ses usages cognitifs, sociaux et techniques : le cas des parcs Disney." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030196/document.

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En tant que première destination touristique aux Etats-Unis, les parcs à thèmes Disney représentent un phénomène culturel important et une opportunité unique d’évaluer les médias de masse à l’aune de leur influence sur les usages et les conduites. L’analyse se propose d’interroger le concept d’imachination (imagineering), qui désigne chez Disney la conception des environnements thématiques et narratifs des parcs. Au travers de l’examen des protocoles de création des parcs, il s’agit de déterminer comment leurs concepteurs réunissent dans l’environnement certains critères de la narrativité ains
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16

Harrs, Shawn. "Standards Directory: An Engineering and Technology Standards Digital Library and Information Retrieval System for The Walt Disney Company." NSUWorks, 2006. http://nsuworks.nova.edu/gscis_etd/568.

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Walt Disney Company (Company) engineers and architects utilize engineering and technology standards in the design, development, and maintenance of its physical infrastructure worldwide. There was a need to improve the methods by which Company standards are organized and retrieved. While the leading commercial information brokers for engineering and technology standards provide standards search engines and online standards catalogs, these search services are poor in supporting standards seekers who have only a general understanding of their information needs because their searches only utilize
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17

Clément, Thibaut. "De la mise en récit de l'environnement et de ses usages cognitifs, sociaux et techniques : le cas des parcs Disney." Electronic Thesis or Diss., Paris 3, 2011. https://bsnum.sorbonne-nouvelle.fr/files/original/1338/3866/227983_2011PA030196.zip.

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En tant que première destination touristique aux Etats-Unis, les parcs à thèmes Disney représentent un phénomène culturel important et une opportunité unique d’évaluer les médias de masse à l’aune de leur influence sur les usages et les conduites. L’analyse se propose d’interroger le concept d’imachination (imagineering), qui désigne chez Disney la conception des environnements thématiques et narratifs des parcs. Au travers de l’examen des protocoles de création des parcs, il s’agit de déterminer comment leurs concepteurs réunissent dans l’environnement certains critères de la narrativité ains
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18

Bohas, Alexandre. "La firme Disney : analyse du capitalisme culturel d'Hollywood." Paris 1, 2007. http://www.theses.fr/2007PA010334.

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Une littérature abondante et critique porte sur la firme Disney. Dans l'ensemble, les études académiques se sont montrées très hostiles à l'égard de ses activités. Dépeinte tour à tour comme conservatrice, sexiste et commerciale, elle est devenue le sujet favori des recherches menées sur la commodification et le fétichisme de la consommation. Elle constitue en outre un objet de choix pour les travux de déconstruction.
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19

Persson, Ida. "”Andra till höger och så rakt fram till morgonen” : – En komparativ studie av Peter Pan." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-67461.

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Denna komparativa analys jämför J.M. Barries Peter Pan och Wendy (2013) med Disneys Peter Pan (2015) för att se hur karaktärerna förändrats genom adaptionen av berättelsen. En narrativ analys presenterar berättelsens intrig och följs av en komparativ analys av de två verken där fokus ligger på vad som tagits bort vid adaptionen och hur karaktärerna framställs. Analysen visar hur mycket som vid adaptionen tagits bort och att detta påverkar bilden läsaren får av karaktärerna.
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20

Butler, Alissa Nicole. "The Pleasure in Paradox: The Negotiation Between Agency and Admiration in the Disney Fan Community." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1616696060337541.

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21

Luís, João de Oliveira Vasconcelos. "Equity valuation dissertation Walt Disney Company." Master's thesis, 2014. http://hdl.handle.net/10400.14/17183.

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This dissertation aims to evaluate Walt Disney Company (ticker: DIS US Equity). The evaluation process is done through three different mechanisms in order to achieve a more accurate and complete valuation exercise. The first valuation method is the Discounted Cash Flows model, in which each company’s segment is valued separately, therefore obtaining the company’s overall valuation by combining them all. This model provides a Walt Disney share price estimation of $88,52 which, compared to its market price of $85,38, represents a buying opportunity. The second valuation method is the Economic
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22

Joffe, Sheri Lee. "A critical and contextual analysis of the changes in African-American character representation in Disney animated films from Dumbo (1941) to the Princess and the Frog (2009)." Thesis, 2014.

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This paper explores how ethnic character representations in Disney films have changed in response to changing cultural attitudes and historical context over time in response to variations in the broader American sensitivity to race and ethnicity. When we today look at instances of African American representation from the 1940s, such as in the Film Dumbo (1941), we are shocked at how overtly stereotypical these representation are. According to today’s standards, it would be unacceptable to show such caricatured racial representations. But at the time in America such standards, and the at
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23

"Walt Disney: eyes on Hong Kong." 2000. http://library.cuhk.edu.hk/record=b5890182.

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Chor See-Yu, Li Chuan-Bei.<br>Thesis (M.B.A.)--Chinese University of Hong Kong, 2000.<br>Includes bibliographical references (leaves 55-56).<br>EXECUTIVE SUMMARY --- p.ii<br>TABLE OF CONTENTS --- p.iii<br>LIST OF TABLES --- p.vi<br>Chapter<br>Chapter I. --- GENERAL INTRODUCTION OF WALT DISNEY CO --- p.1<br>Theme Park and Resort --- p.1<br>Creative Content --- p.2<br>Filmed Entertainment --- p.2<br>Television --- p.2<br>Walt Disney Feature Animation --- p.3<br>Walt Disney Theatrical Productions --- p.3<br>Disney Consumer Products --- p.3<br>Broadcasting --- p.4<br>Problems Identifie
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24

Carvalho, Pedro Nuno Almeida Ferreira. "Shared value and entertainment : the Walt Disney Company case study." Master's thesis, 2021. http://hdl.handle.net/10400.14/35420.

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The social scope of business has been discussed more than ever in the recent decades through the concept of Corporate Social Responsibility (CSR). Some authors go even further and argue that addressing societal needs has the potential to be a wave of innovation and competitiveness, allowing companies to generate social value while create economic value, creating Shared Value (Porter & Kramer 2011). This dissertation provides a case study on The Walt Disney Company’s commitment for diversity and inclusion as a potential source of Shared Value. Specifically, it focuses on investigate and
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25

Fricke, Philipp. "Valuation of the Walt Disney company and the influence of Disney Plus´ perception in social media on its future subscriber growth." Master's thesis, 2020. http://hdl.handle.net/10362/104642.

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The Walt Disney Company has repositioned its conglomerate with the realignment of its business units, the composition of the new business segment “Direct-to-Consumer &International”, and the acquisition of 21stCentury Fox. In the followingreport,the impact of these drastic changes on The Walt DisneyCompany areanalyzedfor valuation purposes.The DCF valuation is basedon a sum-of-the-partsapproach to determine the company’s fair value. According to the following analysis,the company is undervalued compared to its stock price as of 31 December2019. The
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26

Fan, Po-Yu, and 范博毓. "The Study on Business Model of Walt Disney Company: A View from Animation Business." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/62569210255459740778.

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碩士<br>國立臺灣大學<br>商學研究所<br>94<br>The growth of animation industry is pretty high recently, especially for the production value of computer animation. American animation industry attracts the consumers by collocating with Hollywood movie production. The animated film is always on the list of top 10 films during 2001 to 2005. Nevertheless, now the animated film produced by Disney doesn’t earn the reputation as before, and it cannot hit on the list of top 10 films. Disney depends on the popular animated film co-produced by Disney and Pixar to support the past great achievement. Disney still influen
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27

"Walt Disney Company: The 1984 Attempted Takeover and the Recovery Plan Devised by Michael Eisner." TopSCHOLAR, 1997. http://digitalcommons.wku.edu/stu_hon_theses/54.

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28

Флегантова, Анна Леонідівна. "«Інноваційна складова діяльності ТНК на ринку креативних індустрій (на матеріалах компанії «The Walt Disney Company»)»". Thesis, 2021. http://dspace.puet.edu.ua/handle/123456789/10264.

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АНОТАЦІЯ дипломної магістерської роботи студентки спеціальності 292 Міжнародні економічні відносини освітня програма «Міжнародні економічні відносини» за другим (магістерським) рівнем вищої освіти Флегантової Анни Леонідівни на тему: «Інноваційна складова діяльності ТНК на ринку креативних індустрій (на матеріалах компанії «The Walt Disney Company»)» Обсяг і структура роботи: дипломна магістерська робота складається зі вступу, трьох розділів, висновків та пропозицій, додатків і списку використаних джерел. Загальний обсяг роботи 92 сторінок. Основний обсяг роботи становить 79 сторінок та м
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29

Ige, Barbara Kaoru. "Virtual textualities postmodern dialectics of democracy /." Diss., 1997. http://catalog.hathitrust.org/api/volumes/oclc/38045267.html.

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30

Yeh, Cheng-Chen, and 葉承蓁. "The Research of Glocalization Process on Culture and Entertainment Industry—The case study of The Walt Disney Company in China." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/sv2p7z.

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31

Barall, Elfriede Michi. "Brand New Worlds: Disney's Theatre Assemblages." Thesis, 2020. https://doi.org/10.7916/d8-h8zb-s361.

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The significance of brands within our media-intensive culture can hardly be overstated. Having emerged in the mid-20th century as platforms for the distribution of commodities, brands have since become, as scholar Celia Lury argues, “the logos of the global economy.” Brand interfaces not only differentiate mass production, but produce cultural assemblages that rewrite social and political relations. This dissertation concerns itself with the meaning of theatrical production within brand performance, with a specific focus on the Walt Disney Company. Although there are many corporate producer
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32

Lin, Yu-ting, and 林瑜婷. "The Research of the Development in Mainland China''s Entertainment Market of Transnational Corporations--The Case Study of The Walt Disney Company." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/fjujdb.

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碩士<br>國立中山大學<br>大陸研究所<br>95<br>The thesis primarily concentrates on studying the development of transnational corporations in Mainland China’s entertainment market. The Research tries to figure out what kind of environment and problems transnational corporations will face while they invest in Mainland China’s entertainment market which involve in media and culture. Can transnational media corporations integrate their abundant resources around the globe in Mainland China ? The research is based on the perspective of stakeholders and proposed a framework to explain transnational corporation’s ad
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33

Ventosa, António Nuno Lourenço Da Luz. "Dynamics and rationale of M&A amongst media & entertainment giants: the case of the Walt Disney company´s acquisition of twenty-first century fox." Master's thesis, 2020. http://hdl.handle.net/10362/120734.

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