Relevant bibliographies by topics / Water Painting

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Water Painting'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Water Painting"

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Bian, Xiangyang, and Meng Niu. "The Feasibility and Methodology for Water and Land Paintings in the Study of the Ming Dynasty Costumes." Asian Social Science 14, no. 1 (2017): 136. http://dx.doi.org/10.5539/ass.v14n1p136.

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Chinese Water and Land painting contains lots of figure costume modeling, providing intuitive and vivid image data for the study of ancient costumes. It is a new medium for the study of Chinese ancient costumes. This paper analyzes the feasibility and methodology for Water and Land paintings in the study of the Ming Dynasty. With the Ming costumes in the Water and Land Paintings, this paper discusses the shape, color, texture and fabric patterns of the ancient dresses. The feasibility of using Water and Land Paintings to study ancient costumes is further analyzed in this paper. This paper emph
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Zhou, Yuhang. "Silent Water and Deep Flow, Resounding Gold and Stone." Highlights in Art and Design 7, no. 2 (2024): 20–23. http://dx.doi.org/10.54097/cfj7t346.

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Since Lang Shining came to China in the middle of the eighteenth century, Western watercolor painting has been introduced to China for about 270 years, and it has been a century since Western watercolor painting became popular in Shanghai at the end of the nineteenth century. Combining the taste of traditional Chinese art with the thoughts of watercolor artists of the new era, Chinese watercolor paintings present a bright and dazzling Chinese spirit, of which Liu Shouxiang's watercolor works are a representative.
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Moon, Mi-jin. "A study of picture titles and images of “Three old men asked their age”." Society for Chinese Humanities in Korea 84 (August 31, 2023): 365–82. http://dx.doi.org/10.35955/jch.2023.08.84.365.

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A painting's title can be divided into three main categories. The first is the title that the artist decides what kind of painting he or she is going to paint, the second is the title that the artist writes on the painting after the painting is completed, and the third is the title that someone else adds to the painting. The first two types of titles usually go well with the content of the painting, but the titles given by others are sometimes wrong for reasons such as a lack of understanding of the content of the painting. Especially in the case of auspicious paintings with hidden meanings or
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Hommes, Margriet van Eikema, and Emilie Froment. "'Een doek van geene beteekenis' De nachtelijke samenzwering van Claudius Civilis in het Schakerbos van Govert Flinck en Jürgen Ovens technisch onderzocht." Oud Holland - Quarterly for Dutch Art History 124, no. 2-3 (2011): 141–70. http://dx.doi.org/10.1163/187501711798264193.

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AbstractBecause of its extreme darkness, The nocturnal conspiracy of Claudius Civilis by Govert Flinck (16151660) and Jürgen Ovens (1623-1678) holds an isolated position within the decoration program with the Batavian revolt in the galleries of Amsterdam's former Town Hall. Of course the canvas depicts a nocturnal scene with light from only the fire and the moon, but in this painting the darkness dominates virtually everything. The rough, rather sketchy execution, whereby large parts of the canvas are left unpainted is also peculiar. Because of this appearance, some art historians have thought
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Kristina, Renata Ayu, I. Wayan Setem, and Ni Made Purnami Utami. "Zodiac as Expression in the Creation of Paintings." CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI 2, no. 1 (2022): 41–52. http://dx.doi.org/10.59997/citakara.v2i1.1541.

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This thesis raises the theme of "Zodiac as Expression in the Creation of Paintings" from an observation of various types of behavior, characters, and characteristics of the zodiac. This gives rise to the urge to bring the expressions of the zodiac cancer, pisces, and scorpio into abstract style paintings. In the embodiment of the work, the style used is a combination of naturalism and abstractionism, which are the characteristics of Mr. Made Budhiana's painting as a partner in the independent study program of the Merdeka Learning Campus Merdeka. With the aim and benefit of providing an underst
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Minglu, Yang, Ahmad Albattat, and Azman Norhidayah. "Historical Factors Influencing Water Colour Painting Market Environment and Development in China Market Supervisor as a Moderator." International Journal of Professional Business Review 8, no. 8 (2023): e02991. http://dx.doi.org/10.26668/businessreview/2023.v8i8.2991.

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Purpose: China has a long history of art, including watercolour painting, which has garnered international acclaim. China can gain recognition for its artistic accomplishments and contribute to the global art community by preserving and promoting the practise of watercolour painting both domestically and internationally. Theoretical framework: The tale of the development of Chinese watercolour painting is intricate and multidimensional, reflecting the impact of several historical events (Li, 2023; Yin,2022). These elements have all contributed to the creation of this stunning and lasting art f
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Octaviani, Wiwi, Muhammad Yusuf, Khadijah Aziz Karim, and Srida Mitra Ayu. "The Effect of Powder Color and Adhesive Visciousness on the Resistance of Sawsuddinary Painting." Jurnal Penelitian Kehutanan BONITA 7, no. 1 (2025): 25–32. https://doi.org/10.55285/bonita.v7i1.3204.

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Sawdust is the result of residue from the sawmill industry. Generally, it has no economic value, but ithes selling value when it processed into an artistic work suchas painting made of wood powder. The purpose of this study is to determine the effect of adding adhesive solvents on the resistance of sawdust painting. Through the experiment using a 2 factorial completely randomized design, namely powder color and water volume. Powder color consists of 2 levels (S1 and S2) and 3 levels of water volume (A1, A2, A3) and repeated 3 times, so that the combination of treatment are 18 paintings with th
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Wang, Xingqian. "Principles of color formation in Chinese painting and ceramic painting." Философия и культура, no. 8 (August 2023): 139–47. http://dx.doi.org/10.7256/2454-0757.2023.8.43702.

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The art of traditional painting and ceramic painting in China has a long tradition, in particular in understanding the role of color in the compositional and semantic structure. The principles of creating a color image have long been associated with national peculiarities of perception of shades and their combinations, as well as philosophical ideas. Technological features and properties of glazes imposed certain restrictions on the use of expressive possibilities of color by Chinese ceramic artists. The object of this research is the works of Chinese painting and ceramics, the subject is the
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Yu, Wendi, Lu Yang, Jing Zhao, and Hongjie Luo. "Study on the Visualization of Transport and Crystallization of Salt Solution in Simulated Wall Painting." Crystals 12, no. 3 (2022): 351. http://dx.doi.org/10.3390/cryst12030351.

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The transport and crystallization processes of chromogenic 5.0% CuSO4 solution in the supporting body and coarse plaster of simulated wall painting samples were observed. A scanning electron microscope a and self-designed double-layer surface contact internal pressure method were used to test, respectively, the micro-morphologies of salt crystals in different regions and the micro-forces on the contact surfaces during the spread and crystallization of water and salt solution. The results demonstrate that the salt crystals formed by the CuSO4 solution on the surface of the simulated wall painti
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Fragasso, Laura, and Nicola Masini. "Postprocessing of Infrared Reflectography to Support the Study of a Painting: The Case of Vivarini's Polyptych." International Journal of Geophysics 2011 (2011): 1–8. http://dx.doi.org/10.1155/2011/738279.

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Infrared (IR) reflectography is an imaging diagnostic technique widely used to study and evaluate the assessment of paintings' conservation state. The study case analyzed in this paper is related to a polyptych panel attributed to Vivarini's workshop conserved in the “Sigismondo Castromediano” Museum in Lecce. The painting's IR reflectography has been acquired through a CCD camera with spectral sensitivity ranging 400–1150 nm and manual positioning system. In order to offset the technological limits of the CCD camera, reflectograms have been processed through Principal Component Analysis and s
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Dissertations / Theses on the topic "Water Painting"

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Angel, Marissa. "REMEMBRANCE: drink while the water is clean." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3069.

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This thesis paper supports the Artist’s Master of Fine Arts exhibition held at the Tipton Gallery, located in downtown Johnson City TN from November 30, 2015 through January 22, 2016. The works Included in the exhibition consists of a series of mixed media collage paintings, a large scale etching combined with clay and a site specific installation. The Exhibit features work that delves into the concept of nature as a subject of beauty, as well as a symbol of the resiliency of life. The work in this exhibit exposes the separation that exists between humanity and the natural world. Through an ex
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Maudsley, Catherine Ruth. "Ritual meanings of "water and land" : a study of Buddhist cermonial paintngs [sic] of the Song and Yuan dynasties /." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19882166.

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Silberstein, Edward. "And Moses Smote the Rock: The Reemergence of Water in Landscape Painting In Late Medieval and Renaissance Western Europe." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1288378722.

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Martens, Anna Maria. "L’imaginaire aquatique dans la poésie symboliste francophone et polonaise : une étude comparatiste." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040084.

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Les études consacrées à la thématique de l’eau sont multiples. Néanmoins, elles concernent le plus souvent un des aspects de la symbolique aquatique et se réfèrent à la littérature d’un seul pays ou même d’un seul auteur. Tenant compte des ouvrages de recherches déjà existants, nous aimerions présenter dans une seule étude la lecture comparatiste des auteurs qui n’ont jamais été réunis dans le contexte de l’imaginaire aquatique. Le choix du domaine polonais et francophone n’est pas contingent. Le modernisme polonais, pour des raisons historiques, surgit un peu plus tard que le symbolisme à l’O
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Harper, Hannah M. Ms. "Submersion." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/honors/199.

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The artist discusses the influence, concept, and process behind creating a cohesive body of work and accompanying show, Submersion, for the completion of her Bachelor of Arts degree and undergraduate research for the Fine and Performing Art Scholars branch of East Tennessee State University's Honors College. The show is to be held May 1st through May 7th of 2014 with its reception on May 3rd in the Submarine Gallery located on ETSU campus. The artist explored themes of the unknown, subconscious, and memory, using water as a reoccurring symbol. The works include five large portraits and two
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Volfová, Marika. "TEMPORARY PARADISES." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2018. http://www.nusl.cz/ntk/nusl-377172.

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My diploma work is focused on topic of environmental responsibility, priviledge of mobility, nomadism, borders and dreaming of utopic un/realities. In site-specific instalation I combine sound, video, painting and text.
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Carpenter, Kenneth Erwin. "A veritable psychology : Walter Pater's art criticism." Thesis, Birkbeck (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323598.

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Pollock, Asher W. "Phase Shift." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1492781853322151.

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Kovács, Itaï. "L'art de la bohème. L'art des Buveurs d'eau (1835-1855)." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL155.

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La présente thèse propose la première monographie sur la société des Buveurs d’eau. Cette association artistique de secours mutuels rassembla dans le Paris des années 1840 onze peintres, sculpteurs et écrivains débutants qui, pour la plupart, allaient entrer dans l’histoire non pas grâce à leurs œuvres, mais parce qu’ils allaient devenir les exemples d’un type de créateur : l’artiste ou l’écrivain bohème. Ce fut leur sort à cause d’un livre que l’un d’eux publia en 1851, et ce fut à leur grand dam et au dam de l’histoire. Les Scènes de la vie de bohème d’Henry Murger fondent depuis plus d’un s
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Lin, Shen-Te. "Musée en peinture : discontinuité / continuité / extension : souffle et résonance d'une pratique artistique entre peinture chinoise et occidentale." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H306.

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La relation entre les peintures chinoise et occidentale apparait comme une rencontre entre l’eau et l’huile. Mélanger les deux étant impossible, comment, dès lors, un artiste entre deux cultures, peut-il faciliter leur dialogue et devenir un passeur ? Cette recherche tente d’associer la technique des matériaux occidentaux avec l’expression du pinceau et de l’encre liés au concept du plein et du vide afin d’explorer des oppositions complémentaires, en créant une réalité diluée dans un contraste harmonisé. La réflexion s’est concrétisée par des peintures en trois formats : la série, le rouleau e
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Books on the topic "Water Painting"

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Edwards, Michael B. Painting water. David & Charles, 1995.

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Waugh, Teresa. Painting water. Chivers, 1985.

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Waugh, Teresa. Painting water. Penguin, 1986.

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Whalley, Ann. Painting water in watercolour. B.T. Batsford, 1993.

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Art, Yu-Chee Chong Fine. Painting the East: Paintings and drawings 1790-1940. Yu-Chee Chong Fine Art, 1997.

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Bolte, Mari. Water colours. Raintree, 2014.

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Mary, Suffudy, Leonard Elizabeth, Petrie Ferdinand 1925-, and Shaw John 1944-, eds. The Watercolorist's guide to painting water. Watson-Guptill, 1985.

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Nock, O. S. Another facet: Painting in water colour. The Pentland Press, 1993.

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Dowden, Joe Francis. Water in watercolour. Search Press, 2013.

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Appenzell, Museum Liner, ed. Wasser/Farbe: Colour/water. Steidl, 2010.

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Book chapters on the topic "Water Painting"

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Parker, Stanley. "Making Water Spring." In St. Francis in Italian Painting. Routledge, 2021. http://dx.doi.org/10.4324/9781003232278-18.

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Singh, S. M. "Paints and Painting Procedures for Solar Energy Collectors." In Solar Water Heating Systems. Springer Netherlands, 1986. http://dx.doi.org/10.1007/978-94-009-5480-9_12.

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Lam, Ng Woon. "Comparison of Chinese Calligraphy and Ink Painting Brushes with Western Water-Media Painting Brushes." In Proceedings of the 2nd International Colloquium of Art and Design Education Research (i-CADER 2015). Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0237-3_56.

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Ruoff, Cynthia. "Images of Water and the Sea in Tristan L’ Hermite’s “La Mer” and in Painting." In The Orchestration of the Arts — A Creative Symbiosis of Existential Powers. Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-017-3411-0_16.

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Kontou, Tatiana, Victoria Mills, and Kate Nichols. "Theodore Henry Fielding, ‘Introduction’, Ackermann's Manual of Colours, Used in the Different Branches of Water-Colour Painting." In Victorian Material Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-20.

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Kontou, Tatiana, Victoria Mills, and Kate Nichols. "Frontispiece to Theodore Henry Fielding, Ackermann's Manual of Colours, Used in the Different Branches of Water-Colour Painting." In Victorian Material Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-19.

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Gillman, Miriam, Judith Lee, Bronwyn Ormsby, and Aviva Burnstock. "Water-Sensitivity in Modern Oil Paintings: Trends in Phenomena and Treatment Options." In Conservation of Modern Oil Paintings. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19254-9_37.

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Banti, Donatella, Aviva Burnstock, Ilaria Bonaduce, et al. "The Influence of Metal Stearates on the Water Sensitivity of Modern Oil Paints." In Conservation of Modern Oil Paintings. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19254-9_35.

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Ormsby, B., J. Lee, I. Bonaduce, and A. Lluveras-Tenorio. "Evaluating Cleaning Systems for Use on Water Sensitive Modern Oil Paints: A Comparative Study." In Conservation of Modern Oil Paintings. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19254-9_2.

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Hintz, Mirjam, Klaas Jan van den Berg, Maartje Stols-Witlox, and Lise Steyn. "Improving the Surface Cleaning of Water Sensitive Oil Paint by Use of Alternative Application Methods." In Conservation of Modern Oil Paintings. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19254-9_43.

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Conference papers on the topic "Water Painting"

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Ippoliti, Tony. "Painting Water Storage Tanks in-Service: an Update." In Paint and Coatings Expo (PACE) 2007. SSPC, 2007. https://doi.org/10.5006/s2007-00046.

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Abstract Until a few years ago, water tanks were always drained before exterior surfaces were painted because surface moisture, if found below the water line, would lead to a coating failure. But a coating technology borrowed from the bridge and highway industry and put to a new use is bringing changes to the water tank marketplace. This presentation introduces the original project, includes the coating evaluation after 6 years, and concludes with additional tank examples.
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Simmons, Deborah V. "OAP Coating Systems & Linings for Petroleum & Water Storage Tanks." In Coatings+ 2020. SSPC, 2020. https://doi.org/10.5006/s2020-00060.

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The tank painting process for the interior of a petroleum and/or water storage tank requires proper coating selection, product application and inspection in order to achieve long-term service life. The primary cause of early coating failures in a painting project is often related to an application issue. The use of coating systems and linings formulated with Optically Active Pigments (OAP) can help to ensure correct application and inspection of the tank linings. OAP technology can help identify pinholes, eliminate holidays and reduce premature lining failures often caused by inadequate film t
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Frenzel, Lydia M., and Jonell Nixon. "Surface Preparation Using High Pressure Water Blasting." In CORROSION 1989. NACE International, 1989. https://doi.org/10.5006/c1989-89397.

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Abstract The preparation of metal surfaces for painting by use of water jetting, with or without abrasives, is being accepted reluctantly. The mechanism of material removal for mineral slag abrasive blasting and for ultra-high pressure water jetting is examined. The unique usefulness of ultra-high pressure water jetting for cleaning older, contaminated steels as compared to solid particulate blasting is explored.
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Harper, William B. "Environmental and Health Concerns Relating to Water and Wastewater Coating and Painting Projects." In CORROSION 1990. NACE International, 1990. https://doi.org/10.5006/c1990-90388.

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Abstract This presentation traces recent history of environmental and health concerns and regulations specifically directed to, or directly affecting, the coating and paint industry. Rules and regulations for abrasives used in blast cleaning, solvents used in coatings and paints, quantities of volatile organic compounds for coatings and paints and other environmental or health related restrictions on such products are discussed. Comments are offered to assist owners, engineers, specifiers, contractors and others involved in barrier protection via coatings and paints in meeting the challenges o
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Kaelin, Alison B. "Here Comes EPA: Trends in EPA Enforcement in the Coatings Industry." In SSPC 2000. SSPC, 2000. https://doi.org/10.5006/s2000-00026.

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Abstract While the industrial painting industry has long recognized the potential impact of EPA regulations on projects, there has been relatively little regulatory enforcement by the EPA (and state agencies) in the past 13 years. This paper provides an overview of the increasing regulatory interest in the environmental aspects of the industrial painting industry. It summarizes recent regulatory actions against industrial painting contractors and owners based upon environmental statutes such as the Resource Conservation and Recovery Act, the Comprehensive Environmental Response, Compensation a
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Barnas, David P. "Elevated Tank Painting to Contain or Not to Contain." In SSPC 2003. SSPC, 2003. https://doi.org/10.5006/s2003-00002.

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Owners and consultants are faced with a challenging decision when contemplating the painting or maintenance of a coating on a water storage tank. The tank’s location, the Owner’s tolerance, budget and weather restraints are competing concerns when considering whether to specify containment or not. Two case studies, one that resulted in containment and one that did not, are presented. An objective analysis will factor economic considerations for the project but a wholistic approach to the Owner’s concerns will include the tolerance of the rate payers and the community.
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Surkein, Michael B., Robert H. Rogers, and Sophia Woodley. "Painting Practices for Floating Production, Storage and Offloading Systems." In SSPC 2011. SSPC, 2011. https://doi.org/10.5006/s2011-00072.

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Abstract Floating production storage offloading (FPSO) system hulls physically resemble ocean going transport vessels but operate more like fixed offshore structures. FPSOs normally are moored in deep water and are connected to unique riser systems. As these production systems are typically designed for long life, 20 to 30 years, corrosion control of the hull is extremely critical to help assure the required performance is obtained. An FPSO can be a new build or a converted tanker. In either case, the requirement for a robust high performance corrosion control design is essential to help assur
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Stampfli, Noel, and Dennis Dellarocca. "Maintenance Practice on the Golden Gate Bridge." In Paint and Coatings Expo (PACE) 2007. SSPC, 2007. https://doi.org/10.5006/s2007-00089.

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Abstract This paper discusses the history of coatings maintenance on the Golden Gate Bridge and the modern maintenance process including bi-annual inspection, prioritizing, scheduling and execution. Several current projects including water jetting and suspender painting are also discussed.
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Roetter, Steven P. "Specifier's Perspective on Emerging Tank Painting Issues Four Emerging Issues of Practical Relevance." In Paint and Coatings Expo (PACE) 2005. SSPC, 2005. https://doi.org/10.5006/s2005-00046.

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Abstract This presentation will discuss the four main emerging issues concerning water storage tank coating: ▪Extending the Coating Season▪Advancement in Surface Preparation▪Online Project Bidding▪Changes in AWWA Standards
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Tombaugh, Raymond S. "Considerations for Selecting and Applying Linings in Large Diameter Cooling Water Pipe and Penstocks." In SSPC 2015 Greencoat. SSPC, 2018. https://doi.org/10.5006/s2018-00075.

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The installation of linings to large diameter cooling pipes and penstocks is a major investment in hydroelectric and other power plants. The application should be performed in an expedient manner to minimize outage time and should last for many years (20 years or more) without the need for maintenance painting. The latter is significantly important since many hydroelectric plants are located in remote areas. To achieve these goals, planning needs to be done long before the start of the lining process. This paper provides a compilation of the necessary tasks to plan for and implement a successf
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