Academic literature on the topic 'Watson Gallery'

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Journal articles on the topic "Watson Gallery"

1

Watson, Jennifer C. "Homer Watson in the Kitchener-Waterloo Art Gallery." RACAR : Revue d'art canadienne 14, no. 1-2 (1987): 143. http://dx.doi.org/10.7202/1073457ar.

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Jursa, Von Michael. "Neu- und spätbabylonische Texte aus den Sammlungen der Birmingham Museums and Art Gallery." Iraq 59 (1997): 97–174. http://dx.doi.org/10.1017/s0021088900003399.

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Die vorliegende Arbeit setzt die von Philip Watson begonnene Edition der 1982 in die Birmingham Museums and Art Gallery gekommenen Texte aus der Wellcome-Sammlung fort. Ich danke Philip Watson für die Publikationserlaubnis und ihm und seinen Kollegen und Mitarbeitern, voran David Symons, für die freundliche Aufnahme im Department of Antiquities des Museums und die Bewirtung mit vielen Tassen Tee. Den Trustees des British Museum danke ich für die Erlaubnis, unpublizierte Texte aus den Sammlungen dieses Museums zitieren zu dürfen. H. Baker, A. Bongenaar und M. Weszeli bin ich für ihre Hinweise v
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3

Esch, Evan D., David W. Langor, and John R. Spence. "Gallery success, brood production, and condition of mountain pine beetles (Coleoptera: Curculionidae) reared in whitebark and lodgepole pine from Alberta, Canada." Canadian Journal of Forest Research 46, no. 4 (2016): 557–63. http://dx.doi.org/10.1139/cjfr-2015-0351.

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Breeding pairs of mountain pine beetle (Dendroctonus ponderosae Hopkins) were introduced into freshly cut bolts of whitebark pine (Pinus albicaulis Engelm.) and lodgepole pine (Pinus contorta var. latifolia Engelm. ex S. Watson) in the laboratory. Brood adults emerging from the bolts were collected and galleries were dissected to compare reproductive success, brood production, and adult condition between the two pines. Beetles were more likely to establish egg galleries that produced brood in lodgepole pine than in whitebark pine. Larval gallery density per centimetre of egg gallery was signif
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Kharchevnikova, A. S., and A. V. Savchenko. "Visual preferences prediction for a photo gallery based on image captioning methods." Computer Optics 44, no. 4 (2020): 618–26. http://dx.doi.org/10.18287/2412-6179-co-678.

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The paper considers a problem of extracting user preferences based on their photo gallery. We propose a novel approach based on image captioning, i.e., automatic generation of textual descriptions of photos, and their classification. Known image captioning methods based on convolutional and recurrent (Long short-term memory) neural networks are analyzed. We train several models that combine the visual features of a photograph and the outputs of an Long short-term memory block by using Google's Conceptual Captions dataset. We examine application of natural language processing algorithms to tran
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5

Hemingway, Andrew. "To “Personalize the Rainpipe”: The Critical Mythology of Edward Hopper." Prospects 17 (October 1992): 379–404. http://dx.doi.org/10.1017/s0361233300004774.

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By the early 1930s Edward Hopper was a major figure in the American art scene. As is well known, Hopper made no significant sales of paintings until the exhibition of his watercolors at the Rehn Gallery in 1924, by which time he was forty-four years old. However, his career takeoff in the late 1920s and early 1930s was certainly dramatic, and in 1933 Forbes Watson could describe him as a “collector's favorite.” In 1924 the standard price of Hopper's watercolors was $150, by 1925 it had risen to $200, and in 1928–29, $300–400 was the norm. In 1929 alone he sold at least fourteen drawings. Betwe
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Lidogoster, Tina, and Andrea Puccio. "Catalogs with a Global Reach: Collecting PDF Contemporary Gallery Catalogs at the Thomas J. Watson Library, The Metropolitan Museum of Art." Art Documentation: Journal of the Art Libraries Society of North America 35, no. 2 (2016): 296–304. http://dx.doi.org/10.1086/688729.

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7

Khadija, AHAYOUN, CHLIYEH Mohamed, TOUHAMI OUAZZANI, BENKIRANE Rachid, and DOUIRA Allal. "Contribution to the inventory of Bryophytes of the Mamora's forest (Atlantic Morocco)." Biolife 3, no. 1 (2022): 336–41. https://doi.org/10.5281/zenodo.7260067.

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<strong>ABSTRACT</strong> Forty four bryophyte species (44) (16 mosses; 5 hepatics and 3 anthocerotes) were identified in the forest of Mamora (Atlantic Morocco). Among these species eighteen (18) taxa are new to the bryological flora of Mamora, five (5) are rare taxa. <strong>Keywords:</strong> Inventory, Bryophytes, Mamora forest, Morocco <strong>REFERENCES</strong> <em>Ahayoun K., Ouazzani Touhami A. &amp;&nbsp; Douira A. 2007 &mdash; Inventaire des Bryophytes de l&rsquo;Herbier &quot;RAB&quot; de l&rsquo;Institut Scientifique (Rabat, Maroc), Documents de l&rsquo;Institut Scientifique, Raba
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James, N. "Britain & Ireland - Mark Edmonds & Tim Seaborne. Prehistory in the Peak. 223 pages, b&w photographs, 6 maps. 2001. Stroud & Charleston (SC): Tempus; 0-7524-1483-6 paperback £15.99 & S26.99. - Keith Branigan & Patrick Foster. Barra and the Bishop’s Isles: living on the margin. 160 pages, 74 b&w figures, 36 colour plates. 2002. Stroud & Charleston (SC): Tempus; 0-7524-1947-1 paperback £16.99 & $27.99. - Andrew J. Lawson Potterne, 1982-5: animal husbandry in later prehistoric Wiltshire (Wessex Archaeology Report No. 17). x+368 pages, 117 figures, 46 tables, 17 plates. 2000. Salisbury: Wessex Archaeology; 1-874350-28-0 (ISSN 0965-5778) paperback £26. - Joanna Brück (ed.). Bronze Age landscapes: tradition and transformation, viii+231 pages, 85 figures, 17 tables. 2001. Oxford: Oxbow; 1-84217-062-7 paperback £35 & US$55. - Peter Salway (ed.). The Roman era: the British Isles, 55BC–AD410. xxii+286 pages, 26 figures. 2002. Oxford: Oxford University Press; 0-19-873194-9 £11.99. - Michelle P. Brown & Carol A. Farr (ed.). Mercia, an Anglo-Saxon kingdom in Europe, xiv+386 pages, 60 figures. 2001. London: Leicester University Press; 0-7185-0231-0 hardback £75. - M. Redknap, N. Edwards, S. Youngs, A. Lane & J. Knight (ed.). Pattern and purpose in Insular art: proceedings of the 4th international conference on Insular art held at the National Museum & Gallery, Cardiff, 3–6 September 1998. xi+292 pages, 167 figures, 2 tables. 2001. Oxford: Oxbow; 1-84217-058-9 hardback £48 & US$85. - Gustav Milne with Nathalie Cohen and Tony Dyson, Jacqueline Pearce & Mike Webber. Excavations at Medieval Cripplegate, London: archaeology after the Blitz, 1946–68. xiv+153 pages, 150 figures. 2002. Swindon: English Heritage; 1-8-5074-771-7 paperback £25. - Bruce Watson, Trevor Brigham & Tuny Dyson. London Bridge: 2000 years of a river crossing (MoLAS Monograph 8). xix+258 pages, 157 figures, 19 tables. 2001. London: Museum of London; 1-901992-18-7 paperback £22. - Marjorie Lyle. Canterbury: 2000 years of history (2nd ed.). 160 pages, 88 b&w figures, 27 colour plates. 2002. Stroud & Charleston (SC): Tempus; 0-7524-1948-X paperback £15.99 & $26.99." Antiquity 76, no. 292 (2002): 570–73. http://dx.doi.org/10.1017/s0003598x0011943x.

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Kloosterman, Robert C., and Amanda Brandellero. ""All these places have their moments": Exploring the Micro-Geography of Music Scenes: The Indica Gallery and the Chelsea Hotel." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1105.

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Hotspots of Cultural InnovationIn the 1960s, a long list of poets, writers, and musicians flocked to the Chelsea Hotel, 222 West 23rd Street, New York (Tippins). Among them Bob Dylan, who moved in at the end of 1964, Leonard Cohen, who wrote Take This Longing dedicated to singer Nico there, and Patti Smith who rented a room there together with Robert Mapplethorpe in 1969 (Smith; Bell; Simmons). They all benefited not just from the low rents, but also from the close, often intimate, presence of other residents who inspired them to explore new creative paths. Around the same time, across the Atl
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Bellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2715.

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&#x0D; &#x0D; &#x0D; Imagine this historical scene, if you will. It is 1892, and you are up in the gallery at Her Majesty’s Theatre in Sydney, taking in an English burlesque. The people around you have just found out that Alice Leamar will not be performing her famed turn in Ta-ra-ra-boom-de-ay tonight, a high-kicking Can-Canesque number, very much the dance du jour. Your fellow audience members are none too pleased about this – they are shouting, and stamping the heels of their boots so loudly the whole theatre resounds with the noise. Most people in the expensive seats below look up in the d
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Books on the topic "Watson Gallery"

1

Watson, Jennifer C. Homer Watson in the Kitchener-Waterloo Art Gallery. The Gallery, 1988.

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2

Katrina, Schwarz, and Vaughan Hannah, eds. Rises in the East: A gallery in Whitechapel. Whitechapel Gallery, 2009.

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3

Burton, Richmond. Richmond Burton: Simon Watson, February 13-March 17 ; Daniel Weinberg Gallery, February 15-March 17. Simon Watson, 1990.

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4

1931-, Watson Barrington, and National Gallery of Jamaica, eds. Barrington: A retrospective: National Gallery of Jamaica, Bank of Jamaica, Olympia Art Centre: January 8-April 14, 2012. National Gallery of Jamaica, 2012.

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5

Gallery, Watson. An American composer looks at Egypt: Ruth Lynda Deyo and the Diadem of stars : Watson Gallery, Watson Fine Arts Center, Wheaton, College, Norton Massachusetts, February 3-February 28, 1999. Watson Gallery, 1999.

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J, McCormick Thomas. Piranesi and the new vision of classical antiquity in the eighteenth century: March 6-April 13, 1991, Watson Gallery, Wheaton College, Norton, Massachusetts. The Gallery, 1991.

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7

Publishers, Museum. Notebook: Brook Watson and the Shark, 1800-1900 after John Singleton Copley. a Copy of an Original Painting by John Singleton Copley Which Is Located at the National Gallery, Washington DC, USA. , Boat, Oil Painting, Boy, History Painting, Shark. Independently Published, 2020.

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Book chapters on the topic "Watson Gallery"

1

Galliers, Bob, and Jacky Swan. "Information Systems and Strategic Change A Critical Review of Business Process Re-engineering." In Rethinking Management Information Systems. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198775331.003.0018.

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Abstract BPR (Davenport and Short, 1990; Hammer, 1990) has become big business. The market for BPR services is estimated to be $51bn in 1995 (Davenport, 1996). Senior executives indicate that BPR is one of the most vital issues they face in the late 1990s (Galliers et al., 1994; Brancheau et al., 1996; Watson et al., 1997), and interest is still keen. This is despite the failures arising from its narrow, IT focus (Watts, 1993); despite the criticisms (Mumford, 1994, 1996; Land, 1996); and despite the warnings from one of its founders that the original concept was flawed (Davenport, 1996).
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Griffiths, Gareth, and Ray Hackney. "Strategic Information Systems for Competitive Advantage." In Strategic Information Technology. IGI Global, 2001. http://dx.doi.org/10.4018/978-1-878289-87-2.ch009.

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This chapter describes three critically important features for the planning, sustainability and implementation of strategic information systems (SIS). The literature identifies a consistent lack of success by organisations in achieving business benefits from their SIS investments and in particular the difficulties of obtaining a sustained competitive advantage over rivals. There appears to be little evidence that this record has improved as organisations increasingly rely on SIS to support their business strategy. The chapter focuses upon the need for appropriate SIS planning, the role of uniq
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