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Books on the topic 'Women’s magazines'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 April 2022

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1

McCracken, Ellen. Decoding Women’s Magazines. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22381-7.

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2

Walker, Nancy A., ed. Women’s Magazines, 1940–1960. Palgrave Macmillan US, 1998. http://dx.doi.org/10.1007/978-1-137-05068-7.

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3

Lekaki, Constantina. Women's magazines mainstream?. LCPDT, 1998.

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4

Gough-Yates, Anna. Understanding women's magazines. Routledge, 2003.

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5

Winship, Janice. Inside women's magazines. Pandora, 1987.

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6

Barrell, Joan. The business of women's magazines. 2nd ed. Kogan Page, 1988.

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7

Michael, Vaughan-Rees, ed. Women in wartime: The role of women's magazines 1939-1945. Macdonald Optima, 1987.

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8

Women's magazines: The first 300 years. P. Owen, 1995.

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9

Shaping our mothers' world: American women's magazines. University Press of Mississippi, 2000.

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10

Humphreys, Nancy K. American women's magazines: An annotated historical guide. Garland, 1989.

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11

Dimitra, Vakaloglou. Women advertising and the role of the supermodel in women's glossy magazines. University of Central England in Birmingham, 2001.

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12

Decoding women's magazines: From "Mademoiselle" to "Ms". Macmillan, 1993.

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13

Belgium), International Symposium in Europe (1998. Gender and modernity: Rereading Japanese women's magazines. Kokusai Nihon Bunka Kenkyū Sentā, 2000.

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14

Understanding women's magazines: Publishing, markets and readerships. Routledge, 2003.

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15

McCracken, Ellen. Decoding women's magazines: From Mademoiselle to Ms. St. Martin's Press, 1993.

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16

Clear, Caitríona. Women's voices in Ireland: Women's magazines in the 1950s and 60s. Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2015.

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17

Packer, Victoria. The future of monthly women's consumer magazines online. LCP, 2002.

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18

Boardman, Rebecca J. Health information in women's magazines: 1948 to 1997. Loughborough University, 1997.

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19

Ulrich, Kaiser. The effects of website provision on the demand for German women's magazines. National Bureau of Economic Research, 2002.

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20

Airbrushed nation: The lure and loathing of women's magazines. Seal Press, 2012.

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21

Stevens, Lorna Margaret Rose. The joy of text: Women's experiential consumption of magazines. The Author], 2002.

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22

Taking liberties: Early American women's magazines and their readers. Praeger, 2002.

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23

Ferguson, Marjorie. Forever feminine: Women's magazines and the cult of femininity. Gower, 1985.

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24

Reading women's magazines: An analysis of everyday media use. Polity Press, 1995.

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25

McLoughlin, Linda. A Critical Discourse Analysis of South Asian Women's Magazines. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-39878-9.

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26

Chiotis-Leskowich, Irene. Endangered angel: Greek women depicted through their magazines, 1833-1920. [I. Chiotis-Leskowich], 2003.

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27

Chiotis-Leskowich, Irene. Endangered angel: Greek women depicted through their magazines, 1833-1920. [I. Chiotis-Leskowich], 2003.

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28

Encanto, Georgina Reyes. Constructing the Filipina: A history of women's magazines, 1891-2002. University of the Philippines Press, 2004.

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29

Marek, Jayne E. Women editing modernism: "little" magazines & literary history. University Press of Kentucky, 1995.

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30

Chivers, Barbara. Information on breast cancer in women's magazines: An analysis of how women's monthly magazines featured breast cancer during Breast Cancer Awareness Month. University of Central England in Birmingham, 1999.

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31

A magazine of her own?: Domesticity and desire in the woman's magazine, 1800-1914. Routledge, 1996.

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32

Lewandowska, Małgorzata J. Grazia. Consigli che hanno formato le italiane. Un’analisi del discorso. University of Warsaw Press, 2022. http://dx.doi.org/10.31338/uw.9788323555841.

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The present volume is the result of many years of research on the letters published in the agony column of Italian weekly magazine "Grazia". The author aims to show the evolution of women's social roles and of the models of femininity in the discourse of press and advice-giving in 20th century Italy, as well as to present the diachronic changes which occurred in the letters themselves. The analysis provides information on women’s interests and problems, the type of content promoted by the magazine and the solutions suggested by the agony aunts, drawing the reader’s attention to the constantly

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33

Clay, Catherine. Time and Tide. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474418188.001.0001.

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This book reconstructs the first two decades of the feminist magazine Time and Tide, founded in 1920 by Lady Margaret Rhondda and other women who had been involved in the women’s suffrage movement. Unique in establishing itself as the only female-run general-audience intellectual weekly in what press historians describe as the ‘golden age’ of the weekly review, Time and Tide both challenged persistent prejudices against women’s participation in public life and played an instrumental role in redefining women’s gender roles and identities in the interwar period. Drawing on extensive new archival

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34

Hurwitz, Heather McKee. From Ink to Web and Beyond. Edited by Holly J. McCammon, Verta Taylor, Jo Reger, and Rachel L. Einwohner. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190204204.013.22.

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Mainstream media ignores the breadth and diversity of women’s activism and often features sexist, racist, and sexualized portrayals of women. Also, women hold disproportionately fewer jobs in media industries than men. Despite these challenges, women activists protest gender inequality and advocate a variety of other goals using traditional and new social media. This chapter examines the history of women’s media activism in the United States from women activists’ use of mainstream and alternative newspapers, magazines, radio, and television, to how activists adopted Internet technologies and n

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35

Dow, Bonnie J. Magazines and the Marketing of the Movement. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038563.003.0004.

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This chapter focuses on the March 18, 1970, sit-in at Ladies' Home Journal (LHJ), a crucial episode in feminist media activism that had dramatic internal and external consequences for women's liberation. Conceived as a radical action by a small group of women incensed at the demeaning portrayal of women in a publication that touted itself as “the magazine women believe in,” the LHJ protest was an unpredictable success, precipitating significant changes in editorial and employment practices at women's magazines. That outcome was the product of several factors, including the emphases of the prin

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36

Duffy, Brooke Erin. Making the Magazine. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037962.003.0002.

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This chapter traces the history of women's magazines that spans 300 years. Drawing upon four decades of scholarship on women's magazines, it examines the defining properties of the genre, and particularly the consideration that these periodicals are created exclusively for and targeted to female audiences. It also discusses the ways in which editors-in-chief create and maintain the identity of their publications while establishing the magazine as an intimate imagined space, and how consumerism and citizenship became intertwined in women's magazines. The chapter shows that the history of women'

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37

Duffy, Brooke Erin. Transforming the Magazine. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037962.003.0003.

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This chapter examines the changes taking place in the economies, technologies, and markets of women's magazines in the late twentieth century by focusing on three publishers: Hearst Magazines, Condé Nast, and Time, Inc. Although each of these companies produces several women's fashion, beauty, and/or service titles, their organizational structures are becoming quite varied as they reorient departments, positions, and routines to address contemporary industry challenges. The chapter considers the extent to which changes in the magazine industry can be ascribed exclusively to digital innovations

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38

Duffy, Brooke Erin. Inviting Audiences In. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037962.003.0006.

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This chapter examines the shifting dynamics of the magazine producer–consumer relationship within two different industrial contexts. First, it considers how media producers are making their offerings for audiences more interactive by integrating commentary, advice, photos, and more. It situates this trend in historical perspective by recalling women's magazines' tradition of “inviting readers in.” Second, it looks at an external force encroaching on magazine production: the rise of fashion blogging. It also describes the labor politics of user-generated content and goes on to discuss how vario

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39

Duffy, Brooke Erin. Rethinking Readership. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037962.003.0005.

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This chapter examines how the transformations associated with digitization are reshaping the ways in which publishers of women's magazines think about readership by focusing on their constructions of audiences. Editors and publishers of women's magazines have long targeted narrowly defined segments of the female populace based upon demographic factors (age, household income, marital status, educational level, and sometimes even race) as well as lifestyle traits and behaviors. They draw upon surveys and other measurement techniques to understand these segments and craft detailed profiles of the

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40

Easley, Alexis. New Media and the Rise of the Popular Woman Writer, 1832-1860. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474475921.001.0001.

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The idea of ‘new media’ is nothing new. Long before Twitter and Facebook, the rise of new periodical genres and formats provided opportunities for Victorian women writers and readers to participate in popular print culture as never before. This study illuminates the relationship between the rise of the popular woman writer the expansion and diversification of newspaper and periodical print media during a period of revolutionary change. It includes discussion of canonical women writers such as Felicia Hemans, Charlotte Brontë, and George Eliot, as well as lesser-known figures such as Eliza Cook

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41

Publications, Key Note, ed. Women's magazines. 5th ed. Key Note Publications, 1987.

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42

Publications, Key Note, ed. Women's magazines. 8th ed. Key Note Publications, 1991.

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43

Publications, Key Note, ed. Women's magazines. 6th ed. Key Note Publications, 1989.

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44

Publications, Key Note, ed. Women's magazines. 7th ed. Key Note Publications, 1990.

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45

Phillippa, Smith, and Key Note Publications, eds. Women's magazines. 9th ed. Key Note, 1995.

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46

Duffy, Brooke Erin. Conclusion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037962.003.0008.

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This concluding chapter returns to the guiding question “What is a magazine?” used by the book to explore the industry transformations associated with digitization and participatory culture by revisiting the concepts of organizational identity, professional identity, and gendered identity. It also discusses the many different ways in which contemporary producers of women's magazines are redefining their processes and products. It shows that the evolution from magazine as object to magazine as brand represents a conundrum for magazine publishers as they struggle to reach a consensus about “who

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47

Apolloni, Alexandra M. Freedom Girls. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190879891.001.0001.

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Freedom Girls: Voicing Femininity in 1960s British Pop shows how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman in the 1960s British pop music scene. The singing and expressive voices of Sandie Shaw, Cilla Black, Millie Small, Dusty Springfield, Lulu, Marianne Faithfull, and P. P. Arnold reveal how vocal sound shapes access to social mobility and, consequently, access to power and musical authority. The book examines how Sandie Shaw and Cilla Black’s ordinary girl personas were tied to whiteness, and in Black’s

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48

Tossounian, Cecilia. La Joven Moderna in Interwar Argentina. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401162.001.0001.

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This book reconstructs different images of modern femininities and their evolution during the 1920s and 1930s, showing that women were at the center of a public debate about modernity and its consequences on the emergence of an Argentine national identity. With a focus on competing media representations of womanhood, mainly proposed by male contemporaries, but also with attention to young women’s descriptions of their experiences, the book explores different images of modern femininities and what they reveal about how Argentines imagined themselves and their country during decades of cultural

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49

Hallawell, Seona M. Women's glossy magazines. 1989.

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50

Winship, Janice. Inside Women's Magazines. Pandora P, 1987.

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