Relevant bibliographies by topics / Women's Film

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Women's Film'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Women's Film"

1

Pack, Sam, and Hoa Tran. "Film Review:Through Women's Eyes." Visual Anthropology Review 15, no. 1 (1999): 100–102. http://dx.doi.org/10.1525/var.1999.15.1.100.

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Savory, Elaine. "African Women's Voices on Film." NWSA Journal 9, no. 1 (1997): 99–106. http://dx.doi.org/10.2979/nws.1997.9.1.99.

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Rifeser, Judith. "Patricia White (2015) Women's Cinema, World Cinema: Projecting Contemporary Feminisms." Film-Philosophy 21, no. 1 (2017): 142–45. http://dx.doi.org/10.3366/film.2017.0037.

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Turan, Müge. "You Don't Own This War: Arab Women's Cinema Showcase." Film Quarterly 73, no. 2 (2019): 87–92. http://dx.doi.org/10.1525/fq.2019.73.2.87.

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With only nine films, “Here and Now: Contemporary Arab Women Filmmakers,” a film series exhibited in August 2019 at Toronto's TIFF Bell Lightbox, is inevitably limited in the variety of style, form, and storytelling it can convey. However, by highlighting both the diversity and intersectionality of identities, the films presented are linked by a compelling thematic thread: they all investigate how cinema represents Arab women with a focus on the body, its materiality, and the power relations that determine it. Although each film reflected its local political and socio-economic context, collect
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Martinelli, Lucas. "Women's Time: The Mar del Plata International Film Festival." Film Quarterly 73, no. 3 (2020): 89–92. http://dx.doi.org/10.1525/fq.2020.73.3.89.

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Lucas Martinelli reports from the 34th edition of Argentina's Mar del Plata International Film Festival, the only FIAPF-accredited film festival in Latin America. Noting that this year's festival marked the sophomore effort of Cecilia Barrionuevo, the first female director in the festival's history, Martinelli focuses attention on the notable uptick in discussion space and festival slots awarded to women in the industry. The festival's second Forum of Cinema and Gender Perspective brought female speakers from fields across the industry—actresses, directors, researchers, and journalists. In his
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Doss, Erika, and Jan Rosenberg. "Women's Reflections: The Feminist Film Movement." Woman's Art Journal 6, no. 1 (1985): 45. http://dx.doi.org/10.2307/1358065.

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Evans, Barbara. "Rising Up." Feminist Media Histories 2, no. 2 (2016): 107–21. http://dx.doi.org/10.1525/fmh.2016.2.2.107.

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The London Women's Film Group was formed in 1972 in response to the seemingly impermeable male-dominated film industry and culture of the time along with the urgently felt need to put women's stories, told by women, on the screen. Made up of a dedicated assortedment of practitioners and theorists, the group produced a variety of films, both individually and collectively, including Women of the Rhondda (1973), Put Yourself in My Place (1974), The Amazing Equal Pay Show (1974), and Whose Choice? (1976). The group and its work provided inspiration to one another and to many other women who percei
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Bell, Melanie. "Rebuilding Britain." Feminist Media Histories 4, no. 4 (2018): 33–56. http://dx.doi.org/10.1525/fmh.2018.4.4.33.

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Women's marginalization in the British feature film industry is well documented: gender discrimination, and sometimes overt segregation, shut most women out of senior creative roles after the introduction of sound. What has received less critical attention is their participation in nonfiction filmmaking, which offered women greater employment opportunities, especially in the decades after World War II as Britain rebuilt its economy. This article provides the first historical mapping of women's involvement in sponsored nonfiction filmmaking in Britain in the period between 1945 and 1970, using
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Staab, Laura. "Kate Ince (2017) The Body and the Screen: Female Subjectivities in Contemporary Women's Cinema." Film-Philosophy 25, no. 1 (2021): 62–65. http://dx.doi.org/10.3366/film.2021.0157.

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Edwards, Alexandra. "Hollywood Regionalism." Feminist Media Histories 6, no. 2 (2020): 16–42. http://dx.doi.org/10.1525/fmh.2020.6.2.16.

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In her sixty years on earth, Gene Stratton-Porter was many things: a women's club organizer, nature photographer, naturalist, conservationist, best-selling novelist, and a burgeoning film producer who died just as her film studio began to realize her mission of adapting her novels into movies that could further her education and conservation efforts. By 1960, eight of her books had been turned into twenty-one films—silent and sound, black and white and color, from Poverty Row studios to members of the Big Five. This article examines how Stratton-Porter and others translated her regionalism and
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Dissertations / Theses on the topic "Women's Film"

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Phillips, Diane. "Women's rites, representations of childbearing in film." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ37611.pdf.

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Gaswint, Kiera M. "A Comparative Study of Women's Aggression." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1523032004159866.

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Gleghorn, Charlotte Elisabeth. "Body/memory/identity : contemporary Argentine and Brazilian women's film." Thesis, University of Liverpool, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.511053.

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Zhang, Qian. "Women's Time and Reproductive Anxiety in Contemporary Horror Films." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1532349287122159.

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Stead, Lisa Rose. "Women's writing and British female film culture in the silent era." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3138.

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This thesis explores women’s writing and its place in the formation of female film culture in the British silent cinema era. The project focuses upon women’s literary engagement with silent cinema as generative of a female film culture, looking at materials such as fan letters, fan magazines, popular novels, short story papers, novelizations, critical journals and newspaper criticism. Exploring this diverse range of women’s cinema writing, the thesis seeks to make an original contribution to feminist film historiography. Focusing upon the mediations between different kinds of women’s cinema wr
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Hastings, Miriam Wendy. "Representations of desire and identity in contemporary women's writing and film-making." Thesis, Queen Mary, University of London, 1995. http://qmro.qmul.ac.uk/xmlui/handle/123456789/25785.

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Following the publication of Simone de Beauvoir's influential book, The Second Sex, (1949), many feminist critics in Europe and North America have discussed the problems facing women artists and critics of working within phallocentric and phallo-symbolic culture and language. Simone de Beauvoir was the first to demonstrate how male-dominated culture has used symbolic language in order to exclude, repress, and objectify women. Language is one of the key mechanisms employed in phallocentric culture to define and construct reality and gender identity according to male experience and desire. Femin
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Chamberlain, Amberly. "The naked truth| An examination of gender bias in the field of acting." Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10118892.

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<p> This thesis exposes unconscious gender bias in actor training and the entertainment industry. Such exposure will aid teachers and industry professionals in identifying language and practices that perpetuate this prejudice, and ultimately, effect revisions, forging a new standard for good acting. I posit that images generated by an industry that continues to drive this bias through unequal opportunities for women, double standards, and the preeminence of the male gaze in cinematic practices, contribute to situating women as objects of desire, rather than as subjects who command professional
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Murdoch, Emma Louise Annabel. "Madness, psychiatry and anti-psychiatry in English and French women's writing and film." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7676/.

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This thesis examines the theme of women’s madness in the 1960s and 1970s through the works of four English and French writers and film-makers: Chantal Akerman, Emma Santos, Jane Arden and Mary Barnes. It examines how these four writers and film-makers inscribe madness into their texts from a sociological angle, presenting the texts and films discussed as socio-historical artefacts while analysing each writer and film-maker’s representation of women’s madness. Inspired by psychologist Phyllis Chesler, who argues that madness is tied to socially defined gender roles and used to demarcate violati
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Pollarolo, Giovanna R. "Los guiones del "ciclo hollywoodense" de Manuel Puig : copias, reescrituras y apropiaciones." Thesis, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/20724.

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In this dissertation I study Ball Cancelled, Summer Indoors and La tajada, the three early screenplays by Argentine writer Manuel Puig, who wrote these before his first novel and dismissing “copies of old movies”. My thesis investigates and refutes this harsh self-judgment and tries to show—through theories of the “copy” —, that the three screenplays establish a dialogue with one another as well as with the “old Hollywood movies”, through a subtle critique, a transgressive distance and complacency towards the model they represent. The first section examines Puig’s relationship to the condit
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Di, Fede Corella Ann. "Bio-logics of bodily transformation| Biomedicine and makeover TV." Thesis, University of California, Irvine, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10246999.

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<p>This dissertation began as an attempt to understand how biomedical concepts and practices, which undermine the salience of norms drawn from the ?natural order? are relayed through mass media and inform self-understanding, social being, self-care, and practices of everyday life. The project tracks makeover TV?s valorization of the metamorphic or transformative body as an ideal that emerges through, and across, various contexts in science and popular culture. This genre of programming is one of the few sites at which the aesthetics of biotechnology are made visible in non-fiction representati
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Books on the topic "Women's Film"

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Cheu, Hoi F. Cinematic howling: Women's films, women's film theories. UBC Press, 2007.

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Root, Jane. Women's film list. BFI Education, 1985.

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Cook, Samantha. Women's film list including videos. BFI Education, 1989.

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Cook, Samantha. Women's film list: Including videos. Education Dept., British Film Institute, 1989.

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Feminist auteurs: Reading women's film. Wallflower, 2006.

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King, Sarah L. Women's film: A new aesthetic. Derbyshire College of Higher Education, 1988.

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Rosenberg, Jan. Women's reflections: The feminist film movement. UMI, 1995.

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Feminism, film, fascism: Women's auto/biographical film in postwar Germany. University of Texas Press, 1998.

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Walsh, Andrea S. Women's film and female experience, 1940-1950. Praeger, 1986.

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Fischer, Lucy. Shot/countershot: Film tradition and women's cinema. Macmillan Education, 1989.

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Book chapters on the topic "Women's Film"

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Walsh, Caitríona. "The Film Scores of Mica Levi." In Women's Music for the Screen. Routledge, 2021. http://dx.doi.org/10.4324/9780429264924-12.

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He, Qiliang. "Vernacularization as Global and Local Experiences: The Huang–Lu Affair in Film and Literature." In Feminism, Women's Agency, and Communication in Early Twentieth-Century China. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-89692-2_6.

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Knowles, Emma. "Women’s Worldmaking in the subtext of Malory’s Morte D’Arthur." In FILLM Studies in Languages and Literatures. John Benjamins Publishing Company, 2017. http://dx.doi.org/10.1075/fillm.5.02kno.

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Gaal-Holmes, Patti. "Women and Film." In A History of 1970s Experimental Film. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137369383_7.

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Hole, Kristin Lené, and Dijana Jelača. "Women filmmakers and feminist authorship." In Film Feminisms. Routledge, 2018. http://dx.doi.org/10.4324/9781315618845-2.

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Ceuterick, Maud. "Conclusion: Forms of Affirmative Aesthetics." In Affirmative Aesthetics and Wilful Women. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-37039-8_6.

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Abstract An affirmative approach to film consists of making visible what the diegesis may conceal. As the chapter reflects on the political impact of art and the affect of films onto the bodies of the spectators, it concludes that looking for affirmative aesthetics is about mapping the feminist forms that will allow us to build a future beyond gendered and racialised power relations.
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Tasker, Yvonne. "Women in Film Noir." In A Companion to Film Noir. Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118523728.ch21.

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Richter, Simon. "Falling in Love Again … and Again and Again." In Women, Pleasure, Film. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137309730_1.

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Richter, Simon. "Portraits of Lola." In Women, Pleasure, Film. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137309730_10.

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Richter, Simon. "Lola and Motherhood." In Women, Pleasure, Film. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137309730_11.

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Conference papers on the topic "Women's Film"

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Bouras, N. "Physical Properties of Thin Film Semiconducting Materials." In WOMEN IN PHYSICS: 2nd IUPAP International Conference on Women in Physics. AIP, 2005. http://dx.doi.org/10.1063/1.2128326.

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Sircar, Aenakshi. "Organic Thin Film Transistors for Flexible Electronics." In International Conference on Women Researchers in Electronics and Computing. AIJR Publisher, 2021. http://dx.doi.org/10.21467/proceedings.114.61.

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Progress in electronics gave rise to the concept of flexible electronics. Which are widely being used for medical and aerospace research. Further development in the fields of flexible electronics unfolded another branch of this electronics system called organic flexible electronics. Organic thin-film transistors, Organic light-emitting diodes are a few of the many forms of organic flexible electronics. Organic materials being used as the substrates increase the flexibility of the electronic circuit. The conductivity of these substrates can be controlled as per requirement by varying the doping
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Hien, N. T. M., L. H. Hoang, D. Lee, et al. "Magnetic Ordering Effects on Raman Spectra of Hexagonal Phase of HoMnO[sub 3] Film (abstract)." In WOMEN IN PHYSICS: Third IUPAP International Conference on Women in Physics. AIP, 2009. http://dx.doi.org/10.1063/1.3137818.

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Brandl, Ana Lúcia. "Effects of Magnetic Interactions in Superparamagnetic Granular Films." In WOMEN IN PHYSICS: 2nd IUPAP International Conference on Women in Physics. AIP, 2005. http://dx.doi.org/10.1063/1.2128328.

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Rho, JaeHoon, SeoungHoon Jung, JooYoun Kim та ін. "Blue-Green-Red Photoluminescence in Defect-Controlled SrTi[sub x]O[sub 3−δ] Thin Film (abstract)". У WOMEN IN PHYSICS: Third IUPAP International Conference on Women in Physics. AIP, 2009. http://dx.doi.org/10.1063/1.3137871.

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Yang, Lan-Hee, Jinwoo Park, B. D. Yu, et al. "Electronic Structures of Oxide-Supported Pt films: Magnetic Properties (abstract)." In WOMEN IN PHYSICS: Third IUPAP International Conference on Women in Physics. AIP, 2009. http://dx.doi.org/10.1063/1.3137895.

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Eblen-Zayas, Melissa. "Low-Temperature Response of Ultrathin Manganite Films in a Field-Effect Geometry." In WOMEN IN PHYSICS: 2nd IUPAP International Conference on Women in Physics. AIP, 2005. http://dx.doi.org/10.1063/1.2128334.

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Soria, G. Ruiz, F. Grinblat, N. Vega, et al. "Electric Conduction Mechanisms of Thin Films of ZnO Doped with Sulfur (abstract)." In WOMEN IN PHYSICS: Third IUPAP International Conference on Women in Physics. AIP, 2009. http://dx.doi.org/10.1063/1.3137884.

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Jang, Seunghun, Changhun Ko, Kiyoung Jeong, et al. "The Charge Storage Characteristics of Si-QDs Embedded in Silicon Nitride Films (abstract)." In WOMEN IN PHYSICS: Third IUPAP International Conference on Women in Physics. AIP, 2009. http://dx.doi.org/10.1063/1.3137826.

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Song, Sanghoon, Wonsuk Cha, Heeju Lee, et al. "Surface Dynamics of Block Copolymer Films by X-ray Photon Correlation Spectroscopy (abstract)." In WOMEN IN PHYSICS: Third IUPAP International Conference on Women in Physics. AIP, 2009. http://dx.doi.org/10.1063/1.3137883.

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Reports on the topic "Women's Film"

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Salama, Hana, and Emma Bjertén-Günther. Women Managing Weapons: Perspectives for Increasing Women’s Participation in Weapons and Ammunition Management. United Nations Institute for Disarmament Research, 2021. http://dx.doi.org/10.37559/gen/2021/02.

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UNIDIR’s new study Women Managing Weapons: Perspectives for Increasing Women’s Participation in Weapons and Ammunition Management seeks to fill this gap by exploring women’s participation in the field of weapons and ammunition management, particularly their lived experiences in WAM technical roles, such as stockpile managers, armourers, ammunition and technical experts, explosive ordnance disposal specialist. The purpose is to unpack the challenges faced by these women and identify good practices for further inclusion of women in WAM. It also provides ideas for states, international organizati
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Yadav, Rakesh. Women Directors’ Compensation and Firm Performance of an Emerging Economy: India. EconWorld Workıng Papers, 2017. http://dx.doi.org/10.22440/econworld.wp.2017.003.

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Saha, Amrita, Jodie Thorpe, Keir Macdonald, and Kelbesa Megersa. Linking Business Environment Reform with Gender and Inclusion: A Study of Business Licensing Reform in Indonesia. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.001.

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Business environment reform (BER) targets inadequate business regulations. It is intended to remove constraints to business investment, enabling growth and job creation, and create opportunities for international business to contribute to and benefit from this growth. However, there is a lack of detailed knowledge of the impact of BER on gender and inclusion (G&amp;I). While a review of existing literature suggests that in general, there is no direct link between BER and G&amp;I, indirect links are likely through the influence of BER on firm performance. Outcomes will be influenced by the diff
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