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Dissertations / Theses on the topic 'Works, choral'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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1

Kang, Hyojin. "Choral music of Kirke Mechem : an analytical approach to his choral cycles and representative choral works /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/11432.

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2

Karna, Duane Richard, and Duane Richard Karna. "THE CHRISTMAS CHORAL WORKS OF ARNOLD BAX." Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/626515.

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3

Wordelman, Peter Dale. "Daniel Moe's choral works with brass accompaniment." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185475.

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Many twentieth-century American composers have written works for chorus with brass accompaniment. This study focuses on the compositional techniques Daniel Moe applies to his brass and choral works and the musical and religious influences that aided in the development of Moe's composition language. Eight of Daniel Moe's works for brass and chorus are analyzed to determine the influences and techniques employed in his style of composition. The analysis reveals: the choir and brass remain independent and never dominate each other, the brass consistently play at their loudest dynamic levels while

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4

Mott, Maxine Elizabeth. "The choral works of Robert Schumann (1810-56)." Thesis, University of Birmingham, 1991. http://etheses.bham.ac.uk//id/eprint/261/.

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Schumann's choral music provides a focus for an account of his later compositional career. Various original contributions to research are made. The Handelian influence behind his early choral writing is identified in Das Paradies und die Peri. An account of Schumann's choral societies gives an insight into the smaller-scale works. The Manfred music and the Corsar fragment show his use of melodrama. The Faustscenen are illuminated by the occasions which inspired them, especially the 1849 Goethe Festival. The unachieved oratorio Luther is described; and in Der Rose Pilgerfahrt the Biedermeier in

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5

Işık, Arda Çıkış Şeniz. "Choral works in architecture in terms of hermeneutics/." [s.l.]: [s.n.], 2003. http://library.iyte.edu.tr/tezler/master/mimarlik/T000288.rar.

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6

Imrie, Sally. "Analysis of selected choral works by John Tavener with particular reference to the post-1977 works." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002307.

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This thesis deals with sacred choral music written by John Tavener, a British composer born in 1944. It touches briefly on the background of Tavener and his early works (i.e. from about 1960-1976) - two works from that period have been selected for analysis, Celtic Requiem and Nomine Jesu. The main body of the thesis is concerned with those works composed,.after 1977, which show the influence of the Orthodox Church and Byzantine hymnography on Tavener's stylistic development. The selected works from this period to be analysed are: Ode of St Andrew of Crete, Two Hymns to the Mother of God, Magn

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7

MORGAN, JENNIFER SUSAN. "A CONDUCTOR'S GUIDE TO SELECTED CHORAL-ORCHESTRAL WORKS OF EMMA LOU DIEMER." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115393701.

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8

Teal, Terri Denise. "Tempo Determination in the Choral Works of Francis Poulenc." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc500725/.

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Though Poulenc marks choral compositions with metronomic indications, there are problems concerning tempo. The purpose of this paper is to determine guidelines for dealing with choral tempo. Chapter II relates biographical information pertinent to the study. Style Is examined In Chapter III, determining aspects that call tempo marks into question and influence tempo determination. In Chapter IV, the manner in which Poulenc uses tempo indications in the choral works is analysed and the relationship between form and tempo examined. Chapter V records Information bearing upon tempo from Poulenc's

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9

Hintze, Richard Robert. "Kent A. Newbury: A Study of His Choral Works." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/596086.

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Kent Alan Newbury is an American composer who was born in Chicago in 1925, and currently resides in Scottsdale, Arizona. He has composed over 550 works and has had 282 choral works published. His first published piece was Psalm 150 (1955) and his latest publication was Praise the Lord, All Ye People (2013). Thirty-nine of his published choral pieces are still in print. At this time, the unpublished manuscripts include 204 choral pieces, four solo works, four instrumental works for dance, thirty-seven brass or band works, six woodwind pieces, and nineteen string or orchestra works. Newbury's co

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10

Pahel, Timothy Allen. "The choral works for mixed voices by Jaakko Mäntyjärvi." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/5035.

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This thesis is an examination of the choral works for mixed voices of Jaakko Mäntyäjrvi. It includes biographical information about him, an overview of his works, compositional style, and major influences, in addition to a detailed analysis of four of his pieces. The first chapter is devoted to biographical information and the influences that shaped him as an artist, including the composers and musical styles that were most significant in his development. The second chapter includes a detailed examination of salient characteristics of Mäntyjärvi's output, including his compositional techniques

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11

Toliver, Nicki Lynn. "Selected Larger Choral Works of F. Melius Christiansen (1871-1955)." Diss., North Dakota State University, 2011. https://hdl.handle.net/10365/28894.

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F. Melius Christiansen (1871-1955) composed four larger choral works between 1917 and 1925. The Reformation Cantata, composed in 1917, commemorates the 400th anniversary of Martin Luther?s Protestant Reformation and the merger of three church synods into the Norwegian Lutheran Church of America. The cantata is scored for baritone, tenor, and soprano soli, chorus, and orchestra. Christiansen?s oratorio, The Prodigal Son, was composed in 1918. The performing forces include SATB soli and SATB chorus with orchestra or keyboard accompaniment. In 1922, Christiansen composed a multi-movement a cappel

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12

Parra, Cira Guadalupe. "A conductor's guide to selected choral works of Modesta Bor." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1151498320.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2006.<br>Title from electronic thesis title page (viewed Nov.28, 2006). Includes abstract. Keywords: Venezuelan Choral Music; Modesta Bor; Women in Music Includes bibliographical references.

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13

Grases, Cristian. "Nine Venezuelan Composers and a Catalogue of their Choral Works." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/215.

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This document represents an initial endeavor in a long-lasting aspiration to pursue the study and collection of Latin American choral literature. This essay compiles the most complete and current catalogue possible of choral works written by nine Venezuelan composers born in the twentieth century and presents it in a simple and accessible format so it can be used by a variety of school teachers, choral conductors, church musicians, college directors, and professional musicians. Each composer entry presents a brief biographical note and a list of works organized in alphabetical order. The annot

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14

PARRA, CIRA GUADALUPE. "A CONDUCTOR'S GUIDE TO SELECTED CHORAL WORKS OF MODESTA BOR." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1151498320.

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15

Monroe, J. Carlton IV. "A Conductor's Guide to the Choral Works of Chen Yi." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1250544823.

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16

Lourenço, Paulo V. "A Conductor's Guide to Select Choral Works of Eurico Carrapatoso." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406901556.

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17

Elder, Rusty Dale Budds Michael J. "The late choral works of Igor Stravinsky a reception history /." Diss., Columbia, Mo. : University of Missouri--Columbia, 2008. http://hdl.handle.net/10355/5625.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on September 22, 2009). Thesis advisor: Dr. Michael Budds. Includes bibliographical references.

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Monroe, J. Carlton. "A conductor's guide to the choral works of Chen Yi." Cincinnati, Ohio : University of Cincinnati, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1250544823.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2009.<br>Advisor: Earl Rivers. Title from electronic thesis title page (viewed Jan. 14, 2010). Includes abstract. Keywords: Chen Yi. Includes bibliographical references.

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19

Kantor, James Graham 1967. "A conductor's study of the choral works of Daniel Asia." Diss., The University of Arizona, 1997. http://hdl.handle.net/10150/288731.

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Daniel Asia (b.1953) is often referred to as a composer who writes in an "accessible" style. Asia's style of composition evolved from an aleatoric and dissonant style to more lyrical and "accessible." He received commissions from numerous musical organizations. Although Professor Asia's primary compositional focus has been on symphonic music, he has also written five works for chorus. This document will attempt to chronicle Asia's compositional development through a study of his five choral works: (1) Nineteen (published under the title, Sound Shapes) (1973); (2) Why (?) Jacob (1978); (3) She

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20

Samra, Todd. "An annotated bibliography of the choral works of Robert A. Hobby." CardinalScholar 1.0, 2009. http://liblink.bsu.edu/uhtbin/catkey/1466733.

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The purpose of this dissertation is to organize, summarize, and present the choral works of Robert A. Hobby in an annotated bibliography. These annotations, along with seven appendices, serve as a reference tool with church musicians and other choir directors in mind. Robert A. Hobby is a native Indiana composer who now resides in Fort Wayne, Indiana, and has over seventy choral works in publication. A biographical chapter about Robert A. Hobby, including his musical education and influences; and a chapter about his style characteristics, including analyses of selected choral works, precedes t

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21

Guy, Todd W. "Compositional process of Rene Clausen as demonstrated in selected choral works." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1118236.

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The purpose of this study was to document the compositional process of the American composer, Rene Clausen (b. 1953). The writer conducted three days of interviews with Dr. Clausen to discuss his compositional process in selected choral works. The discussion included Clausen's "creative impetus," and "compositional approach" to the elements of text, harmony, rhythm, melody and texture.The writer examined Clausen's thirty-three published choral works. Three works representative of his choral output were selected: "All That Hath Life and Breath Praise Ye the Lord" (1981); "0 Vos Omnes" (1986); a

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22

Walters, Norene Ann. "The Unaccompanied Choral Works of Richard Rodney Bennett: A Conductor's Guide." Diss., The University of Arizona, 2008. http://hdl.handle.net/10150/195081.

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As one of Great Britain's leading composers, Sir Richard Rodney Bennett (b. 1936) is prolific in a wide range of media, idioms, and genres, including concert and stage music, jazz, and film scores and has to his credit an extensive discography. He excels in solo vocal, instrumental, and chamber music composition and has a significant but lesser known corpus of choral music. A classically trained pianist, Bennett enjoys a parallel performing career as a jazz musician and cabaret singer. He has lived in New York since 1979.Bennett is one of a group of twentieth-century British composers who have

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23

McGahie, Paul Douglas. "THE CHORAL FUGUE: A COMPARATIVE STUDY OF STYLE AND PROCEDURE IN WORKS BY J.S. BACH AND W.A. MOZART." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1155660835.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2006.<br>Title from electronic thesis title page (viewed Oct.10, 2006). Includes abstract. Keywords: music, choral music, choral fugues, fugues, Bach, J.S., Mozart, W.A., choral Includes bibliographical references.

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24

Morgan, Jennifer S. "A conductor's guide to selected choral-orchestral works of Emma Lou Diemer." Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1115393701.

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25

Rigby-Barrett, Sandra. "The sacred choral works (1983-1995) of Judith Weir : an analytical approach." Thesis, University of Reading, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430914.

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26

Dungee, Jason A., and Jason A. Dungee. "A Socio-Pedagogical Analysis of Five Short Choral Works by Adolphus Hailstork." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/621093.

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The focus of the present research is to examine the socio-pedagogical aspects of Adolphus Hailstork's Five Short Choral Works. The socio-pedagogical benefits of these and similar compositions stem from their potential to encourage more critical cultural engagement of the choral contributions of Black composers in both the classroom and rehearsal hall. While the music on its own merit is worthy of deeper study and analysis, the added benefit to students, teachers and conductors is that the inclusion of diverse groups in music education has proven sociological benefits. Therefore, these five

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27

Tasher, Cara Suzanne. "A Conductor’s Guide to the Choral Works of Lili Boulanger (1893-1918)." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148303598.

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28

Tasher, Cara Suzanne. "A conductors guide to the choral works of Lili Boulanger (1893-1918)." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc_num=ucin1148303598.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2006.<br>Advisor: Dr. Earl Rivers. Title from electronic thesis title page (viewed June 7, 2009). Includes abstract. Keywords: Lili Boulanger; French twentieth century choral music; French symbolism; female composers; 20th century; Psalm settings. Includes bibliographical references.

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29

Gravelle, Shannon Marie. "A preliminary study of the choral works and style of Sergei Taneyev." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5484.

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30

Klausmeyer, Sue T. "A CONDUCTOR'S STUDY OF MUSICAL MOTION AND SOURCES OF INVENTION IN SELECTED CHORAL WORKS BY JOHN TAVENER." University of Cincinnati / OhioLINK, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=ucin976031083.

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31

Cha, Yeong Hoi. "An analytical study of Korean-based sacred choral music : Korean traditional music and its relation to fourteen selected Korean sacred choral works /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11379.

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32

Hammond, Philip Alexander. "'Psalms and songs from the Hebrew' & choral and orchestral works 1993-2001." Thesis, Queen's University Belfast, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273139.

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33

Hoskisson, Darin Todd. "The Grundgestalt and network transformations in the late choral works of Anton Webern /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1251843161&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2006.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 185-188). Also available for download via the World Wide Web; free to University of Oregon users.

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34

Pinsonneault, Albert. "A conductor's guide to selected choral works of F. Melius Christiansen (1871-1955)." Cincinnati, Ohio : University of Cincinnati, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1250619506.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2009.<br>Advisor: Brett Scott. Title from electronic thesis title page (viewed Jan. 15, 2010). Includes abstract. Keywords: F. Melius Christiansen; St. Olaf; a cappella choir; beautiful savior; christiansen. Includes bibliographical references.

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35

Thompson, Douglas Earl. "Evolution Meets Revolution: The Contributions of Computers to Word- and Tone-Painting in Choral-Electroacoustic Works." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/194956.

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The purpose of this study is to reveal the evolutionary and revolutionary aspects of using computers to word- and tone-paint in choral-electroacoustic (CEA) works. An extended account is made of word- and tone-painting's history in selected works from the Renaissance through the Twentieth Century to establish their use as a choral music tradition, followed by an examination of three recent CEA works: Scott Wyatt's A Time of Being, Scott Miller's Dies Sanctificatus, and Reginald Bain's When I Consider the Heavens. In all instances, word- and tone-painting are identified and assigned meaning uti

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36

Wittmer, Micah. "Performing Negro Folk Culture, Performing America: Hall Johnson’s Choral and Dramatic Works (1925-1939)." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:26718725.

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This dissertation explores the portrayal of Negro folk culture in concert performances of the Hall Johnson Choir and in Hall Johnson’s popular music drama, Run, Little Chillun. I contribute to existing scholarship on Negro spirituals by tracing the performances of these songs by the original Fisk Jubilee singers in 1867 to the Hall Johnson Choir’s performances in the 1920s-1930s, with a specific focus on the portrayal of Negro folk culture. By doing so, I show how the meaning and importance of performing Negro folk culture changed over time during this period. My dissertation also draws on Hal

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37

Conran, Michael Artemus. "A study of David Conte's secular SATB choral works with non-orchestral score complement." Diss., The University of Arizona, 2003. http://hdl.handle.net/10150/280405.

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The choral works of David Conte are becoming an ever-increasing part of the American choral repertoire. These works have been performed on numerous choral convention programs and college choral concerts, and by professional choral organizations throughout the United States. Conte's choral compositions have been commercially recorded by several of the world's premier vocal ensembles such as Chanticleer, the American Repertory Singers, Elects Women's Ensemble, and the St. Olaf College Choir. In addition Conte's works are being commissioned by a wide array of groups from top-level high schools an

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38

Lim, Aesook. "The Long Chorale Preludes of J. S. Bach (1685-1750): Study of Accompaniments together with Three Recitals of Selected Works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and Others." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5219/.

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Johann Sebastian Bach's chorale preludes are varied and artistic not only in the treatment of chorale melodies, but also in the accompaniments of those chorale melodies. This study examines the accompaniments of Bach's long chorale preludes, focusing on identifying the various types and the characteristics that make them unique. This study investigates the two broad categories of accompaniments depending on whether the motives are chorale-derived or independent of the chorale. While the chorale prelude accompaniments in the first large group are closely related, the accompaniments of the cho

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39

Cousens, Mary Annette. "The influence of choral works by Canadian women on senior female secondary students in Ontario." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0007/MQ29153.pdf.

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40

Corbin, Dwayne. "The three wind/choral works of Heitor Villa-Lobos Quatuor, Nonetto, and Choros no. 3 /." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1155331674.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2006.<br>Title from electronic thesis title page (viewed Sept. 6, 2007). Includes abstract. Keywords: Villa-Lobos, Quatuor, Nonetto, Choros no. 3. Includes bibliographical references.

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Yu, Julie. "Alberto Grau the composer, selected works, and influence upon the Venezuelan and international choral community /." Thesis, connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3898.

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Thesis (D.M.A.)--University of North Texas, 2007.<br>System requirements: Adobe Acrobat Reader. Accompanied by 3 recitals, recorded Nov. 17, 2005, Apr. 2, 2006, and May 14, 2006. Includes bibliographical references (p. 51-53).

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42

Popp, Shaun R. "An examination of orchestration techniques used in wind band transcriptions of a cappella choral works." Thesis, The Florida State University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3596564.

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<p> The orchestration techniques used in wind band transcriptions of <i>a cappella</i> choral works have received limited attention from researchers. The primary purposes of this study were to (1) examine orchestration techniques used in wind band transcriptions of <i>a cappella </i> choral works, (2) note differences between original <i>a cappella </i> choral works and their wind band transcriptions, and (3) provide rehearsal suggestions for band conductors based on information gathered from comparisons of repertoire. </p><p> The researcher reviewed nine wind band transcriptions of <i>a

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Kotowich, Bruce Justyn Geron. "A Conductor's Guide to the Choral Music of Ruth Watson Henderson." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1281451688.

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44

CRAMER, EDNA LUISE. "AMERICAN MUSIC FOR WOMEN'S CHORUS: AN ANNOTATED REPRESENTATIVE LIST OF LARGER WORKS PUBLISHED BETWEEN 1940 AND 1980." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188113.

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The contributions made by American composers to the repertoire for women's chorus have increased significantly since 1940. This study was undertaken because previous investigations are international in scope and do not give an adequate view of the broad range of American works now available. Criteria established for works to be included in the study were as follows: (1) original compositions by American composers; (2) at least six minutes in duration; (3) available to the public from a publisher, composer, or repository of American works; (4) publication or composition date after 1940 and bef

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Wyers, Giselle Eleanor. "The third art: The embodiment of meaning through texture in the choral works of Robert Kyr." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/289945.

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The purpose of this document is to explore the relationship between text, texture, and meaning, in selected choral works of Robert Kyr (born 1952). It will show that texture is used consistently by Kyr as an expressive device to illuminate the inner meaning of the text. Kyr weaves text into musical texture, and in the fusion of text and music, creates a third art form that is more than the sum of its original parts. It is neither text set to music, nor music written to fit within a preexistent text. Instead, all dimensions of the composition are conceived simultaneously. Through this powerful

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46

Tucker, Carlton S. "The Choral Works of Robert Ward: A View of His Compositional Approach to Text Settings and His Use of Symbols and Allusions." Thesis, connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3604.

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47

Windt, Nathan John. "A Conductor’s Guide to Selected Short, Pre-Viennese Liturgical and Sacred Choral Works of Wolfgang Amadeus Mozart." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211394102.

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48

Walters, Christopher Matchette. "A conductor's analysis of standard choral works applying the high challenge-skill balance dimension of flow theory." Thesis, Boston University, 2014. https://hdl.handle.net/2144/11078.

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Thesis (D.M.A.)--Boston University<br>Mihaly Csikszentmihalyi's psychological construct "flow"-a subjective state describing an individual's optimal experience and engagement during intrinsically-motivated activity-has remained influential with respect to widely divergent fields of inquiry. Review of recent literature in music psychology and music education concerned specifically with flow, or "flow theory," reveals certain aspects of musical experience, and of choral experience. However, the application of flow theory specifically to the context ofchoral music-making remains largely underdeve

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49

Neal, Paul Andrew. "A survey of the choral works of Vincent D'Indy, including the chansons of opus 82, 90 and 100." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1495960051&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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50

Schnipke, Richard L. "Gwyneth Walker an annotated bio-bibliography of selected works for mixed chorus /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1228139768.

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