Log in

Relevant bibliographies by topics / Works, choral / Journal articles

To see the other types of publications on this topic, follow the link: Works, choral.

Journal articles on the topic 'Works, choral'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Works, choral.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Imre, János Zsolt. "Coloristic Tonal and Harmonic Compositional Techniques in Zoltán Gárdonyi’s Choral Works for Organ." Studia Universitatis Babeş-Bolyai Musica 68, Sp.Iss. 2 (2023): 315–25. http://dx.doi.org/10.24193/subbmusica.2023.spiss2.20.

Full text

Abstract:

"The topic of this paper is an analysis of two choral works for organ by Zoltán Gárdonyi. The purpose of this work is to reveal the compositional methods and tools used to create coloristic and fascinating tonal and harmonic movements in those two choral works. Alongside, how he crafts his works based on cantus firmus melodies and creates the organ chorals. Keyword: Gárdonyi Zoltán, coloristic compositional technique, leitmotif-like cell, coloristic harmony, organ choral. "

APA, Harvard, Vancouver, ISO, and other styles

2

Smith, Richard Langham, Netherlands Chamber Choir, Christie, et al. "Sweelinck: Choral Works." Musical Times 135, no. 1820 (1994): 652. http://dx.doi.org/10.2307/1003144.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Kitchen, J. "Bach choral works." Early Music 37, no. 1 (2009): 138–41. http://dx.doi.org/10.1093/em/can136.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Grazia, Donna M. Di, Hector Berlioz, and Ian Rumbold. "Choral Works with Keyboard." Notes 54, no. 3 (1998): 767. http://dx.doi.org/10.2307/899919.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Khumar, Bayramova. "WORKS FOR THE CHOIR OF UZEYIR HAJIBEYLI." Problems of Arts and Culture 17, no. 1 (2023): 67–74. https://doi.org/10.5281/zenodo.7856884.

Full text

Abstract:

In this article the common review of choral music of the Azerbaijan  composers is given. In this context occurrence of one-private choral products and choral compositions with tool support and for chorus and a chapel is considered. The author reveals genre features, systematizes these products: on subjects, structure, and characteristic genre attributes.

APA, Harvard, Vancouver, ISO, and other styles

6

Zhu, Keyi. "The historical evolution path of Chinese folk choral works creation." OOO "Zhurnal "Voprosy Istorii" 2023, no. 5-1 (2023): 236–43. http://dx.doi.org/10.31166/voprosyistorii202305statyi09.

Full text

Abstract:

This article attempts to discuss the historical stages of Chinese choral art development, the embodiment of ethnicity in choral works at each stage of development, and the “innovative” path of Chinese contemporary ethnic choral works creation.

APA, Harvard, Vancouver, ISO, and other styles

7

Almăşanu, Carmen. "Values of neo-protestant choral works in Romania." Artes. Journal of Musicology 20, no. 1 (2019): 265–79. http://dx.doi.org/10.2478/ajm-2019-0016.

Full text

Abstract:

Abstract Borne from the relevant and efficient expression in the context of contemporary culture, neo-protestant choral spirituality uses a diversified and meaningful language. From the very beginning of the existence of neo-protestant cults on the territory of our country, the establishment of a liturgical repertoire intended for common intonation or by various choral or vocal-instrumental bands has been one of the primordial preoccupations. Along with choral creations translated from the universal literature, there is a significant number of original works created by Romanian composers withi

APA, Harvard, Vancouver, ISO, and other styles

8

Roccasalvo, Joan L., Sergei Rachmaninoff, and Vladimir Morosan. "The Complete Sacred Choral Works." Notes 54, no. 4 (1998): 993. http://dx.doi.org/10.2307/900101.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Langford, Jeffrey, Hector Berlioz, and Julian Rushton. "Choral Works with Orchestra (I)." Notes 50, no. 1 (1993): 378. http://dx.doi.org/10.2307/898773.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Cao, Wenjie, and Adzrool Idzwan Ismail. "STUDY ON THE COMPOSITION AND SINGING CHARACTERISTICS OF CHINESE ANCIENT POETRY CHORAL WORKS." Journal of Creative Industry and Sustainable Culture 3 (October 31, 2024): 20–36. https://doi.org/10.32890/jcisc2024.3.2.

Full text

Abstract:

ABSTRACT The study of the creation and singing characteristics of ancient poetic choral works involves the study of ancient poetic art, choral art, harmonic composition, song singing, conducting techniques and artistic development, which is a very challenging research topic. This is mainly due to the special characteristics of the subject matter itself. As an art that encompasses a wide range of subjects, chorus itself has many characteristics in terms of connotation and extension. As the most important element of choral art, the combination of choral composition and singing characteristics ca

APA, Harvard, Vancouver, ISO, and other styles

11

Ivanova, Y. "Children’s choir in the works of Valentyna Drobiazhina." Culture of Ukraine, no. 83 (March 21, 2024): 67–74. http://dx.doi.org/10.31516/2410-5325.083.07.

Full text

Abstract:

Relevance of the research topic. Music for children’s choir is represented by a significant layer in the creative heritage of Ukrainian composers. However, children’s choral music has hardly been considered in musicolo-gical research. Among the composers of the Kharkiv region, the choral works of V. Drobiazhina received special recognition. The lack of musicological research on the composer’s work has determined the relevance of this work. The purpose of the article is to analyze the peculiarities of the artistic aesthetics and compositional style of V. Drobiazhina’s choral music for chi

APA, Harvard, Vancouver, ISO, and other styles

12

Husarchuk, Tetiana V., Maryna Yu Severynova, Olena O. Derevianchenko, Olha V. Putiatytska, and Larysa A. Hnatiuk. "Signs of instrumental music of the Classicism era in a Ukrainian choral concert of the second half of the 18th century." Matèria. Revista internacional d'Art, no. 23 (October 1, 2024): 109–30. http://dx.doi.org/10.1344/materia2024.23.7.

Full text

Abstract:

The purpose of the research is to highlight the processes of introducing the principles of European instrumental music in the choral works of Ukrainian composers of the second half of the 18th century. The following research methods are used in the work: analysis, comparison, and synthesis. The research uncovered the following: features of the choral concerto as a genre; stages of its design and development in Ukraine; structure of choral concerts; the nature of the reflection of the principles of classicism in the works of Ukrainian composers; the embodiment of the features of the sonata form

APA, Harvard, Vancouver, ISO, and other styles

13

Kraskovskaja, Tatyana Victorovna. "Choral texture in the cantata-oratorio works of Ruvim Pergament." Manuscript 17, no. 3 (2024): 428–32. http://dx.doi.org/10.30853/mns20240062.

Full text

Abstract:

The aim of the paper is to draw the attention of performers and researchers to the rich and understudied body of choral music created in the Republic of Karelia, particularly to the works of Ruvim Samuilovich Pergament (1906-1965), whose name is associated with the first experiments in choral texture within the cantata-oratorio genre. The methodology of analyzing choral texture remains one of the controversial areas in modern musicology and changes significantly when studying choral music of the 20th century. The analysis of choral texture in Pergament’s works was conducted according to curren

APA, Harvard, Vancouver, ISO, and other styles

14

Xiaolu, Xie. "DIAGNOSTICS OF THE FORMATION OF INTERPRETATION SKILLS OF ARTS FACULTY STUDENTS IN THE PROCESS VOCAL AND CHOIR EDUCATION." Innovative Solution in Modern Science 2, no. 57 (2023): 84. http://dx.doi.org/10.26886/2414-634x.2(57)2023.6.

Full text

Abstract:

The article reveals the diagnostic methods of formation of interpretation skills of students of arts faculties in the process of vocal and choral training. The structure of interpretive skills included four components: motivational-value, communicative-evaluative, reflexive-emotional and activity-volitional, which in turn had three indicators. We checked the formation of interpretation skills using four levels, namely: creative, sufficient, fragmentary, zero. On the example of motivational and value (indicators: manifestation of students' interest in the interpretive possibilities of performin

APA, Harvard, Vancouver, ISO, and other styles

15

Bondar, Yevheniia. "Works of Mykola Leontovych in the Performance Traditions of the Odesa Choral School." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (2021): 262–72. http://dx.doi.org/10.31866/2616-7581.4.2.2021.245813.

Full text

Abstract:

The purpose of the research is to identify the peculiarities of performing reading and conducting-methodical mastering of choral works by M. D. Leontovych in the activities of outstanding representatives of the Odesa choral school. The tasks of the work are determined: coverage of the concept of a performing school, in particular, the Odesa choral school; identification of the poetical-semantic features, intonational-expressive factors that influenced the performing approaches to the works of M. Leontovych; determination of the creative continuity’s features of generations in the context of in

APA, Harvard, Vancouver, ISO, and other styles

16

Trukhanova, Alexandra G. "The Characteristic Features of Vassily Titov’s Choral Music." ICONI, no. 1 (2021): 61–67. http://dx.doi.org/10.33779/2658-4824.2021.1.061-067.

Full text

Abstract:

Among the Russian composers of the turn of the 17th and 18th centuries a special position is held by the sacred choral works of Vassily Titov (ca. 1650 — ca. 1715), one of the bright representatives of the polyphonic part singing, in which the originality of the Russian Baroque musical culture. The music of Vassily Titov, an outstanding master of choral writing, is diverse in terms of its genres, it comprises nearly two hundred compositions, many of which predominated in the church music repertoire of Russian churches during the course of the 18th century. A study of Vassily Titov’s choral wor

APA, Harvard, Vancouver, ISO, and other styles

17

Zhou, Ziyu, Phakamas Jirajarupat, and Xiulei Ren. "A Study of the Regional Characteristics of Liu Xiaogeng's Choral Music Works." International Journal of Sociologies and Anthropologies Science Reviews 4, no. 5 (2024): 293–302. http://dx.doi.org/10.60027/ijsasr.2024.4654.

Full text

Abstract:

Background and Aim: This article takes the regional characteristics of Liu Xiaogeng's choral music works as the main research subject, aiming to sort out the regional music characteristics and regional performance characteristics of Liu Xiaogeng's choral music works, to better guide the creation of contemporary Chinese choral music works. Materials and Methods: The research method of this thesis is mainly the literature analysis method and qualitative analysis method. The literature analysis method is mainly used to collect and sort out the information about Liu Xiaogeng's choral music works,

APA, Harvard, Vancouver, ISO, and other styles

18

VINSON, DUNCAN. "Liberal Religion, Artistic Autonomy, and the Culture of Secular Choral Societies." Journal of the Society for American Music 4, no. 3 (2010): 339–67. http://dx.doi.org/10.1017/s1752196310000179.

Full text

Abstract:

AbstractU.S. choral societies typically formalize themselves as secular organizations analogous to symphony orchestras and opera companies. Yet choral societies differ from symphonic or operatic organizations because almost all choruses depend on volunteer singers. Part of what attracts singers into choruses is a sometimes unacknowledged affinity between the religious traditions of liberal Christians and Jews and the culture of choral singing as practiced in formally secular choral societies. The liberal tradition in religion encourages a habitus toward music that might be called a “sense of l

APA, Harvard, Vancouver, ISO, and other styles

19

Abzoirova, Dilfuza Tohir qizi. "METHODS AND TOOLS OF TEACHING CHORAL WORKS IN MUSIC EDUCATION FIELDS." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 2, no. 12 (2022): 4–8. https://doi.org/10.5281/zenodo.7418257.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Bondar, Yevheniia. "Works of Mykola Leontovych in the Performance Traditions of the Odesa Choral School." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (2021): 262–72. https://doi.org/10.31866/2616-7581.4.2.2021.245813.

Full text

Abstract:

The purpose of the research is to identify the peculiarities of performing reading and conducting-methodical mastering of choral works by M. D. Leontovych in the activities of outstanding representatives of the Odesa choral school. The tasks of the work are determined: coverage of the concept of a performing school, in particular, the Odesa choral school; identification of the poetical-semantic features, intonational-expressive factors that influenced the performing approaches to the works of M. Leontovych; determination of the creative continuity’s features of generations in the co

APA, Harvard, Vancouver, ISO, and other styles

21

Morrison, Simon Alexander. "The Complete Sacred Choral Works (review)." Notes 58, no. 4 (2002): 939–42. http://dx.doi.org/10.1353/not.2002.0087.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Movchan, Larisa Anatol'evna, and Sergei Mikhailovich Movchan. "The relevance and specificity of using choral works by modern composers in the class of «choral conducting»." PHILHARMONICA. International Music Journal, no. 1 (January 2024): 33–41. http://dx.doi.org/10.7256/2453-613x.2024.1.70025.

Full text

Abstract:

In the article, the author addresses the issue of the repertoire of choral groups in the class specializing in Choral conducting. Works for a cappella choir have been one of the leading genres in the works of many modern composers for several decades. The popularity of secular choral music is associated with the development of collective musical education in educational institutions, as well as with the active participation of vocal ensembles in concerts, competitions and festivals. Spiritual compositions are also heard no less often, which is explained by the desire of composers and performer

APA, Harvard, Vancouver, ISO, and other styles

23

Aliyeva, Hicran. "THE HISTORY OF CHORAL MUSIC: FROM MEDIEVAL TO CONTEMPORARY CHOIRS." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 84 (July 16, 2024): 5–6. https://doi.org/10.5281/zenodo.12752418.

Full text

Abstract:

This article, "History of Choral Music: From the Middle Ages to Modern Choirs," provides a comprehensive exploration of the evolution of choral music from its early origins in the Middle Ages to its contemporary expressions in modern choirs. It begins with an examination of the earliest forms of choral singing, including Gregorian chant and medieval liturgical music, highlighting the role of the church in the development of choral traditions. The narrative progresses through the Renaissance, where polyphony and the works of composers like Palestrina and Byrd revolutionized choral music, a

APA, Harvard, Vancouver, ISO, and other styles

24

Marach, Оleksandr, and Vasyl Moisiiuk. "THE CHOIRS PRELUDES-SONGS BY PYLYP KOZYTSKYI AS MUSICAL-HISTORICAL AND ARTISTIC MATERIAL." Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, no. 2 (May 23, 2023): 65–72. http://dx.doi.org/10.25128/2411-3271.19.2.9.

Full text

Abstract:

The article analyses the features of P. Kozytskyi’s choral letter in the cycle “Eight Preludes- Songs”. Written in the traditions of M. Leontovych, the works of P. Kozytskyi show new views on the interpretation of a capella sound as an individually interpreted “choral instrumentalism”. The works demonstrate analysed two of the main semantic spheres of the choral genre in Ukrainian folklore music. The first sphere is the tragedy in the ballad “Oh, in the field, the room was standing...”, where poetic symbolism and polyphonic musical development are attained, as in the best works of M. Leontovyc

APA, Harvard, Vancouver, ISO, and other styles

25

Səadət, Quliyeva. "Məmməd Cəfərovun "Yuxulama, Oğuz oğlu" kantatasında vətənpərvərlik mövzusunun təcəssümü". Musiqi Dünyası 25, № 1(98) 2024 - 2(99) 2024 (2024): 31–37. https://doi.org/10.5281/zenodo.11203154.

Full text

Abstract:

The article is devoted to Mamed Jafarov’s cantata “Yukhulama, Oguz ogly”. In this regard, not only dramaturgyis analyzed, but also the constructive and figurative-intonation sphere of the work. The cantata is being studied forthe first time, which indicates the relevance of the presented work. The object of the article is an analysis of theartistic and constructive principles of Mamed Jafarov’s cantata “Yuxulama, Oðuz oðlu” (“Don’t sleep, Son ofOguz”). Objectives of the study: historical aspects in the embodiment of the theme of pat

APA, Harvard, Vancouver, ISO, and other styles

26

Koshkareva, Natalya Vladimirovna. "Polyphony in D. Shostakovich's a cappella choral work." Культура и искусство, no. 7 (July 2024): 1–12. http://dx.doi.org/10.7256/2454-0625.2024.7.71072.

Full text

Abstract:

The purpose of this article is to identify the role of polyphony in choral a cappella music of Russian compositional writing of the twentieth century. The subject of the study is the a cappella choral work of Dmitry Shostakovich. The object of the research is to consider the polyphonic techniques in the works "Ten poems of revolutionary poets", "Two treatments of Russian folk songs for unaccompanied choir", "Fidelity". The author examines in detail the polyphonic means in the choral heritage of the great Russian composer. Special attention is paid to polyphonic methods in a cappella choral wor

APA, Harvard, Vancouver, ISO, and other styles

27

Barabash, Oxana Sergeevna. "Poetic Historiosophy ("The Alps") by F.I. Tyutchev in choral works a cappella." PHILHARMONICA. International Music Journal, no. 1 (January 2022): 19–29. http://dx.doi.org/10.7256/2453-613x.2022.1.37538.

Full text

Abstract:

The author of the article attempts to take an innovative look at the problem of the interaction of poetry and music in a synthetic whole: choral composition a cappella. The object of the study is the historiosophical poetry of F.I. Tyutchev: the poetic text of the poem "Alps", embodied in choral compositions a cappella. The subject of the study is the peculiarities of the interaction of poetic and musical texts in the creation of a figurative system of a cappella choirs created by composers of the XIX вЂ“ XXI century on the historiosophical poem by F.Tyutchev. The purpose of the study is to st

APA, Harvard, Vancouver, ISO, and other styles

28

Patrick Addaquay, Alfred. "Thoughts on Choral Music Writings of Sam Asare-Bediako." Journal of Advanced Research and Multidisciplinary Studies 1, no. 3 (2023): 21–30. http://dx.doi.org/10.52589/jarms-78asjuyc.

Full text

Abstract:

This paper reveals a personal thought gathered on some choral works, known and unknown processes, of Sam Asare-Bediako as far as choral writings are concerned. It is an analytical view point conducted from my study and teaching of such pieces which are of academic discourse. In my opinion, the features discussed in this paper reveal critically the elements that form the major fundamental constructions of the choral works of Sam Asare-Bediako. The works were examined through teaching, listening and critical observational study of some music scores of the Composer. Using Bent’s description of su

APA, Harvard, Vancouver, ISO, and other styles

29

Lee, Sl. "Analysis of Factors affecting the Competence of Choral Accompanist." Korean Society of Music Education Technology 32 (July 16, 2017): 213–32. http://dx.doi.org/10.30832/jems.2017.32.213.

Full text

Abstract:

The purpose of this study was to identify the perceived factors affecting the competence of choral accompanists as a choral conductor and choral accompanist(n=65). The results of this study indicated that the musical communication skill with choral conductor, the preparation for choral rehearsals, the ability of playing piano with exact rhythm, the cooperative attitudes were the most influential factors affecting the competence of choral accompanists. Also, choral conductors and accompanists indicated that piano techniques to adjust tone color including the effect of orchestral sound for the c

APA, Harvard, Vancouver, ISO, and other styles

30

Ryzhinskii, Aleksandr S. "The Cantatas by Pierre Boulez in the Context of the Main Trends in the Development of Choral Composition of the 20th Century." Vestnik of Saint Petersburg University. Arts 11, no. 1 (2021): 21–38. http://dx.doi.org/10.21638/spbu15.2021.102.

Full text

Abstract:

The article focuses on Pierre Boulez’s choral style in the cantatas “Le visage nuptial” and “Le soleil des eaux”. The versions of these works, created over the course of almost 40 years (from 1951 to 1989), represent a complex of techniques in regard to texture and timbre, which, on the one hand, are a continuation of experiments by composers of the New Vienna School (A. Schönberg, A. Webern), and on the other hand, they preface a number of innovations in the choral style of Boulez’s contemporaries (L. Nono, L. Berio, K. Stockhausen, I. Xenakis). Evidence is provided in favor of the idea that

APA, Harvard, Vancouver, ISO, and other styles

31

Ivanova, Yuliia. "Children’s choir in MarkKarminskyi’s creativity." Aspects of Historical Musicology 19, no. 19 (2020): 29–43. http://dx.doi.org/10.34064/khnum2-19.02.

Full text

Abstract:

Background. The article deals with the choral creativity by the famous Ukrainian composer Mark Karminskyi. The weight of M. Karminskyi’s choral works in the legacy of the composer and in choral art in general stimulates research interest in this area of his activity. However, there are relatively few scientific studies that examine the composer’s choral work; most of them are aimed at reconstructing his general creative portrait or at examining other pages of his heritage. The scientific novelty of this research is determined by the comprehensive coverage of children’s choral creativity by M.

APA, Harvard, Vancouver, ISO, and other styles

32

Teriaieva, Larisa. "Intensification of student creative activity at choral conducting classes." Educological discourse 38-39, no. 3-4 (2022): 107–16. http://dx.doi.org/10.28925/2312-5829.2022.347.

Full text

Abstract:

Modern national education is aimed at improving the quality of training musical art teachers-to-be, self-improvement of the professional and methodological competence of teachers and students, enhancing their creative activity, practical The purpose of this article is a purposeful search and selection of principles, methods and forms of education that contribute to the activation of student creative activity, the development of their creative thinking, imagination and fantasy. The article reflects the features of choral conducting classes based on the principle of interdisciplinary connections

APA, Harvard, Vancouver, ISO, and other styles

33

Nikitina, Tatiana Aleksandrovna, Aleksandr Mihailovich Afanas'ev, and Yuliya Sergeevna Lapina. "Studying the works of a regional author in conducting classes: methodological aspects." Педагогика и просвещение, no. 1 (January 2025): 154–71. https://doi.org/10.7256/2454-0676.2025.1.73774.

Full text

Abstract:

The article discusses the features of conducting choral works without accompaniment by regional composer Vasily Ivanovich Shardakov. The preparation of a young specialist – a conductor of an academic choir – is complex and diverse, with numerous approaches in practical work, necessitating attention to the theoretical training of students, including the expansion of their musical horizons. One of the components of training is the acquaintance with works of regional significance. Knowledge of the history of choral music culture in one's region will help young specialists acquire a holistic music

APA, Harvard, Vancouver, ISO, and other styles

34

Mnatsakanyan, Elina K. "Sacred Music by Valery Arzumanov." Университетский научный журнал, no. 77 (December 25, 2023): 93–98. http://dx.doi.org/10.25807/22225064_2023_77_93.

Full text

Abstract:

. The subject of consideration in this article is the extra-liturgical works of Valery Arzumanov, an emigrant composer of the “third wave”. The author of the article focuses on the unique implementation of religious themes in the composer’s choral works. The theme of repentance dominates in the presented panorama of works; its priority genre is choral concert, representing the creative credo of the Russian-French composer.

APA, Harvard, Vancouver, ISO, and other styles

35

Кривицкая, Евгения Давидовна. "Choral Works by Rodion Shchedrin. 21 Century." Музыкальная академия, no. 4(772) (December 21, 2020): 158–71. http://dx.doi.org/10.34690/119.

Full text

Abstract:

Статья представляет собой обзор сочинений для хора a cappeLLa, созданных Родионом Щедриным в XXI веке. Произведения рассматриваются в хронологическом порядке, многие из них вдохновлены творческими контактами с Камерным хором Московской консерватории и с его руководителями - основателем коллектива Борисом Тевлиным и его преемником Александром Соловьёвым. Среди хоровых сочинений композитора есть и произведения на стихи российских поэтов - Андрея Вознесенского, Владимира Маяковского, Велимира Хлебникова, и опусы, написанные на библейские тексты, - «Эпиграф графа Толстого к роману “Анна Каренина”»

APA, Harvard, Vancouver, ISO, and other styles

36

Lesnik, Olena, and Olena Mamykina. "Features of Vocal and Choral Training of Future Music Teachers." Musical art in the educological discourse, no. 8 (2024): 41–47. http://dx.doi.org/10.28925/2518-766x.2023.87.

Full text

Abstract:

The article reveals the peculiarities of vocal and choral training of future music teachers. The current stage of modernization of higher education in Ukraine, which is connected with the integration of our country into the European educational space, actualizes the problem of the quality of professional training of future music teachers. Vocal and choral activity is one of the most important activities of a future teacher-musician, and the training of highly qualified specialists in this field is one of the priority directions of art education. A promising direction of vocal and choral traini

APA, Harvard, Vancouver, ISO, and other styles

37

Karas, Hanna. "Arrangement of Choral Folk Songs in the Works of Mikhail Hayvoronsky." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 1, no. 1 (2018): 45–56. https://doi.org/10.31866/2616-7581.1.2018.140570.

Full text

Abstract:

The article is devoted to the genre of arrangement of choral folk songs in the works of Ukrainian composer Mikhail Hayvoronsky (1892–1949). The relevance of the study has been inspired by the growing attention of art critics, folklorists and choral conductors to the little-known in Ukraine works of diaspora composers. The purpose of the article is to draw attention and get acquainted with Mikhail Haivoronsky’s cultural heritage as one of the outstanding Ukrainian living in the USA. The works of the composer were studied by diaspora musicologists (Vasyl Vytvitsky, Roman Prydatk

APA, Harvard, Vancouver, ISO, and other styles

38

Bielik-Zolotarova, N. "Directions and forms of modern national choral performance." Culture of Ukraine, no. 83 (March 21, 2024): 50–57. http://dx.doi.org/10.31516/2410-5325.083.05.

Full text

Abstract:

The purpose of this paper is to examine the trends and forms of modern national choral performance. The methodology is based on the use of systematic, terminological, ethnographic and interpretive methods of analysis. The results. Choral performance is a component of choral culture, a communicative system formed in the process of building a performing interpretation and its realization. The need to comprehend the directions of modern choral performance with the identification of forms of its existence in society is an urgent task of the national choral science. As a result of the a

APA, Harvard, Vancouver, ISO, and other styles

39

Ryzhinsky, Alexander S. "Utrenya by Krzysztof Penderecki: Concerning the Question of the Influence of the Musical Traditions of Orthodox Christianity." Music Scholarship / Problemy Muzykal'noj Nauki, no. 1 (2022): 71–82. http://dx.doi.org/10.33779/2782-3598.2022.1.071-082.

Full text

Abstract:

The object of research in article is Krzysztof Penderecki’s large-scale work Utrenya composed in 1970–1971 after the composer’s visit to The Trinity Lavra of St. Sergius. The author analyzes the textual basis of the composition, explaining the principles of selection of the verbal texts, and describes the relationships between individual techniques of the position of the words to the music with the tendencies in the development of choral music in the 1950s and 1960s. Analysis of textural and timbre features of the composition reveals three main sources of the technical compositional solutions:

APA, Harvard, Vancouver, ISO, and other styles

40

Okuneva, Ekaterina G., and Olga V. Shmakova. "Martin Romberg’s Choral Music: Stylistic Features." Russian Musicology, no. 3 (2024): 82–100. http://dx.doi.org/10.56620/rm.2024.3.082-100.

Full text

Abstract:

Contemporary choral music from Scandinavia increasingly attracts the attention of performing groups both abroad and in Russia due to its deep originality and distinctiveness. The article examines the choral work of the contemporary Norwegian composer Martin Romberg, whose work is characterised by Neo-Romantic poetics and style. Three of his choral cycles are subjected to detailed analysis: Aradia (2012), Rúnatal (2012), and Requiem of Runes (2022). The themes of the works reflect the Norwegian composer’s interest in mysticism and mythology, as well as in archetypal motifs and plots. The relati

APA, Harvard, Vancouver, ISO, and other styles

41

Kaihua, Xu. "THE CONTRIBUTION OF SHEN XINGONG AND LI SHUTONG TO THE FORMATION OF CHORAL ART IN CHINA: FROM "SCHOOL SONGS" TO "SPRING WALK"." Arts education and science 1, no. 34 (2023): 79–88. http://dx.doi.org/10.36871/hon.202301079.

Full text

Abstract:

The article traces the early development of Chinese choral art: from the singing courses introduced into the secondary school curriculum and the "school song" (Xue tang yuey ge), which acted both as an academic discipline and a popular vocal genre, to the appearance of the first three-voice choir "Spring Walk" by the composer and teacher Li Shutong. It is noted that the school song genre originated as an independent phenomenon in Japan, where works written in the hogaku style were highly revered, and the reforms of the Meiji period (1898–1912) played an important role in the development of cho

APA, Harvard, Vancouver, ISO, and other styles

42

TOPÇU, Ömer Yusuf. "OVERVIEW OF POLYPHONY AND NATIONALISM IN EUROPE, OTTOMAN AND OTTOMAN TÜRKİYE." International Refereed Journal of Humanities and Academic Sciences, no. 30 (2023): 57–72. http://dx.doi.org/10.17368/uhbab.2023.30.04.

Full text

Abstract:

Aim: This research investigates the relationships between the folk songs, which are the roots of choral music in Turkey, and the qualities in polyphony practices were questioned and the approaches with which they were polyphonic were investigated from a quantitative perspective. Method: Under the titles of melody and harmony of polyphonic works; The use of major-minor scales, pentatonic and maqam transitions, dynamic and expression terms, triad, multiplication, scoredorg, double-quadruple-quintet harmony were evaluated by quantitative analysis method, findings and results were obtained and int

APA, Harvard, Vancouver, ISO, and other styles

43

Végh, Mónika. "Antecedents, and Development of the Sacred Choral Concerto in Russia." Studia Universitatis Babeş-Bolyai Musica 65, no. 2 (2020): 173–92. http://dx.doi.org/10.24193/subbmusica.2020.2.12.

Full text

Abstract:

"Upon dealing with Russian religious choral music of the 18th century, one may clearly recognize the outlines of a unique genre, the duhovny kontsert, or in other words, the genre of the religious choral concerto. The subject is suppletory, since very few people in Hungary have dealt with pre-19th century Russian music, let alone with choral repertoire. In the present study, we may follow up the legalization and development of polyphony in church music – which was strictly monophonic up until the 1500s – and the different types of multivocal hymns. We will also get to know the Russian composer

APA, Harvard, Vancouver, ISO, and other styles

44

Belyaeva, Antonina. "Religious theme in the cantata-oratorio works of Viktor Ulyanich." St. Tikhons' University Review. Series V. Christian Art 48 (December 30, 2022): 114–25. http://dx.doi.org/10.15382/sturv202248.114-125.

Full text

Abstract:

The work of Viktor Ulyanich is multifaceted and varied. A special place in the composer's work is occupied by cantata-oratorio works. The article is devoted to the religious theme in Viktor Ulyanich's choral works, revealing their figurative and thematic content, genre and stylistic features. Victor Ulyanich in his works refers to the poetic work of Russian classics - A.S. Pushkin, M.I. Lermontov, F.I. Tyutcheva, A.S. Khomyakova, Ya.P. Polonsky, uses folklore and Church Slavonic liturgical texts. In his works, the composer touches on eternal themes, he mainly refers to religious and lyric-phil

APA, Harvard, Vancouver, ISO, and other styles

45

Ryzhinsky, Alexander S. "British Choral Music at the Turn of the 19th and 20th Centuries: the Phenomenon of the English Musical Renaissance." Problemy muzykal'noi nauki / Music Scholarship, no. 2 (July 2023): 53–67. http://dx.doi.org/10.56620/2782-3598.2023.2.053-067.

Full text

Abstract:

The article is devoted to the phenomenon of the English musical renaissance, little studied in Russian musicology — a movement under which presently the formation of the British national compositional school of the turn of the 19th and 20th centuries is comprehended. The author turns to the musical heritage of the leading composers of that period — Alexander MacKenzie, Hubert Parry, Charles Stanford and Sir Edward Elgar — with the aim of demonstrating the sources of the English musical renaissance and determining, what significance was exerted by the choral heritage by its main representatives

APA, Harvard, Vancouver, ISO, and other styles

46

Dzivaltivskyi, Maxim. "Historical formation of the originality of an American choral tradition of the second half of the XX century." Aspects of Historical Musicology 21, no. 21 (2020): 23–43. http://dx.doi.org/10.34064/khnum2-21.02.

Full text

Abstract:

Background. Choral work of American composers of the second half of the XX century is characterized by new qualities that have appeared because of not only musical but also non-musical factors generated by the system of cultural, historical and social conditions. Despite of a serious amount of scientific literature on the history of American music, the choral layer of American music remains partially unexplored, especially, in Ukrainian musical science, that bespeaks the science and practical novelty of the research results. The purpose of this study is to discover and to analyze the peculiari

APA, Harvard, Vancouver, ISO, and other styles

47

Bondar, Yevheniia. "K. Tsepkolenko's "History of Heresy" in the Context of Current Trends in Contemporary Choral Creativity." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 3, no. 1 (2020): 81–94. https://doi.org/10.31866/2616-7581.3.1.2020.204343.

Full text

Abstract:

The purpose of this research is to present an analysis of K. Tsepkolenko's choral work as an example of a composition-destruction in the field of new sacred choral music. The tasks of the work are the identification of features of poetic-semantic, musical-expressive vectors of cantatas; leading artistic and stylistic approaches identifying; consideration of the author’s techniques and means of intonation-artistic speech; coverage of the genre concept of workdestruction, as a provocative direction in the field of new sacred choral music. The researh methodology are analytica

APA, Harvard, Vancouver, ISO, and other styles

48

Dan, Liu. "Choral Regionalism at the Turn of the Millenium: homo cantor and “Metalanguage”." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 74, no. 74 (2025): 231–45. https://doi.org/10.34064/khnum1-74.11.

Full text

Abstract:

Statement of the problem. The cultural and stylistic landscape of choral singing is characterized by several paths of its revitalization: the neo-folklore movement, historically informed performance, and Nova Musica Sacra. In this context, the regional component stands out as a marker of national choral style and prevents the unique voice of a given people (homo cantor) from being «absorbed» by globalization. Choral regionalism is part of the creative practice of the 20th century, which constitutes a historically completed system; however, due to the continuity of performance as an ongoing pro

APA, Harvard, Vancouver, ISO, and other styles

49

Klein, Ilona. "Teaching Italian Romanticism through Philately and Choral Works." Essays in Romanticism: Volume 28, Issue 2 28, no. 2 (2021): 127–43. http://dx.doi.org/10.3828/eir.2021.28.2.6.

Full text

Abstract:

Philately and choral works can be excellent integrative pedagogical tools when teaching Italian Romanticism at undergraduate level. In the classroom, postage stamps provide an historical narrative for students and can help clarify the political, artistic, and cultural mood of the time. The intrinsic symbolism of stamps represents the way a nation wants to be seen by the rest of the world. Instrumental and choral music, in their infinite combination of tones, blend sound with sung words, creating an artistic subtext that reveals the complexity and variety of human aesthetic expression. For the

APA, Harvard, Vancouver, ISO, and other styles

50

Glebov, Ana. "5. Historical and Theoretical Foundations of the Development of Vocal and Choral Culture in Moldova." Review of Artistic Education 21, no. 1 (2021): 31–34. http://dx.doi.org/10.2478/rae-2021-0005.

Full text

Abstract:

Abstract The origins of the national choral art are based on Church singing, which has been widely developed since the founding of the Putnyansky and Nyametsky monasteries. In the further development of the centuries, Church singing intertwined with folk choral singing, which was reflected in the works of such conductors and composers as G. Muzichesku, M. Berezovsky, A. Kristya, M. Byrke, V. Popovich. Special attention is paid to the creative and conducting activities of Gavriil Muzichesku, all of whose initiatives were innovative and progressive, later becoming the leading ones in the nationa

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!