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1

Chung, Kwok-wai Michael, and 鍾國偉. "Zen Buddhism in selected works of J.D. Salinger." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31577593.

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2

Chung, Kwok-wai Michael. "Zen Buddhism in selected works of J.D. Salinger." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31577593.

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3

Dubin, Rachael. "Zen and shadows intersections between spirituality and aesthetics in Tanizaki's "In praise of shadows" /." Diss., Connect to the thesis, 2008. http://hdl.handle.net/10066/3731.

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4

Storseth, Terri Lee. "On the road with monkey : the transmission of Zen Buddhism in two contemporary American novels /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9381.

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5

Tan, Qionglin. "Han Shan, Chan Buddhism and Gary Snyder : perspectives on Gary Snyder's ecopoetic way." Thesis, University of Wales Trinity Saint David, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683225.

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6

陳文麗. "禪宗法眼系與南唐文學 = The Fayan lineage of Chan Buddhism and the literature of Southern Tang". Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2456366.

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7

Byrne, Christopher Ryan. "The moon is not the moon : non-transcendence in the poetry of Han-shan and Ryōkan." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98916.

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The Zen (Ch'an) poets Han-shan (circa 6th-9 thC.) and Ryokan (1758-1831) participate in literary activity, reclusion, and ordinary emotions in a manner that questions their typical image as models of transcendence. They participate in literary activity without attachment to either linguistic adequacy or a dualistic notion of "beyond words," and poetry serves as their mode of communication from reclusion. Reclusion is a context to realize the nature of the conventional world rather than a means of transcendence to an ultimate realm and is significant as a social and political act. Interpreted t
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8

Vasi, Shiva. "Conversion to Zen Buddhism." Monash University, School of Political and Social Inquiry, 2004. http://arrow.monash.edu.au/hdl/1959.1/9601.

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9

Dessì, Ugo. "Ethics and society in contemporary Shin Buddhism." Berlin ; Münster Lit, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=3012719&prov=M&dokv̲ar=1&doke̲xt=htm.

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10

Chan, Yiu-wing, and 陳耀榮. "An English translation of the Dharmatrāta-Dhyāna Sūtra." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50434135.

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 One of the early texts translated from Sanskrit into ancient Chinese in around 411C.E. is called the Dharmatrāta-dhyāna-sūtra(T15, no.618) which was a detailed account of the meditational methods of Buddhasena and Dharmatrāta who were the two most renowned dhyāna teachers in Kaśmīra around 400C.E. They may be regarded as belonging to the tradition of the Sarvāstivāda Dārṣṭāntika masters who were characterized by their active interest in meditation and popular preaching in which theyexcelled in communicating through poems and allegories. The Dharmatrāta-dhyāna-sūtra exemplifies these feat
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11

Karna, Bishal Karna. "Skillful Ways: Sōtō Zen Buddhism in the American Midwest." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1531270511483504.

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12

Lindsley, Benjamin. "COMPARING CONCEPTIONS OF DOUBT IN ZEN BUDDHISM AND KIERKEGAARD." OpenSIUC, 2016. https://opensiuc.lib.siu.edu/theses/1998.

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AN ABSTRACT OF THE THESIS OF Benjamin S. Lindsley, for the Masters Degree in Philosophy, presented on APRIL 14, 2016, at Southern Illinois University Carbondale. TITLE: COMPARING CONCEPTIONS OF DOUBT IN ZEN BUDDHISM AND KIERKEGAARD MAJOR PROFESSOR: Dr. Douglas Berger This thesis compares the concept of existential doubt as depicted by Søren Kierkegaard with the concept of existential doubt espoused by Keiji Nishitani in his interpretation of Zen Buddhism in order to ultimately show the conceptual similarities between both traditions’ concepts of negation, reflection, and methods for elimina
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13

Pacheco, Katie. "The Buddhist Coleridge: Creating Space for The Rime of the Ancient Mariner within Buddhist Romantic Studies." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/937.

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The popularization of academic spaces that combine Buddhist philosophy with the literature of the Romantic period – a discipline I refer to as Buddhist Romantic Studies – have exposed the lack of scholarly attention Samuel Taylor Coleridge and The Rime of the Ancient Mariner have received within such studies. Validating Coleridge’s right to exist within Buddhist Romantic spheres, my thesis argues that Coleridge was cognizant of Buddhism through historical and textual encounters. To create a space for The Rime within Buddhist Romantic Studies, my thesis provides an interpretation of the poem th
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14

Graf, Tim [Verfasser], and Inken [Akademischer Betreuer] Prohl. "Brands of Zen: Kitō jiin in Contemporary Japanese Sōtō Zen Buddhism / Tim Graf ; Betreuer: Inken Prohl." Heidelberg : Universitätsbibliothek Heidelberg, 2017. http://d-nb.info/1177688948/34.

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15

Thomas, Mary M. "Experiential learning : an exploration of the effect of Zen experience on personal transformation." Thesis, Brunel University, 1999. http://bura.brunel.ac.uk/handle/2438/5771.

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This inquiry started by examining my own and others experience of Zen, and comparing it with Self Organised Learning. The aim was to see what effect each system had on the lives of the participants. The thesis plots how I had a tacit reliance on myself as a measuring instrument, and how this became an integrating theme running through my 'finally chosen' methods. The methodological difficulties caused by the paradox of trying to understand Zen and also be scientific converged when I realised that I had treated myself as the central measuring instrument throughout the inquiry. It was this disco
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16

Licha, Kigensan Stephan. "The imperfectible body : esoteric transmissions in medieval Sōtō Zen Buddhism." Thesis, SOAS, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.594108.

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17

Jenkins, Barry S. "Jack Kerouac and the "Beat" sect of American Zen Buddhism /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ34189.pdf.

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18

Kay, David N. "Tibetan and Zen Buddhism in Britain : transplantation, development and adaptation /." London : RoutledgeCurzon, 2004. http://www.loc.gov/catdir/toc/ecip046/2003014995.html.

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19

Cuellar, Eduardo, and Eduardo Cuellar. "Tokugawa Zen Master Shidō Munan." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/621441.

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Shidō Munan (至道無難, 1602-1676) was an early Tokugawa Zen master mostly active in Edo. He was the teacher of Shōju Rōjin, who is in turn considered the main teacher of Hakuin Ekaku. He is best known for the phrase that one must“die while alive,”made famous by D.T. Suzuki. Other than this, his work has not been much analyzed, nor his thought placed into the context of the early Tokugawa period he inhabited. It is the aim of this work to analyze some of the major themes in his writings, the Jishōki (自性記), Sokushinki (即心記), Ryūtakuji ShozōHōgo (龍沢寺所蔵法語), and the Dōka (道歌). Special attention is paid
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Yang, Serena. "John Cage and Van Meter Ames: Zen Buddhism, Friendship, and Cincinnati." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378195094.

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Wu, Jiang. "Orthodoxy, controversy and the transformation of Chan Buddhism in seventeenth-century China." online access from Digital dissertation consortium, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3051348.

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22

Carroll, Michael Scott. "Action, authority and approach: treatiseson "Zen"/"Chan", radical interpretation, and the Linji Lu." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38955106.

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23

Kay, David Neil. "The transplantation, development and adaptation of Zen and Tibetan Buddhism in Britain." Thesis, Lancaster University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365845.

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24

Sota, Yuji. "Independence and interdependence in John Cage's adoption of Zen Buddhism and anarchism." Thesis, State University of New York at Buffalo, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3726001.

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<p> The composer John Cage adopted Indian aesthetics, Zen philosophy, and anarchism to underpin his music and aesthetic. Although his interest in each ideology has been studied, the reason why he incorporated ones from disparate values remains unclear. Considering the trajectory of his intense quest for the theories that reinforced his music and aesthetic, elucidating the commonalities and differences among Indian aesthetics, Zen philosophy, and anarchism should reveal what he ultimately pursued. This dissertation explores comparative analyses of his interests in order to detect the notion of
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25

Lochmann, Erin Megan. "THE ART OF NOTHINGNESS: DADA, TAOISM, AND ZEN." UKnowledge, 2011. http://uknowledge.uky.edu/art_etds/1.

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When examining the art, actions, and writings of Zurich Dadaists it becomes apparent that there is an affinity with Eastern thought, namely Taoism and Zen Buddhism. It cannot be said that Eastern thought directly influenced the artistic production of these Dadaists. However, the philosophy of Dada artists in Zurich mirrors that of Taoism and Zen so strongly that this connection cannot be ignored, although the Western art historical cannon has done just that. Exploring this connection offers a new perspective of Zurich Dada and encourages a reconsideration of the commonly applied label of nihil
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26

Helmick, Amy Christine. "Wabi Sabi : an exploration of Wabi-Sabi & Japanese aethetics /." Diss., ON-CAMPUS Access For University of Minnesota, Twin Cities Click on "Connect to Digital Dissertations", 2001. http://www.lib.umn.edu/articles/proquest.phtml.

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27

Kim, Kyong-Kon. "Der Mensch und seine Erlösung nach Son-Buddhismus und Christentum : Bojo Chinul und Karl Rahner im Vergleich /." Bonn : Borengässer, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015735966&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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28

Yogo, Rinako. "Jung and Buddhism : a hermeneutical engagement with the Tibetan and Zen Buddhist traditions." Thesis, University of Kent, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365210.

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This thesis examines Jung's relation to Buddhism, in particular the Tibetan and Zen Buddhist traditions from a hermeneutic perspective. It addresses the way Jung attempted to make a dialogue between Analytical Psychology and Buddhism and the extent to which he was successful. Jung's approach to Buddhism is sometimes affected by Eurocentric prejudices, which led him to misunderstand some of the concepts of Buddhism. Moreover, from the standpoint of a psychologist, Jung had a tendency to reduce Buddhist thought to its psychological aspects, and not to pay sufficient attention to its traditional
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29

Bubna-Litic, David C. "Opening a dialogical space between Buddhism and economics : the relationship between insight and action." Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/39749.

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This interdisciplinary study explores the dialogical space between Buddhism and economics grounded upon an empirical examination of the lived experience of western Buddhist teachers. The goal of Buddhist practice is enlightenment, a powerfully liberating and transformative understanding in which the ordinary sense of self is extinguished. There is a variety of claims made by Buddhist traditions regarding enlightenment, and little agreement as to its exact nature; most Buddhist traditions, however, regard the self as having no essential basis. This view contrasts sharply with those of contempor
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30

Taylor, Kevin Curtis. "ECOLOGY OF A KŌAN: HAKUIN’S ZEN AS A MORAL MODEL FOR ENVIRONMENTAL ENGAGEMENT." OpenSIUC, 2017. https://opensiuc.lib.siu.edu/dissertations/1489.

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My thesis is that within Buddhist philosophy the concept of mindfulness is a valuable contribution to environmentalism that similarly extols the virtue of generating a kind of environmental mindfulness. Buddhist traditions have long developed the concept of mindfulness as well as compassion, the transformation of suffering, and the notion of interconnectedness. There is a confluence of ideas between Buddhist philosophy and environmental philosophy and this project explores the mindfulness mechanism that leads to real, meaningful action. In focusing on Japanese Buddhism and Hakuin Ekaku, I demo
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Bubna-Litic, David C. "Opening a dialogical space between Buddhism and economics the relationship between insight and action /." View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/39749.

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Thesis (Ph.D.) -- University of Western Sydney, 2007.<br>A thesis submitted to the University of Western Sydney, College of Arts, School of Education, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographical references.
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Irion, Susan J. "Women in American Zen variations on adaptations of religious authority /." Oxford, Ohio : Miami University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1070483986.

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33

Salomão, Norma Ribeiro Nasser. "Thomas Merton e o Zen Budismo." Universidade Federal de Juiz de Fora (UFJF), 2014. https://repositorio.ufjf.br/jspui/handle/ufjf/4498.

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Roadcup, Alisa Miriam. "Thomas Merton's theology of the self as influenced by Christian mysticism and Zen Buddhism." Theological Research Exchange Network (TREN), 2003. http://www.tren.com.

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Nakao, Kyohei. "Hoichi for Orchestra." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/347089.

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Hoichi is an original musical composition for orchestra. It is approximately 42 minutes in length. The piece is inspired by a Japanese folk tale entitled Hoichi, the Earless. This story about a blind lute player takes place in Shimonoseki, the city in which I was born. The contrast between chamber sonority and orchestral forces symbolizes Hoichi's battle against evil spirits. Although he eventually loses his ears and dies the music turns into a strong life assertion toward the end. I relate this to a Zen Buddhist notion: when you lose (transcend) everything, you gain everything. The piece ends
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Han, Chil. "The use of the principles and practice of Zen Buddhism and Korean dance to create a new choreographic style for contemporary classical ballet works." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2007. https://ro.ecu.edu.au/theses/317.

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The aim of this research is to create a ballet choreography (Kang Kang Sulrea) informed by practices of Zen Buddhism and Korean dance. This choreography demonstrates my personal interpretation of various aspects of style and practice that have arisen through this research. Meditation was studied as a means to inspire creativity and was then shared with dancers participating in a performance piece called Kang Kang SulRea. This process led to the incorporation of meditation as a pivotal component of the performance itself. The dancers also learned Korean dance, focusing on the concept at “danci
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Sun, Chien-Yu. "The silence of the void exploring the visual language of the void from the East to the West /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050111.115826/index.html.

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38

Carroll, Michael Scott. "Action, authority and approach : treatises on "Zen"/"Chan", radical interpretation, and the Linji Lu /." View the Table of Contents & Abstract, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38294242.

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39

Chen, Ching-yu. "La figure de l’espace dans le bouddhisme zen d’Henri Michaux." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100165.

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Si l’ineffable est tenu pour le paradoxe emblématique dans la secte zen de la religion bouddhique, il semble que le rétrécissement du langage se manifeste dans la mesure de l’interprétation de buddhadhātu (la bouddheité ; nature de bouddha). Il est donc évident que le zen admet à la fois une lacune de langage et une sorte de mouvement permanent de phénomène entraînant ainsi, selon le terme sanskrit du bouddhisme, un sentiment de śūnyatā (la vacuité). Cette absence de la substance permanente ou ce désir d’échapper à la réalité physique nous permettrait de l’associer naturellement non seulement
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Wong, Chi Ho. "Lu Xiangshan yu chan /." View abstract or full-text, 2003. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202003%20WONGC.

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Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2003.<br>Includes bibliographical references (leaves 124-131). Also available in electronic version. Access restricted to campus users.
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41

Choi, Chong Hun. "A comparative study of the spirituality of St. John of the Cross and Dogen's Zen Buddhism." Thesis, University of Edinburgh, 2002. http://hdl.handle.net/1842/19625.

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During the past fifty years, a significant encounter has taken place between representatives of Zen Buddhism and Christianity, particularly Roman Catholicism. A number of Catholics and others in Asia, Europe, and the United States have attempted to bridge the gap between the traditions of the Buddhism and of Christianity. These attempts have touched upon substantive issues in the lives of Christians, who have reached out to Zen Buddhism and found that Zen spoke to them. The major purpose of this dissertation is to compare and find the similarities and differences between the spiritually of St.
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Arslanian, Varant Nerces. "Leaving home, staying home : a case study of an American Zen monastery." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98535.

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The subject of this thesis is an American Zen monastery in New York, Zen Mountain Monastery (ZMM). The study is approached through a survey of methodologies: (1) through the scholarship on American culture and religion, (2) through the sociology of the study of religious institutions and communities and (3) through a comparison with East Asian Zen monasticism. The study reveals that ZMM's monasticism: (1) is part of a systematization of Zen in America that has made Zen into a mainstream option in American society, (2) has created group practices and commitment mechanisms that put ZMM in a bett
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Falk, Jane E. "The Beat Avant-Garde, The 1950's, and the Popularizing of Zen Buddhism in the United States." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1363621100.

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44

Hsiau, Chang-Ding. "A Judaeo-Christian theological comparison of the concept of the 'self' in western Cartesianism and Zen Buddhism." Thesis, University of Aberdeen, 1994. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU067032.

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The overall plan of the thesis is to present a theological understanding of holistic personhood in relation to the Zenist monistic and the Cartesian dualistic treatments of selfhood. The focus of the study is to analyze the Zenist religious view of the self as unthinking nothingness and the Cartesian philosophical interpretation of the self as thinking substance, Zenist meditation representing a classical stance of Chinese intuitivism and Cartesian meditation of Western rationalism. Common to both approaches to the realization of personal identity is their mentalist-individualist paradigm whic
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Farias, André Alves. "A influência do Zen budismo nas artes marciais japonesas no Brasil." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/2118.

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Zeng, Xi. "Zen aesthetic: development and influence in culture and contemporary painting of China, Japan and USA = La estética Zen: desarrollo e influencia en la cultura y la pintura contemporánea de China, Japón y EE. UU." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/463011.

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No other form of Oriental philosophy has had such a widespread, positive effect on culture and international contemporary painting as Zen Aesthetic. Owing to the birth of Zen Buddhism in China, its extraordinary boom and influence is evident in all aspects of society and Chinese culture. Especially painting with brush-tipped ink, it led to the development of a particular spirit or aesthetic, known worldwide as Zen, which has not stopped propagating since Zen Buddhism in the 16th century crossed the sea to reach Japan. Once there, it fecundated the native culture and motivated the development o
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Zheng, Aihua. "Shaku Sōen (1860-1919) and Rinzai Zen in modern Japan, 1868-1919." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6533.

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This dissertation examines the life and monastic career of Shaku Sōen (1860-1919) in Japan, Sri Lanka, and the United States from the mid-nineteenth through the early twentieth centuries. It draws on a rich documentary record in Japanese, literary Chinese (kanbun), and English to analyze the social, doctrinal, and ritual life of the Rinzai Zen monastic community. It traces the survival and revival of Rinzai Zen to adapt to Japan’s nation and empire building through the Meiji period (1868-1912), and the negotiation with Zen’s pre-Meiji scriptures and practice and Western studies of Buddhism unt
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48

Foxton, Nicholas. "Finding the space in the heart : primitivism, Zen Buddhism and deep ecology in the works of Gary Snyder." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363688.

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49

James, Simon Paul. "Heidegger and environmental ethics." Thesis, Durham University, 2001. http://etheses.dur.ac.uk/3958/.

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This thesis presents an environmental ethic based on the philosophy of Martin Heidegger. Chapter One uses Heidegger's conception of 'dwelling' as the basis for a satisfying account of the 'otherness' or alterity of nature. Chapter Two draws upon Heidegger's writings on 'the dif-ference', Madhyamaka Buddhist philosophy and the metaphysics of Alfred North Whitehead to develop a 'dialectical' conception of holism which can accommodate both the account of alterity presented in Chapter One and an account of the intrinsic value of individual beings. Chapter Three frames this conception of environmen
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Stahli, Simon. "Dwelling in contingency : towards a reappraisal of the late work of the British photographer Raymond Moore, in light of its affinities with a Zen Buddhist worldview." Thesis, University of South Wales, 2009. https://pure.southwales.ac.uk/en/studentthesis/dwelling-in-contingency(ebb43a8c-51aa-49c3-b8ab-aa6412465a8d).html.

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Raymond Moore operated quite apart from the mainstream of the British photography scene, with its emphasis on socially engaged and documentary approaches. He created his compelling images from the most mundane subject matter, seeking out the 'uncommonness of the commonplace' as he himself put it. Moore is best known for his early work, taking its cue from Formalism as well as the nature mysticism of the British Neo Romantic movement. His mature work is minimalist, even selfeffacing, and pervaded by an understated sense of humour. It is the argument of this thesis that the general perception of
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