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1

Calzadilla, Guillermo. Adaptation: Between species. Power Plant, 2010.

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2

Mooney, William H. Adaptation and the New Art Film. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-62934-2.

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3

Cronin, Bernadette, Rachel MagShamhráin, and Nikolai Preuschoff, eds. Adaptation Considered as a Collaborative Art. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-25161-1.

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4

Sinyard, Neil. Filmingliterature: The art of screen adaptation. St. Martin's Press, 1986.

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5

Ornella, Casazza, and Paolucci Antonio, eds. Antonio Bueno: Altre Variazioni sul tema di un dipinto fortunato = other Variations on the theme of a successful painting. Giunti, 2002.

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6

Bulatov, Ėrik. Adaptation & negation of socialist realism: Contemporary Soviet art. Aldrich Museum of Contemporary Art, 1990.

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7

Lee, Mei Jiuan. The art of adaptation of novel to film. LCPDT, 1998.

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8

Dasgupta, Tamal. Understanding screenplays of Satyajit Ray: The art of adaptation. Gangchil, 2015.

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9

1840-1917, Rodin Auguste, and Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, eds. Rodin and America: Influence and adaptation, 1876-1936. Silvana Editoriale, 2011.

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10

Southwest Museum of the American Indian, Wayland Harold, and Ferg Alan, eds. Playing cards of the Apaches: A study in cultural adaptation. Screenfold Press, 2006.

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11

Murray, Williamson. Military adaptation in war: With fear of change. Cambridge University Press, 2011.

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12

Sabouraud, Frédéric. L' adaptation au cinéma: Le cinéma a tant besoin d'histoires. Cahiers du cinéma, 2006.

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13

Cavallaro, Dani. Anime and the art of adaptation: Eight famous works from page to screen. McFarland, 2010.

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14

1976-, McConnell Aaron, ed. The Gettysburg Address: A graphic adaptation. William Morrow, 2013.

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15

Lefèvre, Roger-Alexandre. Cultural heritage facing climate change: Experiences and ideas for resilience and adaptation. Edipuglia, 2018.

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16

Lara, Jaime. Christian texts for Aztecs: Art and liturgy in colonial Mexico. University of Notre Dame Press, 2008.

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17

Art and Adaptation. Bibliotekos, 2015.

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18

Owen, Alistair. Art of Screen Adaptation. Oldcastle Books, Limited, 2020.

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19

Owen, Alistair. Art of Screen Adaptation. Oldcastle Books, Limited, 2020.

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20

Mooney, William. Adaptation and the New Art Film. Springer International Publishing AG, 2021.

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21

The ancestress hypothesis: Visual art as adaptation. Rutgers University Press, 2002.

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22

Wiebe, Reginald. Polyptych: Adaptation, Television, and Comics. Vernon Art and Science Inc., 2022.

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23

Jones, William B. Classics Illustrated and the Evolving Art of Comic-Book Literary Adaptation. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.12.

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During its thirty-year history, from 1941 to 1971, the first US series of Classics Illustrated comic-book adaptations of literary fiction and biography continually reaffirmed its intent to guide young readers to engagement with “the original text.” Adaptation approaches varied in the 169 titles over the course of decades of new-title production. Most of the earlier issues remained in print, resulting in a mixture of simultaneously available adaptation styles. The three eras in CI adaptation might be loosely described as Interpretive (1941–44), Hybrid (1945–56), and Faithful (1957–62). Although
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24

Sinyard, Neil. Filming Literature: The Art of Screen Adaptation. Taylor & Francis Group, 2013.

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25

Sinyard, Neil. Filming Literature: The Art of Screen Adaptation. Taylor & Francis Group, 2013.

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26

Filming literature: The art of screen adaptation. Croom Helm, 1986.

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27

Filming literature: The art of screen adaptation. St. Martin's Press, 1986.

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28

Sinyard, Neil. Filming Literature: The Art of Screen Adaptation. Taylor & Francis Group, 2013.

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29

Sinyard, Neil. Filming Literature: The Art of Screen Adaptation. Taylor & Francis Group, 2013.

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30

Sinyard, Neil. Filming Literature: The Art of Screen Adaptation. Taylor & Francis Group, 2015.

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31

Barnette, Jane. Adapturgy: The Dramaturg's Art and Theatrical Adaptation. Southern Illinois University Press, 2017.

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32

Filming literature: The art of screen adaptation. Routledge, 2013.

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33

Conrad and cinema: The art of adaptation. P. Lang, 1995.

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34

Filming Literature: The Art of Screen Adaptation. Taylor & Francis Group, 2013.

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35

Adapturgy: The Dramaturg's Art and Theatrical Adaptation. Southern Illinois University Press, 2017.

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36

Phillips, Gene D. Fiction, Film, and Faulkner: The Art of Adaptation. University of Tennessee Press, 2001.

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37

Fiction, film, and Faulkner: The art of adaptation. University of Tennessee Press, 1988.

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38

Hermansson, Casie, and Janet Zepernick. Where Is Adaptation?: Mapping Cultures, Texts, and Contexts. Benjamins Publishing Company, John, 2018.

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39

Screen adaptation: A scriptwriting handbook. 2nd ed. Focal Press, 1998.

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40

Screen adaptation: A scriptwriting handbook. Focal Press, 1991.

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41

Boyd, Brian. Making Adaptation Studies Adaptive. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.34.

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An evolutionary (or “adaptationist”) perspective on adaptation studies offers ways past the “fidelity discourse” that has long vexed adaptation scholars. Biological adaptation forgoes exact fidelity to solve the new problems posed by inevitably changing environments, in a process that is fertile as well as faithful. Artistic adaptation also looks two ways, toward retention or fidelity and toward innovation or fertility. The complex and multiple adaptations and hybridizations of art and nature, of page, stage, screen, and painting in Nabokov’s 1969 novel Ada suggest that the more exactly you kn
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42

Thomas, Christian, ed. The Art of Adaptation in Film and Video Games. MDPI, 2022. http://dx.doi.org/10.3390/books978-3-0365-4899-9.

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43

Cronin, Bernadette, Rachel MagShamhráin, and Nikolai Preuschoff. Adaptation Considered As a Collaborative Art: Process and Practice. Springer International Publishing AG, 2021.

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44

Griffiths, Kate. Zola and the Art of Television: Adaptation, Recreation, Translation. Taylor & Francis Group, 2020.

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45

Cronin, Bernadette, Rachel MagShamhráin, and Nikolai Preuschoff. Adaptation Considered as a Collaborative Art: Process and Practice. Palgrave Macmillan, 2020.

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46

Emile-Zola, Brigitte. Zola and Film: Essays in the Art of Adaptation. Edited by Robert Singer and Anna Gural-Migdal. MC Farland & Company, 2005.

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47

Roggema, Rob. Swarming Landscapes: The Art of Designing for Climate Adaptation. Springer Netherlands, 2016.

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48

Seger, Linda. Art of Adaptation: Turning Fact and Fiction into Film. Holt & Company, Henry, 2011.

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49

Roggema, Rob. Swarming Landscapes: The Art of Designing for Climate Adaptation. Springer London, Limited, 2012.

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50

Lessard, Bruno. Art of Subtraction: Digital Adaptation and the Object Image. University of Toronto Press, 2018.

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