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1

Howey, Ann F. "Arthur and Adaptation." Arthuriana 25, no. 4 (2015): 36–50. http://dx.doi.org/10.1353/art.2015.0059.

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Calfoglou, Christine, and Spiros Polymeris. "Conceptual Art: The Visual and Verbal Semiosis Interplay." Adaptation 12, no. 3 (2019): 284–97. http://dx.doi.org/10.1093/adaptation/apz018.

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AbstractThe relationship between the visual and the verbal in conceptual art is a particularly fruitful instantiation of intersemiosis. In this article, we discuss conceptual artwork interpretation on the basis of this relationship and consider issues of temporal precedence, performativity, and illocutionary force in conjunction with conceptual art immateriality and self-referentiality. Invoking data from a museum-based project, we argue that the viewer-text possesses a key hermeneutic role in an interpretation process encompassing the two sign systems.
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Hutcheon, Linda. "On the art of adaptation." Daedalus 133, no. 2 (2004): 108–11. http://dx.doi.org/10.1162/001152604323049460.

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4

Bruin, David. "Adaptation, Mnemonic Art, and Ekphrasis." Theater 47, no. 3 (2017): 82–88. http://dx.doi.org/10.1215/01610775-4163009.

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Elliott, Tomas. "‘A movie about flowers?’ Notes on the ecological turn in adaptation studies." Adaptation 17, no. 2 (2024): 320–37. http://dx.doi.org/10.1093/adaptation/apae015.

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Abstract This article takes up and responds to the recent ecological turn in adaptation studies, exploring the discipline’s widespread interest in the overlap between the notion of adaptation in evolutionary biology and the notion of adaptation in literature, film, and media studies. It argues that in order to develop a historically and ecocritically alert approach to adaptation studies, it is necessary to unpack what is at stake in using biological terms and paradigms to study adaptation in art. Firstly, it offers a survey of several studies that have explored the overlap between adaptation i
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6

Young, Vernon. "The Fine Art of Film Adaptation." Hudson Review 38, no. 4 (1986): 643. http://dx.doi.org/10.2307/3851568.

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7

Strong, Jeremy. "Zen And The Art Of Adaptation." Europe on and Behind the Screens 1, no. 2 (2012): 38. http://dx.doi.org/10.18146/2213-0969.2012.jethc017.

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This article arises from a 2011 interview with producer Andy Harries. Earlier that year the BBC had aired three ninety-minute adaptations of the detective novels by Michael Dibdin featuring the character Aurelio Zen. The interview and subsequent article focus on the process by which the novels were chosen, the intended audience, casting, international co-financing, changes between page and screen, and the adaptations’ relationship to other texts - notably Wallander - also produced by Harries.
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Igarashi, Yuki, and Takeo Igarashi. "Pixel Art Adaptation for Handicraft Fabrication." Computer Graphics Forum 41, no. 7 (2022): 489–94. http://dx.doi.org/10.1111/cgf.14694.

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9

Stevens, Kyle. "Can You Ever Forgive Me? and Marielle Heller’s Queer Art of Transparency." Adaptation 12, no. 1 (2019): 58–60. http://dx.doi.org/10.1093/adaptation/apz005.

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10

Krylova, I. F., and Victoria Andreevna Romanenko. "CINEMA AS ONE OF THE MAIN FORMS OF CONTEMPORARY ART." Globus: social sciences 7, no. 1(35) (2021): 30–34. http://dx.doi.org/10.52013/2713-3087-35-1-7.

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This article raises the problem of transposition (transposition) of the literary text of the verbal code into the language of cinema, which is relevant in modern linguistics. Within the framework of the presented research, the main stages of the development of cinematography, as well as the main techniques and types of editing, are described. The aim of the study is to analyze the historical stage in the development of a new type of art (cinema), its impact on society, as well as to analyze the relevance of such a phenomenon as the adaptation of a literary work of art. The relevance of address
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11

L., Jyothi, and Rathna Kalyani E. "Staging Shakespeare in Indian Cinema: The Art of Adaptation." Research Journal Of English (RJOE) 9, no. 2 (2024): 21–26. https://doi.org/10.36993/ RJOE.2024.9.2.26.

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Adaptation is the act or process of adjusting oneself to suit a new situation or environment. Inthe cinema context, an adaptation entails the whole or partial integration of aspects such asstories, concepts, motifs, and other features from a preexisting work of art into a film.Adaptation refers to the act of converting a work of literature into a cinematic production. Since1938, the Indian cinema industry has often utilised versions of Shakespearean works. VishalBhardwaj garnered extensive acclaim and multiple accolades for his contributions as ascreenwriter and filmmaker in the Indian cinema.
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Mithen, Steven J. "Ecological Interpretations of Palaeolithic Art." Proceedings of the Prehistoric Society 57, no. 01 (1991): 103–14. http://dx.doi.org/10.1017/s0079497x00004916.

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To describe, let alone explain, the paintings, engravings and sculpture of the Upper Palaeolithic as ‘adaptations’ may sound absurd. These are products of the human mind — a world of symbols and dreams, myths and fantasies. So to suggest that this art can be understood in an ecological framework may strike one as facile. Upper Palaeolithic art is one of the great cultural achievements of human kind. It testifies not only to an immense technical skill but to the human capacity for expressing emotion through the use of line, form and colour. Although we cannot know the meaning of the art, throug
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13

Chen, Dewei. "Evolution and Future Trend of Film Adaptation Art Under the Background of Digital Media." Humanities and Social Science Research 8, no. 2 (2025): p25. https://doi.org/10.30560/hssr.v8n2p25.

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The study of film adaptation has become an important branch of film theory, but as an independent discipline, it lacks a complete historical review. This paper attempts to explore the development context and transformation reasons of film adaptation theory, and explore the future trend under the background of digital media. The study of literary film adaptation can be divided into six periods and three stages. The first stage is the embryonic stage. Influenced by the independent appeal of film art, theorists reveal the uniqueness of film media by comparing it with other arts, laying the founda
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14

Nasimov, Khilal. "FILM ADAPTATION OF WORKS OF ART IN THE ART OF CINEMA." CROSSROADS OF CULTURE 4, no. 2 (2020): 31–35. http://dx.doi.org/10.26739/2181-0737-2020-4-6.

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The screening allowed the film to "stand up and stand up". This article is about the screening experiments and their value in the cinema world, about the modern interpretation of literary works in modern Uzbek cinema
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15

Lee, Deborah. "Dealing with adaptation: the Courtauld classification scheme." Art Libraries Journal 36, no. 4 (2011): 26–33. http://dx.doi.org/10.1017/s030747220001717x.

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Creating an adapted classification scheme is a solution frequently adopted by art libraries to arrange their collections. However, writing the scheme is only the start: an adapted scheme needs continuous updating to maintain its fitness for purpose. With new art forms, new directions in art history research, new geographic boundaries and new physical formats, there is no shortage of work to be done on an adapted art classification scheme. Using examples from the Courtauld classification scheme, this article explores some of the issues involved in dealing with an adapted classification, and cha
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16

Mertens, Jacob. "Parting Words: The Elusive Art of Adaptation." Film International 12, no. 3 (2014): 151–52. http://dx.doi.org/10.1386/fiin.12.3.151_7.

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17

Hitchman, Lauren. "From Page to Stage to Screen: The Live Theatre Broadcast as a New Medium." Adaptation 11, no. 2 (2018): 171–85. http://dx.doi.org/10.1093/adaptation/apx029.

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AbstractThe live theatre broadcast has witnessed a phenomenal rise in both popularity and profile over the past decade. This article considers the live theatre broadcast as both a new medium and a form of adaptation. It examines how the medium is ontologically, economically, and culturally positioned between theatre and film, and the extent to which it is, as John Wyver puts it, a ‘hybrid form’. Analyzing the medium in terms of Walter Benjamin’s ‘The Work of Art in the Age of Mechanical Reproduction’, I question how the live theatre broadcast challenges the ‘here’ and the ‘now’ that Benjamin s
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Zhang, Shuyu. "Research on the Deletion and Restoration of Literature Works in Film and Television Drama." Communications in Humanities Research 45, no. 1 (2024): 64–68. http://dx.doi.org/10.54254/2753-7064/45/20240060.

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Film and television adaptation of literature has become the mainstream of current film and television works, but literature and film and television, as two different art forms, the adaptation process is very complicated. This paper deeply discusses the various forms of adaptation of original works and the reasons behind them through case studies and qualitative analysis. At the same time, the article points out that there are significant differences between the original literature and the adaptation of film and television, and analyzes the reasons and techniques of adaptation. Meanwhile, takin
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19

Solikhah, Nafiah, and Andi Surya Kurnia. "ECLECTIC ART DECO IN SURAKARTA: COMPARISON OF THREE RESIDENCES IN SURAKARTA (LAWEYAN, BALUWARTI, KAUMAN)." DIMENSI (Journal of Architecture and Built Environment) 45, no. 2 (2019): 141. http://dx.doi.org/10.9744/dimensi.45.2.141-152.

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Art Deco emerged from the change of thinking ways of a group of people who one of them backed from the establishment of the economy. In Surakarta, there are areas that get influence Art Deco style, among others: Baluwarti, Laweyan, and Kauman. The problem is the absorption and adaptation of elements of Javanese culture and other culture that produce different art deco typology in each object of study. This study aims to compare the absorption and adaptation of elements of Javanese culture and other culture that produces different art deco typologies in three different areas in Surakarta.With d
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20

Xu, Zihan. "Kramer vs. Kramer in China -- The Innovation and Deficiency of Local Adaptation of Western Classic Plays." Communications in Humanities Research 24, no. 1 (2024): 173–78. http://dx.doi.org/10.54254/2753-7064/24/20231669.

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Local adaptations of Western countries plays are common in China; different theaters have various ways of making Western plays locally adapted to Chinese society. The explicit ways and disadvantages are what people are curious about; these may inspire future directors to direct productions. This research Identifies how the Guangzhou Dramatic Art Center made the Western classic play Kramer vs. Kramer locally adapted in Guangzhou and analyzes the innovation and deficiencies of the local adaptation based on an interview with an anonymous repertoire coordinator in the Guangzhou Dramatic Art Center
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21

Salisbury, Eve. "Lybeaus Desconus: Transformation, Adaptation, and the Monstrous-Feminine." Arthuriana 24, no. 1 (2014): 66–85. http://dx.doi.org/10.1353/art.2014.0017.

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22

Yelchyk, Oksana. "Aesthetic Grounds and Practice of Screen Adaptations of Theatrical Productions in the Light of Film and Television Language in the 1970s." Folk Art and Ethnology, no. 2 (June 30, 2024): 106–12. http://dx.doi.org/10.15407/nte2024.02.106.

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The aesthetic grounds and methods of screen adaptation of theatrical performances in the context of film and television art in the USSR in the 1970s are investigated in the article as well as the influence of film and television technologies on the theatrical genre, the peculiarities of the adaptation of stage performances to the cinematographic and television environment. Attention is also paid to the revealing the peculiarities of cinematographic art as a synthetic phenomenon and its interaction with the theatrical tradition. These issues are considered in the context of the cultural and pol
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23

Wang, Yubo, and Kovit Kantasiri. "A Survey and Influence Study on the Development of Performance Art in Contemporary Chinese Erhu Adaptation Works." Journal of Ecohumanism 3, no. 4 (2024): 3041–52. http://dx.doi.org/10.62754/joe.v3i4.3818.

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In recent years, the development of Chinese erhu adaptation works has reached its peak, and there have been many new changes in style and performance. More and more erhu adaptation works are also being presented to the audience on stage. This article aims to study the status of Chinese erhu adaptation works in contemporary erhu music, the impact of erhu performance techniques, and the transformation of erhu performance forms caused by erhu adaptation works. Based on my own professional research experience, the author designed a survey questionnaire on the development status of performance art
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24

Stobart, Henry. "Fieldwork with the family: the art of adaptation." Ethnomusicology Forum 29, no. 3 (2020): 280–91. http://dx.doi.org/10.1080/17411912.2020.1873556.

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25

Polan, Dana, and Gene D. Phillips. "Fiction, Film, and Faulkner: The Art of Adaptation." American Literature 61, no. 2 (1989): 314. http://dx.doi.org/10.2307/2926725.

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26

Guy, Simon, Victoria Henshaw, and Oliver Heidrich. "Climate change, adaptation and Eco-Art in Singapore." Journal of Environmental Planning and Management 58, no. 1 (2013): 39–54. http://dx.doi.org/10.1080/09640568.2013.839446.

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27

Andrianawati, Aida, Aneukeu Azkia Zahra, and Faradhila Zulfa. "Analysis of Interior Elements of Hotel Savoy Homann Bandung." KnE Social Sciences 10, no. 1 (2025): 23–29. https://doi.org/10.18502/kss.v10i1.17846.

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Bandung is a city that has the largest number of Art Deco buildings in Indonesia, one of them being the Hotel Savoy Homann. What makes this building an interesting topic is that it remains a fully functioning hotel to this day. This study aims to analyze the adaptation of the additional interior elements within the Hotel Savoy Homann building in a way that significantly impacts the Art Deco architectural style. This study uses a qualitative research method with the building adaptation approach. The results of this study show that the Art Deco concept style is present in the additional interior
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28

Gerber, M. N., and S. V. Semenova. "Art therapy and sociocultural adaptation of teenagers from migrant families." Vestnik of Saint Petersburg State University of Culture, no. 2 (31) (June 2017): 83–87. http://dx.doi.org/10.30725/2619-0303-2017-2-83-87.

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Submitted experience in the implementation of innovative art therapy program to improve the level of sociocultural adaptation of teenagers from migrant families. Received confi rmation of the eff ectiveness of the program: signifi cantly reduced the severity of the negative sociocultural strategies of adaptation (separatism, marginal syndrome), structural adaptation strategies (assimilation, integration) became dominant.
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29

Foca, Eugenia. "Education: 13. Benefits of Art Pedagogical Technologies in the Process of Primary School Adaptation." Review of Artistic Education 16, no. 1 (2018): 303–9. http://dx.doi.org/10.2478/rae-2018-0035.

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Abstract The article deals with the problem of primary school adaptation. The innovative art technologies described by the author seem to create an optimal environment to make the process of adaptation n primary classes easier. This research highlights the benefits of art pedagogical technologies. It also suggests a framework for some art pedagogical activities. The author offers some methodological suggestions for teachers, who could help primary school learners to adapt to the new school environment.
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Asam Saud Alsaiat, Asam Saud Alsaiat. "The Legal Adaptation of the Privatization Contract." journal of King Abdulaziz University Arts And Humanities 29, no. 7 (2021): 499–517. http://dx.doi.org/10.4197/art.29-7.17.

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Research title is “The Legal Characterization for Privatization Contract according to Privatization Law issued recently in the Kingdom of Saudi Arabia under the Royal Decree No. M/63 dated 5/8/1442 H (18/3/2101 G).” This research aims at defining the type of such contract in terms of its importance and modernity
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Tri Hendrawan Manurung, Gregorius, Khothibul Umam, Fajrul Falah, and Suharyo. "Adaptations and Experiments by the Semarang Music Ecosystem in Facing Covid-19 Pandemic." E3S Web of Conferences 317 (2021): 01052. http://dx.doi.org/10.1051/e3sconf/202131701052.

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This research was conducted in order to identify forms of adaptation and experiment by the Semarang music ecosystem in facing impacts of Covid-19 pandemic. This research adopted Sociology of Art approach by which art product is not viewed as worked by an individual, but rather, it is produced by an art world. This research focused on three aspects of music ecosystem, namely production and release, concert, and distribution. Data were collected by conducting observation and in-depth interviews. Observation was conducted to collect data concerning adaptive and experimental practices implemented
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Kavera, Natalia. "Adaptation of the Borrowed Component “Art” in the Modern Ukrainian." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 14, no. 25 (2021): 159–67. http://dx.doi.org/10.34079/2226-3055-2021-14-25-159-167.

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The article examines the features of grammatical adaptation of the borrowing “art” in the modern Ukrainian language, identifies typical violations of current spelling rules in words with this component, suggests the correct options and clarifies the feasibility of its frequent use in modern Ukrainian speech. It has been found that the English borrowed component “art” is well adapted to the recipient language. This is evidenced by its active use in both oral and written speech, the ability to be used independently with a fixed meaning, high word-forming productivity. It is revealed in the texts
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Cattrysse, Patrick. "Teaching Screenwriting as Translation and Adaptation: Critical Reflections on Definitions and Romanticism 2.0." Journalism and Media 3, no. 4 (2022): 794–811. http://dx.doi.org/10.3390/journalmedia3040053.

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This essay discusses teaching screenwriting in terms of translation and adaptation. Realigning terminology with everyday language, translation is redefined as an invariance-based phenomenon while adaptation is reconceived as a variance-based phenomenon, which entails better fit. More specific working definitions follow specifying what one could be teaching or learning in more precise terms. The acceptance of these proposals remains a matter of contention. One major obstacle involves the current Western Romantic view on art and culture. Having driven a rift between art and craft, Romanticism 2.
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Rigamonti, Elisa. "Alice and Alisa." Groundings Undergraduate 15 (May 15, 2024): 66–86. http://dx.doi.org/10.36399/groundingsug.15.138.

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This article compares the aesthetics of Wonderland in two animated adaptations of Lewis Carroll’s classic tale, examining Disney’s 1951 rendition and Kievnauchfilm’s 1981 adaptation. Through an analysis of animation techniques, art styles, and cultural influences, it explores how each production visually depicts Alice’s adventures. Disney’s approach is characterized by a grounded, simplified style, while Kievnauchfilm fully embraces the surrealism of Carroll’s text. The essay discusses how Disney’s use of photographic references results in a more realistic portrayal, albeit somewhat lacking th
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35

Blin-Rolland, Armelle, Guillaume Lecomte, and Marc Ripley. "Introduction." European Comic Art 10, no. 1 (2017): 1–8. http://dx.doi.org/10.3167/eca.2017.100102.

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This introduction to this special issue of European Comic Art on ‘Comics and Adaptation’ provides a brief overview of the field of adaptation studies, with a particular focus on its considerable developments and expansion since the late 1990s, as it has moved beyond a comparative novel-to-film approach to centre instead around questions of intertextuality and hypertextuality. This special issue aims to contribute to this field and to the growing body of works on comics and adaptation. The authors explore questions of transnational circulation of visual, narrative and generic motifs (Boillat);
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Павловский, Александр, and Aleksandr Pavlovskiy. "THE LEGAL MECHANISM OF ADAPTATION AND INTEGRATION OF IMMIGRANTS IN CANADA." Journal of Foreign Legislation and Comparative Law 4, no. 1 (2018): 1. http://dx.doi.org/10.12737/art.2018.1.7.

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37

Marshall, Adam Bryant. "Sir Lancelot at the Chapel Perelus: Malory’s Adaptation of the Perlesvaus." Arthuriana 25, no. 3 (2015): 33–48. http://dx.doi.org/10.1353/art.2015.0035.

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38

Lancaster, Kathryn E., William C. Miller, Tetiana Kiriazova, et al. "Designing an Individually Tailored Multilevel Intervention to Increase Engagement in HIV and Substance Use Treatment Among People Who Inject Drugs With HIV: HPTN 074." AIDS Education and Prevention 31, no. 2 (2019): 95–110. http://dx.doi.org/10.1521/aeap.2019.31.2.95.

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People who inject drugs (PWID) face barriers to engagement in antiretro-viral treatment (ART) and medication-assisted treatment (MAT). We detail the design, rapid preparation and adaptation, and systematic implementation of a flexible, individually tailored intervention for PWID in multiple settings: Indonesia, Ukraine, and Vietnam. HPTN 074 integrated systems navigation and counseling to facilitate entry and adherence to ART and MAT. Site-level guidance on the intervention involved in-depth interviews (IDIs) among PWID and their supporters and site-specific document review. IDIs emphasized AR
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Žekulin, Nicholas G. "Evgenii Onegin: The Art of Adaptation, Novel to Opera." Canadian Slavonic Papers 29, no. 2-3 (1987): 279–91. http://dx.doi.org/10.1080/00085006.1987.11091863.

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Ovsyannikova, О. А. "SOCIAL ADAPTATION OF TEENAGERS WITH DEVIANT BEHAVIOR THROUGH ART." Paradigmata poznání 2, no. 1 (2017): 88–91. http://dx.doi.org/10.24045/pp.2017.1.18.

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41

Wright, Judson. "Trancing: applying evolution's cognitive adaptation via web art/music." International Journal of Arts and Technology 10, no. 1 (2017): 43. http://dx.doi.org/10.1504/ijart.2017.083904.

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Wright, Judson. "Trancing: applying evolution's cognitive adaptation via web art/music." International Journal of Arts and Technology 10, no. 1 (2017): 43. http://dx.doi.org/10.1504/ijart.2017.10004728.

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43

Eichengreen, Barry. "The Art of Adaptation: Globalization and the European Model." Current History 105, no. 695 (2006): 430–34. http://dx.doi.org/10.1525/curh.2006.105.695.430.

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However well the European economy may have performed in the past, there are reasons to worry about whether it can keep pace in a world of accelerating technical change and global competition led by the rise of India and China.
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Knafo, Danielle, and Spyros D. Orfanos. "The Elegant Adaptation: On Creativity in Psychoanalysis and Art." Psychoanalytic Perspectives 7, no. 2 (2010): 223–43. http://dx.doi.org/10.1080/1551806x.2010.10473092.

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Borodina, Nataliia. "Reception of War Trauma in Art: Measures of Permissible Cruelty of Reflection." Culture and Arts in the Modern World, no. 25 (October 4, 2024): 59–69. http://dx.doi.org/10.31866/2410-1915.25.2024.312599.

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The aim of the article is to study the reflection of percepting the war trauma in art in the context of the cruelty problem. Results. Ways of reception of the war topic issue in art are viewed, as well as conflict, struggle and manifestation are indicated. After conducting interviews and questionnaires, two paradigms are determined in grounding the war reception: 1) “two paradigms, possible solutions aimed at overcoming this conflict are determined. Scientific novelty. The ways of reception of the war trauma in art through reflection and adaptation are separated and analysed. Art is a safe ref
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Banindro, Baskoro Suryo, Asnar Zacky, and Rikhana Widya Ardilla. "Adaptation of Pramoedya Ananta Toer's Novel Arok Dedes into Concept Art." Journal of Urban Society's Arts 9, no. 2 (2023): 109–16. http://dx.doi.org/10.24821/jousa.v9i2.8362.

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This research aims to obtain the creation of exploration resulting from the adaptation of the narrative text to the visual book novel Arok Dedes. The method used in this research is applied research, which is to apply basic research for practical purposes, in this case, the design of concept art. Data is collected and compiled by studying libraries related to concept art from textbooks and virtual libraries. The result of this study is that the adaptation of text narrative to visual in concept art requires a comprehensive exploration of starting to develop the concept of space transfer, visual
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Ulber, Marie, Mona Mahall, and Asli Serbest. "Environments. Actions of Adaptation in Architecture." Loci Communes 1, no. 1 (2021): 1–17. http://dx.doi.org/10.31261/lc.2021.01.04.

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The 1960s Environments emerged as artistic practices to question our modern relationship to objects perceived as isolated entities and as products within a market logic; to context, initiative, authority, ethics, and aesthetics. As open, process-based situations, they should allow for a praxis of reappraising demarcations, roles, and concepts in the art, social, and natural world. Environments had an early, but only short influence. To this day, art and architecture continue to be widely shaped by objectifying and reifying processes, even though the limits of the systems they belong to have be
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Tovarnițchii, Constantin. "Adaptation and Continuation Born from Our Non-Recognition of Abandonment." Symbolon 23, SI (2022): 121–26. http://dx.doi.org/10.46522/s.2022.s1.13.

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The explanatory dictionary of the Romanian language defines art as „an activity of man that aims to produce aesthetic values and that uses means of expression with a specific character; all the works (from an era, from a country, etc.) that belong to this activity”. Looking back, we find that, regardless of the era we are focusing on, art, as a whole, has not known downtime, despite any unfavourable conditions of a social or economic nature. On the contrary, when major crisis situations took over society, art experienced a revival in almost all its forms of expression.
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Gorpincenko, Artjoms, Geoffrey French, and Michal Mackiewicz. "Virtual Adversarial Training in Feature Space to Improve Unsupervised Video Domain Adaptation." Electronic Imaging 2021, no. 10 (2021): 258–1. http://dx.doi.org/10.2352/issn.2470-1173.2021.10.ipas-258.

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Virtual Adversarial Training has recently seen a lot of success in semi-supervised learning, as well as unsupervised Domain Adaptation. However, so far it has been used on input samples in the pixel space, whereas we propose to apply it directly to feature vectors. We also discuss the unstable behaviour of entropy minimization and Decision-Boundary Iterative Refinement Training With a Teacher in Domain Adaptation, and suggest substitutes that achieve similar behaviour. By adding the aforementioned techniques to the state of the art model TA3N, we either maintain competitive results or outperfo
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S. D., Bandara. "The Inception of the Film Adaptations Based on the Novels, in the Sri Lankan Cinema." Vidyodaya Journal of Humanities and Social Sciences 08, no. 02 (2023): 26–37. http://dx.doi.org/10.31357/fhss/vjhss.v08i02.03.

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Filmmakers often pursue other source materials to discover inspiration for their narratives and create feature filmmaking in an important way on true events and fictional stories. A film adaptation is a cinematic work, adapted from a work of fiction or nonfiction. Common fiction source materials include novels, short stories, stage plays, radio plays, television series, comics, or video games, while nonfiction sources are memoirs, biographies, or works of journalism. International filmmaking regularly uses an existing work of art as inspiration for their art, and the Film Awards even have an e
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