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Relevant bibliographies by topics / American Sound Studios

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Academic literature on the topic 'American Sound Studios'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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Journal articles on the topic "American Sound Studios"

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Herbst, Jan-Peter. "The formation of the West German power metal scene and the question of a ‘Teutonic’ sound." Metal Music Studies 5, no. 2 (2019): 201–23. http://dx.doi.org/10.1386/mms.5.2.201_1.

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Despite being one of the oldest and largest metal nations, little research on metal music from Germany exists. This article focuses on the formation of the West German power metal scene. This subgenre was one of the first to be played in Germany, and bands such as Helloween, Running Wild, Gamma Ray and Blind Guardian produced a characteristic German sound that was to become famous worldwide. Based on interviews with music producers, musicians, journalists and academics, this study analyses stylistic musical features of (German) power metal, the artists’ influences and their different aspiratio

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Fallen, Aryuda Fakhleri, Yudi Sukmayadi, and Tati Narawati. "KAJIAN KONSEPTUAL SILABEL RITME GANDANG MINANGKABAU." Paradigma: Jurnal Kajian Budaya 14, no. 2 (2024): 266–64. http://dx.doi.org/10.17510/paradigma.v14i2.1372.

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This article tryes to initiate the concept of Minangkabau rhythm syllables, which is a method in music learning related to audiation in rhythm learning, the urgency in this study explores the basic elements of the audiation system that can be applied to music learning related to rhythm syllables based on local approaches, taking into account previous concepts that have been popular in recent schools. In West Sumatra, the concepts of syllable rhythm such as Zoltan Kodaly, Kannokol, American Style Syllables, and Edwin Gordon are not so popular, but environments such as schools and art studios ha

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Chuprynskyi, Oleksandr. ""Skywalker Sound" Recording Studio as a Sound Design Developer." Bulletin of KNUKiM. Series in Arts, no. 40 (June 5, 2019): 33–38. https://doi.org/10.31866/2410-1176.40.2019.172673.

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The article examines the work of American studio “SKYWALKER SOUND” as a sound designer in cinematography. There is a sound environment modelling, sound style creation and sound effects design for multimedia piece. Sound design is the process of creating unusual sound effects of no analogies in nature. The scientific novelty of the research is that for the first time the main principles and criteria for a sound design term were implemented using “SKYWALKER SOUND” example. The research methodology consists of basic principles paradigm: objectivity, historicism, systemacit

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Leikam, Susanne. "American Studies, Sound Studies, and Cultural Memory." JAAAS: Journal of the Austrian Association for American Studies 1, no. 2 (2020): 231–44. http://dx.doi.org/10.47060/jaaas.v1i2.56.

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Each year on April 18, the city of San Francisco commemorates the devastating 1906 earthquake and fire with a series of elaborate and tightly scripted ceremonies. As one of the key events, the ceremony at Lotta's Fountain features, among others, commemorative speeches, the hanging of a memorial wreath, and the ceremonial wailing of fire sirens, followed by a minute of silence for the victims. The acoustic tension building up between the sirens' piercing warning sounds and the ensuing collective gesture of mournful quietude is subsequently resolved by the communal sing-along of the upbeat theme

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Labov, William. "The role of African Americans in Philadelphia sound change." Language Variation and Change 26, no. 1 (2014): 1–19. http://dx.doi.org/10.1017/s0954394513000240.

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AbstractA number of studies of African American communities show a tendency to approximate the phonological patterns of the surrounding mainstream white community. An analysis of the vowel systems of 36 African American speakers in the Philadelphia Neighborhood Corpus compares their development over the 20th century with that of the mainstream community. For vowels involved in change in the white community, African Americans show very different patterns, often moving in opposite directions. The traditional split of short-a words into tense and lax categories is a more fine-grained measure of d

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Carlat, Louis. "Sound Clash: Listening to American Studies." Journal of Urban Technology 21, no. 3 (2014): 105–8. http://dx.doi.org/10.1080/10630732.2014.954414.

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Balestrini, Nassim, Klaus Rieser, and Katharina Fackler. "Soundscapes, Sonic Cultures, and American Studies." JAAAS: Journal of the Austrian Association for American Studies 1, no. 2 (2020): xix—xxvi. http://dx.doi.org/10.47060/jaaas.v1i2.115.

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What happens when we imagine the sonic worlds of literary texts, when we focus on voice in film, or when we study the sound of social protest? How can we integrate sound studies into our academic practices? How does sound relate to space and place? How can American studies scholars understand the link between sonic and social relations? Music, voices, noise, and silence are constitutive elements of phenomena that we as American studies scholars regularly investigate. However, in contrast to the well-established prominence of visual culture studies, sound features less prominently in our field'

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Popper, Arthur N., Dennis T. T. Plachta, David A. Mann, and Dennis Higgs. "Response of clupeid fish to ultrasound: a review." ICES Journal of Marine Science 61, no. 7 (2004): 1057–61. http://dx.doi.org/10.1016/j.icesjms.2004.06.005.

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Abstract A number of species of clupeid fish, including blueback herring, American shad, and gulf menhaden, can detect and respond to ultrasonic sounds up to at least 180 kHz, whereas other clupeids, including bay anchovies and Spanish sardines, do not appear to detect sounds above about 4 kHz. Although the location for ultrasound detection has not been proven conclusively, there is a growing body of physiological, developmental, and anatomical evidence suggesting that one end organ of the inner ear, the utricle, is likely to be the detector. The utricle is a region of the inner ear that is ve

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Mitchell, David, Marivic Lesho, and Abby Walker. "Folk Perception of African American English Regional Variation." Journal of Linguistic Geography 5, no. 1 (2017): 1–16. http://dx.doi.org/10.1017/jlg.2017.2.

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Contrary to previous “sociolinguistic folklore” that African American (Vernacular) English has a uniform structure across different parts of the US, recent studies have shown that it varies regionally, especially phonologically (Wolfram, 2007; Thomas & Wassink, 2010). However, there is little research on how Americans perceive AAE variation. Based on a map-labeling task, we investigate the folk perception of AAE variation by 55 participants, primarily African Americans in Columbus, Ohio. The analysis focuses on the dialect regions recognized by the participants, the linguistic features ass

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Duarte González, Irving, and Jorge Rodrigo Sigal Sefchovich. "Strategies for the management of sound art linked to the Latin American public space." Córima, Revista de Investigación en Gestión Cultural 8, no. 15 (2023): 1–22. http://dx.doi.org/10.32870/cor.a8n15.7434.

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This article is based on the results obtained from a research on the production processes of sound art aimed at public space in the Latin American context. The objective was to determine the common strategic processes of this type of proposals in the region, so that we could understand their interests and aesthetic characteristics from the functional and logistical perspective of cultural management. Throughout this text we present a theoretical framework that supports and contextualizes the object of study in the delimited environment of Latin America, this is configured from a methodology wi

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Dissertations / Theses on the topic "American Sound Studios"

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Magel, Christopher Robert. "Idiopathic Lesions and Visual Deficits in the American Lobster (Homarus americanus) from Longs Island Sound, NY." W&M ScholarWorks, 2008. http://www.vims.edu/library/Theses/Magel08.pdf.

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Kirschner, Bennett A. "Do We Make a Sound? An American Morality Play." ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2615.

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Ramsey, Lynn. "“An Indescribable Sound” in William Faulkner’s The Sound and the Fury." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1746.

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The Sound and the Fury is a noisy book. Through the audible, the barely audible, and the silence, William Faulkner supports his narrative design with sound beyond dialog to inform and inflect the destabilizing narrative voices. This essay explores Faulkner's use of the sound and noise of the novel as another narrative voice. Faulkner's rich use of sound as a recurring motif, almost a persona or narrator itself, functions not merely to animate the action, the characters, and the title; it also speaks in the "hush" and the freighted "stiffly sibilant" whispers of those who dare not speak, or are

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Eley, Craig. "Making silence audible: sound, nature, technology, 1890-1970." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/6568.

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This dissertation examines the commercially released nature records that were produced by naturalists, scientists, recording engineers, teachers, musicians, and hobbyists from the 1890s through the 1970s. Though some of the general concepts about natural sound have remained remarkably consistent over time, their specific definitions and implementations are marked by moments of contestation and change. Early recorded natural sound practices were often both musical and narrative, relying on human intermediaries to set the scene and explain the sounds. Later developments in microphones and record

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Jones, Brian Edward. ""Members, Don't Git Weary": Max Roach, "Treme", and the Sound of Resistance." W&M ScholarWorks, 2015. https://scholarworks.wm.edu/etd/1539626781.

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Pendley, James. "Visualizing sound : a musical composition of aural architecture." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003152.

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Redmon, Shanise. "HAPTIC HAPPENINGS: AN EXPLORATION OF SOUND, QUIET AND BLACKNESS." Master's thesis, Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/532222.

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African American Studies<br>M.A.<br>This research analyzes the lives and works of Black visual artists and filmmakers as visual representations of haptic events. This thesis examines how the lives of the artists and specific works of art are entangled with sound and quiet and directly reflect and shape the complexities black interiority. The possibilities of the black interior expand when the senses are combined and how the utilization of that synthesis centers the interior lives, ideas and art of black people. Centering the interior life creates space for the humanity of black people to be fu

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Linscott, Charles P. "Sonic Overlook: Blackness between Sound and Image." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1438950059.

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Alvarez, Denny. "Los Angeles Latinx Ska| Subaltern Rhythms, Co-optation of Sound, and New Cultural Visions from a Transnational Latin America." Thesis, University of California, Santa Barbara, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13420906.

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<p> Ska is a Caribbean born musical genre that was originally created from oppressive conditions and from where Caribbean slaves had used music to preserve African culture during colonial times. Such a context gave way to the emergence of a Rastafarian culture that created Ska, and even though it is a music of past times, it is now adopted, transformed, and rearticulated by Latinxs in Los Angeles into new conditions and into new dialogues. By drawing on Antonio Gramsci’s theories of common sense and subalternity, I advance that through the musical realm the racially oppressed create spac

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Ottum, Joshua J. "Anthropogenic Moods: American Functional Music and Environmental Imaginaries." Ohio University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1458123106.

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Books on the topic "American Sound Studios"

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Wilson, August. Ma Rainey's black bottom. Alexander Street Press, 2004.

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Wilson, August. Ma Rainey's black bottom: A play in two acts. Plume, 1985.

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Wilson, August. Ma Rainey's black bottom. French, 1985.

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Svec, Henry Adam. American Folk Music as Tactical Media. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462984943.

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American folk music has long presented a problematic conception of authenticity, but the reality of the folk scene, and its relationship to media, is far more complicated. This book draws on the fields of media archaeology, performance studies, and sound studies to explore the various modes of communication that can be uncovered from the long American folk revival. From Alan Lomax's cybernetic visions to Bob Dylan's noisy writing machines, this book retrieves a subterranean discourse on the concept of media that might help us to reimagine the potential of the networks in which we work, play, a

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White, Shane. The sounds of slavery: Discovering African American history through songs, sermons, and speech. Beacon Press, 2005.

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George, Nelson. Where did our love go?: The rise & fall of the Motown sound. St. Martin's Press, 1987.

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Dolphin, Jamelle Baruck. Recorded in Hollywood: The John Dolphin story. Create Space, 2011.

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Ray, Allen, and Wilcken Lois, eds. Island sounds in the global city: Caribbean popular music and identity in New York. New York Folklore Society, 1998.

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Jones, Roben. Memphis Boys: The Story of American Studios. University Press of Mississippi, 2010.

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Jones, Roben. Memphis Boys: The Story of American Studios. University Press of Mississippi, 2010.

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Book chapters on the topic "American Sound Studios"

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Birkenmaier, Anke. "Sound Studies and Literature in Latin America." In The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms. Routledge, 2022. http://dx.doi.org/10.4324/9780429058912-38.

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Rodríguez De León, Rolando José. "Re-written Songs, Musics, and Dubbing for Anime / 5: Latin America." In Palgrave Studies in Sound. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-0429-3_27.

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Kim, Sabine. "Traveling sounds." In The Routledge Companion to Transnational American Studies. Routledge, 2019. http://dx.doi.org/10.4324/9781315163932-12.

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Hoffer, Kenneth J. "American History of IOL Power Calculation." In Intraocular Lens Calculations. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-50666-6_2.

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AbstractThe history of ultrasound axial length measurement and formula development for IOL power calculation in America are described beginning with the initial trials in April 1974, and through the trials and tribulations the author experienced in trying to improve the accuracy of the procedure through instrumentation and formulas as well as efforts to teach others how to perform it and improve it. This includes the first studies showing the sound velocities of the eye, the normal biometric measurements of the cataractous eye, and the development of the first calculators and computer programs

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Marzola, Luci. "Between the Lines." In Engineering Hollywood. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190885588.003.0004.

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The film technicians who used and managed the technology within the Hollywood studios themselves, such as cameramen and electricians, take center stage in this chapter, focusing on how the technical work of motion picture production was understood, managed, and promoted within the new “factory” system of Hollywood. The primary case study here is the cameramen, who used their organization, the American Society of Cinematographers, and its publication, American Cinematographer, to establish their status as the chief technicians in motion picture production in the silent period, often by resistin

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Friedman, Ryan Jay. "“Mike Fright”." In Media Ventriloquism. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197563625.003.0005.

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This chapter examines the racialization of sound and language during the transitional period in Hollywood. It argues that the studios’ interest in African American representation in the talkies participated in the ongoing construction in US popular culture of the “Black voice” and of ethnically marked ways of speaking as signifiers of substance and vitality. Tracing the genealogy of this “thrown” voice back through white radio comedians’ vocal mimicry, dialect fiction written by white authors, and blackface minstrelsy, the chapter demonstrates that the talkies were a technological medium of ra

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Khor, Denise. "Audible Divides." In Transpacific Convergences. University of North Carolina Press, 2022. http://dx.doi.org/10.5149/northcarolina/9781469667973.003.0004.

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Across a rapidly changing industry, Japanese in Hollywood found themselves incorporated into the efforts of the major studios as they sought to recapture global audiences. The emergence of sound technology introduced the problem of Hollywood’s nationalization—as film became audible not only of sound, but also of national languages. As this chapter reveals, Hollywood looked to Japanese working in the industry to engage the development of the new medium as translators, interpreters, foreign language actors, and writers. Yet, these changes in the film industry also reinforced and fortified the sy

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Smith, Steven C. "Roaring in the Twenties." In Music by Max Steiner. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190623272.003.0005.

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Now established as a Broadway musical director, Steiner would spend the rest of the 1920s living large—and often beyond his means—with New York’s most celebrated stage talents. He also co-orchestrated and conducted the show often cited as a turning point in American musical comedy: the Gershwins’ Lady, Be Good! starring Fred Astaire. This chapter offers a wide-angle view of the evolution of American music in the 1920s, while focusing on Steiner’s continuing growth as a musical dramatist. Particularly noteworthy was his skill at orchestration: by hiring musicians who could play multiple instrum

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Kun, Josh. "58 Sound." In Keywords for American Cultural Studies, Third Edition. New York University Press, 2020. http://dx.doi.org/10.18574/nyu/9781479867455.003.0062.

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Gerber, Natalie. "Beyond Meaning: Differing Fates of Some Modernist Poets’ Investments of Belief in Sounds." In Critical Rhythm. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823282043.003.0011.

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Modernist American poets Robert Frost, Wallace Stevens, and William Carlos Williams insisted on the values of linguistic sound beyond the semantic. Stevens focused on the modulations of the sounds and lexical stresses of individual words within the meter. Frost and Williams focused on the less predictable intonational contours of phrases and sentences (although for Frost, the intonational contours play with and against the metrical pattern, whereas for Williams, lines tend to align with intonational phrases, turning prosodic speech tunes into a prosodic verse measure). Drawing on recent cognit

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Conference papers on the topic "American Sound Studios"

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Baglione, Melody, Nicholas Wong, Hannah Clevenson, Bridget O’Meara, and James Baker. "Creating an Interactive Light Studio for the American Sign Language and English Lower School." In ASME 2011 International Mechanical Engineering Congress and Exposition. ASMEDC, 2011. http://dx.doi.org/10.1115/imece2011-64374.

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The Cooper Union for the Advancement of Science and Art created an Interactive Light Studio for pre-kindergarten students at The American Sign Language and English Lower School (P.S. 347) in New York City. Specific goals included designing a space for science exploration and creating ways for both deaf and hearing students to explore light and sound. Deaf and hearing impaired students, in particular, benefit from the design of a sound-to-light installation that uses microphones to provide visual feedback. Another installation includes a network of circuits, which imitate the interaction of fir

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Baglione, Melody, Dale Short, Caitlin Correll, and David Tan. "Developing Installations and Activities for an Interactive Light Studio at the American Sign Language and English Lower School." In ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-86438.

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Students from The Cooper Union for the Advancement of Science and Art created new installations and activities for an Interactive Light Studio for pre-kindergarten students at The American Sign Language and English Lower School (P.S. 347) in New York City. The studio creates ways for both deaf and hearing students to explore light and sound while simultaneously promoting science and technology to students at a young age. Improvements to the studio in the 2011–12 school year strove to further the educational mission of the project while introducing new and exciting interactive multimedia instal

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Goodwin, Richard W. "Long-Term Operating Results: Ash Monofill." In 11th North American Waste-to-Energy Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/nawtec11-1677.

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An ash monofill was studied from 1997 to 2001. Monitoring results of the lined landfill showed viability of liner since groundwater standards were not exceeded. Raw leachate of RCRA heavy metal leachate results show Chromium reaching groundwater standards while Lead, Cadmium and Zinc slightly exceed these standards. An upset incident of premature set-up of lime-laden ash caused a back-up and overflow condition in 1994. Adding water of solubilization and field compaction achieves optimal geo-technical properties and reduces heavy metal leachate. This water addition would have also reduced fugit

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Nascimento, Suely. "Marlene's house." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.106.

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As an artist-researcher, I have been developing the research “Marlene's house” in the Doctorate in Arts, Graduate Program in Arts, Institute of Art Sciences, Federal University of Pará, since 2018. An extension of the research I produced in the Master's Degree in Arts, at the same institution of higher education, from 2016 to 2018. It is a poetics built from family and affective memory, in which photography, video, sound, writing, smell, taste, touch and feeling merge. And it is part of research line 1, on poetics and acting processes, dedicated to research in the arts, with a focus on poetics

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Potluri, Hemanth, Joshua J. Jones, and Laine Mears. "Comparison of Electrically-Assisted and Conventional Friction Stir Welding Processes by Feed Force and Torque." In ASME 2013 International Manufacturing Science and Engineering Conference collocated with the 41st North American Manufacturing Research Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/msec2013-1192.

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The process of friction stir welding involves high tool forces and requires robust machinery; the forces involved make tool wear a predominant problem. As a result, many alternatives have been proposed in decreasing tool forces such as laser assisted friction stir welding and ultra-sound assisted friction stir welding. However, these alternatives are not commercially successful on a large scale due to scalability and capital/maintenance costs. In an attempt to reduce forces in a cost-feasible manner, electrically-assisted friction stir welding (EAFSW) is studied in this work. EAFSW is a result

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CHETTI, PRASAD, HESHAM ALI, DARIO GHERSI, ROBIN GANDHI, BRIAN RICKS, and LOTFOLLAH NAJJAR. "A NEW APPROACH FOR ANALYZING SAFETY AND PERFORMANCE FACTORS IN CIVIL INFRASTRUCTURES USING CORRELATION NETWORKS AND POPULATION ANALYSIS." In Structural Health Monitoring 2021. Destech Publications, Inc., 2022. http://dx.doi.org/10.12783/shm2021/36305.

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Public safety and economic growth are some of the key factors in motivating governments to keep their civil infrastructures, in particular bridges, safe and sound. However, the American Society for Civil Engineers gave a C+ grade for U.S. bridges in 2017. It has been observed that many parameters associated with bridges, such as geographical locations, designs, materials used, and traffic patterns, play key roles in determining the safety and deterioration rates of bridges. However, there is still a lack of studies that analyze the exact impact of all relevant parameters. The motivation of thi

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Beeranur, Ravikumar, Kiran K. Waghmare, and Ramesh K. Singh. "Characterization of Vacuum Brazing of Ti6Al4V and Alumina With Cu-Ag Brazing Alloy via Substrate-Induced Reactive Mechanism." In ASME 2013 International Manufacturing Science and Engineering Conference collocated with the 41st North American Manufacturing Research Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/msec2013-1218.

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Brazing of ceramic and metal components is an emerging manufacturing technology in which a furnace or a heat source is used to join the substrates using a brazing filler material. Brazing of ceramic and metal has received considerable attention in the field of nuclear reactor, aerospace, automobile, medical and electrical engineering. A brazing alloy can either be a conventional brazing alloy which requires the ceramic surface to be metallized or an active brazing alloy which does not require metallization. A sound interfacial adhesive bond is formed during the process. The typical active elem

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Cohen, Alan S., Shawn Worster, and Michael Brown. "Back to the Future: Lesson Learned in Implementing Emerging Technologies." In 17th Annual North American Waste-to-Energy Conference. ASMEDC, 2009. http://dx.doi.org/10.1115/nawtec17-2318.

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“Energy cost increases are expected to continue.... The impact of these energy cost increases on attractiveness of energy recovery could be significant.” “A number of new technological developments have been underway over the past few years that are now becoming available as full-scale systems and that are greatly expanding the opportunities for energy recovery from mixed municipal waste.” These sound like statements from today’s headlines or the latest marketing brochures reflecting the promise of emerging waste management technologies. The reality is that these statements were made over thir

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Lemm, Thomas C. "DuPont: Safety Management in a Re-Engineered Corporate Culture." In ASME 1996 Citrus Engineering Conference. American Society of Mechanical Engineers, 1996. http://dx.doi.org/10.1115/cec1996-4202.

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Attention to safety and health are of ever-increasing priority to industrial organizations. Good Safety is demanded by stockholders, employees, and the community while increasing injury costs provide additional motivation for safety and health excellence. Safety has always been a strong corporate value of DuPont and a vital part of its culture. As a result, DuPont has become a benchmark in safety and health performance. Since 1990, DuPont has re-engineered itself to meet global competition and address future vision. In the new re-engineered organizational structures, DuPont has also had to re-

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Reports on the topic "American Sound Studios"

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Bonita, Manuel, Fernando Correa, Harri Ahveninen, and Pertti Veijalainen. Forest Clusters: A Competitive Model for Latin America. Inter-American Development Bank, 2002. http://dx.doi.org/10.18235/0008811.

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contribute to success in the forest business. These include sound macroeconomic and long-term forest policies, secure land tenure, support from related education and technology programs, and cooperation among the various industries involved in producing and marketing forest products and services. The basic objective of this document is to examine the potential for creating forest clusters in Latin America. These clusters are based on the experience of Nordic countries and on studies of six natural resource-based clusters, identified by ECLAC/CEPAL. Specifically, this study aims to: 1) Identify

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