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Books on the topic 'American Sound Studios'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Wilson, August. Ma Rainey's black bottom. Alexander Street Press, 2004.

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2

Wilson, August. Ma Rainey's black bottom: A play in two acts. Plume, 1985.

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3

Wilson, August. Ma Rainey's black bottom. French, 1985.

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4

Svec, Henry Adam. American Folk Music as Tactical Media. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462984943.

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American folk music has long presented a problematic conception of authenticity, but the reality of the folk scene, and its relationship to media, is far more complicated. This book draws on the fields of media archaeology, performance studies, and sound studies to explore the various modes of communication that can be uncovered from the long American folk revival. From Alan Lomax's cybernetic visions to Bob Dylan's noisy writing machines, this book retrieves a subterranean discourse on the concept of media that might help us to reimagine the potential of the networks in which we work, play, a

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5

White, Shane. The sounds of slavery: Discovering African American history through songs, sermons, and speech. Beacon Press, 2005.

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6

George, Nelson. Where did our love go?: The rise & fall of the Motown sound. St. Martin's Press, 1987.

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7

Dolphin, Jamelle Baruck. Recorded in Hollywood: The John Dolphin story. Create Space, 2011.

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8

Ray, Allen, and Wilcken Lois, eds. Island sounds in the global city: Caribbean popular music and identity in New York. New York Folklore Society, 1998.

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9

Jones, Roben. Memphis Boys: The Story of American Studios. University Press of Mississippi, 2010.

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10

Jones, Roben. Memphis Boys: The Story of American Studios. University Press of Mississippi, 2010.

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11

Memphis Boys: The story of American Studios. University Press of Mississippi, 2010.

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12

Memphis Boys The Story Of American Studios. University Press of Mississippi, 2011.

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13

Whitley, Carla Jean. Muscle Shoals Sound Studio: How the Swampers Changed American Music. History Press Library Editions, 2014.

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14

Whitley, Carla Jean. Muscle Shoals Sound Studio: How the Swampers Changed American Music. Arcadia Publishing, 2019.

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15

Wilson, August. MA RAINEY'S BLACK BOTTOM. A play in two acts. New York, New American Library (1985)., 1985.

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16

Wilson, August. Ma Rainey's Black Bottom: A Play. Plume, 2020.

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17

Sound Clash Listening To American Studies. Johns Hopkins University Press, 2012.

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18

Perea, Jessica Bissett. Sound Relations. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190869137.001.0001.

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Sound Relations: Native Ways of Doing Music History in Alaska delves into histories of Inuit musical life in Alaska to amplify the broader significance of sound as integral to Indigenous self-determination and resurgence movements. The book offers relational and radical ways of listening to a vast archive of Inuit presence across a range of genres—from hip hop to Christian hymnody and drumsongs to funk and R&B—to register how a density (not difference) of Indigenous ways of musicking invites readers to listen more critically to and for intersections of music, Indigeneity, and colonialism i

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19

Bourdaghs, Michael K., Paola Iovene, and Kaley Mason, eds. Sound Alignments. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478013143.

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In Sound Alignments, a transnational group of scholars explores the myriad forms of popular music that circulated across Asia during the Cold War. Challenging the conventional alignments and periodizations of Western cultural histories of the Cold War, they trace the routes of popular music, examining how it took on new meanings and significance as it traveled across Asia, from India to Indonesia, Hong Kong to South Korea, China to Japan. From studies of how popular musical styles from the Americas and Europe were adapted to meet local exigencies to how socialist-bloc and nonaligned Cold War o

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20

Muscle Shoals Sound Studio: How the Swampers Changed American Music. The History Press, 2014.

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21

Dancing Revolution: Bodies, Space, and Sound in American Cultural History. University of Illinois Press, 2019.

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22

Smith, Christopher J. Dancing Revolution: Bodies, Space, and Sound in American Cultural History. University of Illinois Press, 2019.

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23

Smith, Christopher J. Dancing Revolution: Bodies, Space, and Sound in American Cultural History. University of Illinois Press, 2019.

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24

Salkind, Micah. Do You Remember House? Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190698416.001.0001.

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This interdisciplinary study historicizes house music, the rhythmically focused electronic dance sound born in the post-industrial maroon spaces of Chicago’s queer, black, and Latino social dancers. Working from oral history interviews, archival research, and performance ethnography, it argues that the remediation and adaptation of house by multiple and overlapping crossover communities in its first decade shaped the ways that contemporary Chicago house music producers, DJs, dancers, and promoters re-remember and re-animate house as an archive indexing experiences of queer of color congregatio

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25

Steinskog, Erik. Afrofuturism and Black Sound Studies: Culture, Technology, and Things to Come. Palgrave Macmillan, 2018.

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26

Afrofuturism and Black Sound Studies: Culture, Technology, and Things to Come. Palgrave Macmillan, 2017.

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27

Neibaur, James L. Fall of Buster Keaton. The Rowman & Littlefield Publishing Group, 2010. https://doi.org/10.5040/9798881839338.

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Born into a family of vaudevillians, Buster Keaton made his first film appearance in 1917 at the age of 21. By the early 1920s, he had established himself as one of the geniuses of silent cinema with such films as Sherlock, Jr. and The Navigator and his 1925 work, The General, placed at number 18 in the American Film Institute's poll of the 100 greatest features, the highest ranked silent film on the survey. But with the advent of sound in the late 1920s, silent stars like Keaton began to fall out of favor and the great comedian's career began to decline. In The Fall of Buster Keaton, James Ne

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28

Morton, David. Off the Record: The Technology & Culture of Sound Recording in America. Tandem Library, 2000.

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29

Adam Svec, Henry. American Folk Music as Tactical Media. Amsterdam University Press B.V., 2020. http://dx.doi.org/10.5040/9789048561346.

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American folk music has long presented a problematic conception of authenticity, but the reality of the folk scene, and its relationship to media, is far more complicated. This book draws on the fields of media archaeology, performance studies, and sound studies to explore the various modes of communication that can be uncovered from the long American folk revival. From Alan Lomax's cybernetic visions to Bob Dylan's noisy writing machines, this book retrieves a subterranean discourse on the concept of media that might help us to reimagine the potential of the networks in which we work, play, a

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30

Redmond, Shana L. Anthem: Social Movements and the Sound of Solidarity in the African Diaspora. New York University Press, 2013.

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31

Morton, David. Off the Record: The Technology and Culture of Sound Recording in America. Rutgers University Press, 2000.

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32

Morton, David. Off the Record: The Technology and Culture of Sound Recording in America. Rutgers University Press, 2000.

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33

Translator), Crisca Bierwert (Editor, Vi Hilbert (Translator), and Thomas M. Hess (Translator), eds. Lushootseed Texts: An Introduction to Puget Salish Narrative Aesthetics (Studies in the Anthropology of North Ame). University of Nebraska Press, 1996.

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34

Irwin, Joyce L. Sacred Sound: Music in Religious Thought and Practice (Journal of the American Academy of Religion Studies). An American Academy of Religion Book, 2000.

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35

(Editor), Shahid Javed Burki, and Guillermo E. Perry (Editor), eds. Annual World Bank Conference on Development in Latin America & the Caribbean 1998 Proceedings:: Banks & Capital Markets - Sound Financial Systems ... American & Caribbean Studies. Proceedings). World Bank, 1999.

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36

Guilbault, Jocelyne. Governing Sound: The Cultural Politics of Trinidad's Carnival Musics (Chicago Studies in Ethnomusicology). University Of Chicago Press, 2007.

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37

Jacobs, Christophe P., and Donald McCaffrey. Guide to the Silent Years of American Cinema. Greenwood Publishing Group, Inc., 1999. http://dx.doi.org/10.5040/9798400660429.

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The latest offering from the Reference Guides to the World's Cinema series, this critical survey of key films, actors, directors, and screenwriters during the silent era of the American cinema offers a broad-ranging portrait of the motion picture production of silent film. Detailed but concise alphabetical entries include over 100 film titles and 150 personnel. An introductory chapter explores the early growth of the new silent medium while the final chapter of this encyclopedic study examines the sophistication of the silent cinema. These two chapters outline film history from its beginnings

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38

Where did our love go?: Therise & fall of the Motown sound. St. Martin's Press, 1987.

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39

Cronk, M. Sam, Franziska von Rosen, and Beverley Diamond. Visions of Sound: Musical Instruments of First Nation Communities in Northeastern America (Chicago Studies in Ethnomusicology). University Of Chicago Press, 1995.

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40

Cronk, M. Sam, Franziska von Rosen, and Beverley Diamond. Visions of Sound: Musical Instruments of First Nation Communities in Northeastern America (Chicago Studies in Ethnomusicology). University Of Chicago Press, 1995.

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41

Off the record: The technology and culture of sound recording in America. Rutgers University Press, 2000.

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42

Where did our love go?: The rise & fall of the Motown sound. Omnibus, 1986.

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43

Where did our love go?: The rise & fall of the Motown sound. St. Martin's Press, 1985.

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44

George, Nelson. Where Did Our Love Go?: The Rise and Fall of the Motown Sound. St Martins Pr, 1986.

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45

Where did our love go?: The rise and fall of the Motown sound. University of Illinois Press, 2007.

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46

Where Did Our Love Go?: The Rise and Fall at the Motown Sound. Omnibus Press, 1986.

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47

Reynolds, Guy J. Sensing Willa Cather. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474438254.001.0001.

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Deploying the concepts and techniques of Body Studies, this book remaps Willa Cather’s writing from the 1890s through to 1940. This study of embodiment and narrative focuses on the senses and reads Cather as a writer at the transition from late Victorian to Modernist models of representation. The book presents suggestive new ways of understanding her depictions of disability , male bodies and Native American culture, not to mention her narratives of whiteness and of the black body. The book explores Cather’s ‘sensorium’ – her imaginative exploration of sounds, sights, tastes, smells and the ta

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48

George, Nelson. Where Did Our Love Go?: The Rise and Fall of the Motown Sound (Music in American Life). University of Illinois Press, 2007.

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49

Phillips, James. Sternberg and Dietrich. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190915247.001.0001.

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James Phillips’s Sternberg and Dietrich: The Phenomenology of Spectacle reappraises the cinematic collaboration between the Austrian-American filmmaker Josef von Sternberg (1894–1969) and the German-American actor Marlene Dietrich (1901–1992). Considered by his contemporaries to be one of the most significant directors of Golden-Age Hollywood, Sternberg made seven films with Dietrich that helped establish her as a style icon and star and entrenched his own reputation for extravagance and aesthetic spectacle. These films enriched the technical repertoire of the industry, challenged the sexual m

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50

Ballengee, Christopher L., ed. Music, Sound, and Documentary Film in the Global South. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781978723917.

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Music, Sound, and Documentary Film in the Global South, edited by Christopher L. Ballengee, represents an important step toward thinking about the production and analysis of the soundscapes of documentary film, all while exploring a range of social, cultural, technological, and theoretical questions relevant to current trends in Global South studies. Written by a diverse set of authors, including filmmakers, academics, and cultural critics, the ten essays in this book provide fresh evaluations of the place of music and sound in documentary films outside the European-American milieu. On the who

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