Relevant bibliographies by topics / Architecture, modern – 19th century – philosophy

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Architecture, modern – 19th century – philosophy'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Architecture, modern – 19th century – philosophy"

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Ye, Nanqi, Minglu Zhang, and Jianming Su. "Bridging the Philosophy of Science and Architecture: An Analysis Through Sou Fujimoto." Buildings 15, no. 10 (2025): 1646. https://doi.org/10.3390/buildings15101646.

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Architecture in each era is profoundly shaped by its prevailing scientific and technological context, just as architects’ intellectual frameworks are influenced by contemporaneous philosophies of science. Since the 19th century, rapid scientific and technological advances have coincided with the parallel development of scientific–philosophical thought, giving rise to the modern and postmodern architectural movements. This paper reviews a century’s philosophy of science development and traces its impact on architectural thought, mapping the co-evolution of “philosophy of science—architecture” w
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Rubantcova, Tamara. "The Problem of Choosing the Path of Development of Russia in the Philosophy of Westerners and Slavophiles in the 19th Century." Ideas and Ideals 15, no. 2-2 (2023): 409–19. http://dx.doi.org/10.17212/2075-0862-2023-15.2.2-409-419.

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In the philosophical discussions of Russia in the 19th century, an important place was given to the problem of the formation of a national idea, the search for new ways of civilizational development of Russia. This topic is still relevant today, it does not lose its problematic nature, since at present, just as in the 19th century, the process of comprehending Russia's place in the world is underway and the problem is being solved: “Which way to go? Choose your own, national path or follow the European tradition in the formation of modern Russian society? These questions were already raised in
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Hurol, Yonca, and Ashraf M. Salama. "Editorial: Urban Transformations in Rapidly Growing Contexts." Open House International 44, no. 4 (2019): 4. http://dx.doi.org/10.1108/ohi-04-2019-b0001.

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Cities have always been sources of inspiration for poetry. However, the modern western cities, which are the origins of secularity, have inspired poets in different ways. Charles Baudelaire captured the poetic dimensions of modernity in Paris in the 19th century. He wrote about the night life of Paris which became possible after street lighting. He wrote about corruption. Baudelaire also wrote about the changing character of commercial places in cities and tried to grasp the feelings of people as a ‘flaneur': an individual stroller at city streets. The philosopher Walter Benjamin got inspired
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Adam Broughton, M. Yusuf A., Mazlan Mohd Tahir, Mastor Surat, and Ismar MS Usman. "The Uniqueness in Form and Space Layout Planning of Malay Heritage Houses Based on 19th Century Orientalists’ Perspectives." Jurnal Kejuruteraan si6, no. 1 (2023): 339–52. http://dx.doi.org/10.17576/jkukm-2023-si6(1)-29.

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The architecture of Malay heritage houses is a manifestation of the greatness and wisdom of Malays in the past in building and creating their places of abode. The subtle philosophy, beliefs and rituals behind the erection process, in addition to the design features of the dwelling structures that are responsive and adaptive to the local tropical climate which creates thermal comfort and passive cooling within the interior spaces of the house. These unique elements and features have been regularly highlighted in various scientific studies on Malay heritage architecture by both local and foreign
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Yu, Minghuang. "A Critical Study of The Emperor Jones and The Yama Chao from the Perspective of Expressionism." Journal of Social Science and Humanities 7, no. 3 (2025): 12–14. https://doi.org/10.53469/jssh.2025.7(03).03.

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Expressionism is an important genre of modernism that comes arise at the beginning of 20th Century in Europe. It is a philosophical movement due to the modern industrialization, urbanization, social transformation and the World War which brought the shock to traditional culture and humanity from late 19th century to early 20th century in Western society. Expressionism generally includes the activities and creations of art, literature, drama, philosophy, architecture that fit the new culture, economic, society, politic of modern industrialize world. In China, after the New Cultural Movement in
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Grinchenko, Viktor, and Oleksandr Chornyi. "The family estate of Kudashevych's princes in Mala Vyska." PEREIASLAV CHRONICLE, no. 14 (November 30, 2018): 36–43. https://doi.org/10.5281/zenodo.2267860.

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The article is devoted to the family estate of the Kudashevs’ princes, which is located in Mala Vyska in the Kirovograd region. The Malavyska branch of the noble Tatar family originates from Prince Danylo Kudashev, who, with his family, settled in Mala Vyska in the late 18th century. His descendants owned the estate until the early 80’s of the 19th century. The genus of the Kudashevs gave the national history a number of sign figures that have done a lot for military and political history, science, technology and culture. Among the well-known representatives of
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Tubić, Dejan. "The theme and symbolism of the bridge in European and Serbian early modernist painting." Zbornik radova Filozofskog fakulteta u Pristini 55, no. 2 (2025): 343–70. https://doi.org/10.5937/zrffp55-57379.

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In the period from the late 19th century to the early 20th century, the bridge motif in European and Serbian early modernist painting expanded the visual and symbolic phenomenology of the bridge. Through its architecture and symbolism, the bridge overcomes barriers, leads into the unknown and uncertain, and opens a dialogue between different spaces and times. The bridge is a path that one must cross, yet also return to. It serves as an archetypal representation of connection and separation, permanently present in human morphogenesis. The bridge establishes a correspondence between individuals,
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Pylypchuk, Oleh, Oleh Strelko, and Yuliia Berdnychenko. "PREFACE." History of science and technology 11, no. 2 (2021): 271–73. http://dx.doi.org/10.32703/2415-7422-2021-11-2-271-273.

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The issue of the journal opens with an article dedicated to the formation of metrology as government regulated activity in France. The article has discussed the historical process of development of metrological activity in France. It was revealed that the history of metrology is considered as an auxiliary historical and ethnographic discipline from a social and philosophical point of view as the evolution of scientific approaches to the definition of individual units of physical quantities and branches of metrology. However, in the scientific literature, the little attention is paid to the pro
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Mácêl, Otakar. "Modern Architecture and Modern Furniture." Designing Modern Life, no. 46 (2012): 14–19. http://dx.doi.org/10.52200/46.a.9rk52tg1.

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Modern architecture and Modern furniture originated almost during the same period of time. Modern architects needed furniture compatible with their architecture and because it was not available on the market, architects had to design it themselves. This does not only apply for the period between 1920 and 1940, as other ambitious architectures had tried before to present their buildings as a unit both on the inside and on the outside. For example one can think of projects by Berlage, Gaudí, Mackintosh or Horta or the architectures of Czech Cubism and the Amsterdam School. This phenomenon origin
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VLADIMIRKINA, NATALIA. "APPLICATION OF THE “PILLAR-FREE GAVIT” PRINCIPLE IN RUSSIAN CHURCH ARCHITECTURE." Университетский научный журнал, no. 78 (March 15, 2024): 99–109. http://dx.doi.org/10.25807/22225064_2024_78_99.

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The article analyses the experience of using the constructive technique of intersecting arches (according to the “gavit principle”), originating from Armenian medieval architecture, in Russian architecture of the second half of the 19th century - 20th century and at the turn of the 21st century. The author considers the experience of understanding this constructive ceiling system in the practice of modern church construction.
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Dissertations / Theses on the topic "Architecture, modern – 19th century – philosophy"

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Bigonville, Delphine. "Association des idées et intuition: la réponse des architectes anglais à la Querelle des Anciens et des Modernes." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209775.

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Ce travail s’intéresse au problème de la relativisation de l’expression architecturale liée à la remise en question, durant le XVIIe siècle, de l’origine divine et de la valeur des canons proportionnels qui sous-tendent la tradition classique. Emblématique de la Querelle qui opposa Claude Perrault et François Blondel au sein de l’Académie royale de Paris, ce problème recevra une formulation privilégiée dans la tradition théorique anglaise qui se caractérise par la volonté de préserver une forme d’objectivité à l’expression formelle tout en cherchant à y intégrer la valeur subjective de l’usage
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Tejeira-Davis, Eduardo. "Roots of modern Latin American architecture the Hispano-Caribbean region from the late 19th century to the recent past /." Heidelberg : Deutscher Akademischer Austauschdienst, 1987. http://books.google.com/books?id=LNBPAAAAMAAJ.

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Urbina, Gabriel Eduardo. "Baroja y Schopenhauer: Senderos del pesimismo." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/187464.

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This study seeks to establish the influence of Arthur Schopenhauer over pro Baroja. In order to establish the parameters of said influence, pessimism is defined, and the world view of both philosopher and writer, their views on men and women; and common themes such as individualism, the idea of the preservation of the species, marriage, the futility of life, suicide, and education are examined. The chaotic, absurd and capricious world depicted by Schopenhauer finds its way into the writings of Baroja. The study of his protagonists and secondary characters provide an insight on how these fictio
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Smith, Katherine. "Continuity and Change in a 19th Century Illustrated Devi Mahatmya Manuscript From Nepal." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3564.

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In the Hindu tradition of the Indian subcontinent, worship of the goddess has long been practiced as supreme embodiment of the divine. Around the second century, a Sanskrit Purana (ancient Hindu text that extols deities) titled the Markandeya Purana details the battles of the supreme Goddess Durga against the illusions and negative energy in the universe. This textual version of the Devi Mahatmya “Praise of the Goddess” serves as the foundation for the nineteenth century Nepalese illustrated Devi Mahatmya, commissioned by Tej Bahadur Rana from Pokhara district in Nepal. Because the folios clos
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Tavel, Jose Enrique. "A theory of architecture based on the synthesis of bricolage and linguistic devices." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/21742.

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Flores, Carol Ann Hrvol. "Owen Jones, architect." Diss., Georgia Institute of Technology, 1996. http://hdl.handle.net/1853/20841.

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McFeat, Lin Gillian. "The architecture of colonisation : the concept of depiction : Colon : the colonisation of a(a)rchitecture : the depiction of the concept." Title page, contents and abstract only, 1999. http://web4.library.adelaide.edu.au/theses/09PH/09phm1432.pdf.

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Includes bibliography. This thesis examines deconstructive writings, employing those strategies as a basis for re-forming approaches to architecture. A theory is posited that a distinction must be made between architecture as idiom and architecture as medium, expressed as a separation between architecture as a built form, Architecture the Idea and A(a)rchitecture as a new direction for framing an approach to its discourse.
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Webb, Jane Alexandra. "An analysis of the Select Committee on Arts and Manufactures of 1835-6 : anatomy, Benthamism and design." Thesis, University of Wolverhampton, 2003. http://hdl.handle.net/2436/89095.

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Fleischman, Lesley. "Elite environmentalism the roots of the modern environmental movement in the 19th century Whig philosophy of George Perkins Marsh /." Diss., Connect to the thesis, 2007. http://hdl.handle.net/10066/1005.

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Acar, Zeliha Burcu. "The Underground Man Of The 19th Century: A Comparative Study On Nietzsche And Marx." Phd thesis, METU, 2013. http://etd.lib.metu.edu.tr/upload/12615674/index.pdf.

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In this thesis I searched for an Underground Man in Nietzsche and Marx. My search depends on an epistemological ascertainment. Kant&rsquo<br>s argument that the human mind cannot achieve knowledge of the thing-in-itself lies in the background of my thesis. I think that this argument is connected with the origins of modern philosophy. My thesis is concentrated on the 19th century. I perceived that with Kant&rsquo<br>s argument the fact that we can know this world within a subjective framework is emphasized especially in this century. The emphasis on a subjective framework is grounded on Kant&rs
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Books on the topic "Architecture, modern – 19th century – philosophy"

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Stanford, Anderson, ed. Style-architecture and building-art: Transformations of architecture in the nineteenth century and its present condition. Getty Center for the History of Art and the Humanities, 1994.

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Swenarton, Mark. Artisans and architects: The Ruskinian tradition in architectural thought. St. Martin's Press, 1988.

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Kabakov, Ilʹi͡a Iosifovich. Ilya Kabakov: 7 Ausstellungen eines Bildes. Kasseler Kunstverein, 1990.

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Kabakov, Ilʹi͡a Iosifovich. Ilya Kabakov: Zeichnungen = tekeningen = drawings. Schlütersche, 1998.

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Kabakov, Ilʹi͡a Iosifovich. Ilya Kabakov: Das Leben der Fliegen = Ilʹi͡a Kabakov : zhiznʹ mukh. Редактори Velsen Nicola von, Groĭs Boris та Kölnischer Kunstverein. Edition Cantz, 1992.

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Kabakov, Ilʹi͡a Iosifovich. Ilya Kabakov. Galleria Sprovieri, 1992.

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Tafuri, Manfredo. Modern architecture. Electa/Rizzoli, 1986.

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Middleton, Robin. Neoclassical and 19th century architecture. Faber, 1987.

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Middleton, Robin. Neoclassical and 19th century architecture. Faber, 1987.

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1945-, Dal Co Francesco, ed. Modern architecture. Electa/Rizzoli, 1993.

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Book chapters on the topic "Architecture, modern – 19th century – philosophy"

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Charitonidou, Marianna. "The Greek travels of the Villa Medici pensionnaires in the 19th century." In Reinventing Modern Architecture in Greece. Routledge, 2025. https://doi.org/10.4324/9781003494157-2.

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Hawkes, Dean. "Tradition and Science: The Evolution of Environmental Architecture in Britain from 16th to 19th Century." In Addressing the Climate in Modern Age's Construction History. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04465-7_6.

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Tappenden, Jamie. "The Riemannian Background to Frege’s Philosophy." In The Architecture of Modern Mathematics. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780198567936.003.0004.

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Abstract There was a methodological revolution in the mathematics of the nineteenth century, and philosophers have, for the most part, failed to notice. My objective in this chapter is to convince you of this, and further to convince you of the following points. The philosophy of mathematics has been informed by an inaccurately narrow picture of the emergence of rigour and logical foundations in the nineteenth century. This blinkered vision encourages a picture of philosophical and logical foundations as essentially disengaged from ongoing mathematical practice. Frege is a telling example: we
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Cotugno, Alessio. "Dissenting Words: Rinascimento and Risorgimento in 19th-Century Italy." In Dissident Renaissance: Rewriting the History of Early Modern Philosophy as Political Practice. BRILL, 2025. https://doi.org/10.1163/9789004722323_005.

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Sinaceur, Hourya Benis. "From Kant to Hilbert: French philosophy of concepts in the beginning of the twentieth century." In The Architecture of Modern Mathematics. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780198567936.003.0012.

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Abstract The legacy of the Kantian theory of knowledge was very much alive among French philosophers of science at the beginning of the twentieth century. To adopt, not the letter of the Kantian system, but its spirit of critique, seemed a good perspective from which to undertake a rational study of science in general, and of mathematics in particular. The critical attitude does indeed invite us to turn away from things in themselves, inaccessible to the human mind, and to keep at arm’s length metaphysical questions, examining instead the defining conditions of knowledge.
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Sharr, Adam. "1. Introduction." In Modern Architecture: A Very Short Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780198783442.003.0001.

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Somewhere between 1910 and 1970, architecture changed. Expensive Western buildings became transformed from ornamented fancies, which referred to the classical and medieval pasts, into strikingly plain reflections of novel materials, technologies, and ideas. The phrase ‘modern architecture’ describes a spectrum of buildings and ideas and the Introduction explains that it didn’t just emerge fully formed in the 1910s and 1920s, or as the consequence of 19th-century pioneers, but was instead the product of two centuries of industrialization, and the global spread of industrial culture. The aim of
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Ferreirós, J., and J. J. Gray. "Introduction." In The Architecture of Modern Mathematics. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780198567936.003.0001.

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Abstract The aim of this book of essays is to advance contemporary work in creating stronger links between the history and philosophy of mathematics. It has become clear through several conferences and publications that the present situation at the beginning of the twenty-first century is congenial to this kind of historico-philosophical enterprise. The editors have brought together an important international group of scholars whose contributions focus on the history and philosophy of modern mathematics, roughly from 1800 to 1970.
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Moore, Ben. "The Arabesque City." In Invisible Architecture in Nineteenth-Century Literature. Edinburgh University Press, 2024. http://dx.doi.org/10.3366/edinburgh/9781399508483.003.0006.

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Starting from Gogol’s 1835 book Arabesques, this chapter proposes taking the arabesque as a conceptual framework to approach the nineteenth-century city. Ranging across philosophy, architecture, design and literature, the chapter argues that fundamental to the arabesque is an internal tension between structure and disorder, beauty and the grotesque, and the intentional and the unintentional, which aligns it with the developing modern city. After a consideration of German Romantic accounts of the arabesque, the chapter discusses Owen Jones’s The Grammar of Ornament (1856) and George Eliot’s rev
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Maile Petty, Margaret. "Merchants, Manufacturers, and Museums: The Patronage Networks of Modern Design in the United States, 1930s–50s." In Corporate Patronage of Art & Architecture in the United States, Late 19th Century to the Present. Bloomsbury Visual Arts, 2019. http://dx.doi.org/10.5040/9781501343759.0015.

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McGoey, Elizabeth. "“To Live Is to Look and Move Forward”: Lord and Taylor’s 1928 Exposition of Modern French Decorative Art." In Corporate Patronage of Art & Architecture in the United States, Late 19th Century to the Present. Bloomsbury Visual Arts, 2019. http://dx.doi.org/10.5040/9781501343759.0014.

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Conference papers on the topic "Architecture, modern – 19th century – philosophy"

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Ding, Liyang. "Jean Gebser’s Aperspectival Consciousness and Modern Architecture." In 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.45.

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Jean Gebser, a prominent German-Swiss philosopher, introduces a transformative framework that aims to elucidatehuman consciousness and cultural structure, laying the foundation for a new approach to interpreting the developmentof architecture. This paper delves into the intersection of Gebser’s theory and modern architecture, with a particularfocus on the emergence and advancement of the “aperspectival” spatial concept in the work of German architect HansScharoun as an illustrative example.Challenging the prevailing linear understanding of time and space, Gebser’s The Ever-present Origin offer
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Thaci, Vlera, and Marija Petrova. "From Past to Future: Urban Development Strategies for Tetovo." In On Architecture — Shaping the City through Architecture. STRAND, 2024. https://doi.org/10.60152/l2ez5adw.

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Cities are subject to continuous transformations. Their residential architecture from different periods, with different typological and morphological origins, is the basis for diverse changes. The growth of Macedonian cities peaked in the 19th century but was disrupted by 20th-century wars and the transition to socialism. This process led to westernization and modernization, introducing new residential architecture. Today, there is a need to upgrade Macedonian cities within the modern socio-political system of the 21st century, leading to rapid and spontaneous expansion. The paper focuses on t
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Mallick, Bhaswar. "Instrumentality of the Labor: Architectural Labor and Resistance in 19th Century India." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.49.

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19th century British historians, while glorifying ancient Indian architecture, legitimized Imperialism by portraying a decline. To deny vitality of native architecture, it was essential to marginalize the prevailing masons and craftsmen – a strain that later enabled portrayal of architects as cognoscenti in the modern world. Now, following economic liberalization, rural India is witnessing a new hasty urbanization, compliant of Globalization. However, agrarian protests and tribal insurgencies evidence the resistance, evocative of that dislocation in the 19th century; the colonial legacy giving
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Bilić, Darka, and Krasanka Majer Jurišić. "Fort Oštro and the first defensive line at the entrance to the Bay of Kotor - 19th century Austro-Hungarian military architecture." In FORTMED2024 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.17945.

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The Austro-Hungarian monarchy in the middle of the 19th century not only strengthened its defensive line toward the Ottoman territories in the hinterland of the Bay of Kotor, but also constructed a network of shoreline defences to safeguard its newly acquired territories from naval attacks. As part of the same initiative, the sea entrance to the Bay of Kotor, strategically very important part of the Adriatic coast at the time, was also fortified. Three forts were built as the first defensive line, one on the cape Ostro, one on the islet Žanjica, called Mamula, and the third one on the Cape Arz
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Kovaleva, M. V. "The Theme of Cultural Crisis by Representatives of Russian Religious Thought of the Late 19th – Early 20th Centuries (on the Example of the Works of S.N. Bulgakov and N.A. Berdyaev)." In General question of world science. General question of world science, 2022. http://dx.doi.org/10.18411/gqws-15-10-2022-05.

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Dynamic changes in Russian social life in the late 19th and early 20th centuries, the elimination of its rigid ideological framework influenced the development of our society. The turning points were not limited to economic and political changes. There was a radical change in the worldview paradigm, which, accordingly, influenced the content of ideals, values, life-sense attitudes, and rules of social interaction. The rearrangement of the components of the spiritual and semantic core of culture at the end of the 1990s testified to a crisis in this area. It was the crisis processes in culture t
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Petrović, Slobodan. "ON THE UNDERSTANDING OF THE STATE IN LEGAL THEORY AND DOCTRINE OF THE MODERN AGE." In 5th International Scientific Conference – EMAN 2021 – Economics and Management: How to Cope With Disrupted Times. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2021. http://dx.doi.org/10.31410/eman.2021.401.

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There is a large number of teachings about the state in legal philosophy and theory; however, even today in the 21st century, the idealistic and realistic view (teaching) about the state stands out. In the first, the essence of the state is contained in a surreal environment, and in this regard, this direction emphasizes what the state should be like. Three views of this direction still dominate today: utopian, natural, legal, and ethical-cultural. In realistic theories, the state is seen as a phenomenon of the real world in which the essence is contained in the experiential world, determined
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Aladro-Prieto, José-Manuel, Francisco Javier Ostos-Prieto, and María Murillo-Romero. "The standardisation of vernacular architecture. Wine buildings in Andalusia." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15136.

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Production buildings constitute a specific section of vernacular architecture, with distinct characteristics. In Andalusia, within this group, the architecture of wine, acquires an important relevancne, the wine cellars. They are a large number of buildings, which were built in the 18th, and 19th centuries. This happened when traditional Andalusian wine production was transformed into a modern wine industry. An industrial development generated a vast architectural ensemble of unique characteristics. This has been studied especially in the Sherry wine region, but it is also present in other reg
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Yurchenko, N. "SHOLDANESTY WATER PUMP TOWER AS AN ELEMENT OF THE INDUSTRIAL LANDSCAPE REPRESENTATIVES OF THE SILVER AGE IN ARCHITECTURE." In Man and Nature: Priorities of Modern Research in the Area of Interaction of Nature and Society. LCC MAKS Press, 2021. http://dx.doi.org/10.29003/m2599.s-n_history_2021_44/158-163.

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The water tower in Sholdaneshty (in the north of Moldavia) is most directly related to the construction of the railway on the Beltsy – Rybnitsa – Slobodka line, which played a transformative role in the formation of a new industrial landscape. Similar structures at railway stations were used to refuel steam locomotives with water. They were part of a single complex of roadside construction, which included both the railway station itself and the buildings of the railway depot, warehouses, workshops and other things. Being an advanced technical structure at that time, they were comprehended and
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Seican, Valeria. "From musical journalism to musicological criticism." In Probleme metodico-didactice și de asigurare a calității în învăţământul artistic superior. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2024. https://doi.org/10.55383/pacias2023.07.

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Since the crystallization of the matter of music criticism, which occurs in the English, German, and French artistic academic environment, at the confluence between musicology and publicity, with the explosion of the press, from the 19th century and especially of journalism, to this day, the musical phenomenon continues to impose the need for its explanation, misinterpretation through all the channels of public communication. The musical specificity concentrated in content and vocabulary, in the publicity genres to be attacked by the novice musicologists, is in interconnection with the procedu
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URSACHI, Rodica. "The contribution of the architect Alexandru Bernardazzi in the constitution of the constructive-plastic aspect of the city of Chisinau." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v3.25-03-2022.p272-277.

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Abstract:
The evolution of the architecture of Chisinau from the end of the 19th century to the beginning of the 20th century was conditioned by different historical, political, economic factors, etc., which imposed a certain stylistic typology of eclectic nature. The conceptual-decorative aesthetics of the buildings generally reflect the synthesis of two basic styles, interpreted in a rich variation of plastic forms - neoclassicism and the "Modern" style. During that period, several architects with training in the field and extensive knowledge in "historical" architecture were active. One of the archit
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