Relevant bibliographies by topics / Art and architectural history ; History of Oxford

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Art and architectural history ; History of Oxford'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Art and architectural history ; History of Oxford"

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Troiani, Igea. "‘Stirling's worth’: architectural quality and the Florey building, Oxford." Architectural Research Quarterly 11, no. 3-4 (2007): 291–99. http://dx.doi.org/10.1017/s1359135500000786.

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In 1976, Gavin Stamp published the legendary review, ‘“Stirling's Worth”: the History Faculty Building’. Written from the perspective of a user of the building, it offers a critical assessment of the quality of what is recognised by architectural connoisseurs as one of James Stirling's masterpieces of avant-garde architecture; designed in the architect's early phase, 1950–74. Apart from the History Faculty building at the University of Cambridge, 1964–67, early period works also include Stirling and Gowan's iconic Engineering building at the University of Leicester, 1959–63, and the lesser kno
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Osley, Julian, Jane Savidge, and Gerry White. "Art & Architecture Thesaurus. New York; Oxford: Oxford University Press for the Getty Art History Information Program, 1990." Art Libraries Journal 16, no. 2 (1991): 29–33. http://dx.doi.org/10.1017/s0307472200007148.

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Tyack, Geoffrey. "Gilbert Scott and the Chapel of Exeter College, Oxford." Architectural History 50 (2007): 125–48. http://dx.doi.org/10.1017/s0066622x00002902.

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‘The greatest fa presto in architectural history’, as Paul Frankl called him — although there are plenty of other contenders for that dubious honour — Gilbert Scott occupies an ambiguous place in the history of English architecture. The sheer volume of his work, and its lack of stylistic consistency, disturbed his contemporaries and have continued to vex later writers. Yet the history of the Gothic Revival cannot be written without him, and through some of his buildings he helped shape its future course. Among these buildings was the chapel at Exeter College, Oxford, begun in 1856 and finished
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Ousterhout, Robert, and Dmitry Shvidkovsky. "Kievan Rus’." Scientific and analytical journal Burganov House. The space of culture 17, no. 1 (2021): 51–67. http://dx.doi.org/10.36340/2071-6818-2021-17-1-51-67.

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Robert Ousterhout, the author of a magnificent book “Eastern Medieval Architecture. The Building Traditions of Bizantium and Neighboring Lands”, published by Oxford University Press in 2019, the remarkable scholar and generous friend, was so kind to mention in his C. V. on the sight of Penn University (Philadelphia, USA) that he had been the Visiting professor of the Moscow architectural Institute (State Academy), as well as simulteniously of the Hebrew University in Jerusalem, but he did not say that he had been awarded the degree of professor honoris causa by the academic council of MARHI. U
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Hamilton-Phillips, M., and J. Douglas Stewart. "Sir Godfrey Kneller and the English Baroque Portrait (Oxford Studies in the History of Art and Architecture)." Art Bulletin 67, no. 2 (1985): 337. http://dx.doi.org/10.2307/3050922.

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Fair, Alistair. "William Whyte , Redbrick: A Social and Architectural History of Britain's Civic Universities; Oxford University Press (Oxford, 2015), 416 pp., incl. 50 b&w ills; ISBN: 9780198716129; £65.00." Architectural History 59 (2016): 373–75. http://dx.doi.org/10.1017/arh.2016.22.

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Holland, Jessica. "Alistair Fair, Modern Playhouses: An Architectural History of Britain's New Theatres, 1945–1985; Oxford University Press (Oxford, 2018), 320 pp. incl. 60 b&w ills; ISBN: 9780198807476; £75." Architectural History 62 (2019): 285–87. http://dx.doi.org/10.1017/arh.2019.16.

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MATTAR, PHILIP. "MARTIN GILBERT, Jerusalem in the Twentieth Century (New York: John Wiley & Sons, 1996). Pp. 428. $16.95 paper." International Journal of Middle East Studies 33, no. 1 (2001): 136–37. http://dx.doi.org/10.1017/s002074380130106x.

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Much has been written about Jerusalem since the Madrid peace conference in 1991, most of it by partisans on both sides. Sir Martin Gilbert's work is one of the most entertaining, but least objective. Gilbert is a fellow of Merton College, Oxford University, and a biographer of Sir Winston Churchill and historian of World War II. He begins where his earlier volume, Jerusalem: Rebirth of a City, ended—around the turn of the 20th century. He starts his story with the last few years of Ottoman rule; dwells on British rule (1917–48) and the 1948 war; skims over the years between 1948 and 1967, espe
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Filmer, Andrew. "Alistair Fair Modern Playhouses: an Architectural History of Britain’s New Theatres, 1945–1985 Oxford: Oxford University Press, 2019. 320 p. £75.00. ISBN: 978-0-19-880747-6." New Theatre Quarterly 35, no. 04 (2019): 387–88. http://dx.doi.org/10.1017/s0266464x19000435.

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Porter, David. "The last drawing on the famous blackboard – relating studio teaching to design research." Architectural Research Quarterly 1, no. 4 (1996): 10–15. http://dx.doi.org/10.1017/s1359135500003031.

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The history of the relationship of studio teaching to research since the Oxford Conference has been one of babies thrown out with bathwater. Nearly 40 years on the need for research to underpin and invigorate the acts of designing is ever more keenly felt. This paper starts from a belief that the fruitful linkage of the two requires new approaches to both – that the past 40 years shows that it does not happen automatically. Designing is considered as a series of tangible acts where the nature of each operation affects not just the outcome of the project but also the intention of the designer.
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Dissertations / Theses on the topic "Art and architectural history ; History of Oxford"

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Hawkins, John W. "Images of Oxford, 1191-1759." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:6fcd4ec5-8b21-424a-afbc-90e581564417.

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The foundation of this research is the assembly and analysis of a corpus of over 500 images of Oxford produced between 1191 and 1759, affirming Joseph Skelton's claim that "Perhaps no place in England can boast such a succession of delineations of itself, from an early period, as Oxford". Structured analysis at an individual level permits outstanding questions on attribution and authorship to be addressed. At an aggregate level, several conclusions can be drawn. Oxford's persistent iconic self-image - its walls, spires and towers - was already established by 1191. The flood of images appearing
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Floe, Hilary Tyndall. "The Museum of Modern Art, Oxford (1965-1982) : exhibitions, spectatorship and social change." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8ecada55-921a-4e6f-a279-92fd2313d459.

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This thesis examines the first seventeen years of the history of the Museum of Modern Art Oxford (MOMA), from its founding in 1965 until c. 1982. It is concerned with the changing relationships between the museum and its audience, focusing on those aspects of the museum's programming that shed light on its role as a public mediator of recent art. This provides a means to consider the underlying values and commitments that informed MOMA's emergence as a leading contemporary art institution. Chapter one examines the museum's relationship to utopian countercultures through the metaphor of the mus
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Samalavičius, Almantas Liudas. "Ideas and structures in architectural history." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2006. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20060210_113316-20103.

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The history of architecture in Western countries and Lithuania is researched from various points of view. Such significant elements of architecture as light, color, sound, and water so far have been studied as far as their relation to the architecture of certain specific historical periods is concerned. However, up till now research of this kind was limited to deep, yet narrow, fragmented and specialized views of certain historical periods, or research projects were concerned with certain specific aspects of connections between works of architecture and metaphysical beliefs. Because of this, r
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Erdmann, Mark Karl. "Azuchi Castle: Architectural Innovation and Political Legitimacy in Sixteenth-Century Japan." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493525.

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This study seeks to clarify the limits of knowledge regarding Azuchi Castle (Azuchi-jō) and, in turn, offers a multifaceted interpretation of its crowning glory―the six-story, lavishly decorated, timber-framed tower known as a tenshu (donjon). Azuchi Castle was located on a small mountain on the eastern shores of Lake Biwa. Completed in 1579, it was conceived and constructed to be a capital for the first of the so-called “three-unifiers” of Japan, Oda Nobunaga (1534-1582). Due to its landmark importance in Japanese history, Azuchi has not suffered from a lack of attention. However, owing to it
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Rachele, Cara Paul. "Building Through the Paper: Disegno and the Architectural Copybook in the Italian Renaissance." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467183.

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The dissertation looks at architectural theory in early modern Italy through a history of its drawings. It examines a group of early-sixteenth-century drawing books, made in and around Rome, that comprised reproductive drawings based on circulating drawing exemplars from the late fifteenth century. The drawing books are identified as study tools made by artisans who aspired to the practice of architecture. The study illuminates the broader shift toward drawing as the primary means of architectural design. The first chapter contends that the distinctive drawing practices of architecture arose f
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Jewell, Kaelin. "Architectural Decorum and Aristocratic Power in Late Antique Rome, Constantinople, and Ravenna." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/526134.

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Art History<br>Ph.D.<br>This dissertation explores in the ways in which decorum, or the appropriateness of form and behavior, served as an underlying principle in the patronage, design, and construction of monumental architecture, sculpture, and inscriptions by the aristocratic elite of late antique urban environments. Throughout the dissertation, I deliberately turn my attention away from imperial buildings like Emperor Justinian's (r. 527-565) Hagia Sophia and towards those projects financed by aristocrats and elites, with a focus placed upon those associated with the gens Anicii and their s
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Nakhai, Farzad 1947. "From Classic to Gothic: The interplay between the universals and the particulars in the European architectural history." Thesis, The University of Arizona, 1991. http://hdl.handle.net/10150/291943.

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This thesis deals with the development of and the interaction between the ideals of classical universalism and the ideas of Gothic particularism. Part One traces the birth and the development of classical universalism; Part Two, medieval particularism. Part Three deals with the renaissance of the classical formulas, the adversary position the Renaissance held against medievalism and its consequences for the succeeding centuries. Part Four deals with the ideas of particularism making a come-back, leading to the formation of the Gothic Revival Movement. The Gothic Revival Movement and its advers
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Jia, Yan. "Imperial Doors of Assyria: Monumentality, Spatiality, and Rituality of the Neo-Assyrian Architectural Doors From Balawat." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:14226073.

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The present dissertation, titled "Imperial Doors of Assyria," aims to examine the artistic form and cultural value of Neo-Assyrian architectural doors as highlighted by the three concepts of monumentality, spatiality, and rituality, using the three bronze-banded wooden doors from Balawat as a case study. Having introduced the materials and questions to be raised in this dissertation in the introductory Chapter I, Chapter II on the "monumentality" of the Balawat doors explores the commemorative value of the Balawat doors respectively through material, image and text. The scale and material was
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Sheehan, Molly Elaine. "GLORIOUS CONSTRUCTIONS: The Struggle to Preserve Salvation-Themed Visionary Art Environments." DigitalCommons@CalPoly, 2010. https://digitalcommons.calpoly.edu/theses/447.

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Salvation-themed art environments are a roadside rarity, built out of a strong visionary dedication to God, but the sites are disappearing simply because the work is misunderstood. The historiography on the subject is sparse, trending more toward coffee table books with big glossy pictures than real scholarly endeavors, but the consensus among all has been clear. The sites are a valuable part of the recent American cultural landscape, crossing several scholarly fields - art, architecture, and history - and uniting them into a cohesive preservation movement. On a series of trips to visit, see,
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Balas, Ronald J. "Designing the Airstream: The Cultural History of Compact Space, ca. 1920 to the 1960s." Kent State University Honors College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1408097844.

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Books on the topic "Art and architectural history ; History of Oxford"

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Haward, Birkin. Oxford University Museum: Its architecture and art. Oxford University Museum, 1991.

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American Architectural History. Taylor & Francis Inc, 2004.

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Eggener, Keith. American Architectural History. Taylor & Francis Group Plc, 2004.

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Arnold, Dana. Reading Architectural History. Taylor & Francis Group Plc, 2004.

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Arnold, Dana. Reading architectural history. Routledge, 2002.

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Reading Architectural History. Taylor & Francis Inc, 2004.

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Overby, Osmund. The Saint Louis Art Museum: An architectural history. Saint Louis Art Museum, 1987.

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Heckscher, Morrison H. The Metropolitan Museum of Art: An architectural history. Metropolitan Museum of Art, 1995.

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1951-, Tronzo William, ed. Medieval Naples: An Architectural & Urban History, 400-1400. ITALICA PRESS, 2011.

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Reading architectural history: An annotated anthology. Routledge, 2002.

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Book chapters on the topic "Art and architectural history ; History of Oxford"

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Flood, Finbarr Barry, and Gülru Necipoğlu. "Frameworks of Islamic Art and Architectural History." In A Companion to Islamic Art and Architecture. John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119069218.ch1.

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Kamposiori, Christina, Claire Warwick, and Simon Mahony. "Accessing and Using Digital Libraries in Art History." In Digital Research and Education in Architectural Heritage. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76992-9_6.

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Carr, Kevin Gray. "The Material Facts of Ritual: Revisioning Medieval Viewing through Material Analysis, Ethnographic Analogy, and Architectural History." In A Companion to Asian Art and Architecture. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444396355.ch2.

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Pollard, A. Mark. "Research Laboratory for Archaeology and the History of Art (University of Oxford)." In Encyclopedia of Global Archaeology. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_352.

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Pollard, A. Mark. "Research Laboratory for Archaeology and the History of Art (University of Oxford)." In Encyclopedia of Global Archaeology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_352.

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Isemann, Daniel, Tuan Anh Tran, and Adriaan Waiboer. "A Tentative Map of Influences Between Urban Centres of Genre Painting in the Dutch Golden Age - An Exercise in “Slow” Digital Art History." In Digital Research and Education in Architectural Heritage. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76992-9_1.

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Miele, Chris. "E. A. Freeman and the Culture of the Gothic Revival." In Making History. British Academy, 2015. http://dx.doi.org/10.5871/bacad/9780197265871.003.0008.

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This essay looks at E. A. Freeman’s involvement in the Oxford Architectural Society, which provided him with the platform to develop as an architectural historian and writer. The varied interests of the OAS influenced Freeman’s approach to the history of medieval architecture alongside Thomas Arnold’s new philosophy of history. This contribution is set against the backdrop of Oxford in the 1840s and the rapid changes the City and University were experiencing. The OAS also provided Freeman with the opportunity to meet architects and even to act as a client in the restoration of Dorchester Abbey, which the OAS promoted from 1846, eventually using William Butterfield as architect. This experience encouraged Freeman to write about the theory of monument care, which is perhaps his most enduring contribution to the culture of the Gothic Revival.
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Scott, Hamish, and T. K. Rabb. "Art and Architecture." In The Oxford Handbook of Early Modern European History, 1350-1750. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199597260.013.4.

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Lepine, Ayla. "Anglican Art and Architecture, c.1837–1914." In The Oxford History of Anglicanism, Volume III. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199699704.003.0020.

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"Art history and architectural history." In Rethinking Architectural Historiography. Routledge, 2006. http://dx.doi.org/10.4324/9780203008393-10.

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Conference papers on the topic "Art and architectural history ; History of Oxford"

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Kucuk, Ezgi, and Ayşe Sema Kubat. "Rethinking Urban Design Problems through Morphological Regions: Case of Beyazıt Square." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6179.

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Rethinking Urban Design Problems through Morphological Regions Ezgi Küçük¹, Ayşe Sema Kubat² ¹Urban Planning Coordinator, Marmara Municipalities Union ²Prof., Dr., Istanbul Technical Univercity, Faculty of Architecture, Department of City and Regional Planning E-mail: ezgikucuk89@gmail.com, kubat@itu.edu.tr Keywords: the Historical Peninsula, morphological regions, urban blocks, urban design, Beyazıt Square Conference topics and scale: Urban form and social use of space The concept of urban square is a debated issue in the context of urban design practices in Islamic cities. Recognizing the re
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Cornaro, Anna, and Ruben Garcia Rubio. "Digital Capriccio and Mobile Apps, Future of Teaching in History and Theory of Architecture." In 2019 ACSA Fall Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.fall.19.21.

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The paper intends to introduce the capriccio as an artstic expression in the history of architecture and arrive at the digital capriccio as a teaching tool in courses of Theory and History of Architecture. Afterward, the practical part of the teaching experience will be described where students are asked to use software packages and mobile devices apps in order to give a response to architectural concepts through digital capricci. Students are requested to produce their collages, creating a digital composition of simulated spaces that can be obtained by combining fragments of notable buildings
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Akgün, Yenal. "Contemporary Adaptive Systems in Architecture and Structural Engineering: State of Art and Future Perspectives." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021165n10.

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In all times of history, engineers and architects have searched for opportunities to develop adaptive structures, buildings and building parts, which are equipped for adjusting to ever-changing requirements and conditions. The reasons behind this interest relate to the growing need for functional/ spatial flexibility, sustainability and extended capabilities of structural performance. Recent advancements in construction technology, robotics, architectural computing and material science have increased the interest for these structures/ systems; and allowed us to develop examples that are more a
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Ceravolo, R. "Condition Assessment, Monitoring and Preservation of Some Iconic Concrete Structures of the 20th Century." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0054.

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&lt;p&gt;Great architects and structural engineers such as Berg (1870-1947), Maillart (1872-1940), Freyssinet (1879- 1962), Torroja (1899 -1961), Nervi (1891-1979), Candela (1910-1997), Isler (1926-2009) and many others have designed recognized works of art in their discipline. They conceived extraordinary concrete spatial structures, that are located mostly in Europe and represent a unique legacy. It is important to raise awareness of this heritage, define the criteria for preserving it and begin the process of its renovation and rehabilitation.&lt;/p&gt; &lt;p&gt;While concrete has become a
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Pedreirinho, José Manuel, Michel Toussaint, and Pancho Guedes. "The Porteguese Perspective." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.4.

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ose Manuel Pedreirinho was born and educated in Lisbon, and has operated his own practice there since 1984. In addition to teaching the history of modern architecture and the theory of architecture at the universities of Lisbon, Coimbra, and Porto, Prof: Pedreirinho is also completing a PhD at the University of Bath (UK). The author of several articles and two books on Portuguese architecture and the teaching process, Prof: Pedreirinho is currently preparing a guide on the architecture of Porto. Michel Toussaint is an architect and educator in Lisbon, where he teaches the theory of architectur
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Milovanovic-Bertram, Smilja. "Lina Bo Bardi: Evolution of Cultural Displacement." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.61.

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In recent years much has been written and exhibited regarding Lina Bo Bardi, the Italian/Brazilian architect (1914-1992). This paper aims to look at the phenomenon of cultural displacement and the dissemination of her design thinking as a major female figure in a male dominated profession. This investigation is distinguished from others in that it addresses the importance of regional and cultural influences that formed Lina’s design philosophy in her early years in Italy. Cultural displacement has long played a significant role in the creative process for artists. Often major innovators in lit
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