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Books on the topic 'Art and architectural history ; History of Oxford'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Haward, Birkin. Oxford University Museum: Its architecture and art. Oxford University Museum, 1991.

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2

American Architectural History. Taylor & Francis Inc, 2004.

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3

Eggener, Keith. American Architectural History. Taylor & Francis Group Plc, 2004.

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4

Arnold, Dana. Reading Architectural History. Taylor & Francis Group Plc, 2004.

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5

Arnold, Dana. Reading architectural history. Routledge, 2002.

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6

Reading Architectural History. Taylor & Francis Inc, 2004.

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7

Overby, Osmund. The Saint Louis Art Museum: An architectural history. Saint Louis Art Museum, 1987.

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8

Heckscher, Morrison H. The Metropolitan Museum of Art: An architectural history. Metropolitan Museum of Art, 1995.

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9

1951-, Tronzo William, ed. Medieval Naples: An Architectural & Urban History, 400-1400. ITALICA PRESS, 2011.

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10

Reading architectural history: An annotated anthology. Routledge, 2002.

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11

Philadelphia, Athenaeum of, ed. Philadelphia theaters: A pictorial architectural history. Athenaeum of Philadelphia, 1994.

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12

Vyāsa, Rājaśekhara. Architectural glories of Mewar. Raj Book Enterprises, 2004.

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13

Ricardo, Scofidio, Teyssot Georges 1946-, and Diller +. Scofidio, eds. Flesh: Architectural probes. Princeton Architectural Press, 1994.

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14

1953-, Bosman Jos, Vlassenrood Linda, Esche Charles, and Betsky Aaron, eds. Frank Havermans: Architectonische constructies = architectural constructions. NAi, 2010.

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15

Thomas, Jane. Midlothian: An illustrated architectural guide. Rutland Press, 1995.

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16

1952-, Pilling Simon, ed. Venice: An architectural guide. Batsford, 2002.

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17

Art nouveau tiles. Shire Pub., 2008.

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18

Hekkema, Herma. Art nouveau architectuur, Groningen. SISAL, 1988.

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19

Museum, Ashmolean, Sheffield City Museums, and Mappin Art Gallery, eds. Ruskin and Oxford: The art of education. Clarendon Press, 1996.

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20

L, Permanyer, ed. Barcelona: Architectural details and delights. Ediciones Polígrafa, 1993.

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21

Steidle, Otto. Architectural. Nazraeli, 1993.

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22

The Oxford handbook of war. Oxford University Press, 2012.

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23

Jong, Cees de. Architectural competitions: 1792-today. Benedikt Taschen, 1994.

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24

Robin, Darwall-Smith, ed. The architectural drawings of Magdalen College, Oxford : a catalogue. Oxford University Press, 2001.

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25

Guéné, Hélène. Odorico: Mosaïste art déco. Archives d'architecture moderne, 1991.

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26

Lacoue-Labarthe, Marie-France. L' art du fer forgé en pays bordelais de Louis XIV à la Révolution. Société archéologique de Bordeaux, 1993.

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27

Levi, Peter. The art of poetry: The Oxford lectures, 1984-1989. Yale University Press, 1991.

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28

Arnulf, Arwed. Architektur- und Kunstbeschreibungen von der Antike biz zum 16. Jahrhundert. Deutscher Kunstverlag, 2004.

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29

Gere, Charlotte. Nineteenth-century decoration: The art of the interior. H.N. Abrams, 1989.

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30

The Oxford handbook of warfare in the classical world. Oxford University Press, 2012.

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31

Medieval Architecture (Oxford History of Art). Oxford University Press, USA, 2002.

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32

Preziosi, Donald, and Louise A. Hitchcock. Aegean Art and Architecture (Oxford History of Art). Oxford University Press, USA, 1999.

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33

Aegean Art and Architecture (Oxford History of Art). Oxford University Press, USA, 2000.

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34

Stalley, Roger. Early Medieval Architecture (Oxford History of Art). Oxford University Press, USA, 1999.

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35

Early Medieval Architecture (Oxford History of Art). Oxford University Press, USA, 1999.

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36

Doll, Peter. The Architectural Impact of the Oxford Movement. Edited by Stewart J. Brown, Peter Nockles, and James Pereiro. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199580187.013.33.

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In this chapter the author argues that church buildings and their architecture influenced by the Oxford Movement cannot be understood apart from their essential grounding in the worship and self-understanding of the Church. This study sets the consideration of such church buildings in the wider context of the history of the Church of England both before and after the Reformation. The churches of the Church of England preceding and following the Oxford Movement articulate an Anglican sense of belonging to the Church universal and are thus a valuable contribution to the faith and witness of the

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37

Stone, Dan, ed. The Oxford Handbook of Postwar European History. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199560981.001.0001.

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The postwar period is no longer current affairs but is becoming the recent past. As such, it is increasingly attracting the attentions of historians. Whilst the Cold War has long been a mainstay of political science and contemporary history, recent research approaches postwar Europe in many different ways, all of which are represented in this volume. As well as diplomatic, political, institutional, economic, and social history, this book contains articles that approach the past through the lenses of gender, espionage, art and architecture, technology, agriculture, heritage, post colonialism, m

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38

David, Buisseret, and Newberry Library, eds. The Oxford companion to world exploration. Oxford University Press, 2007.

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39

Parker, Joanne, and Corinna Wagner, eds. The Oxford Handbook of Victorian Medievalism. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780199669509.001.0001.

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Victorian medievalism physically transformed the streets of Britain. It lay at the root of new laws and social policies. It changed religious practices. It deeply coloured national identities. And it inspired art, literature, and music that remains influential to this day. Sometimes driven by nostalgia, but also often progressive and future-facing, this wide-reaching movement, which reached its peak during the reign of Queen Victoria, looked back to a range of different peoples and historical periods spanning a thousand years, in order to inspire and vindicate cultural, political and social ch

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40

Lewis, George E., and Benjamin Piekut, eds. The Oxford Handbook of Critical Improvisation Studies, Volume 1. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780195370935.001.0001.

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Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuro

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41

Piekut, Benjamin, and George E. Lewis, eds. The Oxford Handbook of Critical Improvisation Studies, Volume 2. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199892921.001.0001.

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Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuro

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42

Walker, Bethany J., Timothy Insoll, and Corisande Fenwick, eds. The Oxford Handbook of Islamic Archaeology. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780199987870.001.0001.

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Born from the fields of Islamic art and architectural history, the archaeological study of the Islamic societies is a relatively young discipline. With its roots in the colonial periods of the late 19th and early 20th centuries, its rapid development since the 1980s warrants a reevaluation of where the field stands today. This Handbook represents for the first time a survey of Islamic archaeology on a global scale, describing its disciplinary development and offering candid critiques of the state of the field today in the Central Islamic Lands, the Islamic West, Sub-Saharan Africa, and Asia. T

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43

MacDonald, Michael J., ed. The Oxford Handbook of Rhetorical Studies. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199731596.001.0001.

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One of the most remarkable trends in the humanities and social sciences in recent decades has been the resurgence of interest in the history, theory, and practice of rhetoric: in an age of global media networks and viral communication, rhetoric is once again “contagious” and “communicable” (Friedrich Nietzsche). Featuring 60 commissioned chapters by eminent rhetoric scholars from 12 countries, The Oxford Handbook of Rhetorical Studies offers students and teachers an engaging but sophisticated one-volume introduction to the multidisciplinary field of rhetorical studies. The Handbook traces the

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44

Byzantine Art (Oxford History of Art). Oxford University Press, USA, 2000.

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45

Bailey, Douglass, and Lesley McFadyen. Built Objects. Edited by Dan Hicks and Mary C. Beaudry. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199218714.013.0025.

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This article presents two bodies of work, both of which take an interdisciplinary approach to the study of buildings from Neolithic Europe. The first connects archaeology to theories in architectural history, while the second creates links between archaeology and art. This article works through four ideas about architecture which the article offers as disconnected propositions. There is no easy narrative for this article, just as there is none for the living built environment of the past or the present. This article proposes that archaeologists step away from accepted and comfortable knowledge

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46

Mahon, Alyce. Eroticism and Art (Oxford History of Art). Oxford University Press, USA, 2007.

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47

Lounsbury, Carl R. Architecture and cultural history. Edited by Dan Hicks and Mary C. Beaudry. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199218714.013.0021.

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The major focus of this article happens to be architecture and cultural history. Buildings tell many stories. They are complex material objects wherein we live, work, worship, socialize, and play. They serve basic functions but also embody culture and express the dynamics of its social, economic, and political fortunes. Buildings also communicate their messages by their unusual forms, gigantic scale, or dramatic settings. The vast majority blend together as unconscious backdrops to daily routines. Buildings have life cycles. Most buildings have brief tenures before they are destroyed or fall i

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48

1927-, Boardman John, ed. The Oxford history of classical art. Oxford University Press, 1993.

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49

Preziosi, Donald. The Art of Art History: A Critical Anthology (Oxford History of Art). Oxford University Press, USA, 1998.

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50

Doss, Erika. Twentieth-Century American Art (Oxford History of Art). Oxford University Press, USA, 2002.

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