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Journal articles on the topic 'Art and architectural history ; History of Oxford'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Troiani, Igea. "‘Stirling's worth’: architectural quality and the Florey building, Oxford." Architectural Research Quarterly 11, no. 3-4 (2007): 291–99. http://dx.doi.org/10.1017/s1359135500000786.

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In 1976, Gavin Stamp published the legendary review, ‘“Stirling's Worth”: the History Faculty Building’. Written from the perspective of a user of the building, it offers a critical assessment of the quality of what is recognised by architectural connoisseurs as one of James Stirling's masterpieces of avant-garde architecture; designed in the architect's early phase, 1950–74. Apart from the History Faculty building at the University of Cambridge, 1964–67, early period works also include Stirling and Gowan's iconic Engineering building at the University of Leicester, 1959–63, and the lesser kno

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2

Osley, Julian, Jane Savidge, and Gerry White. "Art & Architecture Thesaurus. New York; Oxford: Oxford University Press for the Getty Art History Information Program, 1990." Art Libraries Journal 16, no. 2 (1991): 29–33. http://dx.doi.org/10.1017/s0307472200007148.

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3

Tyack, Geoffrey. "Gilbert Scott and the Chapel of Exeter College, Oxford." Architectural History 50 (2007): 125–48. http://dx.doi.org/10.1017/s0066622x00002902.

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‘The greatest fa presto in architectural history’, as Paul Frankl called him — although there are plenty of other contenders for that dubious honour — Gilbert Scott occupies an ambiguous place in the history of English architecture. The sheer volume of his work, and its lack of stylistic consistency, disturbed his contemporaries and have continued to vex later writers. Yet the history of the Gothic Revival cannot be written without him, and through some of his buildings he helped shape its future course. Among these buildings was the chapel at Exeter College, Oxford, begun in 1856 and finished

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4

Ousterhout, Robert, and Dmitry Shvidkovsky. "Kievan Rus’." Scientific and analytical journal Burganov House. The space of culture 17, no. 1 (2021): 51–67. http://dx.doi.org/10.36340/2071-6818-2021-17-1-51-67.

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Robert Ousterhout, the author of a magnificent book “Eastern Medieval Architecture. The Building Traditions of Bizantium and Neighboring Lands”, published by Oxford University Press in 2019, the remarkable scholar and generous friend, was so kind to mention in his C. V. on the sight of Penn University (Philadelphia, USA) that he had been the Visiting professor of the Moscow architectural Institute (State Academy), as well as simulteniously of the Hebrew University in Jerusalem, but he did not say that he had been awarded the degree of professor honoris causa by the academic council of MARHI. U

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5

Hamilton-Phillips, M., and J. Douglas Stewart. "Sir Godfrey Kneller and the English Baroque Portrait (Oxford Studies in the History of Art and Architecture)." Art Bulletin 67, no. 2 (1985): 337. http://dx.doi.org/10.2307/3050922.

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6

Fair, Alistair. "William Whyte , Redbrick: A Social and Architectural History of Britain's Civic Universities; Oxford University Press (Oxford, 2015), 416 pp., incl. 50 b&w ills; ISBN: 9780198716129; £65.00." Architectural History 59 (2016): 373–75. http://dx.doi.org/10.1017/arh.2016.22.

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7

Holland, Jessica. "Alistair Fair, Modern Playhouses: An Architectural History of Britain's New Theatres, 1945–1985; Oxford University Press (Oxford, 2018), 320 pp. incl. 60 b&w ills; ISBN: 9780198807476; £75." Architectural History 62 (2019): 285–87. http://dx.doi.org/10.1017/arh.2019.16.

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8

MATTAR, PHILIP. "MARTIN GILBERT, Jerusalem in the Twentieth Century (New York: John Wiley & Sons, 1996). Pp. 428. $16.95 paper." International Journal of Middle East Studies 33, no. 1 (2001): 136–37. http://dx.doi.org/10.1017/s002074380130106x.

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Much has been written about Jerusalem since the Madrid peace conference in 1991, most of it by partisans on both sides. Sir Martin Gilbert's work is one of the most entertaining, but least objective. Gilbert is a fellow of Merton College, Oxford University, and a biographer of Sir Winston Churchill and historian of World War II. He begins where his earlier volume, Jerusalem: Rebirth of a City, ended—around the turn of the 20th century. He starts his story with the last few years of Ottoman rule; dwells on British rule (1917–48) and the 1948 war; skims over the years between 1948 and 1967, espe

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9

Filmer, Andrew. "Alistair Fair Modern Playhouses: an Architectural History of Britain’s New Theatres, 1945–1985 Oxford: Oxford University Press, 2019. 320 p. £75.00. ISBN: 978-0-19-880747-6." New Theatre Quarterly 35, no. 04 (2019): 387–88. http://dx.doi.org/10.1017/s0266464x19000435.

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10

Porter, David. "The last drawing on the famous blackboard – relating studio teaching to design research." Architectural Research Quarterly 1, no. 4 (1996): 10–15. http://dx.doi.org/10.1017/s1359135500003031.

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The history of the relationship of studio teaching to research since the Oxford Conference has been one of babies thrown out with bathwater. Nearly 40 years on the need for research to underpin and invigorate the acts of designing is ever more keenly felt. This paper starts from a belief that the fruitful linkage of the two requires new approaches to both – that the past 40 years shows that it does not happen automatically. Designing is considered as a series of tangible acts where the nature of each operation affects not just the outcome of the project but also the intention of the designer.

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11

Sear, Frank. "Architecture and Architectural Sculpture in the Roman Empire. Edited by Martin Henig. 297 × 210mm. Pp. 163, many ills. Oxford: Oxford University Committee for Archaeology Monograph, 29), 1990. ISBN 0-947816-29-1. £30.00." Antiquaries Journal 71 (September 1991): 283–84. http://dx.doi.org/10.1017/s0003581500087035.

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12

West, Rosamund Lily. "Alistair Fair, Modern Playhouses: An Architectural History of Britain's New Theatres, 1945–1985. Oxford: Oxford University Press, 2018. 295pp. 60 black and white figures. £83.00 hbk. £30.00 pbk." Urban History 48, no. 3 (2021): 600–601. http://dx.doi.org/10.1017/s0963926821000390.

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13

Ling, Roger. "Roman Theatres: an architectural study. By Frank Sear. 276mm. Pp xl + 496, 451 plans, 7 maps, 114 plates, 34 figs. Oxford: Oxford University Press, Oxford Monographs on Classical Archaeology, 2006. ISBN 978-0-19-814469-4. £195 (hdbk)." Antiquaries Journal 87 (September 2007): 421–22. http://dx.doi.org/10.1017/s0003581500001074.

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14

Holden, Paul. "Making Dystopia: the strange rise and survival of architectural barbarism. By James Stevens Curl. 235mm. Pp xxxviii + 551, 62 pls, 35 figs. Oxford University Press, Oxford, 2018. isbn9780198753698. £45 (hbk)." Antiquaries Journal 99 (September 2019): 469–71. http://dx.doi.org/10.1017/s0003581519000337.

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15

BROWN, CHRISTOPHER. "The Renaissance of Museums in Britain." European Review 13, no. 4 (2005): 617–36. http://dx.doi.org/10.1017/s1062798705000840.

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In this paper – given as a lecture at Netherlands Institute for Advanced Study in the summer of 2003 – I survey the remarkable renaissance of museums – national and regional, public and private – in Britain in recent years, largely made possible with the financial support of the Heritage Lottery Fund. I look in detail at four non-national museum projects of particular interest: the Horniman Museum in South London, a remarkable and idiosyncratic collection of anthropological, natural history and musical material which has recently been re-housed and redisplayed; secondly, the nearby Dulwich Pic

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16

Beacham, Richard C. "F. Sear, Roman Theatres: An Architectural Study. Oxford: Oxford University Press, 2006. Pp. xxxix + 465, 70 pls, illus. ISBN 0-19-814469-5/978-0-19-814469-4. £195.00." Journal of Roman Studies 97 (November 2007): 359–61. http://dx.doi.org/10.1017/s0075435800003993.

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17

Campbell, Louise. "Building on the Backs: Basil Spence, Queens’ College Cambridge and University Architecture at Mid-Century." Architectural History 54 (2011): 383–405. http://dx.doi.org/10.1017/s0066622x0000410x.

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Higher Education in Britain expanded dramatically during the 1950s and 1960s. The trigger for growth was the Barlow Report of 1946, which recommended an immediate doubling of the number of science students and an increase in the total number of student places, of which there had been c. 50,000 in 1939, to 70,000 by 1950 and 90,000 by 1955. The 1963 Robbins Report continued and accelerated this expansionist policy, proposing that half a million student places be created by 1980. In the event, although funding was less generous than Barlow had recommended, the numbers achieved were far greater,

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18

Foxall, Tom. "Schooled by Wren, or a School by Wren? The Conception and Design of Christ’s Hospital Writing School, London." Architectural History 51 (2008): 87–110. http://dx.doi.org/10.1017/s0066622x00003038.

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On 2 March 1692, Sir Christopher Wren visited the governors of Christ’s Hospital in London, bringing with him a design for a new writing school to be erected on the Hospital’s Newgate Street site. Seven drawings for the school building survive in the Wren collection at All Souls College, Oxford. However, rather than suggesting Wren’s authorship, these drawings are customarily attributed to his pupil and long-time assistant, Nicholas Hawksmoor. It is generally accepted that Hawksmoor received delegated commissions from Wren by at least the early 1690s, but, although the draughtsmanship and styl

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19

Artan, Tülay. "Raymond Lifchez (ed.). The Dervish Lodge. Architecture, Art, and Sufism in Ottoman Turkey. Berkeley and Los Angeles (California) and Oxford (England): University of California Press, 1992. xxiv+348 pp." New Perspectives on Turkey 10 (1994): 119–26. http://dx.doi.org/10.1017/s089663460000087x.

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20

Bush, Sara E. "Architectural History of the Art Museum." Record of the Art Museum, Princeton University 55, no. 1/2 (1996): 77. http://dx.doi.org/10.2307/3774781.

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21

Eraliyevna, Toshkoziyeva Zulfiya, and Ganieva Elnura Shavkatbekovna. "History, concept and origin of architectural art." ACADEMICIA: An International Multidisciplinary Research Journal 11, no. 6 (2021): 714–16. http://dx.doi.org/10.5958/2249-7137.2021.01681.5.

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22

Payne, Alina A. "Architectural History and the History of Art: A Suspended Dialogue." Journal of the Society of Architectural Historians 58, no. 3 (1999): 292–99. http://dx.doi.org/10.2307/991521.

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23

Eramo, Immacolata. "THE ART OF SIEGE WARFARE - (M.) Eisenberg, (R.) Khamisy (edd.) The Art of Siege Warfare and Military Architecture from the Classical World to the Middle Ages. Pp. viii + 232, ills, maps, b/w & colour pls. Oxford and Philadelphia: Oxbow Books, 2021. Cased, £45, US$70. ISBN: 978-1-78925-406-8." Classical Review 71, no. 2 (2021): 456–59. http://dx.doi.org/10.1017/s0009840x21001220.

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24

العظم, عليا. "عروض مختصرة". الفكر الإسلامي المعاصر (إسلامية المعرفة سابقا) 22, № 87 (2017): 191–83. http://dx.doi.org/10.35632/citj.v22i87.2525.

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 علاقة علم أصول الفقه بعلم الكلام، محمد بن علي الجيلاني الشتيوي، بيروت: مكتبة حسن العصرية للطباعة والنشر والتوزيع، 2017م، 768 صفحة. الترجمة وجماليات التلقي - المبادلات الفكرية والثقافية، حفناوي بعلي، عمّان: دروب ثقافية للنشر والتوزيع، 2017م، 320 صفحة. مناهج تحليل الخطاب القرآني في الفكر العربي المعاصر، محمد علواش، دمشق: صفحات للدراسات والنشر، 2017م، 384 صفحة. القيم السياسية العالمية في الخطاب القرآني – مدخل منهاجي لدراسة العلاقات الدولية، مصطفى جابر العلواني، فرجينيا: المعهد العالمي للفكر الإسلامي، 2015م، 485 صفحة. النهضة العربية الإسلامية في العصور الوسطى – دراسا

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25

Brilliant, Richard, and John Boardman. "The Oxford History of Classical Art." Classical World 90, no. 5 (1997): 374. http://dx.doi.org/10.2307/4351970.

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26

KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 158, no. 1 (2002): 95–144. http://dx.doi.org/10.1163/22134379-90003788.

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-Stephen J. Appold, Heidi Dahles ,Tourism and small entrepreneurs; Development, national policy, and entrepreneurial culture: Indonesian cases. Elmsford, New York: Cognizant Communication Corporation, 1999, vi + 165 pp., Karin Bras (eds) -Jean-Pascal Bassino, Peter Boothroyd ,Socioeconomic renovation in Vietnam; The origin, evolution and impact of Doi Moi. Singapore: Institute of Southeast Asian Studies, 2001, xv + 175 pp., Pham Xuan Nam (eds) -Peter Boomgaard, Patrick Vinton Kirch, The wet and the dry; Irrigation and agricultural intensification in Polynesia. Chicago: The University of Chicag

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27

Heckscher, Morrison H. "The Metropolitan Museum of Art: An Architectural History." Metropolitan Museum of Art Bulletin 53, no. 1 (1995): 1. http://dx.doi.org/10.2307/3259465.

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28

Morkoç, Selen. "ART HISTORY AND ARCHITECTURAL SYMBOLISM: A Hermeneutical Critique." Architectural Theory Review 8, no. 2 (2003): 124–33. http://dx.doi.org/10.1080/13264820309478489.

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29

Gameson, Richard. "The armor of light. Stained glass in western France, 1250–1325. By Meredith Parsons Lillich. (California Studies in the History of Art, 23. A Centennial Book.) Pp. xxix + 420 incl. numerous ills. + 61 colour plates. Berkeley–Los Angeles–Oxford: University of California Press, 1994. $150. 0 520 05186 6 - The cathedral. The social and architectural dynamics of construction. By Alain Erlande-Brandenburg. Translated by Martin Thom. (Cambridge Studies in the History of Architecture.) Pp. xxii + 378 incl. 161 ills. Cambridge: Cambridge University Press, 1994 (first publ. as La cathédrale, Librairie Arthème Fayard, 1989). £60. 0 521 41118 1." Journal of Ecclesiastical History 47, no. 1 (1996): 161–64. http://dx.doi.org/10.1017/s0022046900019059.

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30

Searing, Helen. "Review: The Metropolitan Museum of Art: An Architectural History." Journal of the Society of Architectural Historians 55, no. 1 (1996): 79–81. http://dx.doi.org/10.2307/991057.

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31

Reeve, Matthew M. "Alex Woodcock, Liminal Images: Aspects of Medieval Architectural Sculpture in the South of England from the Eleventh to the Sixteenth Centuries. (BAR British Series, 386.) Oxford: John and Erica Hedges, 2005. Paper. Pp. xix, 192; many black-and-white figures. £38. Distributed by Hadrian Books, 122 Banbury Rd., Oxford OX2 7BP, England." Speculum 85, no. 3 (2010): 753–55. http://dx.doi.org/10.1017/s0038713410002083.

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32

Singh, Manager, and Babasaheb Arbad. "Architectural History and Painting Art at Ajanta: Some Salient Features." Arts 2, no. 3 (2013): 134–50. http://dx.doi.org/10.3390/arts2030134.

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33

GALLETTI, Sara. "Stereotomy and the Mediterranean: Notes Toward an Architectural History." Mediterranea. International Journal on the Transfer of Knowledge, no. 2 (March 1, 2017): 73. http://dx.doi.org/10.21071/mijtk.v0i2.6716.

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Stereotomy, the art of cutting stones into particular shapes for the construction of vaulted structures, is an ancient art that has been practiced over a wide chronological and geographical span, from Hellenistic Greece to contemporary Apulia and across the Mediterranean Basin. Yet the history of ancient and medieval stereotomy is little understood, and nineteenth- century theories about the art’s Syrian origins, its introduction into Europe via France and the crusaders, and the intrinsic Frenchness of medieval stereotomy are still largely accepted. In this essay, I question these theories wit

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34

Bazilevich, Evgeny M. "HISTORICAL ARCHITECTURAL HERITAGE AND HISTORY PRESERVED IN STUDENT DRAWINGS." Architecton: Proceedings of Higher Education, no. 2(70) (June 29, 2020): 24. http://dx.doi.org/10.47055/1990-4126-2020-2(70)-24.

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The articles presents the experiences of the fine art teaching staff at the Institute of Architecture and Design, the Pacific State University, in the study of historical architectural environment and history based on an archive of preserved student drawings. The author considers this approach as one of the possible ways of organizing research work in the university in the areas of "Architecture" and "Design of Architectural Environment".

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35

Giral, Angela. "Digital image libraries and the teaching of art and architectural history." Art Libraries Journal 23, no. 4 (1998): 18–25. http://dx.doi.org/10.1017/s0307472200011251.

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Can museums and libraries profit from sharing their information, visual or textual? Is direct access to digital archives a more logical or economic way to develop access to images for teaching and research than assembling local collections? Recent digital image library projects in the United States, and their impact on the teaching practices of art and architectural historians, show the advantages of focusing on issues such as licensing and intellectual property, metadata and evolving cataloging practice, image quality, and the different costs of creation and delivery. But there are other pote

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36

Masséglia, Jane. "A SURVEY OF GREEK ART AND ARCHITECTURE - (M.D.) Stansbury-O'Donnell A History of Greek Art. Pp. xxxii + 402, b/w & colour ills, b/w & colour maps. Malden, MA and Oxford: Wiley Blackwell, 2015. Paper, £40, €54, US$66.95 (Cased, £75, €101.30, US$118.95). ISBN: 978-1-4443-5015-9 (978-1-4443-5014-2 hbk)." Classical Review 67, no. 1 (2016): 220–22. http://dx.doi.org/10.1017/s0009840x16002110.

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37

Williams, Kim. "Jane Fawcett, Historic Floors. Their History and Conservation – Oxford: Butterworth-Heinemann, 1998." Nexus Network Journal 1, no. 1-2 (1999): 171–72. http://dx.doi.org/10.1007/s00004-998-0019-8.

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38

Zakharyna, Yu Y. "Architectural images of history and culture: contemporary interpretation." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 66, no. 1 (2021): 87–96. http://dx.doi.org/10.29235/2524-2369-2021-66-1-87-96.

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The problem of recreating historical and cultural events and phenomena in architectural images is raised for the first time in Belarusian art criticism. The work is devoted to the scientific understanding of images of modern architectural objects that reflect the theme of history and culture in the context of the simulated environment of society. Images of modern architecture are interpreted from the point of view of reflecting the world picture in their content and visualizing the memory of peoples about the historical past and cultural assets of human civilization. The research is based on a

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39

Litvack, Leon B. "An Auspicious Alliance: Pugin, Bloxam, and the Magdalen Commissions." Journal of the Society of Architectural Historians 49, no. 2 (1990): 154–60. http://dx.doi.org/10.2307/990474.

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This article forms the sequel to "The Balliol that Might Have Been: Pugin's Crushing Oxford Defeat" (JSAH, XLV, 1986, 358-373). That study showed that Augustus W. N. Pugin (1812-1852) was prevented from carrying out his plans for renovating Balliol College, Oxford, because of his somewhat singular views and oppressive nature, combined with the prevailing sentiments against Roman Catholics in the University. The present study surveys the history of the two small commissions that Pugin was granted: the Magdalen College gateway and the Church of St. Lawrence, Tubney (the only Anglican church Pugi

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40

Rocha, Ivan Esperança. "Rome models: between history and representations." Heródoto: Revista do Grupo de Estudos e Pesquisas sobre a Antiguidade Clássica e suas Conexões Afro-asiáticas 3, no. 1 (2018): 276–87. http://dx.doi.org/10.31669/herodoto.v3i1.350.

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Considered a millenarian art, the construction of models has gained in the last decades a special impulse using electronic supports in the area of archeology as well of architecture and engineering. In this text, will be presented and discussed the original and current role of the models in the historical-architectural reconstruction of the city of Rome, especially those created in the first decades of the 20th century by Giuseppe Marcelliani, Paul Bigot and Italo Gismondi.

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41

Chen, Chanratana. "Angkor Wat: A transcultural history of heritages." Journal of Southeast Asian Studies 52, no. 1 (2021): 133–40. http://dx.doi.org/10.1017/s0022463421000230.

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In December 2019, Michael Falser, of the University of Heidelberg, a specialist on heritage preservation and the art and architectural history of South and Southeast Asia, published his two-volume study, Angkor Wat: A transcultural history of heritages, which he had spent almost ten years researching. The volumes cover the history of research of the most famous monument in Cambodia, Angkor Wat, the world's largest religious monument, listed by UNESCO as a World Heritage Site in 1992. The two volumes include more than 1,400 black-and-white and colour illustrations, including historical photogra

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42

Bork, Robert. "Anthony Emery, Seats of Power in Europe during the Hundred Years War: An Architectural Study from 1330 to 1480. Oxford and Philadelphia: Oxbow Books, 2016. Pp. xii, 386; many color and black-and-white plates, and many figures. £49.95. ISBN: 978-1-78570-103-0." Speculum 93, no. 4 (2018): 1194–95. http://dx.doi.org/10.1086/699492.

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43

Matos da Silva, Maria de Fátima. "Decoração e simbolismo das pedras formosas dos balneários-sauna castrejos da Idade do Ferro: leituras possíveis." Vínculos de Historia. Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 8 (June 20, 2019): 191. http://dx.doi.org/10.18239/vdh_2019.08.10.

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RESUMENLos balnearios-sauna castreños del noroeste peninsular son monumentos con horno con una arquitectura muy original, posiblemente asociada a los diversos modelos termales. Se conocen cerca de tres decenas, distribuidos por el noroeste peninsular. La arquitectura compleja de estos monumentos se organiza estructuralmente hacia posibilitar baños de sauna y baños de agua fría. Las dos áreas son divididas por una estela, monolítica, normalmente ornamentada – la pedra formosa. El papel simbólico que tendrían en el seno de la sociedad castreña de la Edad del Hierro del noroeste peninsular perman

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44

van Impe, Ellen. "The Rise of Architectural History in Belgium 1830–1914." Architectural History 51 (2008): 161–83. http://dx.doi.org/10.1017/s0066622x00003063.

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On the map of nineteenth-century architectural historiographies in Western Europe, Belgium has so far remained a blind spot. While the country’s architectural history of the nineteenth century has already received some (if selective) international attention, with a somewhat disproportionate focus on the Art Nouveau, the historiography arising alongside of it has largely remained outside the picture. Meanwhile, considerations as to Belgium’s particular situation, which presumably influenced its architecture, equally apply to its historiography; for instance its design as a crossroads of influen

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45

Le, Kim Thu. "Local Cultural Crisis: Art and Architectural Forms Reveal an Extinct Culture in History." International Journal of Social, Political and Community Agendas in the Arts 15, no. 4 (2020): 41–63. http://dx.doi.org/10.18848/2326-9960/cgp/v15i04/41-63.

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46

Le, Kim Thu. "Local Cultural Crisis: Art and Architectural Forms Reveal an Extinct Culture in History." International Journal of Social, Political and Community Agendas in the Arts 16, no. 1 (2020): 1–23. http://dx.doi.org/10.18848/2326-9960/cgp/v16i01/1-23.

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47

Windsor-Liscombe, Rhodri. "Review: Oxford Dictionary of Architecture by James Stevens Curl." Journal of the Society of Architectural Historians 59, no. 4 (2000): 564–65. http://dx.doi.org/10.2307/991641.

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48

Hay, Rowena, Neal Shasore, and Flora Samuel. "Research at the RIBA: an institutional history 1958–71." Architectural Research Quarterly 21, no. 4 (2017): 328–37. http://dx.doi.org/10.1017/s135913551800012x.

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Exactly 50 years ago, the Council of the Royal Institute of British Architects (RIBA) launched a new policy and commitment to ‘architectural research.’ At its meeting on 7 December 1967, it set in motion a new programme to accelerate and coordinate the growth of research in architecture, not only in architectural schools but through research centres and in practices. In addition, it reinforced its commitment to building up the Institute's own competence in research, ‘so that it can speak authoritatively on behalf of the profession in the formulation of national research policies and investment

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Kyselov, V. M., and G. V. Kyselovа. "HISTORICAL PARKS OF UKRAINE. FROM HISTORY TO MODERNITY." Bulletin of Odessa State Academy of Civil Engineering and Architecture, no. 81 (December 7, 2020): 18–25. http://dx.doi.org/10.31650/2415-377x-2020-81-18-25.

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Abstract. The article explores the issues of the emergence and development of historical parks in Ukraine. There are four periods of formation and development of historical parks in Ukraine: the first ‒ from the times of Kievan Rus to the middle of the 17th century (the origin of park building), the second ‒ from the middle of the 17th century before the revolution of 1917 (construction of mainly private palaces and park ensembles), the third ‒ from 1918 to 1991 (soviet period), the fourth ‒ from 1991 to the present (the period of independence of Ukraine). The definition of the concept «histor

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Zhao, Jie. "Art of Light and Shadow Reflected in Architecture." Applied Mechanics and Materials 357-360 (August 2013): 100–103. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.100.

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Architecture is a kind of art and the substance of architecture lies in space. Based on the change of light and shadow the plane and elevation scheme of the school history Museum was designed in detail. When the space of building is no longer drawn conclusion with the traditional entity enclosing, light gives architectural space new vitality, and creates a variety of architectural space artistic conception. The different architectural mood which is brought about by the change of light and shadow is analyzed and compared. The result shows the art of light and shadow should be embodied constantl

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