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1

Youga, Janet Martha. The elements of audience analysis. Macmillan, 1989.

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2

Webster, James G. Ratings analysis: The theory and practice of audience research. 3rd ed. Lawrence Erlbaum Associates, 2005.

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3

F, Phalen Patricia, and Lichty Lawrence Wilson, eds. Ratings analysis: The theory and practice of audience research. 3rd ed. L. Erlbaum Associates, 2006.

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4

Mullinix, Kevin J. A motivated audience: An analysis of motivated reasoning and presidential campaign debates. Proquest/UMI Dissertation Publishing, 2011.

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5

Stones, Richard. An analysis of the local cinema going audience to the Centrepoint multi entertainment centre, Lurgan. The Author], 1995.

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6

Peterson, John. Audience response in relation to the demand for information services: An analysis of teletext news services. Centre for Research into Innovation, Culture & Technology, 1990.

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7

Roscoe, Jane Anna Marie. The Irish conflict as portrayed in British drama documentaries: An analysis of the television text and audience interpretations. University of East London, 1994.

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8

Umemoto, Nicole. Like a moth chasing the fire: An HIV/AIDS audience analysis of urban men in Myanmar with recommendations for strengthening HIV/AIDS prevention activities. CARE Myanmar, 1998.

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9

Emmet, Kennedy, ed. Theatre, opera, and audiences in revolutionary Paris: Analysis and repertory. Greenwood Press, 1996.

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10

Mașek, Victor Ernest. Arta de a fi spectator: Contributii la estetica receptării. Meridiane, 1986.

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11

Pendleton, Wade C. A socio-economic analysis of radio listener attitudes in Namibia. University of Namibia, Multi-Disciplinary Research Centre, Social Sciences Division, 1992.

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12

McQuail, Denis. Audience Analysis. SAGE Publications, Incorporated, 1997.

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13

McQuail, Denis. Audience Analysis. SAGE Publications, Incorporated, 2012.

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14

Audience analysis. Sage Publications, 1997.

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15

Okongo, Alfred G. Audience Analysis in Skilled Communication. AuthorHouse, 2007.

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16

Gallery, Laing Art, and Newcastle upon Tyne Polytechnic. Faculty of Arts and Design. Arts Management Programmes., eds. Policy analysis and audience survey. 1988.

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17

Audience Experience: A Critical Analysis of Audiences in the Performing Arts. Intellect, Limited, 2013.

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18

Webster, James, Patricia Phalen, and Lawrence Lichty. Ratings Analysis: Audience Measurement and Analytics. Taylor & Francis Group, 2013.

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19

Webster, James, Patricia Phalen, and Lawrence Lichty. Ratings Analysis: Audience Measurement and Analytics. Taylor & Francis Group, 2013.

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20

Webster, James, Patricia Phalen, and Lawrence Lichty. Ratings Analysis: Audience Measurement and Analytics. Taylor & Francis Group, 2013.

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21

Webster, James, Patricia Phalen, and Lawrence Lichty. Ratings Analysis: Audience Measurement and Analytics. Taylor & Francis Group, 2013.

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22

Ratings Analysis Audience Measurement And Analytics. Routledge, 2013.

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23

Ratings Analysis: Audience Measurement and Analytics. Routledge, 2013.

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24

The Audience Experience: A Critical Analysis of Audiences in the Performing Arts. Intellect Ltd, 2013.

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25

Blokdyk, Gerardus. Audience Analysis a Complete Guide - 2020 Edition. Emereo Pty Limited, 2020.

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26

Media, Audiences, Effects: An Introduction to the Study of Media Content and Audience Analysis. Allyn & Bacon, 2005.

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27

Walmsley, Ben. Audience Engagement in the Performing Arts: A Critical Analysis. Palgrave Macmillan, 2019.

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28

U. S. Army War College, Strategic Studies Institute, and Steve Tatham. Using Target Audience Analysis to Aid Strategic Level Decisionmaking. Lulu Press, Inc., 2015.

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29

Yelkal, Amanuel. Audience Reception Analysis on the Documentary Ye Fitih Seqoka. GRIN Verlag GmbH, 2019.

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30

Using Target Audience Analysis to Aid Strategic Level Decisionmaking. United States Government Printing Office, 2016.

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31

Phalen, Patricia F., Lawrence W. Lichty, and James G. Webster. Ratings Analysis: The Theory and Practice of Audience Research. Taylor & Francis Group, 2005.

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32

Institute, Strategic Studies, and Steve Tatham. Using Target Audience Analysis to Aid Strategic Level Decisionmaking. Independently Published, 2015.

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33

Phalen, Patricia F. Ratings Analysis: The Theory and Practice of Audience Research. Taylor & Francis Group, 1991.

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34

Audience Engagement in the Performing Arts: A Critical Analysis. Springer International Publishing AG, 2020.

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35

Ratings Analysis: The Theory and Practice of Audience Research. Taylor & Francis Group, 2007.

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36

Politeness and audience response in Chinese-English subtitling. Peter Lang, 2012.

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37

Webster, James, Patricia F. Phalen, and Lawrence W. Lichty. Ratings Analysis - The Theory And Practice Of Audience Research, Third Edition. 3rd ed. Lawrence Erlbaum Associates, Inc., 2005.

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38

Myers, Tobias. Homer's Divine Audience. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198842354.001.0001.

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This book lays out and explores a new ‘metaperformative’ approach to scenes of divine viewing, counsel, and intervention in the Iliad. Critics have often described the gods’ activities in terms of attendance at a ‘show’ and have suggested analogies to theatre and sports, but have done little to investigate the particular strategies by which the poet conveys the impression of gods attending a live, staged event. This book’s analysis of those strategies points to a ‘metaperformative’ significance to the motif of divine viewing: the poet is using the gods, in part, to model and thereby manipulate
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39

Phalen, Patricia F., Lawrence W. Lichty, and James G. Webster. Ratings Analysis: The Theory and Practice of Audience Research (Lea's Communication Series). 2nd ed. Lawrence Erlbaum Associates, 1999.

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40

Ratings Analysis: The Theory and Practice of Audience Research (Lea's Communication Series). 2nd ed. Lawrence Erlbaum Associates, 2000.

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41

Collective Participation and Audience Engagement in Rap Music. Palgrave Pivot, 2019.

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42

Kress, George J., and John Snyder. Forecasting and Market Analysis Techniques. Greenwood Publishing Group, Inc., 1994. http://dx.doi.org/10.5040/9798400652943.

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Sales forecasting and market analysis are the cornerstones of the planning process. Yet, these two tasks are usually performed by people with only limited training in either area because most firms do not have full-time forecasters/market analysts. The authors acknowledge this situation and attempt to describe the key techniques for forecasting sales and analyzing markets in a format that meets the needs of an audience with limited quantitative skills. In addition to its basic approach, another strength of this book is that it combines the coverage of two key activities--forecasting and market
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43

Scodel, Ruth. Listening to Homer: Tradition, Narrative, and Audience. University of Michigan Press, 2010.

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44

Scodel, Ruth. Listening to Homer: Tradition, Narrative, and Audience. University of Michigan Press, 2009.

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45

Bakir, Caner, and Güneş Ertan, eds. Policy Analysis in Turkey. Bristol University Press, 2018. http://dx.doi.org/10.46692/9781447338963.

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This volume provides the first comprehensive overview of the state of policy analysis in Turkey for an international audience, providing an in-depth review of the context, constraints, and dominant modes of policy analysis performed by both state and non-state actors.
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46

Meierding, Paul. Jews and Gentiles: A narrative and rhetorical analysis of the implied audience in Acts. 1993.

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47

Simoni, Mary. The Audience Reception of Algorithmic Music. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.14.

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Contemporary music research and practice have leveraged advances in computing power by integrating computing devices into many aspects of music—from generative music to live coding. This efflorescence of musical practice, process, and product raises complex issues in audience reception. This chapter employs a comparative analysis in a longitudinal study designed to understand the psychological aspects of the audience reception of algorithmic music. It studies four compositions from the latter part of the twentieth century late, presented on fixed media to avoid variability in musical performan
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48

Audience adaptation and argument in John Paul II's American speeches, October 1979: A textual analysis. 1988.

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49

Mark Twain's Audience: A Critical Analysis of Reader Responses to the Writings of Mark Twain. Lexington Books/Fortress Academic, 2014.

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50

Webster, James, Patricia F. Phalen, and Lawrence W. Lichty. Ratings Analysis: The Theory And Practice Of Audience Research (Lea's Communication Series) (Lea's Communication Series). 3rd ed. Lawrence Erlbaum Associates, Inc., 2005.

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