Relevant bibliographies by topics / Barter Theatre

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Barter Theatre'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Barter Theatre"

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Exe Christoffersen, Erik. "Byttehandel i Grønland." Peripeti 19 (October 11, 2022): 140–51. http://dx.doi.org/10.7146/peri.v19isaernummer2.134032.

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Barter trade in GreenlandThis essay addresses the principles of Odin Teatret’s ‘barter trade’ used for a project in Greenland from 2021 to 2024. It is an artistic device which Odin Teatret has used since 1974. Barter trade breaks down traditional conventions of theatre usually taking place outside theater institutions and doesn’t make use of narrative dramaturgy. During the barter trade the performers “exchanges” their own material with the audience and facilitate a process of response between players and audience when performing songs, dances and/or scenes. The method can be described in term
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Shevtsova, Maria. "Reinventing Theatre." New Theatre Quarterly 23, no. 2 (2007): 99–114. http://dx.doi.org/10.1017/s0266464x07000012.

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Eugenio Barba here discusses the desires and ideas driving his early years as a practitioner, some of the creative, social, and ethical principles underlying the work of the Odin Teatret, which he founded in 1964, and the group's most recent, new-style ‘barter’ events with and within local communities. His public dialogue with NTQ co-editor Maria Shevtsova and members of the audience provides fresh insight into the workings of one of the most influential figures, and one of the most widely known non-official theatre collectives, of the late twentieth century. The conversation took place on 31
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Watson, Ian. "Ways of Understanding the Culture: Re-examining the Performance Paradigm." New Theatre Quarterly 16, no. 4 (2000): 333–46. http://dx.doi.org/10.1017/s0266464x00014081.

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The tendency for ‘performance studies’ to embrace and even supplant ‘theatre studies’ can usefully enlarge our perceptions of the relevance of theatricality to other disciplines and activities – but fully extended into the ‘performativities’ of everyday life can be counterproductive when definitions are so loose as to be redundant. Here, Ian Watson considers the boundary-crossing qualities of two variants on the ‘performance paradigm’ – Eugenio Barba's bridge-building concept of ‘Barter Theatre’ and Augusto Boal's deliberately provocative ‘Invisible Theatre’. He proceeds to relate the characte
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Arnold, Nicholas. "The barter concept and practices of Eugenio Barba's Odin theatre: Cultural exchange or cultural colonialism?" European Legacy 1, no. 3 (1996): 1207–12. http://dx.doi.org/10.1080/10848779608579551.

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Watson, Ian. "Theatre as Social Science: A Comparative Study of Eugenio Barba's Barter Performances and the 1992 Los Angeles Riots." Modern Drama 39, no. 4 (1996): 574–84. http://dx.doi.org/10.3138/md.39.4.574.

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Davis, Jim, and Tracy C. Davis. "The People of the “People's Theatre”: The Social Demography of the Britannia Theatre (Hoxton)." Theatre Survey 32, no. 2 (1991): 137–65. http://dx.doi.org/10.1017/s0040557400001046.

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In 1882, Walter Besant declared that the hinterland beyond Aldgate had two million people yet “no institutions of their own to speak of, no public buildings of any importance, no municipality, no gentry, no carriages, no soldiers, no picture-galleries, no theatres, no opera—they have nothing.” The fact that Whitechapel first appeared in the theatrical annals in 1557, Stepney contained several of the largest engineering projects in Regency London, and Shoreditch's Britannia was one of the most successful theatres in Victorian Britain belies the prejudice in Besant's statement. Cultural historia
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Sullivan, Esther Beth. "Vectia, Man-Made Censorship, and the Drama of Marie Stopes." Theatre Survey 46, no. 1 (2005): 79–102. http://dx.doi.org/10.1017/s0040557405000062.

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In the 1920s, the Royal Court Theatre still enjoyed the reputation earned earlier in the century by Harley Granville Barker and John Vedrenne, yet its daily fare was not remarkably distinctive from other West End theatres. In that context, an aspiring playwright was contracted to write a play for the Court's 1923 season. The playwright happened to be Marie Stopes, (in)famous author of the best-selling sex-education and birth-control manual Married Love. “Contracted” is the word Stopes uses. It could also be speculated that, in a year when the Court's five main undertakings had as many as five
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Trussler, Simon. "Theatre Practice, Theatre Studies, and ‘New Theatre Quarterly’." New Theatre Quarterly 1, no. 1 (1985): 3–6. http://dx.doi.org/10.1017/s0266464x00001378.

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The original series of Theatre Quarterly ran for ten years and forty issues, from 1971 to 1981. The relaunched journal intends to continue the best traditions of the old, while reflecting the changes that have overtaken the English-speaking theatre in the intervening years. Simon Trussler, who was an editor of the old TQ throughout its existence, here offers some personal reflections on the appearance of New Theatre Quarterly, the present mood of the theatre, and the challenges now facing theatre practitioners and researchers alike. Simon Trussler is also author of over twenty books and monogr
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Davis, Jim. "The Gospel of Rags: Melodrama at the Britannia, 1863–74." New Theatre Quarterly 7, no. 28 (1991): 369–89. http://dx.doi.org/10.1017/s0266464x00006072.

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We are happy to return to the Britannia Theatre, Hoxton, the subject of pioneering studies by Clive Barker in the original Theatre Quarterly, where he used the ‘Brit’ as focus for an overview of the problems of researching nineteenth-century popular theatre in TQ4 (1971), proceeding to a detailed analysis of our knowledge of the nature and composition of the theatre's audiences in TQ34 (1979). Jim Davis now turns to the repertoire of the theatre, and, for one representative decade from 1863 to 1874, explores the sources of the melodramas presented there – a great many of them specially written
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Brown, John Russell. "Performance, Theatre Training, and Research." New Theatre Quarterly 12, no. 47 (1996): 207–15. http://dx.doi.org/10.1017/s0266464x00010204.

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John Russell Brown, who was a founder member and first Head of the University of Birmingham's Department of Drama and Theatre Arts, and subsequently an Associate Director of the National Theatre in London, here responds to the article by NTQ co-editor Clive Barker in our May 1995 issue, ‘What Training – for What Theatre’, taking as further text an editorial by Richard Schechner in the Summer 1995 issue of TDR. Currently, as a Professor of Theatre at the University of Michigan, John Russell Brown is teaching a production-based undergraduate acting course, and is also an advisor for Theatre Stud
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Dissertations / Theses on the topic "Barter Theatre"

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Atkinson, Megan E. "Move, Interact, and Connect Personally Barter Theatre’s Project REAL Gets Implicit In Order To Learn." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2510.

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Body movement, hands-on activity, embodiment, social interaction, emotions, and self-reflection allow teaching artists of Barter’s Theatre’s Project REAL to conduct a lesson with an implicit learning experience as the focus. Barter Theatre’s Project REAL exists as a theatre for education program that collaborates with regular classroom teachers on delivering the curriculum through specific theatre exercises in order to connect the material personally to the students’ lives. Theatre tools provide a human experience that enhances learning for the student by use of kinesthetic movement, social le
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Chafirovitch, Ana Cristina Russo. "Aspectos teóricos e metodológicos do teatro social: sua aplicação numa comunidade de jovens do Baixo Alentejo." Doctoral thesis, Universidade de Évora, 2012. http://hdl.handle.net/10174/14703.

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Esta investigação teve a intenção de desenvolver uma intervenção de Teatro Social junto de um grupo de jovens em contexto rural, em Odemira. Pretendeu indagar em que moldes o Teatro Social proporciona benefícios artísticos e relacionais aos não-performers, num processo de criação com, através e na comunidade, que atende aos contextos e à construção de pontes da margem para o centro e do centro para a margem. Procedeu-se à pesquisa de textos e à realização de entrevistas semi-estruturadas a teóricos e operadores especializados, a fim de esclarecer sobre o significado e focos de acção na impleme
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Decamp, Eleanor Sian. "Performing barbers, surgeons and barber-surgeons in early modern English literature." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:42cdcea1-56b8-4d3d-961f-d2a3e7fa0d13.

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This study addresses the problem critics have faced in identifying contemporary perceptions of the barber, surgeon and barber-surgeon in early modernity by examining the literature, predominantly the drama, from the period. The name ‘barber-surgeon’ is not given formally to any character in extant early modern plays; only within the dialogue or during stage business is a character labelled the barber-surgeon. Barbers and surgeons are simultaneously separate and doubled-up characters. The differences and cross-pollinations between their practices play out across the literature and tell us not j
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Knight, M. Eddy. "Howard Barker and the reintroduction of the theatre of language /." Title page, contents and introduction only, 1995. http://web4.library.adelaide.edu.au/theses/09AR/09ark71.pdf.

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Long, Nigel Jeremy. "Aspects of a radical postmodern theatre." Thesis, University of Exeter, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267225.

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Barten, Antonia [Verfasser]. "Rückgewinnungsmanagement öffentlicher Theaterbetriebe : Relevanz, Voraussetzungen, Handlungsempfehlungen / Antonia Barten." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2012. http://d-nb.info/1042421676/34.

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Barten, Antonia [Verfasser]. "Rückgewinnungsmanagement öffentlicher Theaterbetriebe : Relevanz, Voraussetzungen, Handlungsempfehlungen / Antonia Barten, geb. Weiß." Siegen : Universitätsbibliothek der Universität Siegen, 2011. http://d-nb.info/1013168836/34.

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Groves, Peter A. "Sacred tragedy : an exploration into the spiritual dimension of the theatre of Howard Barker." Thesis, University of Warwick, 2014. http://wrap.warwick.ac.uk/72932/.

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Although Barker began in the early 1970s as a Marxist satirical playwright, by 2005 his approach had shifted in focus to such an extent that he felt able to define his theatre as having ‘many of the characteristics of a religion.’ This study investigates the relationship between Barker’s theatre and religious and spiritual ideas, focusing on two key influences: the medieval Christian mystical theologian Meister Eckhart and religious and mythic elements of ancient Greek tragedy. Barker’s dramatic engagement with Abrahamic monotheism reveals his interest in early biblical portrayals of God and h
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Melton, Kyle. "Attend the Tale of Sweeney Todd: The Demon Barber of Fleet Street." Master's thesis, Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/138355.

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Theater<br>M.F.A.<br>Murder on stage is the first and most theatrical moment known to the theater. Sweeney Todd: The Demon Barber of Fleet Street, takes this effect to a whole other level. Sweeney Todd is a dark opera that follows the demise of a man through his struggle for revenge, and his quest to reunite with his family. This thesis will cover, from start to finish, the entire scenic design process of Temple University's 2010 production of Sweeney Todd: The Demon Barber of Fleet Street.<br>Temple University--Theses
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Lamb, Charles. "Irrational theatre : the challenge posed by the plays of Howard Barker for contemporary performance theory and practice." Thesis, University of Warwick, 1992. http://wrap.warwick.ac.uk/34731/.

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This study arose out of an awareness that contemporary performance theories and production techniques were not appropriate to the plays of Howard Barker. The first section, a comparison of Barker with Edward Bond, attempts to 'situate' the former with reference to a major dramatist of the seventies and early eighties. This reveals a number of significant differences, including almost diametrically opposed conceptions of the function of drama. In the second section, I consider Barker against a wider background of deconstructive and postmodernist thinking. As opposed to Bond's Brechtian notion o
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Books on the topic "Barter Theatre"

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1947-, Lamb Charles, ed. The Theatre of Howard Barker. Routledge, 2004.

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Kennedy, Dennis. Granville Barker and the dream of theatre. CUP, 1985.

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Dennis, Kennedy. Granville Barker and the dream of theatre. Cambridge University Press, 1985.

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Karoline, Gritzner, and Rabey David Ian 1958-, eds. Theatre of catastrophe: New essays on Howard Barker. Oberon Books, 2006.

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Karoline, Gritzner, and Rabey David Ian 1958-, eds. Theatre of catastrophe: New essays on Howard Barker. Oberon Books, 2006.

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Kathleen, Barker, Foulkes Richard, and Society for Theatre Research, eds. Scenes from provincial stages: Essays in honour of Kathleen Barker. Society for Theatre Research, 1994.

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Lamb, Charles. Irrational theatre: The challenge posed by the plays of Howard Barker for contemporary performance theory and practice. typescript, 1992.

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8

Klammer, Jürgen. Beim Barte des Proleten: Geschichten aus dem Kabarett-Theater Distel in den Zeiten von Walter Ulbricht, Erich Honecker und Helmut Kohl. Selbstironieverlag, 2013.

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Costa, Maria Teresa Sánchez. Passat i present de "La cooperative": TMC, Teatre Municipal Cooperativa. Ajuntament de Barberà de Vallès, 2007.

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Damassa, Julia. Silencing the noise of myth: Women and related themes in the plays of Timberlake Wertenbaker and Howard Barker (with reference to Barker's 'Argumentsfor a theatre' and in the light of developments in the Women's Movement in the West and in contemporary British theatre). University of Salford, 1992.

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Book chapters on the topic "Barter Theatre"

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Wilcher, Robert. "Honouring the Audience: the Theatre of Howard Barker." In British and Irish Drama since 1960. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22762-4_13.

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Rabey, David Ian. "Gifts of Loss: An Introduction to Barker’s Writing and Theatre." In Howard Barker: Ecstasy and Death. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230582033_1.

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Królikowska, Joanna. "Droga do spotkania. O wyprawie Teatru Węgajty Karawan Południa." In Polyphony. The Story of the Węgajty Theatre’s Creative Work. Institute of Art Polish Academy of Science, 2023. http://dx.doi.org/10.36744/9788366519657.06.

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The article discusses Southern Caravan: the most ambitious of the Węgajty Theatre’s artistic/research expeditions organised to Albania in 2011. The text approaches the expedition not only as an activity related to the acquisition of knowledge and skills that enrich theatrical work but above all as an interpersonal encounter. The diaries of Erdmute Sobaszek published on the blog of the Węgajty Theatre during the trip, in-depth interviews with the participants, Justyna Wielgus and Izabela Giczewska, as well as films recorded during the trip, were all helpful in reconstructing the events and proc
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Croft, Susan. "Clive Barker and Alternative Theatre." In Clive Barker and His Legacy. Methuen Drama, 2022. http://dx.doi.org/10.5040/9781350128507.ch-004.

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"Barker and the British theatre." In The Theatre of Howard Barker. Routledge, 2004. http://dx.doi.org/10.4324/9780203324288-7.

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Pitches, Ceri (formerly Edwards). "Theatre Gains: Remembering Clive." In Clive Barker and His Legacy. Methuen Drama, 2022. http://dx.doi.org/10.5040/9781350128507.ch-007.

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"Postmodernism and the theatre." In The Theatre of Howard Barker. Routledge, 2004. http://dx.doi.org/10.4324/9780203324288-8.

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Kiehl, Christine. "Staging Barker in France 2009." In Howard Barker’s Art of Theatre. Manchester University Press, 2016. http://dx.doi.org/10.7765/9781526111234.00015.

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"LE BARBIER DE." In Beaumarchais and the Theatre. Routledge, 2008. http://dx.doi.org/10.4324/9780203191552-17.

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Barker, Howard. "Theatre without a Conscience (1990)." In Modern Theories of Drama. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198711407.003.0008.

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Abstract In his dramatic output of over fifty works for stage, radio, television, and film, the English author Howard Barker (b. 1946) occupies a singular niche. Though originally taking a left-wing satirical stance he has come to advocate a morally and politically ambiguous ‘Theatre of Catastrophe’; this aggressively black viewpoint he has defended in a collection of essays, Arguments for a Theatre. The following piece from that book was first delivered as a paper at the University College of Wales, Aberystwyth, in 1990. Barker’s plays present striking but ambiguous images rather than convent
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Conference papers on the topic "Barter Theatre"

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Harry, John. "Moisture in Historic Commercial Building Walls – Approaches to Assessment and Restoration." In SSPC 2013 Greencoat. SSPC, 2013. https://doi.org/10.5006/s2013-00026.

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The City of Rocky Mount, NC has several historic brick buildings throughout downtown areas, built during the early to mid 1900’s. These buildings were constructed during times when segregation was rampant in the southern states and African-Americans were treated unequally. African-Americans faced race-inspired violence and harsh treatment causing them to live a different type of lifestyle from the rest of society. Many were barred from classrooms, bathrooms, theaters and other public facilities during this era. The City of Rocky Mount wanted to restore 6 of their historic buildings that were l
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Jayson, Eric M., and Gregory R. Mathy. "Rapidly Deployable Lightweight Shelters for Austere Environments." In ASME 2013 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/imece2013-63721.

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An innovative solution for a rapidly deployable shelter for use in austere environments is presented in this paper. The design incorporates a self-erecting dome structure and a compressible, high R-value thermal barrier to enable rapid in-theatre deployment of personnel in harsh environmental conditions. The design concept presented in the paper was originally developed in response to the Army branch of the small business innovative research (SBIR) solicitation topic A11-099. The proposed 400 ft2 shelter meets the design goals of deployment by two people in 20 minutes, capability of withstandi
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