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Relevant bibliographies by topics / Barter Theatre / Dissertations / Theses

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Dissertations / Theses on the topic 'Barter Theatre'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Atkinson, Megan E. "Move, Interact, and Connect Personally Barter Theatre’s Project REAL Gets Implicit In Order To Learn." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2510.

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Body movement, hands-on activity, embodiment, social interaction, emotions, and self-reflection allow teaching artists of Barter’s Theatre’s Project REAL to conduct a lesson with an implicit learning experience as the focus. Barter Theatre’s Project REAL exists as a theatre for education program that collaborates with regular classroom teachers on delivering the curriculum through specific theatre exercises in order to connect the material personally to the students’ lives. Theatre tools provide a human experience that enhances learning for the student by use of kinesthetic movement, social le

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2

Chafirovitch, Ana Cristina Russo. "Aspectos teóricos e metodológicos do teatro social: sua aplicação numa comunidade de jovens do Baixo Alentejo." Doctoral thesis, Universidade de Évora, 2012. http://hdl.handle.net/10174/14703.

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Esta investigação teve a intenção de desenvolver uma intervenção de Teatro Social junto de um grupo de jovens em contexto rural, em Odemira. Pretendeu indagar em que moldes o Teatro Social proporciona benefícios artísticos e relacionais aos não-performers, num processo de criação com, através e na comunidade, que atende aos contextos e à construção de pontes da margem para o centro e do centro para a margem. Procedeu-se à pesquisa de textos e à realização de entrevistas semi-estruturadas a teóricos e operadores especializados, a fim de esclarecer sobre o significado e focos de acção na impleme

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3

Decamp, Eleanor Sian. "Performing barbers, surgeons and barber-surgeons in early modern English literature." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:42cdcea1-56b8-4d3d-961f-d2a3e7fa0d13.

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This study addresses the problem critics have faced in identifying contemporary perceptions of the barber, surgeon and barber-surgeon in early modernity by examining the literature, predominantly the drama, from the period. The name ‘barber-surgeon’ is not given formally to any character in extant early modern plays; only within the dialogue or during stage business is a character labelled the barber-surgeon. Barbers and surgeons are simultaneously separate and doubled-up characters. The differences and cross-pollinations between their practices play out across the literature and tell us not j

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4

Knight, M. Eddy. "Howard Barker and the reintroduction of the theatre of language /." Title page, contents and introduction only, 1995. http://web4.library.adelaide.edu.au/theses/09AR/09ark71.pdf.

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5

Long, Nigel Jeremy. "Aspects of a radical postmodern theatre." Thesis, University of Exeter, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267225.

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6

Barten, Antonia [Verfasser]. "Rückgewinnungsmanagement öffentlicher Theaterbetriebe : Relevanz, Voraussetzungen, Handlungsempfehlungen / Antonia Barten." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2012. http://d-nb.info/1042421676/34.

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7

Barten, Antonia [Verfasser]. "Rückgewinnungsmanagement öffentlicher Theaterbetriebe : Relevanz, Voraussetzungen, Handlungsempfehlungen / Antonia Barten, geb. Weiß." Siegen : Universitätsbibliothek der Universität Siegen, 2011. http://d-nb.info/1013168836/34.

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8

Groves, Peter A. "Sacred tragedy : an exploration into the spiritual dimension of the theatre of Howard Barker." Thesis, University of Warwick, 2014. http://wrap.warwick.ac.uk/72932/.

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Although Barker began in the early 1970s as a Marxist satirical playwright, by 2005 his approach had shifted in focus to such an extent that he felt able to define his theatre as having ‘many of the characteristics of a religion.’ This study investigates the relationship between Barker’s theatre and religious and spiritual ideas, focusing on two key influences: the medieval Christian mystical theologian Meister Eckhart and religious and mythic elements of ancient Greek tragedy. Barker’s dramatic engagement with Abrahamic monotheism reveals his interest in early biblical portrayals of God and h

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9

Melton, Kyle. "Attend the Tale of Sweeney Todd: The Demon Barber of Fleet Street." Master's thesis, Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/138355.

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Theater<br>M.F.A.<br>Murder on stage is the first and most theatrical moment known to the theater. Sweeney Todd: The Demon Barber of Fleet Street, takes this effect to a whole other level. Sweeney Todd is a dark opera that follows the demise of a man through his struggle for revenge, and his quest to reunite with his family. This thesis will cover, from start to finish, the entire scenic design process of Temple University's 2010 production of Sweeney Todd: The Demon Barber of Fleet Street.<br>Temple University--Theses

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10

Lamb, Charles. "Irrational theatre : the challenge posed by the plays of Howard Barker for contemporary performance theory and practice." Thesis, University of Warwick, 1992. http://wrap.warwick.ac.uk/34731/.

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This study arose out of an awareness that contemporary performance theories and production techniques were not appropriate to the plays of Howard Barker. The first section, a comparison of Barker with Edward Bond, attempts to 'situate' the former with reference to a major dramatist of the seventies and early eighties. This reveals a number of significant differences, including almost diametrically opposed conceptions of the function of drama. In the second section, I consider Barker against a wider background of deconstructive and postmodernist thinking. As opposed to Bond's Brechtian notion o

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11

Price, Amanda. "The theatre of promiscuity : a comparative study of the dramatic writings of Wole Soyinka and Howard Barker." Thesis, University of Leeds, 1995. http://etheses.whiterose.ac.uk/313/.

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The word 'artist serves as a pivot to the major concerns of this study. Consideration of its application and meaning in relation to contemporary society facilitates a detailed exploration and analysis of selected dramatic writings by Wole Soyinka and Howard Barker. The comparative nature of this work begins by charting the parallel journeys of these writers - within widely differing cultural contexts - from a critique of social determinations which serve to define and bound authorial intent to a process of "promiscuous" self-definition whereby the artistic imagination is used to name and desig

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12

Dekker, Nicholas John. "The Modern Catalyst: German Influences on the British Stage, 1890-1918." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1180431503.

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13

Peacock, Martin Henry. "Five approaches to political theatre : Howard Brenton, David Hare, David Edgar, Roger Howard, Caryl Churchill and Howard Barker." Thesis, Loughborough University, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.291727.

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14

Midhin, Majeed Mohammed. "The artist as a dramatic character in contemporary British drama : a critical study of Stoppard, Barker and Wertenbaker." Thesis, University of Essex, 2017. http://repository.essex.ac.uk/20011/.

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The focus of this dissertation is the representation of the artist as a character in British theatre. In this study, which includes three chapters and one introductory chapter, I attempt to show that British playwrights, whether male or female, use their main fictional characters as artists either for self-reflexivity or to comment on the situation of being an artist. In accordance with the above premise, the responsibility of the artist and the function of art is investigated with due reference to radical thinkers, philosophers and writers such as, among others, Immanuel Kant, Oscar Wilde, Ge

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15

Cregan, Kate A. (Kate Amelia) 1960. "Microcosmographia : seventeenth-century theatres of blood and the construction of the sexed body." Monash University, English Dept, 1999. http://arrow.monash.edu.au/hdl/1959.1/8588.

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16

Pilný, Ondřej. "Zdravotnické středisko Hlinsko." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2018. http://www.nusl.cz/ntk/nusl-372049.

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This diploma thesis deals with the design and elaboration process of a project documentation of medical center in city Hlinsko. New building is situated in the northern part of the city in the area determined for constructions of public infrastructure. It´s a four-floor object with partial basement and slant mansard and flat vegetative roof.Object is based on foundation strips and footings made from reinforced concrete.The bearing and internal walls are designed from KALKSANDSTEIN lime sand blocks.The beams and collums are used in the placed designed with open disposition.The ceiling in 1.PP i

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17

Khalvati, Mahboube. "Carnivalisation of catastrophe: a study of comedy in Howard Barker’s Theatre of catastrophe." Thesis, 2019. http://hdl.handle.net/10500/27008.

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Bibliography: leaves 221-234<br>This research explores the humour and laughter in Howard Barker's Theatre of Catastrophe in the light of Mikhail Bakhtin's theory of the carnivalesque against the backdrop of the postSecond-World-War British (post-WWII) society and cultural tendencies and problems thereof. In this research, which explores the different stages of Barker's work – namely plays written in the seventies, the eighties and early nineties – I argue that comedy and laughter are pivotal to Howard Barker's theory for theatre which ultimately shaped his Theatre of Catastrophe as a trag

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