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Books on the topic 'Barter Theatre'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

1947-, Lamb Charles, ed. The Theatre of Howard Barker. Routledge, 2004.

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2

Kennedy, Dennis. Granville Barker and the dream of theatre. CUP, 1985.

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3

Dennis, Kennedy. Granville Barker and the dream of theatre. Cambridge University Press, 1985.

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4

Karoline, Gritzner, and Rabey David Ian 1958-, eds. Theatre of catastrophe: New essays on Howard Barker. Oberon Books, 2006.

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5

Karoline, Gritzner, and Rabey David Ian 1958-, eds. Theatre of catastrophe: New essays on Howard Barker. Oberon Books, 2006.

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6

Kathleen, Barker, Foulkes Richard, and Society for Theatre Research, eds. Scenes from provincial stages: Essays in honour of Kathleen Barker. Society for Theatre Research, 1994.

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7

Lamb, Charles. Irrational theatre: The challenge posed by the plays of Howard Barker for contemporary performance theory and practice. typescript, 1992.

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8

Klammer, Jürgen. Beim Barte des Proleten: Geschichten aus dem Kabarett-Theater Distel in den Zeiten von Walter Ulbricht, Erich Honecker und Helmut Kohl. Selbstironieverlag, 2013.

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9

Costa, Maria Teresa Sánchez. Passat i present de "La cooperative": TMC, Teatre Municipal Cooperativa. Ajuntament de Barberà de Vallès, 2007.

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10

Damassa, Julia. Silencing the noise of myth: Women and related themes in the plays of Timberlake Wertenbaker and Howard Barker (with reference to Barker's 'Argumentsfor a theatre' and in the light of developments in the Women's Movement in the West and in contemporary British theatre). University of Salford, 1992.

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11

Unsworth, Barry. Morality play. H. Hamilton, 1995.

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12

Unsworth, Barry. Morality play. W.W Norton, 1995.

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13

Doyle, Alfreda C. Alfreda's Reader's Theatre, Barter Theatre. Story Time Stories That Rhyme, 1998.

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14

McKinney, Robert L. If You Like Us, Tlak About Us (The Life and Times of Robert H. Poterfield The founder of Virginia's World-Famous Barter Theatre). Barter Media, 2006.

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15

If You Like Us, Talk about Us: The Life and Times of Robert H. Porterfield, the Founder of Virginia's World-Famous Barter Theatre. Barter Media, 2006.

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16

Lamb, Charles. Theatre of Howard Barker. Taylor & Francis Group, 2004.

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17

Lamb, Charles. Theatre of Howard Barker. Taylor & Francis Group, 2004.

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18

Barker, Harley Granville, Colin Chambers, and Richard Nelson. Granville Barker on Theatre. Bloomsbury Publishing Plc, 2017. http://dx.doi.org/10.5040/9781474294867.

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19

Theatre of Howard Barker. Bloomsbury Publishing Plc, 2019.

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20

Theatre of Howard Barker. Bloomsbury Publishing Plc, 2019.

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21

Lamb, Charles. Theatre of Howard Barker. Taylor & Francis Group, 2004.

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22

Lamb, Charles. Theatre of Howard Barker. Taylor & Francis Group, 2004.

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23

Lamb, Charles. Theatre of Howard Barker. Taylor & Francis Group, 2004.

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24

Lamb, Charles. Theatre of Howard Barker. Taylor & Francis Group, 2004.

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25

Theatre of Howard Barker. Routledge, 2004.

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26

Theatre of Howard Barker. Bloomsbury Publishing Plc, 2021.

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27

Theatre of Howard Barker. Bloomsbury Publishing Plc, 2019.

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28

Lamb, Charles. The Theatre of Howard Barker. Routledge, 2004. http://dx.doi.org/10.4324/9780203324288.

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29

The Theatre of Howard Barker. Routledge, 2004.

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30

Granville-Barker, Harley. Granville Barker on Theatre: Selected Essays. Methuen Drama, 2017.

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31

Granville-Barker, Harley. Granville Barker on Theatre: Selected Essays. Methuen Drama, 2017.

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32

Barker, Harley Granville. Granville Barker on Theatre: Selected Essays. Bloomsbury Publishing Plc, 2017.

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33

Barker, Harley Granville. Granville Barker on Theatre: Selected Essays. Bloomsbury Publishing Plc, 2017.

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34

Fryer, Paul, and Nesta Jones. Clive Barker and His Legacy: Theatre Workshop and Theatre Games. Bloomsbury Publishing Plc, 2022.

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35

Fryer, Paul, and Nesta Jones. Clive Barker and His Legacy: Theatre Workshop and Theatre Games. Bloomsbury Publishing Plc, 2023.

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36

Scenography of Howard Barker: The Wrestling School Aesthetic 1998-2011. Taylor & Francis Group, 2020.

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37

Kipp, Lara Maleen. Scenography of Howard Barker: The Wrestling School Aesthetic 1998-2011. Taylor & Francis Group, 2020.

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38

Kipp, Lara Maleen. Scenography of Howard Barker: The Wrestling School Aesthetic 1998-2011. Taylor & Francis Group, 2020.

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39

Scenography of Howard Barker: The Wrestling School Aesthetic 1998-2011. Taylor & Francis Group, 2022.

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40

Granville Barker and the dream of theatre. Cambridge University Press, 1985.

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41

Kennedy, Dennis. Granville Barker and the Dream of Theatre. Cambridge University Press, 1989.

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42

Patterson, Michael, ed. The Great European Stage Directors. Bloomsbury Publishing Plc, 2019. http://dx.doi.org/10.5040/9781474208383.

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In this volume leading scholars assess the contributions of Max Reinhardt, Leopold Jessner and Harley Granville Barker to European theatre. Their work represents the cultural shift from traditional theatre practices of the 19th century to the rise of Modernism and its means of establishing theatre as an art form in its own right. Uncovering the theories and visions of theatre held by Reinhardt, Jessner and Barker, this volume establishes the contribution and importance of these directors in the development of modern theatre and their significance alongside the better-known names of Stanislavsk

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43

Theatre of Catastrophe: New Essays on Howard Barker. Oberon Books, 2007.

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44

(Editor), Karoline Gritzner, and David Ian Rabey (Editor), eds. Theatre of Catastrophe: New Essays on Howard Barker. Oberon Books, 2007.

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45

C. B. (Charles Benjamin) 1883- Purdom. Harley Granville Barker, Man of the Theatre, Dramatist, and Scholar. Creative Media Partners, LLC, 2021.

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46

Barker, Howard. Arguments for a Theatre. 4th ed. Oberon Books Ltd, 2016. http://dx.doi.org/10.5040/9781350924505.

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This new edition of Barker’s seminal text Arguments for a Theatre outlines the theory and practice of his ‘Theatre of Catastrophe’. Author of over thirty plays, Howard Barker has long been an implacable foe of the liberal British establishment, and champion of radical theatre world-wide. His best-known plays are The Castle, Scenes from an Execution and The Possibilities. All his plays are emotionally highly charged, intellectually stimulating and have no truck with the theatrical conventions of what he terms the ‘Establishment Theatre’. These fragments, essays, thoughts and poems on the nature

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47

Great European Stage Directors Volume 4: Reinhardt, Jessner, Barker. Bloomsbury Publishing Plc, 2024.

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48

Great European Stage Directors Volume 4: Reinhardt, Jessner, Barker. Bloomsbury Publishing Plc, 2018.

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49

Cannon Harris, Susan. Mobilising Maurya: J. M. Synge, Bertolt Brecht and the Revolutionary Mother. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424462.003.0005.

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This chapter examines the impact on modern drama of the establishment of the Soviet Union, through in-depth investigation of a special case: Bertolt Brecht’s transformation of J. M. Synge’s 1904 Riders to the Sea into a 1937 Spanish Civil War play called Señora Carrar’s Rifles. Synge and Ireland were not, for their own sakes, important to Brecht; he was drawn to Riders as a model which might help him solve the problem of how to radicalise the working-class mother. After the disastrous 1935 production of Brecht’s The Mother by the New York City-based Theatre Union, Brecht concluded that the tec

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50

The ' new drama', 1900-1914: Harley Granville Barker, John Galsworthy, St John Hankin, John Masefield. Grove Press, 1986.

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