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1

McDaniel, Stephen Ray. The communication effects of positioning brands with sporting events: An experimental study of schema-triggered affect in consumer response to event sponsorship advertising. UMI Dissertation Services, 2000.

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2

Hawthorne, Nathaniel. Nathaniel Hawthorne: Dr. Heidegger's Experiment, the Birthmark, Ethan Brand, Wakefield, Drowne's Wooden Image, the Ambitious Guest, the Great Stone F. Independently Published, 2021.

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Hawthorne, Nathaniel. Dr. Heidegger's Experiment: The Birthmark, Ethan Brand, Wakefield, Drowne's Wooden Image, the Ambitious Guest, the Great Stone Face, the Gray Champion. Franklin Classics, 2018.

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Hawthorne, Nathaniel. Dr. Heidegger's Experiment. the Birthmark, Ethan Brand, Wakefield, Drowne's Wooden Image, the Ambitious Guest, the Great Stone Face, the Gray Champion. Creative Media Partners, LLC, 2018.

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Hawthorne, Nathaniel. Dr. Heidegger's Experiment: The Birthmark, Ethan Brand, Wakefield, Drowne's Wooden Image, the Ambitious Guest, the Great Stone Face, the Gray Champion. Franklin Classics, 2018.

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6

Hawthorne, Nathaniel. Dr. Heidegger's Experiment: The Birthmark, Ethan Brand, Wakefield, Drowne's Wooden Image, the Ambitious Guest, the Great Stone Face, the Gray Champion. Creative Media Partners, LLC, 2018.

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7

Hawthorne, Nathaniel. Dr. Heidegger's Experiment: The Birthmark, Ethan Brand, Wakefield, Drowne's Wooden Image, the Ambitious Guest, the Great Stone Face, the Gray Champion. Creative Media Partners, LLC, 2018.

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8

Hawthorne, Nathaniel. Dr. Heidegger's Experiment: The Birthmark, Ethan Brand, Wakefield, Drowne's Wooden Image, the Ambitious Guest, the Great Stone Face, the Gray Champion. Creative Media Partners, LLC, 2018.

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9

Hawthorne, Nathaniel. Dr. Heidegger's Experiment. The Birthmark, Ethan Brand, Wakefield, Drowne's Wooden Image, The Ambitious Guest, The Great Stone Face, The Gray Champion. Franklin Classics, 2018.

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10

Dr. Heidegger's Experiment. the Birthmark, Ethan Brand, Wakefield, Drowne's Wooden Image, the Ambitious Guest, the Great Stone Face, the Gray Champion. Creative Media Partners, LLC, 2022.

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11

Hawthorne, Nathaniel. Nathaniel Hawthorne: Dr. Heidegger's Experiment; The Birthmark, Ethan Brand; Wakefield; Drowne's Wooden Image; The Ambitious Guest; The Great Stone Face; The Gray Champion. Kessinger Publishing, LLC, 2007.

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12

Hawthorne, Nathaniel. Nathaniel Hawthorne: Dr. Heidegger's Experiment; The Birthmark, Ethan Brand; Wakefield; Drowne's Wooden Image; The Ambitious Guest; The Great Stone Face; The Gray Champion. Kessinger Publishing, LLC, 2007.

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13

Kuttainen, Victoria, and Greg Manning. Postmodernist and Literary Experiments. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0017.

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This chapter examines postmodernist and literary experiments in Australia, Canada, New Zealand, and the South Pacific. It first considers Australia's brand of postmodernism, noting that it was much less a reaction to modernism than an effect of American influences that developed mid-century and a reflection on its late emergence from the colonial condition. It shows that Australian literature and its institutions since the 1930s had maintained a distant and uncomfortable relationship with literary modernism. Key writers discussed include Peter Carey, Gerald Murnane, and Elizabeth Jolley. The c
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14

Walser, Martin G. Brand Strength: Building and Testing Models Based on Experimental Information. DUV, 2004.

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15

McDonald, Rónán. Global Beckett. Edited by Nicholas Grene and Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.37.

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Beckett, arguably the most important playwright of the twentieth century, has achieved an international reputation that goes well beyond his achievement as a writer. There is in effect a ‘Beckett brand’, a marketable image of the man and his works. The abstraction of his theatre work, its lack of definite geographical or specific referents, has led to a tenacious discourse of universalism. His global fame developed from the first production ofWaiting for Godot, seen as the epitome of modernist experiment, delivering a profound image of the human condition free of historical specificity and thu
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16

Material Effects: Product Designs, Photographs, Experiments. Jovis Verlag GmbH, 2018.

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17

Experiments With a Kromrey and a Brandt-Tesla Converter Built by John Bedini. Tesla Book Co, 1987.

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18

Smigel, Eric. Sights and Sounds of the Moving Mind. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0006.

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American experimental filmmaker Stan Brakhage revolutionised independent cinema by cultivating a new poetic idiom designed to document the subjective vision of the eye behind the camera. Committed to an inclusive account of the lived visual experience, he augmented the cinematic vocabulary by including components such as hallucination, dreams, closed-eye images and optical feedback, capturing these ephemeral elements using a wide variety of ‘home-made’ modifications to the filming process, including erratic hand-held camera movement, distortion of focus and changing camera speeds. Although mos
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19

Sage, Balthazar Georges. Experiments Shewing That Volatile Alkali Fluor Is the Most Efficacious Remedy in the Cure of Asphyxies: ... Translated from the French of M. Sage, by Thomas Brand. HardPress, 2020.

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20

Lewis, James R. UFOs and Popular Culture. ABC-CLIO, 2000. http://dx.doi.org/10.5040/9798216028826.

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From religious beliefs and legends to movies and TV shows, from advertising and celebrities to Internet sites and photo ops, this illustrated A–Z encyclopedia makes it easy to locate each topic, and the opportunities for further research assure its timeliness. Is the human race the result of a breeding experiment carried out by ancient astronauts? Are satanists, extraterrestrials—or both—mutilating cattle? Whimsical and fascinating,UFOs and Popular Cultureexplores a rich facet of Americana and its impact on contemporary society. The UFO phenomenon is put into folkloric and psychological perspe
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21

Allen, Nicholas, Nick Groom, and Jos Smith, eds. Coastal Works. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198795155.001.0001.

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In all the complex cultural history of the islands of Britain and Ireland, the idea of the coast as a significant representative space is critical. For many artists, coastal space has figured as a site from which to braid ideas of empire, nation, region, and archipelago. They have been drawn to the coast as a zone of geographical uncertainty in which the self-definitions of the nation founder; a peripheral space of vestigial wildness, of island retreats and experimental living; a network of diverse localities richly endowed with distinctive forms of cultural heritage; and a dynamically interco
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