Academic literature on the topic 'Carlos Museum'

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Journal articles on the topic "Carlos Museum"

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Jiménez Navarro, Cristina. "Entrevista a Carlos B. Luna, autor de "Pinocho Blues": “Construí un Pinocho cada vez más empático, que no juzgaba, que quería explorar”." Ondina - Ondine, no. 9 (December 29, 2023): 249–63. http://dx.doi.org/10.26754/ojs_ondina/ond.202399640.

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Pinocho Blues es el cómic más internacional de Carlos B. Luna. Fue seleccionado para la exposición Crafting Pinocchio, organizada en el Museum Of Modern Arts (MoMA) de Nueva York, entre diciembre de 2022 y abril de 2023, con motivo del rodaje de la película de stop-motion que Guillermo del Toro dirigió sobre el personaje creado por Carlo Collodi. En esta entrevista, Carlos B. Luna nos habla de su obra y, sobre todo, del protagonista de su obra más reconocida: un Pinocho ávido de conocer el mundo, en una constante exploración interna y con la misión de demostrar que el amor es la única fuerza c
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Barragán, Yamaly, Estefanía Rodríguez, Tommaso Chiodo, Luciana C. Gusmão, Carlos Sánchez, and Daniel Lauretta. "Revision of the genus Actinostella (Cnidaria: Actiniaria: Actinioidea) from tropical and subtropical western Atlantic and eastern Pacific: redescriptions and synonymies." American Museum Novitates 2024, no. 4014 (2024): 1–48. https://doi.org/10.1206/4014.1.

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Barragán, Yamaly, Rodríguez, Estefanía, Chiodo, Tommaso, Gusmão, Luciana C., Sánchez, Carlos, Lauretta, Daniel (2024): Revision of the genus Actinostella (Cnidaria: Actiniaria: Actinioidea) from tropical and subtropical western Atlantic and eastern Pacific: redescriptions and synonymies. American Museum Novitates 2024 (4014): 1-48, DOI: 10.1206/4014.1, URL: https://bioone.org/journals/american-museum-novitates/volume-2024/issue-4014/4014.1/Revision-of-the-Genus-Actinostella-Cnidaria--Actiniaria--Actinioidea/10.1206/4014.1.full
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Huff, Jeremy C., Carlos Víquez, and Lorenzo Prendini. "Redescription of Mimoscorpius pugnator (Butler, 1872) (Arachnida: Thelyphonida), with first description of the female." American Museum Novitates 3633 (December 31, 2008): 1–12. https://doi.org/10.1206/640.1.

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Huff, Jeremy C., Víquez, Carlos, Prendini, Lorenzo (2008): Redescription of Mimoscorpius pugnator (Butler, 1872) (Arachnida: Thelyphonida), with first description of the female. American Museum Novitates 3633: 1-12, DOI: 10.1206/640.1
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Santibáñez-López, Carlos E., Oscar F. Francke, and Lorenzo Prendini. "Kolotl, n. gen. (Scorpiones: Diplocentridae), a New Scorpion Genus from Mexico." American Museum Novitates 2014, no. 3815 (2014): 1. https://doi.org/10.1206/3815.1.

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Santibáñez-López, Carlos E., Francke, Oscar F., Prendini, Lorenzo (2014): Kolotl, n. gen. (Scorpiones: Diplocentridae), a New Scorpion Genus from Mexico. American Museum Novitates 2014 (3815): 1, DOI: 10.1206/3815.1, URL: http://www.bioone.org/doi/abs/10.1206/3815.1
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Platnick, Norman I., Lily Berniker, and Carlos Víquez. "The Goblin Spider Genus Costarina (Araneae, Oonopidae), Part 2: the Costa Rican fauna." American Museum Novitates 2014, no. 3794 (2014): 1–76. https://doi.org/10.1206/3794.1.

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Platnick, Norman I., Berniker, Lily, Víquez, Carlos (2014): The Goblin Spider Genus Costarina (Araneae, Oonopidae), Part 2: the Costa Rican fauna. American Museum Novitates 2014 (3794): 1-76, DOI: 10.1206/3794.1, URL: http://www.bioone.org/doi/abs/10.1206/3794.1
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Lado, Carlos, and Diana Wrigley De Basanta. "Typification of the myxomycete taxa described by the Listers and preserved at the Natural History Museum, London (BM)." Phytotaxa 341, no. 1 (2018): 448–50. https://doi.org/10.11646/phytotaxa.341.1.1.

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Lado, Carlos, Basanta, Diana Wrigley De (2018): Typification of the myxomycete taxa described by the Listers and preserved at the Natural History Museum, London (BM). Phytotaxa 341 (1): 448-450, DOI: 10.11646/phytotaxa.341.1.1, URL: http://dx.doi.org/10.11646/phytotaxa.341.1.1
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Reid, Nicholas. "King Like a Horned Viper: Two New Manuscripts of Praise Poems to Šulgi." Zeitschrift für Assyriologie und vorderasiatische Archäologie 114, no. 1 (2024): 12–22. http://dx.doi.org/10.1515/za-2024-0003.

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Abstract Two tablets from the the Michael C. Carlos Museum at Emory University contain excerpts of literary texts celebrating Šulgi: an excerpt of the praise poem Šulgi A, with two previously unknown lines, and a manuscript from a new hymn to Šulgi, paralleling Ni 13227.
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Santibäñez-López, Carlos E., Oscar F. Francke, and Lorenzo Prendini. "Systematics of the keyserlingii group of Diplocentrus Peters, 1861 (Scorpiones: Diplocentridae), with descriptions of three new species from Oaxaca, Mexico." American Museum Novitates 2013, no. 3777 (2013): 1–48. https://doi.org/10.1206/3777.2.

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Santibäñez-López, Carlos E., Francke, Oscar F., Prendini, Lorenzo (2013): Systematics of the keyserlingii group of Diplocentrus Peters, 1861 (Scorpiones: Diplocentridae), with descriptions of three new species from Oaxaca, Mexico. American Museum Novitates 2013 (3777): 1-48, DOI: 10.1206/3777.2, URL: http://www.bioone.org/doi/abs/10.1206/3777.2
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Goicoechea, NoemÍ, José M. Padial, Juan Carlos Chaparro, Santiago Castroviejo-Fisher, and Ignacio De La Riva. "A taxonomic revision of Proctoporus bolivianus Werner (Squamata: Gymnophthalmidae) with the description of three new species and resurrection of Proctoporus lacertus Stejneger." American Museum Novitates 2013, no. 3786 (2013): 1–32. https://doi.org/10.1206/3786.1.

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Goicoechea, NoemÍ, Padial, José M., Chaparro, Juan Carlos, Castroviejo-Fisher, Santiago, Riva, Ignacio De La (2013): A taxonomic revision of Proctoporus bolivianus Werner (Squamata: Gymnophthalmidae) with the description of three new species and resurrection of Proctoporus lacertus Stejneger. American Museum Novitates 2013 (3786): 1-32, DOI: 10.1206/3786.1, URL: http://www.bioone.org/doi/abs/10.1206/3786.1
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GARÓFALO, CARLOS ALBERTO, and JR. JEROME G. ROZEN. "Parasitic Behavior of Exaerete smaragdina with Descriptions of Its Mature Oocyte and Larval Instars (Hymenoptera: Apidae: Euglossini)." American Museum Novitates 3349 (October 31, 2001): 1–27. https://doi.org/10.1206/0003-0082(2001)349<0001:PBOESW>2.0.CO;2.

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GARÓFALO, CARLOS ALBERTO, ROZEN JR., JEROME G. (2001): Parasitic Behavior of Exaerete smaragdina with Descriptions of Its Mature Oocyte and Larval Instars (Hymenoptera: Apidae: Euglossini). American Museum Novitates 3349: 1-27, DOI: 10.1206/0003-0082(2001)349&lt;0001:PBOESW&gt;2.0.CO;2, URL: http://www.bioone.org/doi/abs/10.1206/0003-0082%282001%29349%3C0001%3APBOESW%3E2.0.CO%3B2
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Dissertations / Theses on the topic "Carlos Museum"

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Wills, Brian Wesley. "An immersive extension for the Michael C Carlos Museum : making space from within." Diss., Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/23057.

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Moore, Zachary Stephen. "Voices of the Exhibition:The Rise of Ekphrasis during the 20th Century through Imagism and Visual Art Museums." Wright State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=wright1431087392.

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Bryson, Karen Margaret. "A royal portrait head in the collection of the Michael C. Carlos Museum at Emory University." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-07182008-060902/.

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Thesis (M.A.)--Georgia State University, 2008.<br>Title from file title page. Melinda Hartwig, committee chair; Maria Gindhart, Glenn Gunhouse, committee members. Electronic text (128 p. : col. ill.) : digital, PDF file. Description based on contents viewed Oct. 3, 2008. Includes bibliographical references (p. 124-128).
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Bryson, Karen Margaret. "An Egyptian Royal Portrait Head in the Collection of the Michael C. Carlos Museum at Emory University." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/art_design_theses/31.

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This thesis discusses a small, red granite, Egyptian royal portrait head in the collection of the Michael C. Carlos Museum in Atlanta, Georgia. The head is determined to be a fragment from a group depicting the king in front of the monumental figure of a divine animal, probably a ram or baboon. Scholars have attributed the head to the reigns of various New Kingdom pharaohs, including Horemheb and Seti I, but on more careful examination its style demonstrates that it dates to the reign of Ramesses II (1304-1237 B.C.).
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Castro, Carlos Eduardo Binato de. "Paredes modernas : o Museu de Belas Artes de Caracas e o Sesc Pompeia." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/186178.

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Esta dissertação pretende investigar, por meio de análise comparativa entre a segunda expansão do Museu de Belas Artes de Caracas – MBAC (1966-76), de Carlos Raúl Villanueva, e o bloco esportivo do Sesc Pompeia (1976-86), de Lina Bo Bardi, o uso da parede portante em concreto armado como solução estrutural em arquiteturas de porte especial desenvolvidas na América Latina na segunda metade do século XX. A seleção desses dois exemplares, dentre os que compõem o extenso e relevante corpo de trabalho de Villanueva e Bo Bardi, deve-se ao fato de ambos valerem-se do uso do concreto armado em paredes
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Esteves, Pedro Carvalhido. "Castelvecchio de Carlo Scarpa: o reinventar de um museu, entre passado e presente." Master's thesis, Universidade de Évora, 2009. http://hdl.handle.net/10174/11590.

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O entendimento do trabalho final de curso como oportunidade para estudar uma das problemáticas que mais me fascinam no campo daArquitectura, a ideia de construir no construido, tem por resultado a dissertação “Castelvecchio de Carlo Scarpa: o reinventar de um museu entre passado e presente”. O estudo desta obra paradigmática, na intervenção sobre edifícios históricos, conduz a uma pista, que mais do que tentar encerrar numa palavra a intervenção, constrói uma possibilidade interpretativa: a ideia de “prótese” como modo de colocar em relação obra de arte e espaço expositivo. Luz, cor, textura,
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Garcia, Luís Antóino Cerdeira. "Reabilitação sustentável : expansão do Museu Nacional de Arte Antiga." Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2016. http://hdl.handle.net/10400.5/13550.

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Buckman, Sarah K. N. "Performing Allah's work : experiences of Muslim family carers in Britain." Thesis, University of Nottingham, 2011. http://eprints.nottingham.ac.uk/12029/.

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This thesis explores how Muslim family carers of chronically ill or disabled family members in Britain perceive, perform and negotiate their caring role. Drawing on data collected from forty-three semi-structured interviews, this thesis shows that although Muslim family carers are not a homogenous group; perceptions, performances and negotiations of care within the family are often mediated through a Muslim religious lens. This manifests itself in three predominant ways explored in this thesis. Firstly, Muslim religious beliefs act as a "sacred canopy" through which carers draw comfort and spi
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Laranjeiro, Sílvia Cristina Abreu Nóbrega Chícharo. "Centro Cívico e Cultural de Santa Clara: Universo de Memórias João Carlos Abreu: Da Realidade à Virtualidade." Master's thesis, Universidade da Madeira, 2008. http://hdl.handle.net/10400.13/69.

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Situado num edifício do séc. XIX, o Centro Cívico e Cultural de Santa Clara – Universo de Memórias João Carlos Abreu foi adquirido pelo Governo Regional em 2002, para acolher todos os bens doados à Região Autónoma da Madeira, por João Carlos Nunes Abreu. Este Centro Cívico e Cultural é responsável pela manutenção e exposição ao público do espólio doado, estando também vocacionado para acolher e desenvolver acções de carácter cultural. Dispõe de um jardim, de uma Casa de Chá e de um Auditório. Encenado como um “caleidoscópio”, o “Universo de Memórias João Carlos Abreu” é um repositório de m
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Silva, Simone Trindade Vicente da. "Referencialidade e representação:um resgate do modo de construção de sentido nas pencas de balangandãs a partir da coleção Museu Carlos Costa Pinto." Programa de Pós- Graduação em Artes Visuais da UFBA, 2005. http://www.repositorio.ufba.br/ri/handle/ri/9811.

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230f.<br>Submitted by Suelen Reis (suziy.ellen@gmail.com) on 2013-04-05T14:17:52Z No. of bitstreams: 1 Silva.pdf: 8355396 bytes, checksum: eb06176813a1c16b8fe17346255cd844 (MD5)<br>Approved for entry into archive by Lêda Costa(lmrcosta@ufba.br) on 2013-04-18T11:59:03Z (GMT) No. of bitstreams: 1 Silva.pdf: 8355396 bytes, checksum: eb06176813a1c16b8fe17346255cd844 (MD5)<br>Made available in DSpace on 2013-04-18T11:59:03Z (GMT). No. of bitstreams: 1 Silva.pdf: 8355396 bytes, checksum: eb06176813a1c16b8fe17346255cd844 (MD5) Previous issue date: 2005<br>O presente trabalho aborda, através da anál
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Books on the topic "Carlos Museum"

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Universidad Central de Venezuela. Facultad de Arquitectura y Urbanismo, ed. La caja del arte: Los museos de Carlos Raúl Villanueva. Universidad Central de Venezuela, Facultad de Arquitectura y Urbanismo, 2004.

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Carme, IVAM Centre del. Viatge a Corfú: Carlos Pérez, l'home-museu : del 7 de febrer al 24 de maig, 2020, Sala Carlos Pérez, Centre del Carme Cultura Contemporània. Consorci de Museus de la Comunitat Valenciana, 2020.

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Manrique, Carlos. Carlos Manrique: Werke 1977-1992 : Museum Bochum, 21. März-3. Mai 1992. Das Museum, 1992.

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Mexican Fine Arts Center--Museum (Chicago, Ill.), ed. Carlos Cortéz Koyokuikatl: Soapbox artist & poet. Mexican Fine Arts Center Museum, 2002.

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Stephen, Quirke, Lacovara Peter, Michael C. Carlos Museum, and Petrie Museum of Egyptian Archaeology., eds. Excavating Egypt: Great discoveries from the Petrie Museum of Egyptian Archaeology, University College, London. Michael C. Carlos Museum, Emory University, 2005.

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National Museum of American History (U.S.). Archives Center. Register of the Carlos de Wendler-Funaro Gypsy research collection, c. 1920-1975: By Sheila Salo. Archives Center, National Museum of American History, Smithsonian Institution, 1986.

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María de los Angeles Calatayud Arinero. Pedro Franco Dávila: Primer director del Real Gabinete de Historia Natural fundado por Carlos III. Consejo Superior de Investigaciones Científicas, Museo Nacional de Ciencias Naturales, 1988.

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Stone-Miller, Rebecca. Seeing with new eyes: Highlights of the Michael C. Carlos Museum collection of art of the Ancient Americas. Michael C. Carlos Museum, Emory University, 2002.

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Teasley, Trope Betsy, and Michael C. Carlos Museum, eds. The realm of Osiris: Mummies, coffins, and Ancient Egyptian funerary art in the Michael C. Carlos Museum. Emory University, 2001.

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Museo de Arte Contemporáneo de Caracas Sofía Imber. Museo de Arte Contemporáneo de Caracas Sofía Imber: Obras de su colección [traducción, Juan Carlos Ledezma, Marianne Ruggiero, y Carlos Villalobos] = Sofía Imber Contemporary Art Museum of Caracas : works from its collection. The Museum, 1991.

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Book chapters on the topic "Carlos Museum"

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Hidaka, Shingo. "Conservation Science Research at the Museum: Development of Carbon Dioxide Treatment for Museum Collection." In New Horizons for Asian Museums and Museology. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0886-3_9.

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Sareen, Siddharth. "Just Low-Carbon Mobility Transitions: A Research-Based Art Exhibition." In Digitisation and Low-Carbon Energy Transitions. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-16708-9_2.

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AbstractWhile research on just low-carbon energy transitions is advancing, its manifestation in the cultural domain remains limited. This chapter features analytical and aesthetic interplay by narrating the process and outcome of a co-production process at the intersection of future imaginaries of mobility, salvage frontiers, and energy systems in transformation. It mainframes a rich tapestry of co-produced art by the Rjukan Solarpunk Academy. This accompanied a book workshop convened by the Energy Anthropology Network at the Norwegian Petroleum Museum in Autumn 2021, with images from two exhi
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SPITTLER, TERRY D., JOHN B. BOURKE, PAUL B. BAKER, and GEORGE W. HELFMAN. "Inhalation Exposure of Museum Personnel to Ethylene Dichloride-Carbon Tetrachloride Fumigant." In ACS Symposium Series. American Chemical Society, 1985. http://dx.doi.org/10.1021/bk-1985-0273.ch016.

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Municchia, A. Casanova, F. Bellatreccia, G. D’Ercoli, et al. "Characterisation of artificial patinas on bronze sculptures of the Carlo Bilotti Museum (Rome)." In inArt 2016. Springer Berlin Heidelberg, 2017. http://dx.doi.org/10.1007/978-3-662-55417-3_8.

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Heisel, Benno, Andreas Wehrl, Theresa Spielmann, and Christina Wehrl. "A museum of carbon ruins? Reflections on the ethics of memorialising decarbonisation." In The 2051 Munich Climate Conference. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839463840-008.

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Villa Valdés, Ángel. "La presencia militar en el limes conventual entre galaicos lucenses y astures trasmontanos." In Las caras del imperio: mecanismos de control y estrategias de resistencia. Presses universitaires de Franche-Comté, 2025. https://doi.org/10.4000/148r6.

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Resumen: El artículo presenta las evidencias de la presencia militar romana en el entorno del río Navia, frontera administrativa entre los conventos jurídicos de galaicos y astures trasmontanos. Se exponen las evidencias que prueban la presencia del ejército durante el siglo I d. C. y su protagonismo en la renovación de las defensas castreñas y difusión de nuevos hábitos como el uso monetario o la escritura. Un periodo en el que, bajo severa tutela militar, se consolidó un marco administrativo específico para el noroeste peninsular y fueron puestas en marcha sus importantes minas de oro. En la
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Penny, H. Glenn. "Guatemalan Textiles." In In Humboldt's Shadow. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691211145.003.0005.

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This chapter focuses on the man who created an impressive collection of more than 1,300 Guatemalan textiles: Carlos W. Elmenhorst. A small metal box sits proudly today in the MARKK: Museum am Rothenbaum: World Cultures and Arts (formerly the Hamburgisches Museum für Völkerkunde). The chapter then explores how Adolf Bastian engaged in keen competition with other German and non-German museums. It reveals how the institutions and the ethnologists in them exchanged doubles from their collections, trained and employed one another's assistants, and launched jointly sponsored expeditions to Africa, A
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LaGatta, Anne F. "Tiberius in the Michael C. Carlos Museum: A Portrait Masterpiece." In Why Ancient Objects Matter. De Gruyter, 2025. https://doi.org/10.1515/9783111182919-004.

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Guendel, Karen. "Flesh over Granite." In Affective Materialities. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813056289.003.0002.

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Karen Guendel locates in William Carlos Williams’s poetry a slippage between body and text, catalyzed by the poem’s aesthetic preference for stone over flesh. Such poetry, Guendel’s essay suggests, is bound up in textual erotics wherein the text and reader perform a bodily encounter that gives life to one and pleasure to the other. Such material poetics foreground an embodiment of human life in environmental terms, through its material residues—in the reader’s lips, the book itself, and the stone memorial objects that clutter museum halls.
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Davies, Ann. "Heritage Gothic: Goya Biopics." In Contemporary Spanish Gothic. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474402996.003.0002.

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This chapter considers three Goya biopics as an example of the contemporary Spanish Gothic and the extent to which it coincides with Jerrold Hogle’s notion of neo-Gothic as fakery. In such biopics the figure of Goya himself comes to encompass the concept of the biopic artist hypothesised by Griselda Pollock as both tragically feminised and exemplary of unfettered masculine sexuality. Yet he also becomes the ghost of the real, deterritorialised through a museum aesthetic. The films examined are: Carlos Saura’s Goya en Burdeos (Goya in Bordeaux), Bigas Luna’s Volavérunt and Miloš Forman’s Goya’s
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Conference papers on the topic "Carlos Museum"

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Johansson, Eva, Bo Rendahl, and Vladimir Kucera. "Field Exposure in Indoor Environments as a Basis for the Development of a Classification System for Atmospheric Corrosivity." In CORROSION 1998. NACE International, 1998. https://doi.org/10.5006/c1998-98359.

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Abstract Many companies today place sensitive material and equipment in environments which may cause serious technical problems and high economic losses. Three main areas are of particular concern: electrical and electronic equipment in a number of different applications, for example computers and control equipment in the processing industry, material under transport and storage, and artefacts in museums and during storage. The corrosivity of these three regions can be very different, but the mechanisms of corrosion are in general the same. The need to classify environments with respect to the
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Tykot, Robert H., John J. Herrmann, Renée Stein, Jasper Gaunt, Susan Blevins, and Anne R. Skinner. "Analysis of Classical Marble Sculptures in the Michael C. Carlos Museum, Emory University, Atlanta." In XI International Conference of ASMOSIA. University of Split, Arts Academy in Split; University of Split, Faculty of Civil Engineering, Architecture and Geodesy, 2018. http://dx.doi.org/10.31534/xi.asmosia.2015/02.34.

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Sebastián, Miguel Ángel, Juan Claver, Lorenzo Sevilla Hurtado, Francisco Javier Trujillo Vilches, Marta Vera, and Aurora Galán. "Technological and Heritage Analysis of a Singular Screw Press from the early 19th Century of the Museum of the Royal Factories of Riópar (Spain)." In 10th Manufacturing Engineering Society International Conference. Trans Tech Publications Ltd, 2023. http://dx.doi.org/10.4028/p-gdmbr9.

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Screw presses were machines widely used in various industrial sectors at the end of the 18th century and the beginning of the 19th century, among which the minting of coins stands out. In the Museum of the Royal Factories of Riópar (Albacete, Spain) there is a unique screw press, built in Paris at the beginning of the 19th century by the Delalande. Due to its structure and characteristics, it seems that its drive has been modified on at least two occasions, going from an initial design of a flywheel press with manual operation by several operators to the type of friction spindle with hydrauli
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Mazza, Domenico, Tuba Kocaturk, and Sofija Kaljevic. "Geelong Digital Outdoor Museum (GDOM) - Photogrammetry as the Surface for a Portable Museum." In CAADRIA 2022: Post-Carbon. CAADRIA, 2022. http://dx.doi.org/10.52842/conf.caadria.2022.1.677.

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Abrunhosa, Bárbara, Mário Vairinhos, and Rui Raposo. "The Virtual Reality in a Plastic Arts Museum : Amadeo de Souza-Cardoso Municipal Museum case." In 2023 18th Iberian Conference on Information Systems and Technologies (CISTI). IEEE, 2023. http://dx.doi.org/10.23919/cisti58278.2023.10211781.

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Badea, Elena, Cristina Carsote, Cristina Balaceanu, et al. "Understanding and Controlling the Environmental Quality in Museums through IoT: An International Research and Practice Collaboration to Support Museums in the Implementation of Climate Action." In The 9th International Conference on Advanced Materials and Systems. INCDTP - Leather and Footwear Research Institute (ICPI), Bucharest, Romania, 2022. http://dx.doi.org/10.24264/icams-2022.w.1.

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MUSEION project aims at developing an integrated IoT based platform for the sustainable management of environmental control and adaptation to climate change of museum collections. The MUSEION solution will thus provide the optimization of resources such costs, energy, staff workload, while contributing to carbon footprint reduction. This solution is a replicable IoT-based system, which will solve the problems of real objects in real conditions (sustainable environmental control and adaptation to climate change). It will consider the main components of the museum system that influence its optim
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Hanten, Richard, Cornelia Schulz, Adrian Zwiener, and Andreas Zell. "MuSe: Multi-Sensor Integration Strategies Applied to Sequential Monte Carlo Methods." In 2019 IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS). IEEE, 2019. http://dx.doi.org/10.1109/iros40897.2019.8967893.

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Strokov, A. "НЕКРОПОЛЬ ФАНАГОРИИ – ПЕРВЫЕ РЕЗУЛЬТАТЫ РАДИОУГЛЕРОДНОГО ДАТИРОВАНИЯ". У Радиоуглерод в археологии и палеоэкологии: прошлое, настоящее, будущее. Материалы международной конференции, посвященной 80-летию старшего научного сотрудника ИИМК РАН, кандидата химических наук Ганны Ивановны Зайцевой. Samara State University of Social Sciences and Education, 2020. http://dx.doi.org/10.31600/978-5-91867-213-6-93-94.

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In Russian archaeology radiocarbon dating is used in very rare cases when antiquities from historical periods are studied based on coin finds and historical sources which have their own historical chronology. However, this arrangement does not always work, as some graves do not contain items that can be dated to a narrow time span while a great number of graves often have no funerary offerings at all. The State Historical Museum in Moscow houses archaeological materials from the Phanagoria necropolis excavated in 1936. Phanagoria is is the largest city of the Classical period and the early med
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Jorge, Cassio Henrique. "O programa ICMC-USP de Gestão Socioambiental." In Congresso dos Profissionais das Universidades Estaduais de São Paulo. Universidade Estadual de Campinas. Sistema de Bibliotecas, 2023. http://dx.doi.org/10.20396/conpuesp.2.2023.5145.

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Introdução: O programa promove princípios de sustentabilidade e o desenvolvimento sustentável em suas diversas dimensões, o uso racional dos recursos e a segurança ambiental no ICMC. Desenvolve ações com a comunidade visando o cumprimento dos 17 Objetivos Sustentáveis da ONU Agenda 2030. Objetivo: Promover o estímulo à incorporação de valores, atitudes e comportamentos ambientalmente adequados, minimização na geração de resíduos. Conservação das áreas verdes. Promover ações Sociais. Metodologia: As ações foram distribuídas nos seguintes grupos. Brigada de Arboristas Museu da Fauna e da Flora d
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Muslimin, JM, Sopian Lubis, Muhammad Rifa’i, and Sukardi Sukardi. "Green Economy in Islam: A Policy Study on Carbon Economic Value from the Perspective of Sharia Economic Law." In Proceedings of the 7th International Colloquium on Interdisciplinary Islamic Studies (ICIIS) in conjunction with the 6th Annual Postgraduate Conference on Muslim Society (APCoMS), ICIIS and APCoMS 2024, 17–18 June 2024, Banjarmasin, Indonesia. EAI, 2024. http://dx.doi.org/10.4108/eai.17-6-2024.2349075.

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Reports on the topic "Carlos Museum"

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Moreno Mejía, Luis Alberto, and Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0006209.

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Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The w
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Graphics from Latin America and the Caribbean: January 18th - March 9th, 2002. Inter-American Development Bank, 2002. http://dx.doi.org/10.18235/0005918.

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43 lithographs, etchings, linocuts, woodcuts, silkscreens and other works in various graphic techniques by 40 artists from the Americas were presented at the Riverside Art Museum, Riverside, California. On loan from the IDB Cultural Center; the artistic holdings serve to promote understanding of the cultural heritage of its member countries. Included in the exhibit are graphics by important 20th century Mexican muralists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros; the surrealist Roberto Sebastián Matta; Carlos Mérida and others.
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