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Dissertations / Theses on the topic 'Carlos Museum'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Wills, Brian Wesley. "An immersive extension for the Michael C Carlos Museum : making space from within." Diss., Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/23057.

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2

Moore, Zachary Stephen. "Voices of the Exhibition:The Rise of Ekphrasis during the 20th Century through Imagism and Visual Art Museums." Wright State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=wright1431087392.

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3

Bryson, Karen Margaret. "A royal portrait head in the collection of the Michael C. Carlos Museum at Emory University." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-07182008-060902/.

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Thesis (M.A.)--Georgia State University, 2008.<br>Title from file title page. Melinda Hartwig, committee chair; Maria Gindhart, Glenn Gunhouse, committee members. Electronic text (128 p. : col. ill.) : digital, PDF file. Description based on contents viewed Oct. 3, 2008. Includes bibliographical references (p. 124-128).

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4

Bryson, Karen Margaret. "An Egyptian Royal Portrait Head in the Collection of the Michael C. Carlos Museum at Emory University." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/art_design_theses/31.

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This thesis discusses a small, red granite, Egyptian royal portrait head in the collection of the Michael C. Carlos Museum in Atlanta, Georgia. The head is determined to be a fragment from a group depicting the king in front of the monumental figure of a divine animal, probably a ram or baboon. Scholars have attributed the head to the reigns of various New Kingdom pharaohs, including Horemheb and Seti I, but on more careful examination its style demonstrates that it dates to the reign of Ramesses II (1304-1237 B.C.).

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5

Castro, Carlos Eduardo Binato de. "Paredes modernas : o Museu de Belas Artes de Caracas e o Sesc Pompeia." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/186178.

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Esta dissertação pretende investigar, por meio de análise comparativa entre a segunda expansão do Museu de Belas Artes de Caracas – MBAC (1966-76), de Carlos Raúl Villanueva, e o bloco esportivo do Sesc Pompeia (1976-86), de Lina Bo Bardi, o uso da parede portante em concreto armado como solução estrutural em arquiteturas de porte especial desenvolvidas na América Latina na segunda metade do século XX. A seleção desses dois exemplares, dentre os que compõem o extenso e relevante corpo de trabalho de Villanueva e Bo Bardi, deve-se ao fato de ambos valerem-se do uso do concreto armado em paredes

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6

Esteves, Pedro Carvalhido. "Castelvecchio de Carlo Scarpa: o reinventar de um museu, entre passado e presente." Master's thesis, Universidade de Évora, 2009. http://hdl.handle.net/10174/11590.

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O entendimento do trabalho final de curso como oportunidade para estudar uma das problemáticas que mais me fascinam no campo daArquitectura, a ideia de construir no construido, tem por resultado a dissertação “Castelvecchio de Carlo Scarpa: o reinventar de um museu entre passado e presente”. O estudo desta obra paradigmática, na intervenção sobre edifícios históricos, conduz a uma pista, que mais do que tentar encerrar numa palavra a intervenção, constrói uma possibilidade interpretativa: a ideia de “prótese” como modo de colocar em relação obra de arte e espaço expositivo. Luz, cor, textura,

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7

Garcia, Luís Antóino Cerdeira. "Reabilitação sustentável : expansão do Museu Nacional de Arte Antiga." Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2016. http://hdl.handle.net/10400.5/13550.

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8

Buckman, Sarah K. N. "Performing Allah's work : experiences of Muslim family carers in Britain." Thesis, University of Nottingham, 2011. http://eprints.nottingham.ac.uk/12029/.

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This thesis explores how Muslim family carers of chronically ill or disabled family members in Britain perceive, perform and negotiate their caring role. Drawing on data collected from forty-three semi-structured interviews, this thesis shows that although Muslim family carers are not a homogenous group; perceptions, performances and negotiations of care within the family are often mediated through a Muslim religious lens. This manifests itself in three predominant ways explored in this thesis. Firstly, Muslim religious beliefs act as a "sacred canopy" through which carers draw comfort and spi

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9

Laranjeiro, Sílvia Cristina Abreu Nóbrega Chícharo. "Centro Cívico e Cultural de Santa Clara: Universo de Memórias João Carlos Abreu: Da Realidade à Virtualidade." Master's thesis, Universidade da Madeira, 2008. http://hdl.handle.net/10400.13/69.

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Situado num edifício do séc. XIX, o Centro Cívico e Cultural de Santa Clara – Universo de Memórias João Carlos Abreu foi adquirido pelo Governo Regional em 2002, para acolher todos os bens doados à Região Autónoma da Madeira, por João Carlos Nunes Abreu. Este Centro Cívico e Cultural é responsável pela manutenção e exposição ao público do espólio doado, estando também vocacionado para acolher e desenvolver acções de carácter cultural. Dispõe de um jardim, de uma Casa de Chá e de um Auditório. Encenado como um “caleidoscópio”, o “Universo de Memórias João Carlos Abreu” é um repositório de m

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10

Silva, Simone Trindade Vicente da. "Referencialidade e representação:um resgate do modo de construção de sentido nas pencas de balangandãs a partir da coleção Museu Carlos Costa Pinto." Programa de Pós- Graduação em Artes Visuais da UFBA, 2005. http://www.repositorio.ufba.br/ri/handle/ri/9811.

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230f.<br>Submitted by Suelen Reis (suziy.ellen@gmail.com) on 2013-04-05T14:17:52Z No. of bitstreams: 1 Silva.pdf: 8355396 bytes, checksum: eb06176813a1c16b8fe17346255cd844 (MD5)<br>Approved for entry into archive by Lêda Costa(lmrcosta@ufba.br) on 2013-04-18T11:59:03Z (GMT) No. of bitstreams: 1 Silva.pdf: 8355396 bytes, checksum: eb06176813a1c16b8fe17346255cd844 (MD5)<br>Made available in DSpace on 2013-04-18T11:59:03Z (GMT). No. of bitstreams: 1 Silva.pdf: 8355396 bytes, checksum: eb06176813a1c16b8fe17346255cd844 (MD5) Previous issue date: 2005<br>O presente trabalho aborda, através da anál

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11

Hammond, Georgina. "Using supercritical carbon dioxide as a tool for preserving culturally significant items." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7464/.

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Conservators treat and repair a huge array of damaged and degrading materials on a regular basis. As such, there are many techniques and protocols in place to deal with these problems successfully, be that via preventative or interventive methods. However, there is need for new and innovative techniques that offer long term stabilisation to materials and objects that are prevalent within museum collections. As an alternative to some of these conservation techniques, hydration with supercritical carbon dioxide was investigated here. Both modern and historic, hardwood and softwood samples were s

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Syed-Sabir, Hena Fatima. "Approaches in considering cultural issues in South Asian people with learning disabilities and their families : the experiences of Pakistani Muslim maternal carers of adults with learning disabilities." Thesis, University of Sheffield, 2004. http://etheses.whiterose.ac.uk/4211/.

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This thesis is divided into three sections: Section 1- Literature Review: Approaches in Considering Cultural Issues in South Asian People with Learning Disabilities and their Families This review focuses on two areas of the literature, highlighting service issues surrounding South Asian people with learning disabilities and their families, and considering the perceptions and experiences of people with learning disabilities and their carers. It concludes by reflecting on the cross-cultural implications of the research and identifying deficits within service provision for this population. Sectio

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13

Amadini, Pietro <1972&gt. "Arti dell’Asia Orientale tra pubblico e privato: due raccolte esemplari : dal 1870, cent’anni di collezionismo d’arte cinese e giapponese a Milano." Doctoral thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3065.

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This research presents in detail two collections which are taken as examples of the East Asian art collecting in Milan. The first collection, that of Count Passalacqua, is proposed as an archetype of Japanese and Chinese art collecting in Milan in the early seventies of the 19th century. At that time, the rich trade in silkworm eggs between Italy and Japan boosted a parallel trade in Asian art. The Passalacqua collection can therefore be a useful point of comparison for the interpretation of other Italian collections collected in the same historical moment. The second group of objects analyzed

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14

Peyroteo, Stjerna Rita. "On Death in the Mesolithic : Or the Mortuary Practices of the Last Hunter-Gatherers of the South-Western Iberian Peninsula, 7th–6th Millennium BCE." Doctoral thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-271551.

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The history of death is entangled with the history of changing social values, meaning that a shift in attitudes to death will be consistent with changes in a society’s world view. Late Mesolithic shell middens in the Tagus and Sado valleys, Portugal, constitute some of the largest and earliest burial grounds known, arranged and maintained by people with a hunting, fishing, and foraging lifestyle, c 6000–5000 cal BCE. These sites have been interpreted in the light of economic and environmental processes as territorial claims to establish control over limited resources. This approach does not ex

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15

Josué, Nathan Martínez Gómez. "Integración contemporánea con edificios antiguos : la intervención como síntesis histórica : Castelvecchio, MNAR, Kolumba." Doctoral thesis, Universitat Politècnica de Catalunya, 2020. http://hdl.handle.net/10803/668850.

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The fundamental objective of this PhD dissertation is to analyze the architecture thanks to some strategies coming from recent theories developed inside and outside the traditional and usual disciplinary field of architecture. For example, the theory that to confront is to relate. As Paul Ricoeur proposes in one of his books on the theory of poetics, where poetics is the confrontation between the parts. Therefore, the dialogue generated between subjects and between objects from different historical periods through abstractions is the main objective of this dissertation. The concern started wh

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16

Vasconcellos, Juliano Caldas de. "Concreto armado Arquitetura Moderna Escola Carioca : levantamentos e notas." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2004. http://hdl.handle.net/10183/114673.

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O presente trabalho tem como objetivo a análise de obras da arquitetura moderna brasileira de base carioca, construídas em concreto armado no período compreendido entre 1935 e 1960. É inegável que a construção teve destaque entre os vários componentes que levaram a arquitetura moderna brasileira ao reconhecimento internacional. Dentro do período citado, o Brasil figurou como líder do universo da arquitetura moderna, onde a exploração da plasticidade potencial do concreto armado foi aplicada com grande êxito. As soluções adotadas pelos arquitetos brasileiros tiveram grande repercussão, a começa

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17

Pereira, Ana Paula Hostin. "Casa Museu Carlos Reis: a busca da identidade construída em décadas de história." Master's thesis, 2019. http://hdl.handle.net/10316/98404.

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Dissertação de Mestrado em Reabilitação de Edifícios apresentada à Faculdade de Ciências e Tecnologia<br>The proposed dissertation aims to be a simple contribution to safeguarding the house museum of a Portuguese naturalist painter in the 19th century, with an abundant historical value and own identity. Planning an intervention proposal with the aim of rescuing the painter's past and reconciling it with the rules ruled in Portugal will be the great challenge of this work. Carlos António Rodrigues dos Reis was born on February 21, 1863 in Vila de Torres Novas, in the parish of Santiago, Portuga

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18

Pereira, Ana Paula Hostin. "Casa Museu Carlos Reis: a busca da identidade construída em décadas de história." Master's thesis, 2019. http://hdl.handle.net/10316/98275.

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Dissertação de Mestrado em Reabilitação de Edifícios apresentada à Faculdade de Ciências e Tecnologia<br>The proposed dissertation aims to be a simple contribution to safeguarding the house museum of a Portuguese naturalist painter in the 19th century, with an abundant historical value and own identity. Planning an intervention proposal with the aim of rescuing the painter's past and reconciling it with the rules ruled in Portugal will be the great challenge of this work. Carlos António Rodrigues dos Reis was born on February 21, 1863 in Vila de Torres Novas, in the parish of Santiago, Portuga

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19

Bento, Diana Bacharel Martins. "Contributos para a elaboração do plano de conservação preventiva do Museu Oceanográfico D. Carlos I do Aquário Vasco da Gama." Master's thesis, 2020. http://hdl.handle.net/10362/117880.

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O presente relatório de estágio vem apresentar o diagnóstico e a avaliação de riscos efectuados nas reservas do Museu Oceanográfico D. Carlos I do Aquário Vasco da Gama, localizado na freguesia do Dafundo, em Oeiras. A inexistência de um plano de conservação preventiva foi um factor determinante para a escolha e pertinência do tema aqui apresentado tendo-se tornando objectivo principal deste trabalho académico a criação de bases que sustentem a futura elaboração do plano que está em falta. O diagnóstico e a avaliação de riscos são antecedidos pela caracterização da envolvente, do próprio edifí

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20

Domingues, Joana Inês Soares Pereira. "Estágio no Museu de Leiria - A Tipografia Carlos Silva." Master's thesis, 2021. http://hdl.handle.net/10316/97039.

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Relatório de Estágio do Mestrado em Património Cultural e Museologia apresentado à Faculdade de Letras<br>Este documento é o resultado do estágio no âmbito do mestrado de Património Cultural e Museologia, vertente Gestão e Programação, realizado no Museu de Leiria de setembro de 2020 a fevereiro de 2021.Para além do apoio às atividades realizadas no Museu ou o auxílio a tarefas de carácter museográfico em exposições como é o caso de Plasticidades: Qualidades dos Corpos e do Espírito, Cidade de Leiria – Tamanho e Desenho e entre outros, a base do presente relatório é, sobretudo, o estudo do ofí

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21

Soares, Luís Filipe da Silva. "O Palácio Nacional da Ajuda e a sua afirmação como Museu (1910-1981)." Doctoral thesis, 2016. http://hdl.handle.net/10362/20420.

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O Paço Real da Ajuda, residência real e edifício ligado à representação do poder monárquico constitucional, mudou de funções depois da revolução de outubro de 1910. Passando por um processo demorado de arrolamento dos bens existentes, o agora denominado Palácio Nacional da Ajuda, passou a ter utilizações protocolares ligados à Presidência da República e foi o local escolhido para gerir um possível “garde-meuble” nacional. Contudo, o caráter de antigo paço real foi mantido, permitindo uma progressiva consciencialização da inevitável musealização do local. Edifício central na memória da M

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22

Alves, Mariana Paula Silva Sequeira 1976. "Pedro Carlos dos Reis." Master's thesis, 2012. http://hdl.handle.net/10451/6546.

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Tese de mestrado, Desenho, Universidade de Lisboa. Faculdade de Belas Artes, 2012<br>O CD com Anexos apenas poderá ser visualizado na Biblioteca da FBAUL<br>Pedro Carlos dos Reis, born in Lisbon in the year of 1819, is considered a romantic artist and known as the sculptor of a statue located in the city of Setúbal, representing Bocage (a portuguese poet of the late 18th century). Pedro Carlos dos Reis also dedicated himself to drawing; his drawings Collection in the Museum of Setúbal / Convent of Jesus (Museu de Setúbal / Convento de Jesus) is a valued oeuvre in the national artistic scene an

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23

França, Igor Tavares de Melo Espínola. "Programação museológica e espaço arquitectónico : o Museu Carlos Machado de Ponta Delgada, Açores." Master's thesis, 2009. http://hdl.handle.net/10400.3/4550.

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Dissertação de Mestrado, Património, Museologia e Desenvolvimento, 13 de Julho de 2009, Universidade dos Açores.<br>[…]. Efectivamente, a arquitectura de museus é um dos mais interessantes temas da arquitectura contemporânea. O fascínio que os museus hoje exercem no imaginário das sociedades desenvolvidas, radica, em grande parte, no facto dos seus edifícios constituírem, frequentemente, uma presença icónica no contexto urbano em que se inserem. Esse mecanismo de encantamento apoia-se no reconhecimento de que, num mundo crescentemente padronizado, uma arquitectura promotora de diferença, e su

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24

Botelho, Sofia 1986. "O material e o imaterial na colecção etnográfica de cozinha do Museu Carlos Machado." Master's thesis, 2012. http://hdl.handle.net/10451/7491.

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Tese de mestrado, Museologia e museografia, Universidade de Lisboa, Faculdade de Belas Artes, 2012<br>A tese possui um DVD com filmes que apenas poderá ser visualizado na Biblioteca da FBAUL : Cota CDA 116<br>The preservation of Intangible Cultural Heritage is related with the reality of the world globalization in which we live in. The consciousness of the existence of various cultures that coexist and do not annul one another, but on the contrary, enrich each other in constant mutation, inherent to the process of evolution, the reason for which there is na urge to preserve the various manifes

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25

Silva, Cristiana Sofia de Oliveira e. "Curadoria Executiva e Curadoria Expandida Aplicada : Projeto Expositivo – “Carlos Porfírio : diálogos do Modernismo” no Museu Municipal de Faro." Master's thesis, 2019. http://hdl.handle.net/10451/39612.

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This work project aims to design a spatial curatorial intervention inside room 33, located on the first floor of the Municipal Museum of Faro, which will be implemented from March 2019 to September 2019 (temporary exhibition). The work developed here proposes a reflection on the development of an executive curatorial moment, based on a scientific curatorship. Therefore, to show the process of development of the exhibit narrative starting a scientific study (this was previously given by the area of Art History) and how it could be translated spatially. In this study we intend to demonstrate and

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26

Pinho, Jacqueline Lira Vianna. "Método e intervenção no edificado existente. A Casa do Pintor Carlos Reis." Master's thesis, 2021. http://hdl.handle.net/10316/97972.

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Dissertação de Mestrado em Reabilitação de Edifícios apresentada à Faculdade de Ciências e Tecnologia<br>Currently in Portugal there is an increasing concern about the rehabilitation of old buildings of current architecture, as it has been happening in other countries for a longer time. Although they are not emblematic buildings, the rehabilitation of current buildings is important to safeguard their values and for the aspect of sustainability whose relevance is so evident in our days. The interventions in the pre-existence are important in the valorisation of the relationship of the present w

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27

Rodrigues, Beatriz Maria Barata. "From Production to Preservation: Hand-Painted Magic Lantern Slides from the National Museum of Natural History and Science." Master's thesis, 2019. http://hdl.handle.net/10362/93760.

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The present work arises as part of the first systematic investigation on hand-painted magic lantern glass slides resorting to multi-analytical techniques combined with critical analysis of historical written sources on the painting materials and techniques used to produce them. The magic lantern was an optical instrument, used to project images from the seventeenth to the twentieth centuries, that attained great success with high impact on entertainment, science, religion and advertisement. In the framework of this work, five hand-painted magic lantern glass slides from the National Museum of

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28

Costa, Breno dos Santos. "Luz - distribuição, ausência e excesso: a iluminação no design expositivo." Master's thesis, 2020. http://hdl.handle.net/10451/44276.

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We notice very little of what is present in our field of vision. Our eyes see everything, but our brain selectively separates what interests us from all the background information. This selection is made automatically, mostly unconsciously. The conception of the exhibition space, in turn, can be understood as the conscious and intentional process of building up a hierarchical structure of perception, according to which the topics covered occupy a central position in relation to the accessory and support elements. Inside or outside of the exhibition space, the conscious or unconscious process

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