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Journal articles on the topic 'Carlos Museum'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Jiménez Navarro, Cristina. "Entrevista a Carlos B. Luna, autor de "Pinocho Blues": “Construí un Pinocho cada vez más empático, que no juzgaba, que quería explorar”." Ondina - Ondine, no. 9 (December 29, 2023): 249–63. http://dx.doi.org/10.26754/ojs_ondina/ond.202399640.

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Pinocho Blues es el cómic más internacional de Carlos B. Luna. Fue seleccionado para la exposición Crafting Pinocchio, organizada en el Museum Of Modern Arts (MoMA) de Nueva York, entre diciembre de 2022 y abril de 2023, con motivo del rodaje de la película de stop-motion que Guillermo del Toro dirigió sobre el personaje creado por Carlo Collodi. En esta entrevista, Carlos B. Luna nos habla de su obra y, sobre todo, del protagonista de su obra más reconocida: un Pinocho ávido de conocer el mundo, en una constante exploración interna y con la misión de demostrar que el amor es la única fuerza c

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Barragán, Yamaly, Estefanía Rodríguez, Tommaso Chiodo, Luciana C. Gusmão, Carlos Sánchez, and Daniel Lauretta. "Revision of the genus Actinostella (Cnidaria: Actiniaria: Actinioidea) from tropical and subtropical western Atlantic and eastern Pacific: redescriptions and synonymies." American Museum Novitates 2024, no. 4014 (2024): 1–48. https://doi.org/10.1206/4014.1.

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Barragán, Yamaly, Rodríguez, Estefanía, Chiodo, Tommaso, Gusmão, Luciana C., Sánchez, Carlos, Lauretta, Daniel (2024): Revision of the genus Actinostella (Cnidaria: Actiniaria: Actinioidea) from tropical and subtropical western Atlantic and eastern Pacific: redescriptions and synonymies. American Museum Novitates 2024 (4014): 1-48, DOI: 10.1206/4014.1, URL: https://bioone.org/journals/american-museum-novitates/volume-2024/issue-4014/4014.1/Revision-of-the-Genus-Actinostella-Cnidaria--Actiniaria--Actinioidea/10.1206/4014.1.full

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Huff, Jeremy C., Carlos Víquez, and Lorenzo Prendini. "Redescription of Mimoscorpius pugnator (Butler, 1872) (Arachnida: Thelyphonida), with first description of the female." American Museum Novitates 3633 (December 31, 2008): 1–12. https://doi.org/10.1206/640.1.

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Huff, Jeremy C., Víquez, Carlos, Prendini, Lorenzo (2008): Redescription of Mimoscorpius pugnator (Butler, 1872) (Arachnida: Thelyphonida), with first description of the female. American Museum Novitates 3633: 1-12, DOI: 10.1206/640.1

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Santibáñez-López, Carlos E., Oscar F. Francke, and Lorenzo Prendini. "Kolotl, n. gen. (Scorpiones: Diplocentridae), a New Scorpion Genus from Mexico." American Museum Novitates 2014, no. 3815 (2014): 1. https://doi.org/10.1206/3815.1.

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Santibáñez-López, Carlos E., Francke, Oscar F., Prendini, Lorenzo (2014): Kolotl, n. gen. (Scorpiones: Diplocentridae), a New Scorpion Genus from Mexico. American Museum Novitates 2014 (3815): 1, DOI: 10.1206/3815.1, URL: http://www.bioone.org/doi/abs/10.1206/3815.1

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Platnick, Norman I., Lily Berniker, and Carlos Víquez. "The Goblin Spider Genus Costarina (Araneae, Oonopidae), Part 2: the Costa Rican fauna." American Museum Novitates 2014, no. 3794 (2014): 1–76. https://doi.org/10.1206/3794.1.

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Platnick, Norman I., Berniker, Lily, Víquez, Carlos (2014): The Goblin Spider Genus Costarina (Araneae, Oonopidae), Part 2: the Costa Rican fauna. American Museum Novitates 2014 (3794): 1-76, DOI: 10.1206/3794.1, URL: http://www.bioone.org/doi/abs/10.1206/3794.1

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6

Lado, Carlos, and Diana Wrigley De Basanta. "Typification of the myxomycete taxa described by the Listers and preserved at the Natural History Museum, London (BM)." Phytotaxa 341, no. 1 (2018): 448–50. https://doi.org/10.11646/phytotaxa.341.1.1.

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Lado, Carlos, Basanta, Diana Wrigley De (2018): Typification of the myxomycete taxa described by the Listers and preserved at the Natural History Museum, London (BM). Phytotaxa 341 (1): 448-450, DOI: 10.11646/phytotaxa.341.1.1, URL: http://dx.doi.org/10.11646/phytotaxa.341.1.1

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7

Reid, Nicholas. "King Like a Horned Viper: Two New Manuscripts of Praise Poems to Šulgi." Zeitschrift für Assyriologie und vorderasiatische Archäologie 114, no. 1 (2024): 12–22. http://dx.doi.org/10.1515/za-2024-0003.

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Abstract Two tablets from the the Michael C. Carlos Museum at Emory University contain excerpts of literary texts celebrating Šulgi: an excerpt of the praise poem Šulgi A, with two previously unknown lines, and a manuscript from a new hymn to Šulgi, paralleling Ni 13227.

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Santibäñez-López, Carlos E., Oscar F. Francke, and Lorenzo Prendini. "Systematics of the keyserlingii group of Diplocentrus Peters, 1861 (Scorpiones: Diplocentridae), with descriptions of three new species from Oaxaca, Mexico." American Museum Novitates 2013, no. 3777 (2013): 1–48. https://doi.org/10.1206/3777.2.

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Santibäñez-López, Carlos E., Francke, Oscar F., Prendini, Lorenzo (2013): Systematics of the keyserlingii group of Diplocentrus Peters, 1861 (Scorpiones: Diplocentridae), with descriptions of three new species from Oaxaca, Mexico. American Museum Novitates 2013 (3777): 1-48, DOI: 10.1206/3777.2, URL: http://www.bioone.org/doi/abs/10.1206/3777.2

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Goicoechea, NoemÍ, José M. Padial, Juan Carlos Chaparro, Santiago Castroviejo-Fisher, and Ignacio De La Riva. "A taxonomic revision of Proctoporus bolivianus Werner (Squamata: Gymnophthalmidae) with the description of three new species and resurrection of Proctoporus lacertus Stejneger." American Museum Novitates 2013, no. 3786 (2013): 1–32. https://doi.org/10.1206/3786.1.

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Goicoechea, NoemÍ, Padial, José M., Chaparro, Juan Carlos, Castroviejo-Fisher, Santiago, Riva, Ignacio De La (2013): A taxonomic revision of Proctoporus bolivianus Werner (Squamata: Gymnophthalmidae) with the description of three new species and resurrection of Proctoporus lacertus Stejneger. American Museum Novitates 2013 (3786): 1-32, DOI: 10.1206/3786.1, URL: http://www.bioone.org/doi/abs/10.1206/3786.1

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GARÓFALO, CARLOS ALBERTO, and JR. JEROME G. ROZEN. "Parasitic Behavior of Exaerete smaragdina with Descriptions of Its Mature Oocyte and Larval Instars (Hymenoptera: Apidae: Euglossini)." American Museum Novitates 3349 (October 31, 2001): 1–27. https://doi.org/10.1206/0003-0082(2001)349<0001:PBOESW>2.0.CO;2.

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GARÓFALO, CARLOS ALBERTO, ROZEN JR., JEROME G. (2001): Parasitic Behavior of Exaerete smaragdina with Descriptions of Its Mature Oocyte and Larval Instars (Hymenoptera: Apidae: Euglossini). American Museum Novitates 3349: 1-27, DOI: 10.1206/0003-0082(2001)349<0001:PBOESW>2.0.CO;2, URL: http://www.bioone.org/doi/abs/10.1206/0003-0082%282001%29349%3C0001%3APBOESW%3E2.0.CO%3B2

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JOHNSSON, RODRIGO, CARLOS E. F. ROCHA, and CHRISTOPHER B. BOYKO. "A New Species of Cryptopontius (Crustacea: Copepoda: Siphonostomatoida) from Easter Island." American Museum Novitates 3370, no. 1 (2002): 1–8. https://doi.org/10.1206/0003-0082(2002)370<0001:ANSOCC>2.0.CO;2.

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JOHNSSON, RODRIGO, ROCHA, CARLOS E. F., BOYKO, CHRISTOPHER B. (2002): A New Species of Cryptopontius (Crustacea: Copepoda: Siphonostomatoida) from Easter Island. American Museum Novitates 3370 (1): 1-8, DOI: 10.1206/0003-0082(2002)370<0001:ANSOCC>2.0.CO;2, URL: http://www.bioone.org/perlserv/?request=get-abstract&doi=10.1206%2F0003-0082(2002)370%3C0001%3AANSOCC%3E2.0.CO%3B2

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Li, Xuankun, Paula Fernanda Motta Rodrigues, Carlos José Einicker Lamas, and David K. Yeates. "A Review of the Australian Species of Thevenetimyia Bigot, 1875 (Bombyliidae, Bombyliinae, Eclimini), with Description of Four New Species and the Pupal Case of T. longipalpis (Hardy)." Records of the Australian Museum 70, no. 3 (2018): 331–75. https://doi.org/10.3853/j.2201-4349.70.2018.1678.

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Li, Xuankun, Rodrigues, Paula Fernanda Motta, Lamas, Carlos José Einicker, Yeates, David K. (2018): A Review of the Australian Species of Thevenetimyia Bigot, 1875 (Bombyliidae, Bombyliinae, Eclimini), with Description of Four New Species and the Pupal Case of T. longipalpis (Hardy). Records of the Australian Museum 70 (3): 331-375, DOI: 10.3853/j.2201-4349.70.2018.1678, URL: http://dx.doi.org/10.3853/j.2201-4349.70.2018.1678

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Guimarães Leal, Diego Rodrigo. "Uma República de cientistas na Era Vargas: A atuação científica e política de Carlos Estêvão de Oliveira (1930-1945)." História da Ciência e Ensino: construindo interfaces 27 (January 5, 2024): 67–78. http://dx.doi.org/10.23925/2178-2911.2023v17espp67-78.

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Diego Rodrigo Guimarães Leal Resumo O presente artigo situa-se no campo da História das Ciências e se propõe analisar a trajetória de Carlos Estêvão de Oliveira no aparelho estatal da Era Vargas após a Revolução de 1930. O intelectual pernambucano atuou por mais de uma década a frente desta instituição e estabeleceu parcerias interinstitucionais com órgãos e conselhos técnicos federais em um contexto em que estava sendo reorganizado o campo patrimonial brasileiro e sendo definido novas diretrizes para a sua salvaguarda. Essa análise busca contribuir para a compreensão da estreita relação que s

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Pereira-Silva, Erico Fernando Lopes. "Revisitando a trajetória histórica do Museu Botânico “Dr. João Barbosa Rodrigues” do Jardim Botânico de São Paulo." Anais do Museu Paulista: História e Cultura Material 32 (July 4, 2024): 1–27. http://dx.doi.org/10.11606/1982-02672024v32e18.

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This study delves into the historical journey of the “Dr. João Barbosa Rodrigues” Botanical Museum, a space of memory located within the São Paulo Botanical Garden. It discusses its historical origins and material, institutional, and contextual transformations up to the present day. This space has seen advancements, setbacks, challenges, and potentialities as a small museum of natural history. It has undergone three reconfigurations of its physical and internal structures, gradually modernizing its museum concept while retaining its identity as a museum with a unified focus on botany. It reope

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15

Stadnik, Marie. "Ancient Stories in Clay: Greek, Moche, and Maya Painted Ceramics within one book. (Review on Saunders, D., O’Neil, M. E. (eds.), 2024, Picture Worlds: Storytelling on Greek, Moche, and Maya Pottery. Los Angeles: J. Paul Getty Museum.)." Text and Image: Essential Problems in Art History, no. 1 (2024): 113–16. https://doi.org/10.17721/2519-4801.2024.1.07.

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“Picture Worlds: Narratives in Greek, Moche, and Maya Pottery,” edited by David Saunders and Megan E. O'Neil, is a catalog published to accompany the 2023 exhibition at the Getty Museum and the Michael C. Carlos Museum. The publication's main appeal is its unusual approach, combining three distinct cultural traditions into one comprehensive work. By exploring the context and characteristics of ceramic production in each culture, the authors highlight both commonalities and unique aspects of the ceramic work in these three cultures. Significant attention is given to iconography, the analysis of

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16

Mahan, Samantha J., Renée Stein, and Ruth Ann Armitage. "Compositional Analysis of Greco-Roman Unguentaria Residues from the Michael C. Carlos Museum." Heritage 8, no. 5 (2025): 170. https://doi.org/10.3390/heritage8050170.

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Unguentaria are ancient vessels for oils, perfumes, ointments, or balms. Glass unguentaria are typically small in size and have long narrow necks to limit the loss of precious contents through spills and evaporation. The vessels may have single or double barrels. This study includes both double and single unguentaria from unprovenanced archaeological contexts. Residues found inside the vessels may reveal the original contents. Gas chromatography-mass spectrometry (GC-MS) and direct analysis in real time-mass spectrometry (DART-MS) were used to identify organic components of the residues, while

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Velásquez, Roa Tatiana, and Wilber Alfonso Triana. "Colección de mamíferos de referencia y exhibición del Museo de Ciencias Naturales Federico Carlos Lehmann Valencia, Cali, Colombia." Mammalogy Notes 7, no. 1 (2021): 205. https://doi.org/10.5281/zenodo.14817586.

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(Uploaded by Plazi for the Bat Literature Project) The mammal's collection of the Museum of Natural Science Federico Carlos Lehmann Valencia (IMCN) is part of the scientific reference zoological collection of the Institute for Research and Preservation of the Natural and Cultural Heritage of Valle del Cauca - INCIVA. The scientific reference mammal collection includes 166 specimens, belonging to 8 orders, 25 families, 57 genera and 64 species. The specimens are from 8 departments in Colombia and one state in the United States. The Museum of Natural Science additionally has a mammal collection

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RYDELL, ROBERT W. "THE PROXIMITY OF THE PAST: EUGENICS IN AMERICAN CULTURE." Modern Intellectual History 7, no. 3 (2010): 667–78. http://dx.doi.org/10.1017/s1479244310000296.

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In 1935, as the Nazis’ state-of-the art eugenics exhibition from the Deutsches Hygiene Museum was concluding its American tour, a decision had to be made about whether to return the displays to Germany or to house them in an American museum. After the American Academy of Medicine decided against the display because of its political implications, the director of the Buffalo Museum of Science, Carlos Cummings, himself a physician, offered his institution as the exhibition's permanent home. “What is the astounding eugenics program upon which Chancellor Hitler has launched the German people?” Cumm

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Ruisánchez, José Ramón. "The Cacique in Chapultepec: Toward a Museology of Carlos Fuentes." PMLA/Publications of the Modern Language Association of America 128, no. 3 (2013): 719–22. http://dx.doi.org/10.1632/s003081290012303x.

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The 1960s were a crucial decade for museum building in Mexico. The key year was 1964, the end of Adolfo López Mateos's presidential term, since it saw the inauguration of the Museo de Arte Moderno, the Anahuacalli, the Museo de la Ciudad de México, and the most spectacular of all: the Museo Nacional de Antropología, the architect Pedro Ramírez Vázquez's masterpiece and one of the country's primary tourist attractions. The 1960s also witnessed how Carlos Fuentes, a young writer who had published his first novel in 1958, continued to produce his canonical works at a staggering pace. In what foll

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Scrocchi, Rafael Arreaza. "THE LATIN AMERICAN LIBERATOR SIMÓN BOLÍVAR AT THE MUSEUM OF ART IN BOGOTÁ, COLOMBIA: TEN IMAGES BY FIVE ARTISTS." ARTis ON, no. 5 (January 4, 2018): 222–28. http://dx.doi.org/10.37935/aion.v0i5.146.

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This review compiles and analyzes a set of ten images related to the Latin-American Liberator, Simón Bolívar,that were never published as a single study. These ten portraits re-imagined by five different artists: José María Espinoza (1796-1883); Henry Riballier (1802-1889); W. Holl - M. N. Bate (1807-1871); Sergio Trujillo Magnenat (1911-1999); and Carlos García Arango (1930-2002), remain archived at the Museum of Art of the Bank of the Republic of Colombia in Bogotá. This study describes and explains the distinct motifs that are depicted in all of these reinterpretations of the image of Simón

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Kjærgaard, Thorkild. "Museernes Fremtid." Kuml 50, no. 50 (2001): 233–37. http://dx.doi.org/10.7146/kuml.v50i50.103164.

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The future of the museumsA lot of people worry on behalf of the museums. Museums are boring and dusty, and no one can be bothered to visit them, the young ones not at all, they want adventure, they want int eractive computer games. In a report published jointly by Elsebeth Gerner Nielsen, minister of cultural affairs, and Pia Gjellerup, then minister of commerce, in December 2000, the two ministers decreed that ”it is necessary for Danish economy that the cultural sector – museums, too – begin to think commercially.” If one asks what it takes, the answer is often: ”make the museum s come alive

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Cempellin, Leda. "Neon signage as cultural placemakers in America." Interdisciplinary Journal of Signage and Wayfinding 8, no. 2 (2024): 5–20. https://doi.org/10.15763/issn.2470-9670.2024.v8.i2.a154.

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This exploratory qualitative case study examines the cultural significance of Carlos and Ed Garcia’s neon sign collection as components of American cultural heritage. By integrating secondary sources from human geography, cultural history, and philosophy, along with conversation with Carlos Garcia and photographic documentation primarily from the Garcia collection, this study analyzes how neon signs in American landscapes embody the interplay between mobility and permanence. These signs transition from functional advertisements to nostalgic artifacts, sparking reflections on the tension betwee

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Vidal Bardán, José María, Manuel Antonio Vidal Bardán, and María Antonia Vidal Bardán. "Life and work of Carlos Vidal Box (1906-1972)." Boletín de la Real Sociedad Española de Historia Natural 2023/117 (2023): 123–35. http://dx.doi.org/10.29077/bol.2023.117.vidal.

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In this article, the figure and the scientific and pedagogical contributions of Carlos Vida Box, a prominent figure in the Spanish teaching and scientific scene (specifically in the fields Physical Geography, Geology and Geomorphology) between the years 1940 and 1970 are glossed. Carlos Vidal represents one of the most relevant Natural Sciences educators in the Spanish educational system of the XX century, both in Secondary Education as research work, standing out above all in the great Exhibition of relief models or block diagrams organized at the National Museum of Natural Sciences (NMNS) in

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Brinkman, P. D., and S. F. Vizcaíno. "Clemente Onelli's sketch map and his first-hand, retrospective account of an early fossil-hunting expedition along the Río Santa Cruz, southern Patagonia, 1888–1889." Archives of Natural History 41, no. 2 (2014): 326–37. http://dx.doi.org/10.3366/anh.2014.0251.

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A 1922 letter from Clemente Onelli to North American paleontologist Elmer S. Riggs, found at Chicago's Field Museum, is one of only a few known first-hand accounts of the former's participation on a fossil hunting expedition along the Río Santa Cruz, southern Patagonia, 1888–1889. Onelli and his companions, who were sent to Patagonia by Francisco P. Moreno, director of the Museo de La Plata, were among the first to collect fossil mammals at this important locality. Moreno had first discovered fossil mammals there in 1876–1877. He then sent Carlos Ameghino, who worked as an assistant preparator

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Lacovara, Peter, Salima Ikram, Bob Brier, Margaret Leveque, and Renée Stein. "An Egyptian Mummy of the Late Old Kingdom in the Michael C. Carlos Museum, Emory University." Journal of the American Research Center in Egypt 51, no. 1 (2015): 65–74. http://dx.doi.org/10.5913/jarce.51.2015.a003.

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Araújo Dias, Beatriz, Tatiane Siqueira da Silva de Oliveira, Gabriella Da Silva Mendes, and Erika Negreiros. "O uso de oficinas de conservação e restauração como mecanismo de educação patrimonial e divulgação científica em escolas." Educação Online 20, no. 48 (2025): e25204806. https://doi.org/10.36556/eol.v20i48.1926.

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O presente estudo, desenvolvido pelo Espaço Memorial Carlos Chagas Filho (Emccf/UFRJ), analisa a aplicação de oficinas de conservação e restauração como estratégias de educação patrimonial e divulgação científica em escolas pública. O foco é o estudo de caso de uma escola pública parceira do museu, localizada na zona norte da cidade do Rio de Janeiro. A pesquisa tem como objetivo promover a aproximação dos alunos com o patrimônio cultural e estimular o interesse pela ciência por meio de oficinas práticas de encadernação e conservação de pintura, fundamentadas nas abordagens pedagógicas de Paul

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Mariño Gutiérrez, L., M. Baquero Mochales, and M. A. Meseguer Peinado. "A Jorge Francisco Tello legacy. Museum of Pathology of the Hospital del Rey." ANALES RANM 141, no. 141(03) (2024): 282–89. https://doi.org/10.32440/ar.2024.141.03.org04.

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In this work it is presented the Jorge Francisco Tello’s legacy related to pathology, with the establishment of a protocol he developed for the systematization of clinical necropsies. This protocol was applied in the Hospital of Infectious Diseases (Hospital del Rey) from 1925 to 1957 and gave rise to the collection of natural anatomical pieces and their photographs on glass plates, preserved in the Museum of Public Health and Hygiene of the Carlos III Health Institute. For the cataloging of these collections has been used the information provided in the identification labels of the specimens,

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DAVIS, PETER. "ALMAÇA, Carlos. A Natural History Museum of the 18th century: the Royal Museum and Botanic Garden of Ajuda. Museu Boçage, Lisbon: 1996. Pp 28. No price or ISBN given. ALMAÇA, Carlos. Early Evolutionism in Portugal. Museu Boçage, Lisbon: 1997. Publicaçoes Avulsas, 2nd Series, No. 1. Pp 23. No price or ISBN given." Archives of Natural History 25, no. 1 (1998): 147. http://dx.doi.org/10.3366/anh.1998.25.1.147.

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DA SILVA, LUCAS ESPINDOLA FLORÊNCIO, and MARCELO TROVÓ. "Unraveling the identity of Paepalanthus decorus (Eriocaulaceae)." Phytotaxa 518, no. 3 (2021): 231–38. http://dx.doi.org/10.11646/phytotaxa.518.3.5.

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Paepalanthus decorus was described by Delia Abbiatti from a single collection of individuals made by Carlos Luis Spegazzini in Uruguaiana, Rio Grande do Sul state, Brazil, deposited at the La Plata Museum. The species is known only from the type specimens, which were unusual for being collected far to the south of the distribution of the other species included in P. sect. Diphyomene. In recent nomenclatural treatments for P. sect. Diphyomene, P. decorus was disregarded, remaining known only from its original publication. Here, we critically evaluate the protologue, type specimens, and the vege

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Łukasiewicz, Martyna, and Thor Mednick. "Canons and Networks. 19th-Century Danish Art in Paris." Artium Quaestiones, no. 34 (December 27, 2023): 139–59. http://dx.doi.org/10.14746/aq.2023.34.5.

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Collections of Danish Golden-Age art are quite rare outside of Scandinavia, especially when it comes to those developed in accordance with a well-thought-out strategy established through the international cooperation of scholars. An important exception is the large group of Danish drawings, oil sketches, and artists’ correspondence found in the Fondation Custodia – Collection Frits Lugt in Paris, gathered by art historian and longtime museum director Carlos van Hasselt (1929–2009). As director, van Hasselt provided an interesting model of collecting, as his pursuit was not motivated by a parti

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Feist, Romain. "Lucien, l’autre Petipa." Slavica Occitania 43, no. 1 (2016): 83–91. https://doi.org/10.3406/slaoc.2016.1073.

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Lucien, the Other Petipa Lucien Petipa (1815-1898), Marius’s elder brother, was principal dancer first with the Grand Théâtre de Bordeaux, and then the Opéra de Paris. From 1839, he danced with illustrious ballerinas, notably the much-celebrated Carlotta Grisi, whom he partnered on a regular basis. His natural assets, physical presence and excellent elevation, together with his elegance and proficiency for mime soon won him the hearts of both the public and critics alike. He could not rival his brother’s talent for choreography, but still composed several ballets and sixteen interludes for ope

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Tortello, M. Franco, and Osvaldo L. Bordonaro. "Cambrian agnostoid trilobites from Mendoza, Argentina: A systematic revision and biostratigraphic implications." Journal of Paleontology 71, no. 1 (1997): 74–86. http://dx.doi.org/10.1017/s002233600003897x.

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Agnostoid trilobites from the Carlos Rusconi collections in the Museum of Natural Sciences of Mendoza, Argentina, are revised. The agnostoids were collected in the southern Precordillera of Mendoza Province, western Argentina. Revised taxa include Agnostus microcephalus (Rusconi), Lotagnostus (Lotagnostus) peladensis? (Rusconi), Lotagnostus (Lotagnostus) lasherensis (Rusconi), Homagnostus pehuenchensis Rusconi, Kormagnostus seclusus (Walcott), Kormagnostus? beltensis (Lochman in Lochman and Duncan), Hypagnostus parvifrons (Linnarsson), Ptychagnostus cuyanus (Rusconi), Ptychagnostus aculeatus (

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Rubtsova, Nataliya Y., and Paula Marcotegui. "Redescription of Pseudobenedenia lauriei Szidat 1965 (Monogenea: Capsalidae) from Notothenia neglecta in Laurie, Peterman, and South Orkney Islands, South Antarctica." International Journal of Zoology and Animal Biology 7, no. 3 (2024): 1–7. http://dx.doi.org/10.23880/izab-16000590.

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While reviewing museum collections of Pseudobenedenia Johnston, 1931, we found five deposited slides marked by Dr. Lothar Carlos Guillermo Szidat as Pseudobenedenia lauriei Szidat, 1965 from Notothenia neglecta Nybelin, 1951. We have removed the synonymization of Pseudobenedenia lauriei Szidat, 1965 as a junior synonym of Pseudobenedenia nototheniae Johnston, 1931 and restored its identity as a valid species that we redescribe herein. We added never-published data on the ovary, testes, bursa, haptor diameter, and egg of P. lauriei. As well, we added data on body size, measurements of sclerotiz

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BURNS, CHELSEA. "Reiterating Hierarchy and the Failed Promise of the Global." Twentieth-Century Music 20, no. 3 (2023): 378–401. http://dx.doi.org/10.1017/s147857222300018x.

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AbstractThe idea of global modernisms rests upon freighted power relationships. Far from decolonizing, this concept reinscribes values of Euro- and US-centric discourses. This article addresses the inherent friction of global musical modernisms through Carlos Chávez's 1940 composition La paloma azul, written for concerts at New York's Museum of Modern Art. Tasked with appealing to a US audience, Chávez created work that participates in modernism's hierarchical frame, where Mexico provides exotic fantasy for bourgeois New Yorkers.Chávez was not alone in having been positioned as ‘modernism's sh

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Gessner, Ingrid, Miriam Nandi, and Juliane Schwarz-Bierschenk. "MatteRealities: Historical Trajectories and Conceptual Futures for Material Culture Studies." Open Cultural Studies 3, no. 1 (2019): 308–16. http://dx.doi.org/10.1515/culture-2019-0027.

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Abstract “No ideas but in things!” William Carlos Williams’s leitmotif for the modernist epic Paterson seems to anticipate the current renewal of academic attention to the materialities of culture: When the Smithsonian Institution accounts for The History of America in 101 Objects (Kurin) or when Neil MacGregor, designated director of the Humboldt Forum in Berlin, aims at telling The History of the World in 100 Objects (2011), they use specimens of material culture as register and archive of human activity. Individual exhibitions explore the role of objects in movements for social and politica

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BARROS, RAFAEL C. DE, BIANCA PIRACCINI SILVA, and CARLOS E. DE ALVARENGA JULIO. "Description of the male of Antodice quadrimaculata Martins & Galileo, 2003 (Coleoptera, Cerambycidae, Lamiinae), with new country record for the species." Zootaxa 4377, no. 4 (2018): 577. http://dx.doi.org/10.11646/zootaxa.4377.4.7.

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The genus Antodice Thomson, 1864 was revised by Martins & Galileo (1998) and currently includes 27 species (Tavakilian & Chevillotte 2017), distributed from Mexico to southern South America. Based on a single female specimen collected in Arroyo Cristal, Ka'azapá, Paraguay, the species Antodice quadrimaculata was first described by Martins & Galileo in 2003. The holotype specimen was collected on 20 November 1999 by J. Jensen and is deposited in the Museum of Zoology of the University of São Paulo, Brazil. With the help of Carlos Aguilar, from Paraguay’s National Museum of Natural H

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Urbani, Bernardo, and Eckhard W. Heymann. "Late eighteenth-century depictions of Peruvian primates in the Codex Martínez Compañón and the Quadro de la Historia Natural Civil y Geográfica del Reyno del Perú." Archives of Natural History 51, no. 1 (2024): 146–70. http://dx.doi.org/10.3366/anh.2024.0903.

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King Carlos III of Spain supported numerous scientific and intellectual enterprises in Spanish America during the eighteenth century. One was the compilation, between about 1782 and 1785, of a vast ‘paper museum’, the ‘Codex Martínez Compañón’ or ‘Codex Trujillo del Perú’, in the province of Trujillo, Peru. There, the Bishop of Trujillo, Baltasar Jaime Martínez Compañón, directed the preparation of hundreds of coloured illustrations of the people, geography and natural history of the region. Included were 17 images of mammals classified as primates from Peruvian forests. In 1789, this compilat

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Campos Ayala, Jennifer, Samantha Mahan, Brenan Wilson, et al. "Characterizing the Dyes of Pre-Columbian Andean Textiles: Comparison of Ambient Ionization Mass Spectrometry and HPLC-DAD." Heritage 4, no. 3 (2021): 1639–60. http://dx.doi.org/10.3390/heritage4030091.

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The complex and colorful textiles of ancient Peru have long been a focus of technical study, particularly to characterize the sources of the wide variety of dyes utilized by these Andean artisans. This manuscript describes the characterization of the dyes of both primary (red, blue, and yellow) and secondary (purple, orange, and green) colors sampled from textiles spanning five major civilizations: the Paracas Necropolis, the Nazca, the Wari, the Chancay, and the Lambayeque, all from Peru. All but the Paracas Necropolis samples were part of technical conservation studies of the ancient South A

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Alonso, Rodríguez María del Carmen. "Vaciados del siglo XVIII de la Villa de los Papiros de Herculano en la Real Academia de Bellas Artes de San Fernando." Academia. Boletín de la Real Academia de Bellas Artes de San Fernando 100-101 (June 7, 2005): 25–64. https://doi.org/10.5281/zenodo.14279162.

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La Real Academia de Bellas Artes de San Fernando conserva una colección de vaciados de esculturas halladas en la Villa de los Papiros de Herculano, en Pompeya y en Estabia que fue donada por Carlos III a a finales del siglo XVIII (1775). Del proceso de elaboración de los mismos, así como de su transporte a Madrid desde el Real Museo de Portici, ha quedado abundante documentación tanto en los archivos napolitanos como españoles. Se analizan aquí los motivos que impulsaron al rey a a encargar estas obras que estuvieron instaladas en el palacio del Buen R

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FERNÁNDEZ, MERCEDES, JUAN CARLOS FERNICOLA, ESPERANZA CERDEÑO, and MARCELO A. REGUERO. "Identification of type materials of the species of Protypotherium Ameghino, 1885 and Patriarchus Ameghino, 1889 (Notoungulata: Interatheriidae) erected by Florentino Ameghino." Zootaxa 4387, no. 3 (2018): 473. http://dx.doi.org/10.11646/zootaxa.4387.3.4.

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The first collections of Interatheriinae (Interatheriidae, Notoungulata) were created by the brothers Florentino and Carlos Ameghino, based on fossil specimens collected from diverse outcrops of Argentina and housed at different national institutions. In order to perform a systematic study of the subfamily, it is essential to revise as much specimens as possible, but first of all those that were used to establish the respective species, that is, the type material. Florentino Ameghino never referred to the collection number of the type specimens of the species he erected in any of his publicati

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Said dos Santos Sousa, Victor, Rodrigo Maurício Freire Soares, Rubens Da Costa Silva, et al. "“MEU MUSEU: DESVENDANDO A HISTÓRIA”: UMA CAMPANHA DE PRODUÇÃO CULTURAL PARA A FORMAÇÃO DE PÚBLICOS DOS MUSEUS DO CORREDOR DA VITÓRIA EM SALVADOR (BA)." Revista Formadores 13, no. 4 (2020): 57. http://dx.doi.org/10.25194/rf.v13i4.1427.

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Este artigo apresenta a produção cultural intitulada “Meu Museu: desvendando a história”, produto da disciplina Oficina de Produção Cultural, ministrada pelo professor Me. Rodrigo Soares, que buscou promover a formação de públicos para museus, incentivando alunos da rede pública de ensino da cidade de Salvador a visitar e frequentar com maior regularidade os espaços culturais soteropolitanos. O objetivo geral deste artigo é apresentar o projeto como uma campanha de produção cultural para a formação de públicos bem-sucedida. Para isso, o percurso metodológico parte de uma pesquisa descritiva de

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Milnes-Smith, Philip. "E. R. Varner (ed.), From Caligula to Constantine. Tyranny and Transformation in Roman Portraiture. Atlanta, Georgia: Michael C. Carlos Museum, 2001. Pp. 251. ISBN 1-928917-01-1. £21.50." Journal of Roman Studies 93 (November 2003): 319. http://dx.doi.org/10.1017/s007543580006295x.

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Milnes-Smith, Philip. "E. R. Varner (ed.), From Caligula to Constantine. Tyranny and Transformation in Roman Portraiture. Atlanta, Georgia: Michael C. Carlos Museum, 2001. Pp. 251. ISBN 1-928917-01-1. £21.50." Journal of Roman Studies 93 (November 2003): 319. http://dx.doi.org/10.2307/3184662.

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Lerda, Martina. "Mostre didattiche e musei: Giulio Carlo Argan e le sperimentazioni italiane nel secondo dopoguerra (1949-1952)." Opus Incertum 9 (December 13, 2023): 100–109. http://dx.doi.org/10.36253/opus-14844.

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This article reconstructs ministerial developments relating to the creation of educational exhibitions in Italian museums in the immediate post-war period and the first exhibitions of this type set up at the Museo Nazionale di San Matteo in Pisa (exhibition dedicated to the Polittico dei Carmelitani by Masaccio) and at the Galleria Nazionale d’Arte Moderna in Rome (exhibition on Nuragic bronzes). It is one of the first forms of reception and implementation in Italy of the principles promoted by ICOM on the educational function of museums and among its main promoters was Giulio Carlo Argan who

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Muller, Christine. "Práticas educativas em museus da educação: algumas experiências." RIDPHE_R Revista Iberoamericana do Patrimônio Histórico-Educativo 6 (July 1, 2020): e020010. http://dx.doi.org/10.20888/ridphe_r.v6i00.13515.

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Este trabalho faz parte da tese de doutorado defendida pela autora em junho de 2019. Aborda práticas educativas em museus da educação e pedagógicos, com foco nas interações que ocorrem no espaço do museu. Dentro deste enfoque foi formulado o seguinte problema: as propostas interativas das exposições museológicas têm realmente permitido o diálogo com as experiências do público? Segundo Wagensberg (2006), há três formas de promover a interatividade nas exposições. São elas a interatividade manual” (hands on), a interatividade mental (minds on) e a a interatividade cultural (heart on). A pesquisa

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Juberías Gracia, Guillermo. "Una visión decimonónica de la España de Carlos IV: diseños para la zarzuela Pan y Toros (1864) en las colecciones municipales de Madrid = A Nineteenth-Century Vision of Charles IV Spain: Designs for the Zarzuela Pan y Toros (1864) in the Municipal Collections of Madrid." Espacio Tiempo y Forma. Serie VII, Historia del Arte, no. 7 (December 13, 2019): 287. http://dx.doi.org/10.5944/etfvii.7.2019.25685.

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La Biblioteca Histórica y el Museo de Historia de Madrid atesoran el borrador autógrafo de la partitura, el manuscrito original del libreto y los figurines diseñados para el estreno en 1864 de la zarzuela Pan y Toros, compuesta por Francisco Asenjo Barbieri, una de las más célebres del repertorio musical español de mediados del siglo XIX. El presente artículo arroja datos inéditos sobre este patrimonio documental y artístico escasamente difundido, asegurando al pintor Manuel Castellano como autor de los figurines y localizando las fuentes de las que se sirvió para ambientar esta obra en la Esp

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Wendorf, Anna, and Carlos Dimeo. "La extracción de la piedra de la locura (instalaciones de Javier Téllez)." Sztuka Ameryki Łacińskiej 2 (2012): 187–219. http://dx.doi.org/10.15804/sal201209.

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In 1996 Javier Téllez exhibited his art installation titled “The Cure of Madness” in the Museum of Contemporary Art of Caracas. Its aesthetics and ideological contents comprises an analytical study of the border area and the complex mutual relation that exists between the two seemingly contradictory phenomena: sanity and madness. In the above-mentioned work of art, Téllez gives emphasis to a confusion between a psychiatric hospital space and the one of a museum, assuming that there are significant similarities between them. The installation is therefore an attempt to search for forms through w

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Kerber, Alessander. "O Museo Carlos Gardel, em Tacuarembó, e o Museo Casa Carlos Gardel, em Buenos Aires: nacionalismo e disputas pelo patrimônio cultural." Topoi (Rio de Janeiro) 21, no. 45 (2020): 842–61. http://dx.doi.org/10.1590/2237-101x02104514.

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RESUMO No presente artigo, analiso as ativações patrimoniais realizadas no Uruguai e na Argentina para a criação, exposição e divulgação dos museus Carlos Gardel, em Tacuarembó, e Casa Carlos Gardel, em Buenos Aires, na última década do século XX e primeira década do XXI. Enfoco as disputas relacionadas à identidade nacional de Carlos Gardel. Para tanto, utilizo, como fontes, documentação oficial relacionada à criação de ambos os museus, publicações relacionadas ao tema e a composição das exposições dos museus, focalizando o que foi escolhido para ser apresentado ao público e qual versão sobre

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Costa, Luíza Teixeira, Yasmin Vidal Hirao, and Erika Hingst Zaher. "Ilustrações no vitral do Museu do Instituto de Botânica de São Paulo." Cadernos de História da Ciência 12, no. 1 (2016): 186–208. http://dx.doi.org/10.47692/cadhistcienc.2016.v12.33862.

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Apresentamos aqui alguns aspectos sobre a origem e o papel dos vitrais na arquitetura e seus primeiros empregos no Brasil, tanto no contexto decorativo quanto no de divulgação científica. Discutimos o estudo das plantas úteis no Brasil, sua relação com a história da Botânica e o papel do botânico Frederico Carlos Hoehne no contexto científico e de divulgação. Relacionamos também o emprego de ilustrações científicas ao amplo uso popular de espécies vegetais até o começo do século XX no Brasil, em especial aquelas de interesse ao ramo da medicina. Buscamos discutir tal relação por meio de anális

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Santos Ferreira, Luciana, and Leandro Benedini Brusadin. "Poesia como documento." Museologia & Interdisciplinaridade 10, no. 19 (2021): 353–67. http://dx.doi.org/10.26512/museologia.v10i19.35185.

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Os museus assumem a sua perspectiva social quando integrados na premissa do território enquanto fenômeno vinculado às memórias de uma comunidade. Este artigo analisa a relação entre os poemas de Carlos Drummond de Andrade e três sobrados em Itabira (MG) em uma perspectiva interdisciplinar. A hipótese é que os poemas são documentos cuja representação em placas situa a relevância histórica dos sobrados em prol da memória coletiva, além de apresentar um contexto das edificações enquanto monumentos-documentos. A metodologia deste trabalho se deu por meio de levantamento bibliográfico, análise de p

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