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Relevant bibliographies by topics / Caspar David Friedrich

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Academic literature on the topic 'Caspar David Friedrich'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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Journal articles on the topic "Caspar David Friedrich"

1

Işık SARIALİOĞLU, Rahman. "CASPAR DAVİD FRİEDRİCH: BOŞLUĞUN KÖKENİ." Journal of Social Sciences 33, no. 33 (2019): 162–77. http://dx.doi.org/10.16990/sobider.4758.

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Zsghoche, Herrmann. "Caspar David friedrich und schweden." Konsthistorisk tidskrift/Journal of Art History 54, no. 4 (1985): 160–69. http://dx.doi.org/10.1080/00233608508604089.

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Warren, Richard. "Caspar David Friedrich, Ancient Rome and the Freiheitskrieg." Open Cultural Studies 1, no. 1 (2017): 66–74. http://dx.doi.org/10.1515/culture-2017-0007.

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Abstract This article considers four paintings by Caspar David Friedrich of a national romanticist nature. It examines the role of Rome and Germania’s ancient conflict in these, and briefly considers what may have influenced the artist’s national take on ancient history, including his personal experience of the Napoleonic invasions of his homeland. Friedrich’s transformations of the ancient in his national paintings are an important example of the reception of classical literature in German romanticism.

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Amstutz, Nina. "A Self-Portrait as Landscape Painter: Caspar David Friedrich and Phrenology." Zeitschrift für Kunstgeschichte 79, no. 1 (2016): 72–91. http://dx.doi.org/10.1515/zkg-2016-0005.

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Abstract A Self-Portrait as Landscape Painter: Caspar David Friedrich and Phrenology The article explores a precocious moment of interest in how the brain mediates aesthetic perception. Around 1810, Caspar David Friedrich drew himself with several features that deviate from his earlier self-portraits, including two bumps between the brows at the root of the nose. These cranial protuberances were associated with a cognitive faculty that the phrenologist Franz Joseph Gall insisted is common among landscape painters: Ortssinn, characterized by a heightened ability to remember places and to measur

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Bailey, Colin J. "Religious symbolism in Caspar David Friedrich." Bulletin of the John Rylands Library 71, no. 3 (1989): 5–20. http://dx.doi.org/10.7227/bjrl.71.3.2.

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Esposito, Antonio. "The Representation of Architectural Space for Caspar David Friedrich: The Case Study of Eldena Abbey." Arts 14, no. 1 (2025): 7. https://doi.org/10.3390/arts14010007.

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The spatiality of Caspar David Friedrich’s paintings has always been a topic of investigation within the field of Romantic art history. This research has been conducted with the objective of gaining insight into the ideas and reasoning of the Greifswald painter. The influence of new insights into Caspar David Friedrich’s spatiality construction has led the scholarship to trigger different ways of interpreting his paintings and artworks. The aim of the proposed study is to analyse the architectural spatiality as defined by Friedrich in his paintings that have Eldena Abbey as their main architec

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O’Rourke, Stephanie. "Staring into the Abyss of Time." Representations 148, no. 1 (2019): 30–56. http://dx.doi.org/10.1525/rep.2019.148.1.30.

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This essay examines the role of geological time in the work of the German Romantic artist Caspar David Friedrich in the early nineteenth century. It foregrounds the challenges this model of time posed for the relationship between the human and the natural—a relationship usually considered central to Friedrich’s work—and for the perceptual powers of the viewing subject.

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Haladyn, Julian Jason. "Caspar David Friedrich: nature and the self." Nineteenth-Century Contexts 43, no. 5 (2021): 615–18. http://dx.doi.org/10.1080/08905495.2021.1999705.

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Vulturescu, George, Adam J. Sorkin, and Olimpia Iacob. "From The Notebooks Of Caspar David Friedrich." Poem 2, no. 1 (2014): 46–59. http://dx.doi.org/10.1080/20519842.2014.11415431.

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Spitzer, C., B. Dahlenburg, and H. Freyberger. "Rezidivierende depressive Störung bei Caspar David Friedrich." Fortschritte der Neurologie · Psychiatrie 74, no. 7 (2006): 392–99. http://dx.doi.org/10.1055/s-2005-915575.

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Dissertations / Theses on the topic "Caspar David Friedrich"

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Ochiai, Momoko [Verfasser]. "Die Tages- und Jahreszeitenzyklen von Caspar David Friedrich / Momoko Ochiai." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2015. http://d-nb.info/108045926X/34.

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Kuhlemann, U. C. "Caspar David Friedrich, Christian Friedrich and the woodcut in Germany in the Romantic period." Thesis, University College London (University of London), 2010. http://discovery.ucl.ac.uk/19489/.

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This thesis investigates the German artist Caspar David Friedrich and his involvement in the woodcut production of his brother, the carpenter and furniture maker Christian Friedrich. An analysis of published correspondence and other, previously unpublished material reveals that the collaboration of the Friedrich brothers lasted circa 25 years and encompassed the production of at least twelve, probably fourteen woodcuts. During this period, Caspar David Friedrich's role changed significantly, from initial designer to later agent and general advisor. It also becomes apparent that this collaborat

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Enström, Anna. "Färgen och den fysiologiska estetiken : Goethe, Novalis och Caspar David Friedrich." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-5636.

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Clinger, Catherine L. "Caspar David Friedrich and the Catachthonic Cultures of Romantic Science and Technology." Thesis, University College London (University of London), 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498373.

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My thesis, `Caspar David Friedrich and the Catachthonic Cultures of Romantic Science and Technology, ' investigates the work of the German Romantic painter Caspar David Friedrich (1774-1840) in relation to subterranean worlds, the vernacular of the mining profession, and certain text-based representations found in scientific, technological, and popular culture publications concerned with speleological explorations and the mining industry. The purpose of this thesis is to re-describe key works within the oeuvre of Caspar David Friedrich as belonging to the culture of Bergwesen, and in so doing,

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Cibura, Sabine [Verfasser]. "Die Schiffe und Boote im Werk von Caspar David Friedrich / Sabine Cibura." Bonn : Universitäts- und Landesbibliothek Bonn, 2019. http://d-nb.info/119064519X/34.

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Hemmingson, Frida. "Romantikens sköna och sublima konst : konstnärerna Caspar David Friedrich och Marcus Larson." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-115087.

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Uppsatsen undersöker hur konstnärerna Caspar David Friedrich och Marcus Larson kan ha influerats av epoken romantiken i deras konst samt att den undersöker om deras bildkonst kan kopplas till den gotiska litteraturens tematik.

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Cahen-Maurel, Laure. "L’art de romantiser le monde : Caspar David Friedrich et la philosophie romantique." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040250.

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La peinture de Caspar David Friedrich (1774-1840), connue pour être une peinture« métaphysique », ayant une forte charge symbolique, donne lieu à toutes sortes déconstructions idéologiques. Notre travail propose une réflexion, au travers de cet art et de ses interprétations, sur la notion même de « romantisme ». Il s’agit de montrer qu’un examen précis de la représentation que le romantisme allemand a de lui-même offre des possibilités herméneutiques encore en partie inédites pour qui veut comprendre Friedrich en tant que peintre romantique allemand. C’est ce que nous avons tâché de faire appa

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Blumenthal, Karl-Rainer. "Of gods and grizzlies the non-aesthetic of nature and the new kinship of Werner Herzog and Caspar David Friedrich /." Diss., Connect to the thesis, 2006. http://thesis.haverford.edu/186/01/2006BlumenthalK.pdf.

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Vroemen, Elisabeth. "Les réceptions européennes de Caspar David Friedrich (1774-1840) avant la Centennale de Berlin (1906)." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100004.

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C. D. Friedrich est le plus souvent présenté, dans l’historiographie traditionnelle, comme un peintre oublié durant les décennies qui ont suivi sa mort à Dresde, en 1840. Peu connu en dehors de son Allemagne natale, il n’aurait été redécouvert que grâce à cette grande rétrospective de l’art allemand que fut la Berliner Jahrhundert Ausstellung de 1906. La première biographie du XXe siècle que lui consacre l’historien norvégien Andreas Aubert, Dieu, liberté, patrie (Gott, Freiheit, Vaterland, 1915) attire l’attention sur l’orientation politique et patriotique de certaines de ses peintures. Cette

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Braysmith, Hilary Anne. "The evolving imagery of Caspar David Friedrich : an investigation of his German and Baltic patriotism /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487758178237633.

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Books on the topic "Caspar David Friedrich"

1

Friedrich, Caspar David. Caspar David Friedrich. Verlag Atelier im Bauernhaus, 1993.

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Schmied, Wieland. Caspar David Friedrich. H.N. Abrams, 1995.

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Schmied, Wieland. Caspar David Friedrich. H.N. Abrams, 1995.

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Beke, László. Caspar David Friedrich. Corvina, 1986.

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Walther, Angelo. Caspar David Friedrich. 2nd ed. Henschelverlag Kunst und Gesellschaft, 1987.

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Friedrich, Caspar David. Caspar David Friedrich. National Gallery, 1990.

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7

(Boris), Asvarishch B., ed. Caspar David Friedrich. Aurora Art Publishers, 1985.

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8

Koch, Horst. Caspar David Friedrich. Artline Editions, 1988.

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9

Friedrich, Caspar David. Friedrich, Caspar David. DK Pub., 1999.

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10

Börsch-Supan, Helmut. Caspar David Friedrich. 4th ed. Prestel, 1987.

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Book chapters on the topic "Caspar David Friedrich"

1

"Caspar David Friedrich." In Gestalten des 19. Jahrhunderts. Wilhelm Fink Verlag, 2010. http://dx.doi.org/10.30965/9783846749586_003.

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Robelin, Jean. "FRIEDRICH, Caspar David." In Les théoriciens de l'art. Presses Universitaires de France, 2017. http://dx.doi.org/10.3917/puf.talon.2017.03.0239.

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Nanne van der, Linden. "Friedrich, Caspar David." In Encyclopedia of Romantic Nationalism in Europe. Amsterdam University Press, 2015. http://dx.doi.org/10.5117/9789462981188/ngls7x76ylyd9wyielkh7skv.

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4

"D → Dresden." In Caspar David Friedrich. Hatje Cantz Verlag GmbH, 2024. http://dx.doi.org/10.61608/9783775758796-004.

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"J → Jeers." In Caspar David Friedrich. Hatje Cantz Verlag GmbH, 2024. http://dx.doi.org/10.61608/9783775758796-010.

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"C → Chasseur." In Caspar David Friedrich. Hatje Cantz Verlag GmbH, 2024. http://dx.doi.org/10.61608/9783775758796-003.

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"N → Northwest Passage." In Caspar David Friedrich. Hatje Cantz Verlag GmbH, 2024. http://dx.doi.org/10.61608/9783775758796-014.

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"A → A Solitary Tree." In Caspar David Friedrich. Hatje Cantz Verlag GmbH, 2024. http://dx.doi.org/10.61608/9783775758796-001.

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"Contents." In Caspar David Friedrich. Hatje Cantz Verlag GmbH, 2024. http://dx.doi.org/10.61608/9783775758796-contents.

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Hess, Barbara. "Title Page." In Caspar David Friedrich. Hatje Cantz Verlag GmbH, 2024. http://dx.doi.org/10.61608/9783775758796-fm001.

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