Log in

Relevant bibliographies by topics / Caspar David Friedrich / Journal articles

To see the other types of publications on this topic, follow the link: Caspar David Friedrich.

Journal articles on the topic 'Caspar David Friedrich'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Caspar David Friedrich.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Işık SARIALİOĞLU, Rahman. "CASPAR DAVİD FRİEDRİCH: BOŞLUĞUN KÖKENİ." Journal of Social Sciences 33, no. 33 (2019): 162–77. http://dx.doi.org/10.16990/sobider.4758.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Zsghoche, Herrmann. "Caspar David friedrich und schweden." Konsthistorisk tidskrift/Journal of Art History 54, no. 4 (1985): 160–69. http://dx.doi.org/10.1080/00233608508604089.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Warren, Richard. "Caspar David Friedrich, Ancient Rome and the Freiheitskrieg." Open Cultural Studies 1, no. 1 (2017): 66–74. http://dx.doi.org/10.1515/culture-2017-0007.

Full text

Abstract:

Abstract This article considers four paintings by Caspar David Friedrich of a national romanticist nature. It examines the role of Rome and Germania’s ancient conflict in these, and briefly considers what may have influenced the artist’s national take on ancient history, including his personal experience of the Napoleonic invasions of his homeland. Friedrich’s transformations of the ancient in his national paintings are an important example of the reception of classical literature in German romanticism.

APA, Harvard, Vancouver, ISO, and other styles

4

Amstutz, Nina. "A Self-Portrait as Landscape Painter: Caspar David Friedrich and Phrenology." Zeitschrift für Kunstgeschichte 79, no. 1 (2016): 72–91. http://dx.doi.org/10.1515/zkg-2016-0005.

Full text

Abstract:

Abstract A Self-Portrait as Landscape Painter: Caspar David Friedrich and Phrenology The article explores a precocious moment of interest in how the brain mediates aesthetic perception. Around 1810, Caspar David Friedrich drew himself with several features that deviate from his earlier self-portraits, including two bumps between the brows at the root of the nose. These cranial protuberances were associated with a cognitive faculty that the phrenologist Franz Joseph Gall insisted is common among landscape painters: Ortssinn, characterized by a heightened ability to remember places and to measur

APA, Harvard, Vancouver, ISO, and other styles

5

Bailey, Colin J. "Religious symbolism in Caspar David Friedrich." Bulletin of the John Rylands Library 71, no. 3 (1989): 5–20. http://dx.doi.org/10.7227/bjrl.71.3.2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Esposito, Antonio. "The Representation of Architectural Space for Caspar David Friedrich: The Case Study of Eldena Abbey." Arts 14, no. 1 (2025): 7. https://doi.org/10.3390/arts14010007.

Full text

Abstract:

The spatiality of Caspar David Friedrich’s paintings has always been a topic of investigation within the field of Romantic art history. This research has been conducted with the objective of gaining insight into the ideas and reasoning of the Greifswald painter. The influence of new insights into Caspar David Friedrich’s spatiality construction has led the scholarship to trigger different ways of interpreting his paintings and artworks. The aim of the proposed study is to analyse the architectural spatiality as defined by Friedrich in his paintings that have Eldena Abbey as their main architec

APA, Harvard, Vancouver, ISO, and other styles

7

O’Rourke, Stephanie. "Staring into the Abyss of Time." Representations 148, no. 1 (2019): 30–56. http://dx.doi.org/10.1525/rep.2019.148.1.30.

Full text

Abstract:

This essay examines the role of geological time in the work of the German Romantic artist Caspar David Friedrich in the early nineteenth century. It foregrounds the challenges this model of time posed for the relationship between the human and the natural—a relationship usually considered central to Friedrich’s work—and for the perceptual powers of the viewing subject.

APA, Harvard, Vancouver, ISO, and other styles

8

Haladyn, Julian Jason. "Caspar David Friedrich: nature and the self." Nineteenth-Century Contexts 43, no. 5 (2021): 615–18. http://dx.doi.org/10.1080/08905495.2021.1999705.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Vulturescu, George, Adam J. Sorkin, and Olimpia Iacob. "From The Notebooks Of Caspar David Friedrich." Poem 2, no. 1 (2014): 46–59. http://dx.doi.org/10.1080/20519842.2014.11415431.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Spitzer, C., B. Dahlenburg, and H. Freyberger. "Rezidivierende depressive Störung bei Caspar David Friedrich." Fortschritte der Neurologie · Psychiatrie 74, no. 7 (2006): 392–99. http://dx.doi.org/10.1055/s-2005-915575.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Regitz, Hartmut. "getanzt wie gemalt." tanz 16, no. 1 (2025): 12–15. https://doi.org/10.5771/1869-7720-2025-1-012.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Shyr, Emily. "Doubled Figures, Doubled Infinities: Der Mönch, “Der Leiermann,” and the Kantian Mathematical Sublime." 19th-Century Music 48, no. 3 (2025): 140–61. https://doi.org/10.1525/ncm.2025.48.3.140.

Full text

Abstract:

Art historians, musicologists, and performers have long drawn connections between the music of Franz Schubert and the paintings of Caspar David Friedrich; this affinity of the arts is rooted in the rise of landscape painting during the early nineteenth century, which was pioneered by Caspar David Friedrich. Using Friedrich’s Monk by the Sea as a visual counterpart to Schubert’s “Der Leiermann,” this article examines how the Kantian mathematical sublime may take shape in the form of both works. Bringing together the literature in art history on Monk by the Sea with a re-reading of “Der Leierman

APA, Harvard, Vancouver, ISO, and other styles

13

Eyjólfsson, Sigurjón Árni. "Munkurinn á ströndinni." Ritröð Guðfræðistofnunar, no. 60 (June 16, 2025): 58–77. https://doi.org/10.33112/theol.60.5.

Full text

Abstract:

Í þessari grein er fjallað um það hvernig nítjándu aldar hugsuðir á borð við Friedrich Schleiermacher, en sérstaklega listmálarinn Caspar David Friedrich, unnu að því að móta tungutak og myndmál sem samræmist nútímaheimsmynd. Í upphafi greinarinnar eru megin-einkenni nútímavæðingar dregin fram og sýnt hvernig unnið hefur verið með þau innan listfræðinnar. Þá verður hugað sérstaklega að málverkinu Der Mönch am Meer (1808–1810) eftir Friedrich (sem nefna má á íslensku Munkurinn á ströndinni) og merking þess og áhrifasaga reifuð. Þetta verk vakti mikið umtal á sínum tíma og þótti birta vel stöðu

APA, Harvard, Vancouver, ISO, and other styles

14

Kuzniar, Alice, and Joseph Leo Koerner. "Caspar David Friedrich and the Subject of Landscape." German Quarterly 65, no. 1 (1992): 74. http://dx.doi.org/10.2307/406819.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Seeberg, Ulrich. "Dimensões filosóficas na obra de Caspar David Friedrich." ARS (São Paulo) 3, no. 5 (2005): 78–89. http://dx.doi.org/10.1590/s1678-53202005000100005.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Busch, Werner. "La conception de l’image chez Caspar David Friedrich." Histoire de l'art 70, no. 1 (2012): 133–47. http://dx.doi.org/10.3406/hista.2012.3407.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Harvey, A. D. "Caspar David Friedrich and Iconographies of Religious Feeling." Critical Quarterly 64, no. 1 (2022): 81–95. http://dx.doi.org/10.1111/criq.12595.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Amstutz, Nina. "Caspar David Friedrich and the Anatomy of Nature." Art History 37, no. 3 (2014): 454–81. http://dx.doi.org/10.1111/1467-8365.12083.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Weiss, Hermann F. "August D. C. Twesten uber Caspar David Friedrich." Zeitschrift für Kunstgeschichte 54, no. 1 (1991): 118. http://dx.doi.org/10.2307/1482519.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Amstutz, Nina. "Caspar David Friedrich and the Aesthetics of Community." Studies in Romanticism 54, no. 4 (2015): 447–75. http://dx.doi.org/10.1353/srm.2015.0000.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Meuwly, Olivier. "Caspar David Friedrich, le pinceau du romantisme philosophique." Le Regard Libre N° 102, no. 11 (2023): 54–57. http://dx.doi.org/10.3917/regli.102.0054.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Ma, Ning. "Death and Transcendence: Starting from Caspar David Friedrich’s Images of Oak Trees." Art and Society 3, no. 3 (2024): 41–49. http://dx.doi.org/10.56397/as.2024.06.05.

Full text

Abstract:

With the purpose of investigating Caspar David Friedrich’s view of art and nature, as well as exploring his reconciliation with the shadow of death, this essay will take Friedrich’s images of oak trees as the center of discussion. Methods of iconography and literature study will be employed to synthesize and analyse his personal letters and texts, the writings of contemporaneous philosophers, and existing studies. Influenced by his family’s Lutheran beliefs and contemporaries’ Romantic view of nature, Friedrich utilized landscapes with images of oaks as mediums for realizing reconciliation wit

APA, Harvard, Vancouver, ISO, and other styles

23

Hinrichs, Nina. "Das Eismeer – Caspar David Friedrich and the North." Nordlit 12, no. 1 (2008): 131. http://dx.doi.org/10.7557/13.1194.

Full text

Abstract:

The German Romantic painter Caspar David Friedrich (1774-1840) created the work of art Das Eismeer in the years 1823/24. Besides his painting Mönch am Meer it is his most radical painting. It depicts a dramatic and grim subject: A shipwreck in the Arctic Sea. According to different cultural, historical and social contexts there have been many different interpretations of his painting since it was produced.

APA, Harvard, Vancouver, ISO, and other styles

24

Costa, Ricardo da. "Novos Desafios do Fim da História." Revista Farol 11, no. 13 (2015): 107–16. http://dx.doi.org/10.47456/rf.v1i13.11052.

Full text

Abstract:

O artigo analisa a crise das Ciências Humanas com o declínio da consciência histórica na pós-modernidade e a influência do relativismo neste processo. Para isso, oferece uma narrativa imagética com quadros (turner, Corot, Goya, Friedrich Caspar David e Salomão Delane) e propõe o resgate da bela escrita, da verdade e da erudição como fundamentos da investigação humanística.

APA, Harvard, Vancouver, ISO, and other styles

25

Love, Damian. "Beckett and the Romantik: The Art of Caspar David Friedrich." Journal of Beckett Studies 9, no. 2 (2000): 91–96. http://dx.doi.org/10.3366/jobs.2000.9.2.7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Radnóti, Sándor. "Being and nothing Caspar David Friedrich: The Monk by the Sea." Acta Historiae Artium 59, no. 1 (2018): 219–31. http://dx.doi.org/10.1556/170.2018.59.1.7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

OSMOND, JONATHAN. "CASPAR DAVID FRIEDRICH: DIE ERFINDUNG DER ROMANTIK BY HUBERTUS GASSNER (ED.)." Art Book 14, no. 3 (2007): 22–24. http://dx.doi.org/10.1111/j.1467-8357.2007.00827_6.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Paula, Larissa Klosowski de. "Apresentação." Revista Eletrônica História em Reflexão 13, no. 26 (2019): 5–6. http://dx.doi.org/10.30612/rehr.v13i26.12703.

Full text

Abstract:

O presente número da Revista Eletrônica História em Reflexão é composto por artigos de temática livre, escritos por autores(as) em diferentes estágios de formação (graduados(as), especialistas, mestres e doutores(as)), vinculados à distintas instituições de ensino superior. Na capa, a pintura O Caminhante Sobre o Mar de Névoa, do artista alemão Caspar David Friedrich, busca demonstrar a posição do(a) pesquisador(a) na atualidade: analisando, para além da névoa, as possibilidades do horizonte das pesquisas.

APA, Harvard, Vancouver, ISO, and other styles

29

Żuchowski, Tadeusz J. "Wędrówki młodego Caspara Davida Friedricha. Rugia." Porta Aurea, no. 19 (December 22, 2020): 141–57. http://dx.doi.org/10.26881/porta.2020.19.07.

Full text

Abstract:

The article looks at the context in which young Caspar David Friedrich (1774–1840) developed his interest in the landscape of the Island of Rügen and the effects of this setting on the drawings the artist produced during his wanderings there. This article positions itself against the current scholarship which assumes that Friedrich’s fascination with Rügen had formed before the artist moved to Copenhagen to study at the Fine Arts Academy. Instead, this article shifts Friedrich’s attraction to the island forward, to his time in Copenhagen. The city was then the centre of European research

APA, Harvard, Vancouver, ISO, and other styles

30

Cahen-Maurel, Laure. "Fichte et Caspar David Friedrich sur l’esprit et la lettre en peinture." Fichte-Studien 41 (2014): 73–95. http://dx.doi.org/10.5840/fichte2014416.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Moll, Martin. "Reinhard Bach: Caspar David Friedrich & Ernst Moritz Arndt. Identitätssuche im Epochenumbruch." Das Historisch-Politische Buch (HPB) 71, no. 3–4 (2023): 420–21. http://dx.doi.org/10.3790/hpb.2024.343409.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Koerner, Joseph Leo. "Borrowed sight: The halted traveller in Caspar David Friedrich and William Wordsworth." Word & Image 1, no. 2 (1985): 149–63. http://dx.doi.org/10.1080/02666286.1985.10435672.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Dolp, Laura. "Between Pastoral and Nature: Beethoven'sMissa Solemnisand the Landscapes of Caspar David Friedrich." Journal of Musicological Research 27, no. 3 (2008): 205–25. http://dx.doi.org/10.1080/01411890802208772.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Cahen-Maurel, Laure. "Fichte et Caspar David Friedrich sur l’esprit et la lettre en peinture." Fichte Studien 41, no. 1 (2014): 73–95. https://doi.org/10.1163/18795811_04101007.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Greiner, Bernhard. "»Dieses ist vor dem Bilde unmöglich.«." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 56, no. 1 (2011): 65–88. http://dx.doi.org/10.28937/1000106184.

Full text

Abstract:

Im Laufe des 18. Jahrhunderts ändert sich in Deutschland die Zugänglichkeit von Kunst grundlegend: Fürstliche Sammlungen werden dem allgemeinen Publikum geöffnet, nur der Kunst gewidmete Museen werden eingerichtet. Diese Entwicklung zeigt eine bemerkenswerte Parallele zur gleichzeitigen Ausbildung einer philosophischen Ästhetik und deren Konzeption einer Kunstautonomie, der Kant dann eine umfassende theoretische Begründung gibt, derart, dass die Momente des Schönen, die Kant in der Kritik der Urteilskraft herausarbeitet, als konstitutive Merkmale der Kunstmuseen wiedergefunden werden können. D

APA, Harvard, Vancouver, ISO, and other styles

36

Hayer, Dominique. "« La tragédie du paysage ». Le regard de David d’Angers sur la peinture de Caspar David Friedrich." Humanisme N° 327, no. 2 (2020): 56–60. http://dx.doi.org/10.3917/huma.327.0056.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Canol, İlayda. "Adımlar Arasında: Doğa, Düşünce ve Varoluş*." Nesir: Edebiyat Araştırmaları Dergisi, no. 6 (April 30, 2024): 213–18. https://doi.org/10.5281/zenodo.10992147.

Full text

Abstract:

Between the Steps: Nature, Thought, and Existence Öz “Adımlar Arasında: Doğa, Düşünce ve Varoluş” başlıklı bu kısa denemede, insanın doğayla ve kendi iç dünyasıyla olan derin bağını yürüyüş metaforu üzerinden inceleyeceğiz. Böyle bir inceleme yürüme kadar durmanın, belirli ölçüde bizi engelleyen etmenlerden izole olup diğer bir deyişle durmanın durma olduğunu fark edebileceğimiz bir zeminde yürümek ve aynı zamanda durma esnasında görmekte olduklarımız hakkında düşünmeyi de gerekt

APA, Harvard, Vancouver, ISO, and other styles

38

Lee, Hwa Jin. "The Ambivalence of Gothic Ruins in the Landscape Paintings of Caspar David Friedrich." Journal of the Association of Western Art History 56 (February 28, 2022): 127–47. http://dx.doi.org/10.16901/jawah.2022.02.56.127.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Reusch, Johann JK. "Exotic Islands and the Stranded Traveler in the Works of Caspar David Friedrich." Studies in Eighteenth Century Culture 32, no. 1 (2003): 347–69. http://dx.doi.org/10.1353/sec.2010.0096.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Mani, B. Venkat. "Rights, Permissions, Claims: World Literature and the Borders of Reading." PMLA/Publications of the Modern Language Association of America 134, no. 1 (2019): 144–49. http://dx.doi.org/10.1632/pmla.2019.134.1.144.

Full text

Abstract:

In 2016, in the midst of the en masse arrival of refugees in europe, the austrian library association brought out a welcome poster, a Willkommensplakat. At the center of the poster is a human figure with his back toward the viewer, standing upright on a stack of books. The figure bears an uncanny resemblance to the man in Wanderer above the Sea of Fog (circa 1817), the famous painting by the German romantic painter Caspar David Friedrich. In the welcome poster, however, Friedrich's willful, romantic wanderer, standing on the solid ground of rocks, is replaced by a migrant, forced to leave his

APA, Harvard, Vancouver, ISO, and other styles

41

Hodde, Johanna. "(Wir) Wanderer über dem Nebelmeer." supervision 43, no. 2 (2025): 51–58. https://doi.org/10.30820/1431-7168-2025-2-51.

Full text

Abstract:

Fernab vom Treiben der Welt laden Kunstwerke zum Verweilen und zur Reflexion ein. Kunstwerke handeln von der Welt da draußen, ohne bloße Abbilder dieser Welt zu sein. Dabei reflektieren sie die Kultur, der sie entstammen, und sie transportieren zugleich zeitund kulturübergreifende, allgemein-menschliche Thematiken. Darin liegt das Geheimnis, dass sich ein jeder Betrachter von etwas berührt fühlt, das ihn angeht. Er sieht nicht nur ein Bild an der Wand, sondern sich im Verhältnis zu diesem Gegenüber. Am Beispiel des Gemäldes Der Wanderer über dem Nebelmeer von Caspar David Friedrich wird gezeig

APA, Harvard, Vancouver, ISO, and other styles

42

Frank, Mitchell B. "New Romanticisms in Wilhelmine Germany." Romantik: Journal for the Study of Romanticisms 3, no. 1 (2016): 9. http://dx.doi.org/10.7146/rom.v3i1.23251.

Full text

Abstract:

This essay examines and connects two related issues in the literature on the history of art of the Wilhelmine Period: the canonical shift in German romantic painting from the Nazarenes to Phillip Otto Runge and Caspar David Friedrich; and the attempt to position the work of contemporary German artists (often called new idealists) as a new romanticism. At this time, art historians like Richard Muther and Cornelius Gurlitt take on a romantic sensibility in their attempts to position contemporary German art on the international scene. With the development of new idealism in German artwriting, two

APA, Harvard, Vancouver, ISO, and other styles

43

Pantaleón Panaro, Carlos. "Máquinas para mirar." ARQUISUR Revista 13, no. 23 (2023): 32–45. http://dx.doi.org/10.14409/ar.v13i23.12570.

Full text

Abstract:

Tres pinturas de Caspar David Friedrich sugieren al autor diferentes comportamientos del ser humano en el espacio generados a partir de la relación entre un observador y el objeto observado, relación en la que media un dispositivo que incide en los distintos comportamientos o categorías estéticas suscitados. Estas actitudes y sentimientos de los personajes que habitan las tres pinturas están asociados a los ambientes específicos en los que se encuentran y cuyas características favorecen esas reacciones. De manera concomitante con estas situaciones, se proponen y describen brevemente algunas ob

APA, Harvard, Vancouver, ISO, and other styles

44

Schefer, Olivier. "Espaços liminares - natureza e função do limiar na paisagem contemporânea." REVISTA POIÉSIS 21, no. 36 (2020): 67. http://dx.doi.org/10.22409/poiesis.v21i36.42735.

Full text

Abstract:

O tema principal deste artigo é o do limiar nas artes visuais, pintura, fotografia e vídeo, analisado através de um ponto de vista romântico e especulativo. Pretendemos destacar os significados românticos da pintura paisagística, por exemplo, sua estrutura reflexiva, especialmente o “limiar duplo” das Rückenfiguren [Figuras vistas pelas costas] de Caspar David Friedrich, conectadas ao espectador e à parte não visível do horizonte. Esse conceito é muito relevante em vários contemporâneos que tentam tornar visível o limite invisível que conecta o tempo e o espaço, o próximo e o distante, o prese

APA, Harvard, Vancouver, ISO, and other styles

45

Haladyn, Julian Jason. "Friedrich’s Wanderer: Paradox of the Modern Subject." RACAR : Revue d'art canadienne 41, no. 1 (2016): 47–61. http://dx.doi.org/10.7202/1037554ar.

Full text

Abstract:

L’homme vu de dos dans Le Voyageur au-dessus de la mer de nuages (1818) de Caspar David Friedrich est ici considéré en tant qu’intermédiaire interposé entre le regardeur et le paysage montagneux sublime contemplé. La subjectivité moderne se retrouvant de plus en plus éloignée du monde et séparée de tout sentiment de réalité vivable ou définissable, nous soutenons que le spectre de cette figure traduit de façon fondamentale l’abstraction croissante de l’humanité quant au monde empirique. Nous discutons de ce tableau en lien avec les problématiques contemporaines des droits de l’homme et de l’ém

APA, Harvard, Vancouver, ISO, and other styles

46

Stoker, Wessel. "De Rothko kapel schilderijen en de ‘urgentie van de transcendente ervaring’." NTT Journal for Theology and the Study of Religion 62, no. 2 (2008): 89–105. http://dx.doi.org/10.5117/ntt2008.62.089.stok.

Full text

Abstract:

Since the Romantic period, painters have no longer made use of traditional Christian iconography to express religious transcendence. Taking their cue from Schleiermacher’s Über die Religion, painters have sought for new, personal ways to express religious transcendence. One example is Caspar David Friedrich’s ‘Monk by the Sea’. Rosenblum argues, in his Modern Painting and the Northern Romantic Tradition, that there is a parallel between Friedrich and the abstract expressionist Rothko with respect to the expression to religious transcendence. In this article I investigate how the experience of

APA, Harvard, Vancouver, ISO, and other styles

47

Dietrich, Sophie. "Der nordische Naturraum und das Erhabene: Eine Fallstudie // Northern Nature and the Sublime: A case study // El paisaje del Norte y lo sublime: Un caso de estudio." Ecozon@: European Journal of Literature, Culture and Environment 5, no. 2 (2014): 6–22. http://dx.doi.org/10.37536/ecozona.2014.5.2.610.

Full text

Abstract:

Zusammenfassung Im vorliegenden Artikel wird die künstlerische Darstellung der für den Norden Europas charakteristischen, ausgedehnten Nadelwälder anhand eines Fallbeispiels aus der Kunstgeschichte untersucht. Bei dem ausgewählten Kunstobjekt handelt es sich um Caspar David Friedrichs (1774 – 1840) Gemälde Der Chausseur im Walde aus dem Jahre 1814. Zunächst erfolgt eine Bildanalyse unter besonderer Berücksichtigung der Darstellung des Waldes. In diesem Kontext wird erörtert, wie der Künstler dieses Landschaftselement dargestellt hat und inwiefern jene Darstellungsweise mit der symbolischen Bed

APA, Harvard, Vancouver, ISO, and other styles

48

Meyertholen, Andrea. "Apocalypse Now: On Heinrich von Kleist, Caspar David Friedrich, and the Emergence of Abstract Art." German Quarterly 86, no. 4 (2013): 404–20. http://dx.doi.org/10.1111/gequ.10189.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Rößler, Johannes. "Annäherung in der Entfremdung: Caspar David Friedrich und die Weimarischen Kunstfreunde im Kontext neuer Quellen." Jahrbuch des Freien Deutschen Hochstifts 2013 (July 1, 2014): 250–307. http://dx.doi.org/10.46500/83531313-006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

García Vázquez, Milagros. "San Agustín y la estética del romanticismo alemán." Pensamiento. Revista de Investigación e Información Filosófica 76, no. 292 (2021): 1425–49. http://dx.doi.org/10.14422/pen.v76.i292.y2020.004.

Full text

Abstract:

El presente artículo plantea posibles conexiones entre el misticismo agustiniano y el pensamiento estético de San Agustín, con los principales fundamentos del Romanticismo alemán representado por tres autores, Wilhelm Heinrich Wackenroder y su texto Confesiones de un monje enamorado del arte, Caspar David Friedrich y su pintura Monje frente al mar, y Novalis y su obra lírica, narrativa y ensayística. De este modo, se busca dejar abierta otra posible vía de acercamiento al movimiento romántico y de conocimiento de sus ideales que pueda completar las perspectivas desde las cuales se han abordado

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!