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Dissertations / Theses on the topic 'Caspar David Friedrich'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Ochiai, Momoko [Verfasser]. "Die Tages- und Jahreszeitenzyklen von Caspar David Friedrich / Momoko Ochiai." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2015. http://d-nb.info/108045926X/34.

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2

Kuhlemann, U. C. "Caspar David Friedrich, Christian Friedrich and the woodcut in Germany in the Romantic period." Thesis, University College London (University of London), 2010. http://discovery.ucl.ac.uk/19489/.

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This thesis investigates the German artist Caspar David Friedrich and his involvement in the woodcut production of his brother, the carpenter and furniture maker Christian Friedrich. An analysis of published correspondence and other, previously unpublished material reveals that the collaboration of the Friedrich brothers lasted circa 25 years and encompassed the production of at least twelve, probably fourteen woodcuts. During this period, Caspar David Friedrich's role changed significantly, from initial designer to later agent and general advisor. It also becomes apparent that this collaborat

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3

Enström, Anna. "Färgen och den fysiologiska estetiken : Goethe, Novalis och Caspar David Friedrich." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-5636.

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4

Clinger, Catherine L. "Caspar David Friedrich and the Catachthonic Cultures of Romantic Science and Technology." Thesis, University College London (University of London), 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498373.

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My thesis, `Caspar David Friedrich and the Catachthonic Cultures of Romantic Science and Technology, ' investigates the work of the German Romantic painter Caspar David Friedrich (1774-1840) in relation to subterranean worlds, the vernacular of the mining profession, and certain text-based representations found in scientific, technological, and popular culture publications concerned with speleological explorations and the mining industry. The purpose of this thesis is to re-describe key works within the oeuvre of Caspar David Friedrich as belonging to the culture of Bergwesen, and in so doing,

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5

Cibura, Sabine [Verfasser]. "Die Schiffe und Boote im Werk von Caspar David Friedrich / Sabine Cibura." Bonn : Universitäts- und Landesbibliothek Bonn, 2019. http://d-nb.info/119064519X/34.

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6

Hemmingson, Frida. "Romantikens sköna och sublima konst : konstnärerna Caspar David Friedrich och Marcus Larson." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-115087.

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Uppsatsen undersöker hur konstnärerna Caspar David Friedrich och Marcus Larson kan ha influerats av epoken romantiken i deras konst samt att den undersöker om deras bildkonst kan kopplas till den gotiska litteraturens tematik.

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7

Cahen-Maurel, Laure. "L’art de romantiser le monde : Caspar David Friedrich et la philosophie romantique." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040250.

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La peinture de Caspar David Friedrich (1774-1840), connue pour être une peinture« métaphysique », ayant une forte charge symbolique, donne lieu à toutes sortes déconstructions idéologiques. Notre travail propose une réflexion, au travers de cet art et de ses interprétations, sur la notion même de « romantisme ». Il s’agit de montrer qu’un examen précis de la représentation que le romantisme allemand a de lui-même offre des possibilités herméneutiques encore en partie inédites pour qui veut comprendre Friedrich en tant que peintre romantique allemand. C’est ce que nous avons tâché de faire appa

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8

Blumenthal, Karl-Rainer. "Of gods and grizzlies the non-aesthetic of nature and the new kinship of Werner Herzog and Caspar David Friedrich /." Diss., Connect to the thesis, 2006. http://thesis.haverford.edu/186/01/2006BlumenthalK.pdf.

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9

Vroemen, Elisabeth. "Les réceptions européennes de Caspar David Friedrich (1774-1840) avant la Centennale de Berlin (1906)." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100004.

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C. D. Friedrich est le plus souvent présenté, dans l’historiographie traditionnelle, comme un peintre oublié durant les décennies qui ont suivi sa mort à Dresde, en 1840. Peu connu en dehors de son Allemagne natale, il n’aurait été redécouvert que grâce à cette grande rétrospective de l’art allemand que fut la Berliner Jahrhundert Ausstellung de 1906. La première biographie du XXe siècle que lui consacre l’historien norvégien Andreas Aubert, Dieu, liberté, patrie (Gott, Freiheit, Vaterland, 1915) attire l’attention sur l’orientation politique et patriotique de certaines de ses peintures. Cette

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10

Braysmith, Hilary Anne. "The evolving imagery of Caspar David Friedrich : an investigation of his German and Baltic patriotism /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487758178237633.

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11

Engelstätter, Michaela. "Melancholie und Norden Studien zur Entstehung einer Wahlverwandtschaft von der Antike bis zu Caspar David Friedrich." Hamburg Kovač, 2006. http://d-nb.info/987084380/04.

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12

Ramos, Julie. "Nostalgie de l'unité : paysage et musique dans la peinture de P. O. Runge et C. D. Friedrich /." Rennes : PUR, 2008. http://swbplus.bsz-bw.de/bsz281464790inh.htm.

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13

Ramos, Julie. ""Tout le visible tient à l'invisible. . . " : paysage et musique dans le romantisme allemand : Philipp Otto Runge et Caspar David Friedrich." Paris 1, 2000. http://www.theses.fr/2000PA010688.

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Autour de 1800, la question des limites entre peinture et musique est un élément important du renouvellement du discours esthétique et de la pratique artistique en Allemagne. L'étude analyse ce phénomène par le biais des oeuvres de Philipp Otto Runge (1777-1810) et Caspar David Friedrich (1774-1840). Elle s'attache à en comprendre la dialectique propre, oscillant entre le pôle de l'union des artset celui de l'unité des arts. Partant des limites supposées des moyens d'expression spécifiques à chaque art, le premier pointe la nécessité d'une complémentarité des médiums conduisant à concevoir une

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14

Aurich, Frank. "Ein Maler als Chronist über die Unruhen 1830." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-ds-1237552498846-30097.

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Am 11. September des Jahres 1830 notierte der Maler Caspar David Friedrich: „Ich lebe nun seit einigen dreißig Jahren in Dresden, aber noch nie habe ich so viele freudige Gesichter gesehen als gestern.“

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15

Kühnöl, Caspar David [Verfasser], Dieter [Akademischer Betreuer] Körholz, Meinolf [Akademischer Betreuer] Suttorp, and Carl Friedrich [Akademischer Betreuer] Classen. "Verstärkung einer IL-2-initiierten Immunantwort gegen eine Zelllinie der Ewing-Tumor-Familie durch Stimulation des kostimulatorischen Rezeptors CD137 / Caspar David Kühnöl. Betreuer: Dieter Körholz ; Meinolf Suttorp ; Carl Friedrich Classen." Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2010. http://d-nb.info/1025055780/34.

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16

Ralickas, Eduardo. "Naissance de l'art performatif : étude sur les prémisses du moment romantique en Allemagne." Paris, EHESS, 2012. http://www.theses.fr/2012EHES0136.

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Dans cette thèse d’histoire de l’art, nous posons un lien inédit entre la philosophie de Johann Gottlieb Fichte (1762–1814) et quelques pratiques artistiques et/ou littéraires issues du premier romantisme allemand. Bien que ce lien ait été posé dans l’historiographie traditionnelle, il l’a été en tenant compte soit des contenus particuliers enseignés dans la Wissenschaftslehre de Fichte (théorie du sujet, théorie de la liberté), soit des opinions politiques de cet auteur (républicanisme, égalitarisme, universalisme du droit). Or, le projet romantique tel qu’envisagé par ces praticiens a pour m

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17

Čejková, Michaela. "Klišé v současné výtvarné fotografii." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202790.

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The diploma thesis defines the therm "cliché" in art and specifically in photography. This definition stems from examining concepts that are closely related to cliché: paraphrase, kitch, copy, reproduction. The thesis also pinpoints various examples of cliché in today's photography. It follows the development of certain clichés and aims to answer the question that concerns the repetitive search and imitation of certain images, even by authors who are undoubtedly aware of their existence, as well as frequency.

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18

Sugiyama, Akane [Verfasser]. "Wanderer unter dem Regenbogen - Die Rückenfigur Caspar David Friedrichs / Akane Sugiyama." Berlin : Freie Universität Berlin, 2009. http://d-nb.info/1023623145/34.

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19

Müller, Axel. "Im Rahmen des Möglichen : Studien zur Bild- und Raumkonzeption der Malerei des 19. und 20. Jahrhunderts /." Hildesheim : G. Olms, 1990. http://catalogue.bnf.fr/ark:/12148/cb35707754t.

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20

Cadenhead, Patrick. "Cowboys, Clowns, and Perambulations." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1833.

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This thesis is an attempt to de-construct the linear way in which I describe my work. I am attempting to deal with my family’s background in the theater and identity as a Texan. In addition I am attempting to address my interest in phenomenological concerns. This document was created in Microsoft Word 2000. The video portions of the video were edited on Imovie HD and Final Cut Pro, while the audio text was recorded from TextEdit’s text to speech program.

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21

Schönfuß-Krause, Renate. "„Badescene im Raederflus“." Teamwork Schönfuß, 2021. https://slub.qucosa.de/id/qucosa%3A75276.

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Ein Kupferstich von J. C. Klengel und G. W. Hüllmann in dem 1790 herausgegebenen Buch „Briefe über das Radeberger Bad“ geben Auskunft, dass Lotzdorf und Liegau bereits frühzeitig für Badefreuden berühmt waren. und einige historische Hintergründe über den Entdecker Christoph Seydel, den Tannengrund, das Radeberger Bad, das Mohr- und Stahlbad Augustusbad sowie einige der berühmten Gäste dieses Bades, wie z.B. Gerhard von Kügelgen, Wilhelm von Kügelgen, Caspar David Friedrich, Carl Gustav Carus, Prof. Carl August Richter, Prof. Adrian Ludwig Richter, der Schriftsteller Jean Paul, Theodor Körner

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22

Schönfuß-Krause, Renate. "Die Welt ist ungerecht - oder der Irrtum des Wilhelm von Kügelgen." Teamwork Schönfuß, 2021. https://slub.qucosa.de/id/qucosa%3A74807.

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Was uns eine Gedenktafel am Haus Nr. 48 in Lotzdorf aussagt - was sie (leider) nicht aussagt - und weshalb die Stifter bzw. Gestalter dieser Tafel ungerecht sind. 'Wilhelm von Kügelgen verbrachte hier Tage seiner Kindheit' - so steht es auf einer Gedenktafel. Der Vater Gerhard von Kügelgen wird weder erwähnt noch geehrt, obwohl er der um ein Vielfaches berühmtere Maler war, der mehrere Jahre zu seiner Sommerkur im Augustusbad mit seiner Familie in Lotzdorf wohnte. Der „Vergesslichkeit“ seines Sohnes Wilhelm ist es sicherlich zuzuschreiben, dass die Gemeindevorsteher Lotzdorfs nicht ihm, dem be

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23

Chun-ChenLiu and 劉純禎. "“Huenengrab” and Romanticism in the Landscape of Caspar David Friedrich." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/93261606856059575011.

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碩士<br>國立成功大學<br>藝術研究所<br>98<br>This thesis attempts to explore the H?nengrab paintings of the 18th century artist Caspar David Friedrich on the R?gen Island. In the past researches, there is no systematic arrangement or specialized book regarding to these paintings. The focus of the thesis is on the discussion of these paintings from four directions. First, the background of Romanticism Age is investigated and the shocks and influences from R?gen Island and Napoleons war are emphasized. Second, the Romanticism concepts of landscape are intimate with god and the transformation on View of Death

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24

Hájková, Zita. "Caspar David Friedrich. Motiv postavy u okna, její geneze a vývoj." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-321366.

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The thesis deals with the life and work of Caspar David Friedrich (1774 - 1840) who is considered one of the most important painters and drawers of the German romanticism. His main contribution for painting was the creation of pictures with subjective, later also politically motivated symbolism. The themes of his works in particular included the nature where persons often stand and watch the landscape in distance. The first chapter provides information on the personality and work of the painter who created a new style of landscaping. In nature he discovered the spiritual element that he connec

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25

Busch, Mikhail. "Spirituality and German Romanticism: the influence of Jakob Böhme on Novalis and Caspar David Friedrich." Thesis, 2020. http://hdl.handle.net/1828/11763.

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This Master’s thesis shall attempt to reconcile the notion of the spiritual with that of the aesthetic by focusing on the influence of 16th century German mystic Jakob Böhme, with the 19th century cultural movement of German Romanticism. Böhme’s mysticism outlined a spiritual paradigm that fused alchemy with Christianity wherein the properties of nature are inherently led by a spiritual desire towards unity with God. It is through the process of spiritual desire that unity unveils itself. Consequently, Böhme’s mysticism influenced later generations of spiritual thought, including German Romant

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26

Chen, Yi Min, and 陳依敏. "A Study on the Composition Elements and Meanings in the Landscape of Caspar David Friedrich." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/fy676y.

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碩士<br>國立臺北藝術大學<br>美術學系碩(博)士班<br>106<br>Through the statistical analysis of the image elements of the works of Caspar David Friedrich (1774 - 1840), this dissertation summarizes the law of the elements of his works of Art, and discusses the historical significance of image elements, from the Pagan worship in the Stone Age, through the Christian religion in the Middle Ages, to the Romanticism and the revival of the German Spirit in the 19th century, and the development of image meaning from the aspects of religion, literature, philosophy and science. How did Caspar David Friedrich created meanin

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27

Quinteiro, Sílvia Moreno de Jesus e. "A relação sujeito observador/ paisagem em The Mysteries of Udolpho de Ann Radcliffe e na obra de Caspar David Friedrich." Master's thesis, 1998. http://hdl.handle.net/10400.1/1409.

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Dissertação mest., Literatura Comparada, Faculdade de Letras da Universidade de Lisboa, 1998<br>Este estudo consiste numa análise comparativa entre The Mysteries of Udolpho de Ann Radcliffe e a obra pictórica de Caspar David Friedrich. A comparação foi feita ao nível da relação que se estabelece nestas duas obras entre o sujeito observador e a paisagem, e tem como objectivo, para além de comprovar a pertinência desta aproximação, revelar de que modo sujeito e paisagem contribuem para a construção um do outro. O estudo encontra-se dividido em três capítulos nos quais se dá conta, respectivamen

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28

Tyrrell, Jonathan. "Maelström." Thesis, 2009. http://hdl.handle.net/10012/4703.

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The Lofoten Maelström in Norway, one of the world’s most powerful systems of tidal eddies, has been a locus of terror and imagination for centuries. First depicted in renaissance cartography, the myth of the vortex was propagated through the occult science of Athanasius Kircher and found its most current expression in Edgar Allan Poe’s “A Descent into the Maelström”. This thesis is a work of exegesis. That is, a work of interpretation that leads out of a text, or a site, towards another level of meaning. Poe’s text refers to the geographic site of the thesis but also becomes a site in it

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29

Filipe, Mariana Garcia 1988. "Contemplando a figura na pintura : a posição do observador." Master's thesis, 2013. http://hdl.handle.net/10451/20288.

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I believe that Art happens in the exact physical space between a viewer and an image hanging on a wall. The viewer or beholder is something inherent to paintings but, for some artists and even for some periods of art history, the viewer gains a crucial place becoming the main point or initial reason for the conception of the work of art. Through the work of artists like Jean-Baptiste-Siméon Chardin, Caspar David Friedrich, Édouard Manet, Thomas Struth, and Michaël Borremans, we can study a very specific relationship between the figures represented in the paintings and the possible beholder tha

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30

Ralickas, Eduardo. "Naissance de l'art performatif : étude sur les prémisses du moment romantique en Allemagne." Thèse, 2011. http://hdl.handle.net/1866/8257.

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Dans cette thèse d'histoire de l'art, nous posons un lien inédit entre la philosophie de Johann Gottlieb Fichte (1762-1814) et quelques pratiques artistiques et/ou littéraires issues du premier romantisme allemand : notamment celles de Friedrich Schlegel (1772-1829), de August Wilhelm Schlegel (1767-1845), de Friedrich von Hardenberg (« Novalis », 1772-1801) et de Caspar David Friedrich (1774-1840). Bien que ce lien ait été posé dans l'historiographie traditionnelle, il l'a été en tenant compte soit des contenus particuliers enseignés dans la Wissenschaftslehre de Fichte (théorie du sujet, thé

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31

Soares, Stela Maria dos Santos 1970, and Tomás Maia. "O espaço pictural em Heidegger." Master's thesis, 2009. http://hdl.handle.net/10451/1979.

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Tese de Mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2009<br>The present essay tries to put forward a pictorial space perception in Heidegger’s thinking, taking as an object of study several of the author’s texts. In a first stage, we approach Heidegger’s thought on creation, where the conception of truth appears as original opening and disclosure, to then discover that it is through the artwork that its “thingness” manifests itself and where the essence of the creative act comes together in let-be the Being and in the making as to let-be the work of art. We also look i

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