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1

Marsico, Katie. Choreographer. Cherry Lake Pub., 2012.

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Marsico, Katie. Choreographer. Cherry Lake Pub., 2012.

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3

Richard-Max, Tremblay, and Strayer Alison Lee, eds. Marie Chouinard, choreographer. Varia, 2008.

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4

National Resource Centre for Dance., ed. Choreographer fact cards. National Resource Centre for Dance, 2001.

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5

Lucille, Rhodes, and Murphy Margaret, eds. Anna Sokolow: Choreographer. Dance Horizons, 1991.

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6

Hamilton, Sue L. Paula Abdul: Choreographer, dancer, singer. Abdo & Daughters, 1990.

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7

Alston, Richard. Essential Alston: A choreographer discusses his work. Contemporary Dance Trust, 1998.

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8

Thompson, Lisa. Behind every step: Have you got what it takes to be a choreographer? Compass Point Books, 2010.

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9

Savrami, Katia. Ancient dramatic chorus through the eyes of a modern choreographer: Zouzou Nikoloudi. Cambridge Scholars Publishing, 2016.

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10

Atkins, Cholly. Class act: The jazz life of choreographer Cholly Atkins. Columbia University Press, 2001.

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11

Society of Dance History Scholars (U.S.), ed. The making of a choreographer: Ninette de Valois and Bar aux Folies-Bergère. Society of Dance History Scholarsc1996., 1996.

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12

Aline, Gélinas, ed. Jean-Pierre Perreault, choreographer: A translation : a collection of essays. Arts Inter-Media Canada/Dance Collection Dance, 1992.

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13

Abad-Carlés, Ana M. Female ballet choreographers: Reviewing a choreographic tradition. Roehampton University, 2004.

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14

Bolwell, Jan. Susan Jordan: The making of a New Zealand choreographer : a biographical essay. Wellington College of Education, 1991.

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15

Robinson, Anne. Consigned to oblivion: The work of the dancer and choreographer David Lichine. University of Surrey, 1998.

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16

Duboc, Odile. Les mots de la matière: Écrits de la chorégraphe. Solitaires intempestifs, 2012.

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17

Schneider, Katja, Thomas Betz, and Rosa Frank. Schreiben mit Körpern: Der Choreograph Raimund Hoghe. K. Kieser Verlag, 2012.

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18

Marsico, Katie. Choreographer. Cherry Lake Publishing, 2011.

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19

Marsico, Katie. Choreographer. Cherry Lake Publishing, 2011.

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20

Morris, Geraldine. Frederick Ashton's Ballets. 2nd ed. Oxford University PressNew York, 2025. https://doi.org/10.1093/oso/9780197747117.001.0001.

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Abstract The concept of style in choreography is highly contentious, so how should its analysis be approached? How do we define style, especially in ballet, where it is still closely tied to the academic steps from which choreographers draw their material? What happens to a choreographer’s dances when he is no longer there to coach dancers, and why is this important? These are some of the questions considered by Geraldine Morris in this seminal work on Frederick Ashton’s choreography. The writer argues that in ballet, academic dance may be confused with choreographed dance, with the result tha
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21

Guy, Priscilla. Where Is the Choreography? Who Is the Choreographer? Edited by Douglas Rosenberg. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199981601.013.28.

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This chapter examines editing as a springboard to envision new types of choreographic practices for screendance and proposes choreographic editing as a dance-making approach embedded within the process of editing, encouraging further headway into screendance practices. Martin Heidegger’s thinking provides insightful tracks to follow in theorizing the role of contemporary screendance choreography and mediated dances/bodies on screen. Erin Braningan’s concept of micro-choreographies and Harmony Bench’s essay on anti-gravitational choreographies in screendance suggest ideas of choreographic editi
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22

The Choreographer. Sixteen Rivers Press, 2013.

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23

CITY CHOREOGRAPHER. MINNESOTA UNIVERSITY PRESS, 2014.

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24

Swift, Morgan. Just an Awesome Choreographer: Beautiful Gift for Choreographer. Independently Published, 2021.

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25

Finson, Bruce. Nureyev, the Choreographer. B. Finson, 2001.

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26

Marvis, B. Alvin Ailey: Choreographer. Chelsea House Publications, 1995.

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27

Proenza, Joanna. Just an Awesome Choreographer: Beautiful Floral Personalized Gift for Choreographer. Independently Published, 2021.

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28

Jordan, Stephanie. Mark Morris: Musician - Choreographer. Dance Books Ltd, 2015.

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29

Mark Morris: Musician - choreographer. Dance Books Ltd., 2015.

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30

Sunday. Pierre Droulers choreographer. Mercatorfonds, 2017.

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31

Sunday. Pierre Droulers Choreographer. Yale University Press, 2017.

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32

Givans, Charmelle, Mary Rogoff, Zandile Ze, and Clair Gregory. Ruby, the Princess Choreographer. Independently Published, 2020.

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33

Gardner, Elsie. Work Like Choreographer Play Like Ninja: Funny Personalised Choreographer Appreciation Gift. Independently Published, 2021.

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34

Lautner, Alaina. Choreographer Gifts: Novelty Lined Journal. Independently Published, 2021.

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35

Mona Inglesby, Ballerina and Choreographer. Creative Media Partners, LLC, 2021.

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36

[Karole Armitage, dancer and choreographer]. London Weekend Television, 1985.

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37

Garafola, Lynn. Nijinska: Choreographer of the Modern. Oxford University Press, Incorporated, 2022.

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38

Jenkins, Sally. World's Greatest Choreographer: Lined Notebooks. Independently Published, 2019.

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39

Mona Inglesby, Ballerina and Choreographer. Creative Media Partners, LLC, 2021.

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40

Scher, Priscilla. Used to Be a Ninja Promoted As Choreographer: Funny Personalized Gift for Choreographer. Independently Published, 2021.

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41

S. Lisa S. Lisa press. Choreographer Make the World a Better Place: Lined Journal Notebook for Choreographer , Great Choreographer Appreciate Gifts/Retirement, Christmas Day, Birthday Gifts Idea. Independently Published, 2020.

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42

Dooley, Alyssa. Only One Choreographer Can Stay in Our Minds Forever: Funny Memorable Gift for Choreographer. Independently Published, 2021.

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43

Lucci, Natalie. It Takes a Great Choreographer to Be an Awesome Ninja: Personalized Choreographer Appreciation Gift. Independently Published, 2021.

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44

Lindgren, Allana C. English-Canadian Ethnocentricity. Edited by Anthony Shay and Barbara Sellers-Young. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.005.

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In July 1936, Boris Volkoff, a respected Toronto dance teacher and choreographer, and some of his students represented Canada at the Internationale Tanzwettspiele, one of the arts events staged in conjunction with the infamous Nazi Olympics. To depict Canada and its heritage in dance, Volkoff choreographed Mon-Ka-Ta and Mala, two works inspired by indigenous cultures. Accessing archival documents, this chapter argues that Volkoff’s choreography was aligned with the attitudes underpinning English-Canadian ethnocentricity, particularly regarding salvage ethnography, aesthetic primitivism, and th
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45

Aidan Treays, Choreographer, Movement Director, Teacher. Blurb, 2016.

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46

Making a Ballet: The Choreographer Speaks. Faber & Faber, Limited, 2010.

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47

Aileen Terzi, Actor, Dancer, Instructor, Choreographer. Blurb, 2016.

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48

Lerman, Liz. Hiking the Horizontal: Field Notes from a Choreographer. Wesleyan University Press, 2014.

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49

Lerman, Liz. Hiking the Horizontal: Field Notes from a Choreographer. Wesleyan University Press, 2014.

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50

Lerman, Liz. Hiking the Horizontal: Field Notes from a Choreographer. Wesleyan University Press, 2011.

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