Relevant bibliographies by topics / Choreographer / Dissertations / Theses
To see the other types of publications on this topic, follow the link: Choreographer.

Dissertations / Theses on the topic 'Choreographer'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Choreographer.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Hasch, Hannah R. "MY YEAR AS A CHOREOGRAPHER." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/honors/201.

Full text
Abstract:
My Year as a Choreographer analyzes the art and craft of dance choreography. My training as a theatre and dance student at East Tennessee State University from 2010-2014, culminated in my final senior capstone experience as a choreographer for two productions, the ETSU Division of Theatre and Dance’s 2014 Dance Concert and University School’s musical, Sleepy Hollow. Composing a new dance in a concert setting and choreographing for musical theatre provided significant material for analysis, and the following research compares the two processes. In addition, the research of the history and devel
APA, Harvard, Vancouver, ISO, and other styles
2

Whitelaw, Melanie. "Choreographic strategies for secondary school dance teachers." Thesis, Queensland University of Technology, 2002.

Find full text
Abstract:
The NSW Dance Syllabus requires students to perform dance, learn how to compose dance and study dance works. These areas are taught under the three compulsory components of Performance, Composition and Appreciation. Dance teachers within NSW must choreograph for their students as a part of the requirements of the syllabus. This study focuses on that aspect of teaching Dance in NSW by investigating the choreographic processes of three professional choreographers working within the educational contexts of New South Wales and Queensland. Through the case study strategy, the researcher will fin
APA, Harvard, Vancouver, ISO, and other styles
3

Kim, Jane H. "The WT1 Interacting Protein: a choreographer of podocyte morphology and transcription." Case Western Reserve University School of Graduate Studies / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=case1323401670.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Wortelkamp, Isa. "Namen und Geschichten." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-186736.

Full text
Abstract:
Der französische Choreograph Jérôme Bel setzt in seinem biographischen Zyklus von 2004-2009 das Verhältnis von Werk und Autor, von Choreographie und Choreograph in Szene, vor deren Hintergrund die Geschichten und Namen des Tanzes anders lesbar werden: Die Stücke Bels tragen als Titel die Namen der Tänzer, die in ihnen auftreten. Die Geschichte der Namensgebung in der Arbeit Bels ist auch eine Geschichte, in der sein Name als Choreograph und Autor verschwindet, wenn er erscheint und erscheint, wenn er verschwindet. Von diesem Grenz-Ort aus wäre jene Geste zu befragen, die Jérome Bel vollzieht,
APA, Harvard, Vancouver, ISO, and other styles
5

Wortelkamp, Isa. "Namen und Geschichten: Lesarten des Tanztheaters im biographischen Zyklus von Jérôme Bel." map - media archive performance ; 2014/5 (E-Journal, URL: http://www.perfomap.de), 2014. https://slub.qucosa.de/id/qucosa%3A6096.

Full text
Abstract:
Der französische Choreograph Jérôme Bel setzt in seinem biographischen Zyklus von 2004-2009 das Verhältnis von Werk und Autor, von Choreographie und Choreograph in Szene, vor deren Hintergrund die Geschichten und Namen des Tanzes anders lesbar werden: Die Stücke Bels tragen als Titel die Namen der Tänzer, die in ihnen auftreten. Die Geschichte der Namensgebung in der Arbeit Bels ist auch eine Geschichte, in der sein Name als Choreograph und Autor verschwindet, wenn er erscheint und erscheint, wenn er verschwindet. Von diesem Grenz-Ort aus wäre jene Geste zu befragen, die Jérome Bel vollzieht,
APA, Harvard, Vancouver, ISO, and other styles
6

Traiger, Lisa. "Making dance that matters dancer, choreographer, community organizer, public intellectual Liz Lerman /." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/1399.

Full text
Abstract:
Thesis (M.F.A.) -- University of Maryland, College Park, 2004.<br>Thesis research directed by: Dance. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
APA, Harvard, Vancouver, ISO, and other styles
7

Morris, Geraldine. "A network of styles : discovering the choreographed movement of Frederick Ashton (1904-1988)." Thesis, Roehampton University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326826.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Повалій, Тетяна Леонідівна, та Tetiana Leonidivna Povalii. "Актуальність формування компетентності у професійно спрямованому англомовному монологічному мовленні майбутніх хореографів". Сумський державний педагогічний університет імені А. С. Макаренка, 2017. http://repository.sspu.sumy.ua/handle/123456789/3218.

Full text
Abstract:
Висвітлюється професійно спрямований підхід до формування компетентності у англомовному монологічному мовленні, який передбачає підготовку майбутніх хореографів до іншомовного спілкування в конкретних професійних, ділових, наукових сферах, а також у ситуаціях із урахуванням особливостей професійного мислення. Розкриваються основні комунікативні ситуації, в рамках яких має формуватися іншомовна комунікативна компетентність майбутніх хореографів у монологічному мовленні.<br>The professionally oriented approach to the formation of competence in the English monologue speech, which involves the pre
APA, Harvard, Vancouver, ISO, and other styles
9

Larson, Brianna J. "Process Metamorphosis, My Choreographic Journey." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4845.

Full text
Abstract:
Process Metamorphosis, My Choreographic Journey describes the journey from my initial interest in choreography to where I find myself as a choreographic artist today. Throughout the paper I look at different productions I have worked on, both professionally and within an educational setting, and different people I have collaborated with. Included will be thoughts from peers and mentors as well as my own observations from rehearsals and meetings. I will also be pulling information from my notes and journals while working on shows over the last twelve years.
APA, Harvard, Vancouver, ISO, and other styles
10

Fagergren, Emma. "Wa-UM-eii : How a Choreographer Can Use Sonification to Communicate With Dancers During Rehearsals." Thesis, Linköpings universitet, Filosofiska fakulteten, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-79766.

Full text
Abstract:
A sonification is a nonverbal speech act and might sound like “wa-UM-eii”, or “wooosh!” The purpose of this study was to investigate a choreographer’s use of sonification in dance instructions, to see if there are different types of sonifications and if the use of these might differ with a change in context. Video material capturing the rehearsals of a noted dance company was analyzed using a cognitive ethnography-based approach. Nine different types of sonifications were identified and described according to purpose, and a context-based analysis showed that certain kinds of sonifications occu
APA, Harvard, Vancouver, ISO, and other styles
11

Fishwick, Emma. "Choreography as landscape: Landscape discourse framing choreographic practice." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2019. https://ro.ecu.edu.au/theses/2466.

Full text
Abstract:
At the centre of this research is the notion of landscape and how thinking and talking about landscape impacts choreography. The result of the research is a new work, Dance, Quiet Riot, and an exegesis discussing the process of making it as well an exploration of various art forms, field experiences and the area of cultural geography. I use the development and presentation of Dance, Quiet Riot as a case study or creative artefact, if you will, for how landscape discourse can support and intersect with choreographic practice. This exegetical discussion understands landscape as a relational conv
APA, Harvard, Vancouver, ISO, and other styles
12

Повалій, Тетяна Леонідівна, та Tetiana Leonidivna Povalii. "Зміст та структура компетентності у професійно спрямованому англомовному монологічному мовленні майбутніх хореографів". Сумський державний педагогічний університет імені А. С. Макаренка, 2017. http://repository.sspu.sumy.ua/handle/123456789/3217.

Full text
Abstract:
Висвітлюється проблема формування у майбутніх хореографів компетентності в англомовному монологічному мовленні, оскільки саме за допомогою монологу вони презентують та надають відповідну інформацію. Розкривається структура та зміст (знання, вміння, навички) компетентності у професійно спрямованому англомовному монологічному мовленні майбутніх хореографів.<br>The problem of formation of future competences of choreographers in the English language monologue is discussed, since it is with the help of a monologue that they present and provide relevant information. The structure and content (knowle
APA, Harvard, Vancouver, ISO, and other styles
13

Gorbet, Marsha. "Contemporary choreography at work : a new method of recording the choreographic process." Thesis, Middlesex University, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.568527.

Full text
APA, Harvard, Vancouver, ISO, and other styles
14

Kim, Chan Ji Kim Chan Ji. "I. Composer and choreographer a study of collaborative compositional process. II. The lotus flower : ballet music for chamber ensemble and two-channel audio /." [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0013897.

Full text
APA, Harvard, Vancouver, ISO, and other styles
15

Taylor, Bruce D. "Creative collaboration: Defining the collaborative process between a conductor, composer, and choreographer in creating and staging an original work for modern dance." Diss., The University of Arizona, 2003. http://hdl.handle.net/10150/280338.

Full text
Abstract:
This document is a record of an observed creative experience, defining the collaborative process between conductor, composer, and choreographer in creating and staging an original work for modern dance. There are three areas of focus. First, an introduction to and rationale for the project is coupled with an historical examination of the collaboration between a composer and choreographer (Igor Stravinsky and George Balanchine), and a review of the documentation on the conductors' traditional role in dance as established by the ballet conductors Robert Irving and George Crum. Second, suggested
APA, Harvard, Vancouver, ISO, and other styles
16

Hourigan, Paul William. "Choreographic strategies to achieve visual communication within an original film narrative through academic ballet choreography." Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/135200/4/Paul%20William%20Hourigan%20Thesis.pdf.

Full text
Abstract:
This research explored the use of ballet in cinema narrative – specifically its efficacy as a source of visual communication once removed from the stereotypical characterizations, plotlines and cinematic tropes that have become associated with cinematic ballet. To test this efficacy, the project involved the production and choreography of an original featurette film, Nearly Not Me, followed by an audience survey for the collection of qualitative data. The findings identify eight choreographic strategies for the successful use of academic ballet choreography as a means of visual communication i
APA, Harvard, Vancouver, ISO, and other styles
17

Smith, Darion. "Boosting My Creative Process in Choreography: Analyzing Related Work, Integrating Methods of Select Master Choreographers, Creating a Dance." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23800.

Full text
Abstract:
During a ten week period at the University of Oregon I created a sociopolitically based dance work, The Big Red Button. I researched theories about creativity. I researched a selection of master choreographers in order to integrate their methods of creation with my own. Finally, I created a dance piece with students from the University of Oregon which was shared with the public in a live performance. In this document I discuss this exploration into my creative process in dance with the intention of understanding more about it, expending upon what I already posses as a choreographer, and attemp
APA, Harvard, Vancouver, ISO, and other styles
18

Schulze, Guilherme Barbosa. "Distributed choreography : a framework to support the design of computer-based artefacts for choreographers with special reference to Brazil." Thesis, University of Surrey, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.418266.

Full text
APA, Harvard, Vancouver, ISO, and other styles
19

Purper, Raquel. "Políticas de encontro : criação e colaboração nos processos do grupo Experimental de dança de Porto Alegre." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/31613.

Full text
Abstract:
A pesquisa reflete sobre criação e colaboração nos processos do Grupo Experimental de Dança de Porto Alegre. Neste sentido, foram observadas as relações entre o coreógrafo e os dançarinos no processo de elaboração de espetáculos de dança contemporânea, buscando a compreensão do papel que cada um destes artistas desempenha na criação. O foco da investigação concentra-se nos percursos de trabalho dos espetáculos “Eu Me Faço Simples Por Você” (2008) e “Alguma Coisa Acontece” (2009), caracterizados pela experimentação. O primeiro, permeado por um intenso convívio entre os integrantes e por uma tra
APA, Harvard, Vancouver, ISO, and other styles
20

Orlando, Simone. "Sviluppo di un'applicazione per l'elaborazione di Choreography Automata." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/19602/.

Full text
Abstract:
Le Choreographies sono un paradigma emergente per la descrizione top-down di sistemi distribuiti. L'idea chiave è dare al programmatore la possibilità di scrivere una "coreografia" dei partecipanti e di come questi interagiscono tra loro. A partire dalle Choreographies è possibile ottenere il codice di ogni singolo partecipante tramite l'operazione di proiezione. Il vantaggio delle Choreographies è che, sotto alcune condizioni ben definite, garantiscono per costruzione l'assenza dei problemi tipici della programmazione concorrente come i Deadlocks e le Race Conditions. Sono stati proposti dive
APA, Harvard, Vancouver, ISO, and other styles
21

Jackson, Jonathan David. "Crafting community--Doris Humphrey's humanist choreographic practice: a selective inquiry into the ideology of an early twentieth century choreographer's creative legacy." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1327680417.

Full text
APA, Harvard, Vancouver, ISO, and other styles
22

Larsen, Ulrik Martin. "The Choreographed Garment." Licentiate thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3698.

Full text
Abstract:
Contemporary dance and modern ballet often focus on conveying emotions through patterns of movement which may be abstract, obvious, or anywhere in between, as supported by music, sound, or spoken words that set the mood. Scenography is typically sparse or confined to the available space, leaving the dancers as the main instrument of communication. This work explores choreography and costume design, with a focus on how garments can inform and direct movement, choreography, and performance, and in turn how movement may inform and contribute to the development of dynamic garments. Through a serie
APA, Harvard, Vancouver, ISO, and other styles
23

Stock, Cheryl F. "Making intercultural dance in Vietnam : issues of context and process from the perspective of an Australian choreographer and her colleagues from Vietnam Opera Ballet Theatre (Nhà Hát Nhạc Vũ Kịch Việt Nam) 1995-1999". Thesis, Queensland University of Technology, 1999. https://eprints.qut.edu.au/17527/1/Cheryl_Frances_Stock_Thesis.pdf.

Full text
Abstract:
This thesis explores the creative processes of intercultural performance in an Asian context, through projects undertaken with Vietnam Opera Ballet Theatre, the national dance company in Hanoi. Background research to the study has enabled previously elusive research areas to be made available to English-language scholars and artists - namely, contemporary preservation of Vietnamese dance traditions and professional practice of Vietnamese dance in the đổi mới (open door policy) period. This contextual background highlights the importance of cultural specificity in intercultural performance pr
APA, Harvard, Vancouver, ISO, and other styles
24

Stock, Cheryl F. "Making intercultural dance in Vietnam : issues of context and process from the perspective of an Australian choreographer and her colleagues from Vietnam Opera Ballet Theatre (Nhà Hát Nhạc Vũ Kịch Việt Nam) 1995-1999". Queensland University of Technology, 1999. http://eprints.qut.edu.au/17527/.

Full text
Abstract:
This thesis explores the creative processes of intercultural performance in an Asian context, through projects undertaken with Vietnam Opera Ballet Theatre, the national dance company in Hanoi. Background research to the study has enabled previously elusive research areas to be made available to English-language scholars and artists - namely, contemporary preservation of Vietnamese dance traditions and professional practice of Vietnamese dance in the đổi mới (open door policy) period. This contextual background highlights the importance of cultural specificity in intercultural performance pr
APA, Harvard, Vancouver, ISO, and other styles
25

Sheaffer, Kelsey. "Choreographic Space." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4254.

Full text
Abstract:
This thesis, Choreographic Space, and accompanying exhibit is an arrangement of contemporary work being done in the cross-over between movement, drawing, sound and architecture. The thesis develops a lineage of choreographic thinking through a fissure in the classification of a dance as necessarily the body in motion. Through the link of the “choreographic object,” Choreographic Space asks how an interdisciplinary exploration of the principles of movement can reveal novel ways to think about the body in space.
APA, Harvard, Vancouver, ISO, and other styles
26

O'Keeffe, Anne. "The art of presence : contemplation, communing and creativity /." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/7072.

Full text
Abstract:
The Art of Presence: Contemplation, Communing and Creativity reflects on the making of a dance theatre work called Song of Longing presented at Victorian College of the Arts in 2008. Song of Longing was made in collaboration with the cast, who participated in a process centred on improvisation. The resulting performance was a synergy of dance and unaccompanied singing.<br>The thesis is an investigation of the choreographer's ongoing exploration of movement, singing and improvisation, informed by Buddhist philosophy. Both the writing and the performance mirror an embodied practice - making tang
APA, Harvard, Vancouver, ISO, and other styles
27

Lau, Tin-ming, and 劉天明. "Modern dance choreography in 1990s Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29511471.

Full text
APA, Harvard, Vancouver, ISO, and other styles
28

DiLodovico, Amanda. "Choreographies of Disablement." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/479157.

Full text
Abstract:
Dance<br>Ph.D.<br>Choreographies of Disablement interrogates the historical relationship between dance and disability to recognize and define ‘disablement’ as a choreographic concept within contemporary dance practice. Working from choreographic analysis, interviews, and theories of sovereignty and crip time I argue ‘disablement’ grows out of the historical nexus in which Western concert dance, through the paradigm of ballet, was cultivated: the seventeenth century French political sphere and the prestige of a sovereign balletomane King. The performances of French kings in the burlesque ballet
APA, Harvard, Vancouver, ISO, and other styles
29

Giallorenzo, Saverio <1986&gt. "Real-World Choreographies." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amsdottorato.unibo.it/7512/1/Saverio_Giallorenzo_-_Real-World_Choreographies.pdf.

Full text
Abstract:
Choreographies are a relatively new tool for designing distributed systems from a global viewpoint. Moreover, choreographies are also free from deadlocks and race conditions by design. Recent theoretical results defined proper Endpoint Projection (EPP) functions to compile choreographic specifications into their single components. Since EPPs are behavioural preserving, projected systems also enjoy freedom from deadlocks and races by construction. Aim of this PhD is to formalise non-trivial features of distributed systems with choreographies and to translate our theoretical results into the
APA, Harvard, Vancouver, ISO, and other styles
30

Giallorenzo, Saverio <1986&gt. "Real-World Choreographies." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amsdottorato.unibo.it/7512/.

Full text
Abstract:
Choreographies are a relatively new tool for designing distributed systems from a global viewpoint. Moreover, choreographies are also free from deadlocks and race conditions by design. Recent theoretical results defined proper Endpoint Projection (EPP) functions to compile choreographic specifications into their single components. Since EPPs are behavioural preserving, projected systems also enjoy freedom from deadlocks and races by construction. Aim of this PhD is to formalise non-trivial features of distributed systems with choreographies and to translate our theoretical results into the
APA, Harvard, Vancouver, ISO, and other styles
31

Walter, Kathinka Julia. "Social dimensions of choreography : exploring choreography as a multidirectional process." Thesis, University of Leeds, 2017. http://etheses.whiterose.ac.uk/17461/.

Full text
Abstract:
The research contributes to the possibilities of challenging and expanding what a choreographer might be when he/she plays an interactive role in the performance event, investigating the artistic and social potentials of structured improvisation in relation to instant composition. It shifts the control between choreographer and dancers, addressing the traditional hierarchy within aspects of conditions of authority (Martin, 1985) and trust and power (Foucault, 1995). The choreographer is confronted with losing and gaining control, which can provoke vulnerability not usually visible in the perfo
APA, Harvard, Vancouver, ISO, and other styles
32

Barker, Adam. "Flexible service choreography." Thesis, University of Edinburgh, 2007. http://hdl.handle.net/1842/8980.

Full text
Abstract:
Service-oriented architectures are a popular architectural paradigm for building software applications from a number of loosely coupled, distributed services. Through a set of procedural rules, workflow technologies define how groups of services coordinate with one another to achieve a shared task. A problem with workflow specifications is that often the patterns of interaction between the distributed services are too complicated to predict and analyse at design-time. In certain cases, the exact patterns of message exchange and the concrete services to call cannot be predicted in advance, due
APA, Harvard, Vancouver, ISO, and other styles
33

McCombe, Christine. "Slave to the Dance? The role and function of music in the work of four contemporary Australian choreographers." Thesis, Victorian College of the Arts, University of Melbourne, 1994. https://eprints.qut.edu.au/172/1/slavetothedance.pdf.

Full text
Abstract:
In this thesis I wish to examine the ways in which several Australian choreographers have explored a variety of possible relationships between music and dance in their work. By examining their work and ideas I will show how they have each individually met the hallenge offered by modern dance by finding new relationships between the two art forms. I will focus on four Australian choreographers - Helen Herbertson, Don Asker, Beth Shelton and Sue Healey. Although these choreographers represent a fairly small cross section of the world of contemporary dance in Australia, I feel that their work r
APA, Harvard, Vancouver, ISO, and other styles
34

Mahfouz, Ayman. "Requirements-driven adaptation of choreographed interactions." Thesis, Open University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578666.

Full text
Abstract:
Electronic services are emerging as the de-facto enabler of interaction interoperability across organization boundaries. Cross-organizational interactions are often "choreographed", i.e. specified by a messaging protocol from a global point of view independent of the local view of each interacting organization. Local requirements motivating an interaction as well as the global contextual requirements governing the interaction inevitably evolve over time, requiring adaptation of the corresponding interaction protocol. Adaptation of an interaction protocol must ensure the satisfaction of both se
APA, Harvard, Vancouver, ISO, and other styles
35

Pfitzner, Kerstin. "Choreography configuration for BPMN." [S.l. : s.n.], 2007. http://nbn-resolving.de/urn:nbn:de:bsz:93-opus-33758.

Full text
APA, Harvard, Vancouver, ISO, and other styles
36

Bays, Blakely Skylar. "A NEWFOUND PASSION-CHOREOGRAPHY." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/honors/290.

Full text
Abstract:
A Newfound Passion- Choreography analyzes the artistic process and life journey of creating choreography for musical theatre. My training as a dance minor at East Tennessee State University from 2011-2015 culminated in my final senior capstone experience as a choreographer for the ETSU Division of Theatre and Dance’s production of Oklahoma!. Composing a new musical theatre dance and analyzing the original choreography of Oklahoma! (and the art of choreography more generally) provided significant material for analysis, and the following research reflects what I learned and experienced. Overall
APA, Harvard, Vancouver, ISO, and other styles
37

Wallis, Lucy. "An exploration of the work of David Bintley, a very 'English' choreographer, with particular reference to his use of English Morris dance in Still Life at the Penguin Café and the process of translating 'genuine' English Morris dance to a theatrical environment." Thesis, City, University of London, 2010. http://openaccess.city.ac.uk/17616/.

Full text
Abstract:
The study explores the work of the English choreographer and Director of the Birmingham Royal Ballet, David Bintley. Particular reference is made to Bintley’s ballet Still Life at the Penguin Café (1988) and the extent to which he has drawn from English Cotswold Morris dance in the Humboldt’s Hog-nosed Skunk Flea section of the ballet. The comparison between Bintley’s selection of movements and their traditional Morris dance counterparts is based on findings from extensive fieldwork conducted with Morris dance teams and in particular the Ravensbourne Morris Men of Keston in Kent, as well as a
APA, Harvard, Vancouver, ISO, and other styles
38

Soudy, Laura. "Littérature et danse contemporaine : modalités et enjeux d'un dialogue renoué." Thesis, Pau, 2015. http://www.theses.fr/2015PAUU1005/document.

Full text
Abstract:
Si la danse a partie liée avec la littérature c’est parce que cet art du mouvement a longtemps eu besoin d’une narration pour exister. En ce sens, lorsqu’au XXe siècle la danse s’affranchit du texte, elle s’affirme comme un art à part entière pouvant exister pour lui-même et par lui-même. Dans ce cas, pourquoi des chorégraphes contemporains français se tournent-ils de nouveau vers la littérature pour créer certaines de leurs œuvres chorégraphiques ? Face à une démarche qui pourrait s’apparenter à un simple retour en arrière, l’étude menée s’efforce non seulement de comprendre les enjeux de dif
APA, Harvard, Vancouver, ISO, and other styles
39

Lange, Julien. "On the synthesis of choreographies." Thesis, University of Leicester, 2013. http://hdl.handle.net/2381/29310.

Full text
Abstract:
The theories based on session types stand out as effective methodologies to specify and verify properties of distributed systems. A key result in the area shows the suitability of choreography languages and session types as a basis for a choreography-driven methodology for distributed software development. The methodology it advocates is as follows: a team of programmers designs a global view of the interactions to be implemented (i.e., a choreography), then the choreography is projected onto each role. Finally, each program implementing one or more roles in the choreography is validated again
APA, Harvard, Vancouver, ISO, and other styles
40

Ando, Taku. "Kinesthetic imagery and choreographic praxis." Thesis, City University London, 2014. http://openaccess.city.ac.uk/5907/.

Full text
Abstract:
The aim of this research project is to investigate the practical application of some ideas regarding how dancers can create certain types of mental images that are formed through their kinesthetic perception, which we shall define as ‘kinesthetic images’, and to study the spatial or geometric structures that are often utilized in choreographic and pedagogical dance praxis. The term kinesthetic image is a label for a certain types of mental imagery that are generated through the sensation of moving body, as well as dynamic qualities that are kinesthetically perceived from movement. Dancers can
APA, Harvard, Vancouver, ISO, and other styles
41

Bucar, M. "Aesthetic negativity and choreographic practice." Thesis, City, University of London, 2015. http://openaccess.city.ac.uk/15320/.

Full text
Abstract:
At the core of this doctoral submission is a portfolio of three of my recent choreographic works(all created between 2011-2014), complemented by a text, which attempts to formulate a theoretical approach for explicating the works, through the lens of Theodor Adorno’s theory of the inherent negativity of modernist artworks. Such an approach places Adorno’s ideas at the very centre of the analytical view presented here, albeit via the semiotic (re)articulation of these same ideas in recent work by Christoph Menke. This, in turn, draws on earlier work done within aesthetic semiotics by Viktor Shk
APA, Harvard, Vancouver, ISO, and other styles
42

Che, Da. "Toward Humanoid Choreography and Dance." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1337187519.

Full text
APA, Harvard, Vancouver, ISO, and other styles
43

Giese, Wolfgang. "The choreography of yeast mating." Doctoral thesis, Humboldt-Universität zu Berlin, Lebenswissenschaftliche Fakultät, 2016. http://dx.doi.org/10.18452/17657.

Full text
Abstract:
Die Forschung an der Hefe Saccharomyces cerevisiae – auch als Bäckerhefe bekannt – hat sich für die biologische Grundlagenforschung als unentbehrlich erwiesen und führte zu wichtigen Erkenntnissen in der Erforschung von Krankheiten wie Krebs. Am Beispiel der Paarung von Hefezellen werden in dieser Arbeit wesentliche Aspekte der eukaryotischen Zellbiologie untersucht. In der Haplophase des Lebenszyklus der Hefe, treten haploide Zellen als Paarungstyp MATa oder MATα auf. Diese Paarungstypen kommunizieren über Pheromone, die in ein extrazelluläres Medium abgesondert werden und von Zelloberfläche
APA, Harvard, Vancouver, ISO, and other styles
44

Parker, Alan Charles. "Corporeal tales : an investigation into narrative form in contemporary South African dance and choreography." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1007658.

Full text
Abstract:
In the years following the fall of Apartheid in South Africa, dance and choreography have undergone considerable transformation. This investigation stems from one observation relative to this change that has been articulated by two of South Africa's most respected dance critics, Adrienne Sichel and Matthew Krouse. Both critics have noted a growing concern for narrative in South African contemporary choreography, coupled with an apparent propensity for narratives of a distinctly personal and 'autobiographical' nature. In Part One: 'Just after the beginning', the proposed preoccupation with narr
APA, Harvard, Vancouver, ISO, and other styles
45

Jordan, Stephanie Anne. "Music as structural basis in the choreography of Doris Humphrey : with reference to Humphrey's use of music visualization techniques and musical/choreographic counterpoint and the historical context of her work." Thesis, Goldsmiths College (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.295140.

Full text
APA, Harvard, Vancouver, ISO, and other styles
46

Lamia, Louis M. "Video annotation for choreographers on the NB platform." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/105994.

Full text
Abstract:
Thesis: M. Eng., Massachusetts Institute of Technology, Department of Electrical Engineering and Computer Science, 2015.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Cataloged from student-submitted PDF version of thesis.<br>Includes bibliographical references (page 71).<br>The NB Platform, originally developed to host discussion on class materials, has been adapted to suit the needs of dance choreographers. A Video Annotator was developed, and features requested by choreographers were a
APA, Harvard, Vancouver, ISO, and other styles
47

Pollard, Nicola Jane. "Folding and withholding : writing with and by choreographers." Thesis, Middlesex University, 2007. http://eprints.mdx.ac.uk/11149/.

Full text
Abstract:
The impetus for the present research comes from questions that arose in projects of collaborative writing by the author with British-based choreographers Rosemary Lee, Kim Brandstrup and Rosemary Butcher. In these projects, the three choreographers differently attempted to word elements of their ongoing choreographic enquiries. The conviction was that such writing might participate in a choreographer's current choreographic research, rather than document research that had already unfolded in the creation of a performance work. The present research thus interrogates the philosophical implicatio
APA, Harvard, Vancouver, ISO, and other styles
48

Elliot, Sundlin. "The Power of Choreographed Movement in The City." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-174441.

Full text
APA, Harvard, Vancouver, ISO, and other styles
49

Sen, Priyanka M. A. "The Choreographed Landscape:Performance of the Queensgate Rail Yard." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491316158905738.

Full text
APA, Harvard, Vancouver, ISO, and other styles
50

Decker, Gero. "Design and analysis of process choreographies." Phd thesis, Universität Potsdam, 2009. http://opus.kobv.de/ubp/volltexte/2010/4076/.

Full text
Abstract:
With the rise of electronic integration between organizations, the need for a precise specification of interaction behavior increases. Information systems, replacing interaction previously carried out by humans via phone, faxes and emails, require a precise specification for handling all possible situations. Such interaction behavior is described in process choreographies. Choreographies enumerate the roles involved, the allowed interactions, the message contents and the behavioral dependencies between interactions. Choreographies serve as interaction contract and are the starting point for ad
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Choreographer' for other source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography