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Relevant bibliographies by topics / Color Symbolism

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Academic literature on the topic 'Color Symbolism'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Color Symbolism"

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Rahayu, Kristina Indah Setyo. "A Comparison on Hyponymy and Cultural Symbolism of Six Color Words between Chinese Language and Bahasa Indonesia." Lingua Cultura 8, no. 2 (2014): 61. http://dx.doi.org/10.21512/lc.v8i2.444.

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Color words originate from natural world. In general different languages have similar patterns of color hypernymy. Nevertheless, when it comes to color hyponymy, it is not the case. Specific color hyponyms have emerged because different countries have different cultures. Besides, color words are also rich in cultural symbolism. In other words, same colors in different countries have different cultural symbolisms. This paper analyzed six color words (red, white, yellow, blue, green, and black) between Chinese language and bahasa Indonesia to find similarities and differences both in hyponymy an

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Caspari, Elizabeth. "Color symbolism." Arts in Psychotherapy 12, no. 3 (1985): 206–8. http://dx.doi.org/10.1016/0197-4556(85)90022-x.

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Kovsh, Oleksandr, and Mykyta Dziuba. "Symbolism of Color in Cinema." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 5, no. 2 (2022): 207–15. http://dx.doi.org/10.31866/2617-2674.5.2.2022.269532.

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The purpose of the research is to analyze the perception of color by the viewer and to establish the role of the color score in the structure of the film, to determine the symbolism of the main colors in the fabric of the film. To achieve this goal, the following tasks are outlined: to establish the role of color in building the character and image of the character; to prove the importance of the ability to build and harmoniously organize the color scheme in the use of a monochromatic color system; to consider the role of color and its symbolism on specific examples. The research methodology c

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Kovsh, Oleksandr, and Mykyta Dziuba. "Symbolism of Color in Cinema." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 5, no. 2 (2022): 207–15. https://doi.org/10.31866/2617-2674.5.2.2022.269532.

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The purpose of the research is to analyze the perception of color by the viewer and to establish the role of the color score in the structure of the film, to determine the symbolism of the main colors in the fabric of the film. To achieve this goal, the following tasks are outlined: to establish the role of color in building the character and image of the character; to prove the importance of the ability to build and harmoniously organize the color scheme in the use of a monochromatic color system; to consider the role of color and its symbolism on specific examples. The research met

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JOHANSSON, NIKLAS, ANDREY ANIKIN, and NIKOLAY ASEYEV. "Color sound symbolism in natural languages." Language and Cognition 12, no. 1 (2019): 56–83. http://dx.doi.org/10.1017/langcog.2019.35.

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abstractThis paper investigates the underlying cognitive processes of sound–color associations by connecting perceptual evidence from research on cross-modal correspondences to sound symbolic patterns in the words for colors in natural languages. Building upon earlier perceptual experiments, we hypothesized that sonorous and bright phonemes would be over-represented in the words for bright and saturated colors. This hypothesis was tested on eleven color words and related concepts (red–green, yellow–blue, black–white, gray, night–day, dark–light) from 245 language families. Textual data was tra

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Al Ghusaini, Zaher Badr. "Symbols of Color Code in the Poetry of Federico Lorca (1898-1936)." Journal of Arts and Social Sciences [JASS] 3, no. 1 (2012): 121. http://dx.doi.org/10.24200/jass.vol3iss1pp121-133.

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The current study addresses color symbolism in the poetry of Federico Garcia Lorca, a 20th century poet. He lived in the period between 1898 and 1936 in which Spain, and particularly Granada, had a significant impact on his poetry. It lived in his verses and added a unique charisma to his poetry, emerging from its ongoing transformation from tangible visualization to artistic glances. The mention of color appeared in every poem, with some colors being more dominant than others. It added an artistic value with a pure psychological perspective, almost like a painting portraying Granada. This led

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Al Ghusaini, Zaher Badr. "Symbols of Color Code in the Poetry of Federico Lorca (1898-1936)." Journal of Arts and Social Sciences [JASS] 3, no. 1 (2012): 121–33. http://dx.doi.org/10.53542/jass.v3i1.1045.

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The current study addresses color symbolism in the poetry of Federico Garcia Lorca, a 20th century poet. He lived in the period between 1898 and 1936 in which Spain, and particularly Granada, had a significant impact on his poetry. It lived in his verses and added a unique charisma to his poetry, emerging from its ongoing transformation from tangible visualization to artistic glances. The mention of color appeared in every poem, with some colors being more dominant than others. It added an artistic value with a pure psychological perspective, almost like a painting portraying Granada. This led

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Boyarkina, Anastasiya Andreevna, Larisa Georgievna Popova, and Irina Viktorovna Shvedova. "Symbolism of the blue/light blue color in the English and German publicistic texts." Litera, no. 10 (October 2021): 61–72. http://dx.doi.org/10.25136/2409-8698.2021.10.36202.

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This article aims to determine similarities and differences in manifestation of symbolism of the blue/light blue color in the English and German publicistic texts. The subject of this research is the semantics of English and German lexemes representing the blue/light blue color in both languages. The symbolism of this color designation is selected due to its insufficient coverage in comparative linguistics. Based on the material of lexicographic sources, the author describes the dictionary meanings of the aforementioned lexemes, which resemble symbolism of the blue color in the English and Ger

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Kang, Soo-Won. "A Study on the Color Image of Heo Soo-kyeong’s Poetry: Focused on the Aspect of Mixture and Entanglement of Black and White color." Dongnam Journal of Korean Language and Literature 54 (November 30, 2022): 5–25. http://dx.doi.org/10.21654/djkll.2022.54.1.5.

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Black and white in Heo Soo-kyeong's poetry reveal unique color symbolism in a way of repetition and reversion. This aspect deepens and expands the emotion and the subject consciousness, which forms her own distinct poetic aesthetics. Furthermore, the black and white color images in her poems display an Assemblage effect, forming mixed and entangled aspects in one work. This is a new possibility created by a combination of disparate elements, a further level of thinking from the conventional wisdom that the two colors indicate an opposing single network of meanings in different works. In

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Gagulashvili, I. Sh. "Color Symbolism in Georgian Charms." Soviet Anthropology and Archeology 26, no. 1 (1987): 55–70. http://dx.doi.org/10.2753/aae1061-1959260155.

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Dissertations / Theses on the topic "Color Symbolism"

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Курилко, Аліна Олексіївна. "Color symbolism in interior design." Thesis, Київський національний університет технологій та дизайну, 2020. https://er.knutd.edu.ua/handle/123456789/15317.

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Jackson, Veda Kimber. "It's all about color: an analysis of color symbolism in Toni Morrison's Sula and the bluest eye." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2011. http://digitalcommons.auctr.edu/dissertations/204.

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This study examines Toni Morrison’s use of symbolism in Sula and The Bluest Eye, especially archetypal and color symbolism, in an effort to recover the culture that has been lost to Diasporic Africans. Moreover, the color symbolism and symbolic archetypes that Morrison employs in both novels, but to a greater extent Sula, are a direct reflection of her awareness of the African ancestral heritage and spirituality associated with those colors and archetypes. A vast majority of the literary critiques of Sula have focused on either Sula as a scapegoat for the community, Morrison’s use of race, gen

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Martin, Shannon. "A Palette of Unconvential Symbolism: Color Imagery in Three Margaret Atwood Novels." TopSCHOLAR®, 1995. http://digitalcommons.wku.edu/theses/915.

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In this thesis, the writer examines the color imagery in three Margaret Atwood novels: Surfacing, Cat's Eye, and The Handmaid's Tale. Atwood uses color in unconventional ways by forcing colors to symbolize the opposite of their common meanings, by allowing colors to represent simultaneously two opposing ideas, and by disregarding traditional color meanings by creating her own unique associations. Atwood's color imagery supports her thematic concerns in that through her themes--as with her use of color--she challenges the reader's expectations by throwing into question many conventional ideas a

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Carney, Ovidia Cornelia Blough. "Effects of age and ethnicity on color preference and on association of color with symbol and with emotion." CSUSB ScholarWorks, 2001. https://scholarworks.lib.csusb.edu/etd-project/1882.

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Lubowinski, June Graybeal. "Heraldic Symbolism and Color Imagery in William Morris's "The Defence of Guenevere and Other Poems"." W&M ScholarWorks, 1989. https://scholarworks.wm.edu/etd/1539625529.

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Harvey, Jacquetta. "My Beautiful." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2905.

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In creating my work I use bold, bright colors and fundamental shapes and patterns. My images reflect how I view the world and genuinely express my imagination, feelings, and thinking. Working this way allows me to apply a symbolic face to personal concerns, beliefs, fears, ideologies, and philosophies. I see a world where life and art blend to create images of triumph and tragedy, joy and pain, or growth and change. My ideas have grown from the desire to understand myself as a woman, as a Christian, and as a unique individual. Dealing with personal questions, I explore the varying relat

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Ganther, Hazel. "Rehabilitation and the meaning of color." CSUSB ScholarWorks, 2000. https://scholarworks.lib.csusb.edu/etd-project/1646.

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André, Andreas. "En färgglad studie om spelarbeteenden." Thesis, Uppsala universitet, Institutionen för speldesign, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-226308.

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This is the result of a 10 week long study about if player behaviors and choices are affectedby the surrounding colors in their environment. A number of players are asked to movethrough a virtual environment, while being clocked, where they have to make left and rightdecisions based on different colors (red, green, blue and gray). While most choices consist oftwo different colors, some use the same color. The result shows that the players most likelyprefer one color over another, and that they most likely prefer a non-neutral color over aneutral color. With these results and the interviews tha

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Marco, Paolo de. "Arquitectura blanca. Mito, poética, ciencia. El color blanco en la arquitectura contemporánea." Doctoral thesis, Universitat Politècnica de València, 2021. http://hdl.handle.net/10251/160488.

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[ES] Hoy en día es posible observar una difusión global del color blanco en el panorama de la arquitectura contemporánea. Las cuestiones vinculadas al empleo de este particular color penetran con profundas raíces en los tiempos antiguos, en la cultura, en la historia. Para buscar las razones tras el uso del blanco, la presente investigación propone un punto de vista holístico, analizando el mito, la poética y la ciencia del blanco en arquitectura. Estas tres claves de lectura del fenómeno del blanco conducen a diferentes razones para explicar su empleo. Claves de lectura que se separan exclus

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Owyang, Angela. "The Influence of Cinematic Elements in Pierre Jodlowski's Works Based on Colour." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/314684.

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Pierre Jodlowski's Works Based on Colour consist of three pieces: Série Noire (2005), Série Blanche (2007), and Série Rose (2012) pour piano et dispositif électroacoustique. According to the composer, "each colour provides an opportunity to investigate a particular link of music with imagery." The pieces serve as a musical representation of cinematic elements through the synchronization of music and sound effects. The musical language of the cycle draws influences from various sources including the music of expressionism, musique concrète, as well as standard soundtrack scoring. The intermingl

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Books on the topic "Color Symbolism"

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1897-, Portmann Adolf, and Eranos Conference (1972 : Ascona, Switzerland), eds. Color symbolism: Six excerpts from the Eranos yearbook, 1972. Spring Publications, 1988.

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Klaus, Ottmann, Scholem Gershom Gerhard 1897-, and Eranos Conference (1972 : Ascona, Switzerland), eds. Color symbolism: The Eranos lectures. 2nd ed. Spring Publications, 2005.

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John, Gage. Color and meaning: Art, science, and symbolism. University of California Press, 1999.

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Ohtsuki, Minoru. A cognitive linguistic study of colour symbolism. Institute for the Research and Education of Language, Daito-Bunka University, 2000.

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Kaprielov, Aleksandr. T︠S︡vet v mirovozzrenii cheloveka. Negev, 2005.

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Kaprielov, Aleksandr. T︠S︡vet v mirovozzrenii cheloveka. Negev, 2005.

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Vlajić, Spasoje. Svetlosna formula i Svetlosni nivoi posmrtne ravni. Miroslav, 1992.

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Massimo, Squillacciotti, ed. Sguardi sui colori: Arti, comunicazione, linguaggi : atti dal seminario interdisciplinare dell'Università degli studi di Siena. Protagon, 2007.

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Shved, I. A. Mifalohii͡a koleru ŭ belaruskaĭ tradytsyĭnaĭ dukhoŭnaĭ kulʹtury: Manahrafii͡a. Brėstski dzi͡arz͡haŭny universitėt imi͡a A. S. Pushkina, 2011.

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Jarman, Derek. Chroma: A book of color. University of Minnesota Press, 2010.

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Book chapters on the topic "Color Symbolism"

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Bonds, Alexandra B. "The Symbolism and Application of Color." In Beijing Opera Costumes. Routledge, 2019. http://dx.doi.org/10.4324/9781315146195-4.

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Gögelein, Christoph. "The Theory of Color as the Symbolism of Insight." In Goethe and the Sciences: A Reappraisal. Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-3761-1_13.

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Sall, Adjaratou Oumar. "Chapter 12. Perception and expression of color among the Wolof of Senegal." In Culture and Language Use. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/clu.23.12sal.

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The analysis and description of color terms has re-emerged at the center of discussions in contemporary anthropological linguistic research (based on well-established previous studies over the past decades). However, work on color terms is still lacking in most West African linguistic research, particularly in Senegal. Wolof, a lingua franca spoken mainly in Senegal, has three basic colors used with adverbs that are never used in other contexts, namely ñuul ‘black’, ñuul kukk ‘extremely black’, weex ‘white’, weex tàll ‘extremely white’, xonq ‘red’ and xonq coyy ‘extremely red’, around which gr

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Küchler, A. W. "Patterns, Colors and Symbols." In Vegetation mapping. Springer Netherlands, 1988. http://dx.doi.org/10.1007/978-94-009-3083-4_12.

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Mora, Joan C., and Jonás Fouz-González. "Contrastive input enhancement in captioned video for L2 pronunciation learning." In Language Learning & Language Teaching. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/lllt.61.07mor.

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This study investigated the potential of input enhancement in captioned video to facilitate learners’ perceptual sensitivity to a difficult L2 vowel contrast (/æ/-/ʌ/). Participants were randomly assigned to two control and four experimental viewing conditions to explore the effects of audiovisual input (a 30-minute TV episode) on perceptual learning. Textual enhancement on captions highlighted target sounds contrastively (two colors) or non-contrastively (one color) in words transcribed orthographically or in IPA phonetic symbols. Learners’ /æ/-/ʌ/ perception gains were assessed through lexic

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Bittar, Eduardo C. B. "Semiotics, Symbols and Politics: Between Flags, Crises and Disputes in National States." In Flags, Color, and the Legal Narrative. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-32865-8_4.

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Bankov, Kristian. "Flags, Identity, Memory: From Nationalisms to the Post-truth Uses of Collective Symbols." In Flags, Color, and the Legal Narrative. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-32865-8_9.

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Barčot, Branka, and Anita Hrnjak. "Symbolic and cultural meaning of colors in phraseology." In Studies in Functional and Structural Linguistics. John Benjamins Publishing Company, 2019. http://dx.doi.org/10.1075/sfsl.78.15bar.

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Li, Yitian, Haiyan Wang, Yafeng Niu, Yi Xie, Bingzheng Shi, and Ruoyu Hu. "Research on Color, Luminance and Line Width of HUD Symbols." In Human Systems Engineering and Design II. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27928-8_49.

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Simien, Evelyn M. "The 2018 Congressional Midterms, Symbolic Empowerment, and Ayanna Pressley's Mobilizing Effect: A Case Study for Future Analysis of Historic Firsts." In Women of Color Political Elites in the U.S. Routledge, 2023. http://dx.doi.org/10.4324/9781003371168-2.

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Conference papers on the topic "Color Symbolism"

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Карпова, Ю. И. "INTERPRETATION OF SYMBOLIC COLOR VALUES IN BOOK GRAPHICS." In Цвет в пространственных искусствах и дизайне. Crossref, 2024. http://dx.doi.org/10.54874/9785605245766.2024.04.20.

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Цветовая символика имеет тенденцию к изменению значений в зависимости от времени, места и исторических событий. Также и цветовое решение современной книги имеет тенденции к разнообразию проявлений. Выявляются особенности и возможности использования цвета в книжной графике (на примере дипломных проектов печатных изданий ВШДиА ИСИ СПбПУ). Рассматриваются значение и варианты символической интерпретации цвета в книге, связь символики цвета с передачей информации. Актуально выявить основные тенденции изменения цветовых значений в зависимости от контекста книги. Color symbols tend to change meanings

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Newton, Rachel. "Color-form meanings: interconnections between perception, association and symbolism." In 9th Congress of the International Color Association, edited by Robert Chung and Allan Rodrigues. SPIE, 2002. http://dx.doi.org/10.1117/12.464581.

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Kamalzade, U. E. "TRADITIONS AND SYMBOLISM OF COLOR IN KELAGAYI." In ЦВЕТ В ПРОСТРАНСТВЕННЫХ ИСКУССТВАХ И ДИЗАЙНЕ. Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868850_153.

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Амелина, П. В. "SYMBOLISM OF COLOR IN THE SOVIET MOSAIC PANELS." In Цвет в пространственных искусствах и дизайне. Crossref, 2024. http://dx.doi.org/10.54874/9785605245766.2024.04.03.

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В статье рассматривается символика цвета в советских мозаичных панно, созданных в период с 1920 по 1980 гг. Проведен анализ цветовой палитры мозаик, ее влияние на восприятие образов и идей, закладываемых в произведениях искусства того времени. Особое внимание уделено исследованию отдельных примеров мозаичных панно, расположенных в различных регионах СССР. В статье представлены выводы о роли и функциях цвета в создании смысловых акцентов в советском мозаичном искусстве. The article examines the symbolism of color in the Soviet mosaic panels created in the period from 1920 to 1980. The analysis

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Grenarova, Renee. "COLLOCATION IDIOMS WITH A COLOUR COMPONENT IN TEACHING STUDENTS OF CZECH LANGUAGE FOR FOREIGNERS ON THE LEVEL OF THE INDEPENDENT USER." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s11.25.

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Background: Phraseology is a result of the life knowledge, folk wisdom of entire generations. It is a part of the spirit and material culture of each nation. As scientific discipline research idioms, which represents specific type of established vocabulary characterized by expressiveness, imagery and stability. Idioms have an irreplaceable place during adoption of communicative language competence, especially within its sociocultural and semantic field. Ignorance of idioms could lead to misunderstandings or incomprehension of certain communication situation among native speakers. The colors ar

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Iiba, Saki, Ayano Shiga, and Maki Sakamoto. "A method to propose color associated with onomatopoeia based on sound symbolism." In 2012 Joint 6th Intl. Conference on Soft Computing and Intelligent Systems (SCIS) and 13th Intl. Symposium on Advanced Intelligent Systems (ISIS). IEEE, 2012. http://dx.doi.org/10.1109/scis-isis.2012.6505263.

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Kuksa, P. V. "Visual and color symbolism in the novel by M.A. Sholokhov "Quiet Don"." In Scientific Trends: Philology, Culturology, Art history. TsNK MOAN, 2019. http://dx.doi.org/10.18411/spc-26-07-2019-01.

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Karpova, E. A. "THE ROLE OF COLOR AND ITS SYMBOLISM IN WESTERN EUROPEAN MEDIEVAL TAPESTRIES." In ЦВЕТ В ПРОСТРАНСТВЕННЫХ ИСКУССТВАХ И ДИЗАЙНЕ. Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868850_164.

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Svatkova, N. G. "COLOR SYMBOLISM IN METAL JEWELRY OF WESTERN SIBERIA IN THE MIDDLE AGES." In ЦВЕТ В ПРОСТРАНСТВЕННЫХ ИСКУССТВАХ И ДИЗАЙНЕ. Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868850_299.

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Popova, T. A. "COLOR SYMBOLISM IN SYLVIA PLATH’S POETRY IN THE RUSSIAN TRANSLATIONS BY VASILY BETAKI." In Proceedings of the IX (XXIII) International Scientific and Practical Conference of Young Scientists. TSU Press, 2022. http://dx.doi.org/10.17223/978-5-907572-04-1-2022-109.

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Reports on the topic "Color Symbolism"

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Van Orden, Karl F., Joseph Divita, and Matthew J. Shim. Redundant Use of Luminance and Flashing with Shape and Color as Highlighting Codes in Symbolic Displays. Defense Technical Information Center, 1993. http://dx.doi.org/10.21236/ada268692.

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Indigenous presence in Bolvian Folk Art: Folk Art in Bolivia: Celebration of Everyday Life. Inter-American Development Bank, 2004. http://dx.doi.org/10.18235/0006412.

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Bolivian folk art is created in both urban and rural areas, and like the people of Bolivia themselves, it bears a strong indigenous imprint. Many contemporary works owe their current form to lengthy cultural processes over centuries, during which time local materials were worked, forms took shape, color codes were chosen, and iconographies defined. This cultural treasure is transmitted from generation to generation, and comprises a whole that brings us close to the aesthetic and symbolic world of cultures of the past and the present. Understanding the folk art produced in Bolivia today require

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