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Dissertations / Theses on the topic 'Copyright'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Nuss, Sabine. "Copyright & Copyriot : Aneignungskonflikte um geistiges Eigentum im informationellen Kapitalismus /." Münster : Westfälisches Dampfboot, 2006. http://www.gbv.de/dms/spk/sbb/recht/toc/516811444.pdf.

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2

Cooper, Elena Sophia Christina. "Art, photography, copyright : a history of photographic copyright, 1850-1911." Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/283882.

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3

Mazeh, Yo'av. "Originality in copyright." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402713.

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4

Adduono, Christopher. "Rebalancing copyright law." Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/383136/.

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This research focuses on copyright law particularly its ability to provide for the competing needs of both the public and rights holders. The arrival of the internet has brought copyright to the forefront of legal, political and public discussion and has presented copyright law with a unique challenge. The internet although enabling creators to disseminate their works to a wider audience has also facilitated free illegal access to copyrighted materials. This has not only undermined copyright’s effectiveness and caused chaos but has questioned the very legitimacy of the entire concept of copyri

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5

Wei, Weixiao. "ISP copyright liability : towards an enhanced Chinese ISP copyright liability regime." Thesis, University of Strathclyde, 2009. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=11856.

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ISP copyright liability for copyright infringement over the Internet is a now widely adopted approach for tackling extensive online copyright piracy in various jurisdictions. However, in China, the inconsistent ISP knowledge standard and the lack of peer-to-peer file-sharing liability provisions in the existing legal framework are among the factors that impede effective copyright law enforcement on the Internet. The adoption of a broad knowledge standard and its application in case law, both in the U.S. and Germany, which have great influence on a Chinese ISP copyright liability system, are di

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6

Barr, Kenneth W. "Music copyright in the digital age : creators, commerce and copyright : an empirical study of the UK music copyright industries." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7752/.

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Copyright markets, it is said, are ‘winner takes all’ markets favouring the interests of corporate investors over the interests of primary creators. However, little is known about popular music creators’ ‘lived experience’ of copyright. This thesis interrogates key aspects of copyright transactions between creators and investors operating in the UK music industries using analysis of various copyright related documents and semi-structured interviews with creators and investors. The research found considerable variety in the types of ‘deal’ creators enter into and considerable divergence in the

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7

Marais, Richard. "Investigating musical copyright infringement: Examining International Understandings of Musical Copyright Infringement for Potential Adaptation into South African Copyright Law." Master's thesis, Faculty of Law, 2019. http://hdl.handle.net/11427/31006.

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This thesis examines international approaches to musical work copyright infringement law for the purpose of establishing an approach that can be utilised effectively under the South African copyright infringement framework. In doing so, the importance of the various interactive elements of musical works is investigated as well as the modes of assessment in infringement scenarios. The findings are used to create a robust middle-ground approach to be adapted into the South African copyright infringement framework. Further considerations that impact infringement outcomes are addressed to the exte

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8

Daramaras, Konstantinos I. "Copyright and challenges to copyright : the case of 'piracy' and 'private copying'." Thesis, University of Leicester, 1996. http://hdl.handle.net/2381/34585.

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Copyright represents a constant and delicately poised balance among three, often competing interests: the author's and his/her rights in a protected work; the enterpreneur's who exploit such works and his/her own rights; and finally, the public who needs to have access to these works. However, especially since the mid-twentieth century, the system of copyright, and even its existence itself, has been seriously challenged. These challenges have come from the attitude of the 'developing countries', the advent of new technologies, and the consequent changing nature of piracy and private copying.

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9

Simone, Daniela Teresa. "Copyright and collective authorship." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:fba5022d-8647-4deb-91f3-8cd8c536bcfa.

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Many scholars have suggested that current copyright law is ill-equipped to the challenges of determining the authorship of collaborative work. This thesis analyses four case studies of large scale collaboration (Wikipedia, Indigenous art, scientific collaborations and film) in order to consider how best to determine the authorship of the creative works that they produce for the purposes of copyright law. Current scholarship and much of the case law has tended to favour a restrictive approach to the grant of joint authorship status, in order to minimise the number of potential authors of a work

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10

Tilson, Koleta B. "Knowledge of and Response to Copyright Law, School Copyright Policy, and Copyright-related Issues: Survey of Secondary School Principals and Librarians." Digital Commons @ East Tennessee State University, 1990. https://dc.etsu.edu/etd/2810.

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The problem of this study was that, with the impact of new media and delivery systems, principals and librarians must respond to copyright issues in order to remain informed about the copyright law and the legal use of media. The purpose of this study was to gather and evaluate educator response to issues related to copyright. The study was conducted with a sample of regionally accredited secondary schools in the following states: Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, and Virginia. A total of 1008 question

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11

Lauriat, Barbara. "The 1878 Royal Commission on copyright : understanding an attempt at Victorian copyright reform." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.605570.

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Decades after the 1842 Copyright Act, British copyright law was still a problem for anyone who had anything to do with it It was a muddle of conflicting cases and statutes, the application of copyright law to the colonies was uneven and controversial, and lack of international copyright recognition frustrated copyright owners. Under pressure to address these issues, the Government appointed a Royal Commission on Copyright in 1875; it was reformed in 1876, after the death of the first Chairman. In order to fulfill its mandate to make inquiry with regard to the law of copyright, the Commission c

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12

Anderson, Eric. "Pimps and Ferrets: Copyright and Culture in the United States, 1831-1891." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1193529137.

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13

Kirk, Ewan. "Anglo-US copyright and the challenge of digitization : maintaining the balance of copyright principles." Thesis, Southampton Solent University, 2001. http://ssudl.solent.ac.uk/1146/.

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Commentators argue that modern copyright law has been stretched to the limit. Some argue that digital media has either caused it to be irrelevant or in need of a serious rethink. In order to address the concerns of copyright owners, the legislatures of the EU and the US have conducted programmes of reform to address the issues of protection and use of copyright works on networked computers. Copyright is treated differently by different individuals. While copyright owners argue that their rights need to be strengthened, copyright users would like to be able to exploit the advantages of the Inte

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14

Havlíková, Barbora. "Territorial Copyright Licenses for Audio-visual Content:Steps Towards Overruling the Principle of Copyright Territoriality?" Thesis, Uppsala universitet, Juridiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-413118.

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The thesis evaluates the competition law and new legislation adopted under the Digital Single Market Strategy framework and itf effect on the principle of copyright territoriality and current territorial licensing practices. The interest of consumers to access cultural content, the interest of right holders to exploit their work in exchange for renumeration and interest of distributors to secure a broader audience and high income are interests which are taken into account. The thesis discusses how the EU legislation reflects and balance these interests. The thesis also discusses the role of p

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15

Ewert, Jan-Peter. "Das Urheberstrafrecht in der Informationsgesellschaft." Norderstedt Books on Demand GmbH, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3070554&prov=M&dok_var=1&dok_ext=htm.

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16

Lin, Tzu-Lane. "A comparative look at performers' rights protection in Canada, the United States of America, the United Kingdom and the Republic of China (Taiwan)." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ39206.pdf.

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17

Chan, Man Yuen Grace. "Copyright protection in the People's Republic of China a discussion of issues as discerned in the case of Wu Guan Zhong v. Shanghai Do Yun Xuan and Hong Kong Yong Cheng Antique Company Limited /." Click to view the E-thesis via HKUTO, 1998. http://sunzi.lib.hku.hk/HKUTO/record/B38627905.

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Thesis (LL.M.)--University of Hong Kong, 1998.<br>"Dissertation presented in partial fulfillment of the requirements for the LL.M. Degree." "July 1998." Includes bibliographical references (l. 1-5). Also available in print.

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18

Stamatoudi, Irini A. "Multimedia products as copyright works." Thesis, University of Leicester, 1999. http://hdl.handle.net/2381/31099.

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This thesis deals with the issue whether multimedia products can be made to fit in one of the existing categories of copyright works. This thesis focuses on the 2nd generation of multimedia product, which feature integration and interactivty at a highly advanced level. The exercise is undertaken specifically in relation to literary works, compilations, databases, audiovisual works and computer programs. For those countries that do not consider classification a necessary prerequisite of copyright protection the issue whether and how multimedia products can be protected under the general categor

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19

Dimita, Gaetano. "Copyright and shared networking technologies." Thesis, Queen Mary, University of London, 2010. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1303.

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The technological zeitgeist has transformed the social-cultural, legal and commercial aspects of society today. Networking technologies comprise one of the most influential factors in this. Although this transformation can be discounted as a mere historical phenomenon dating back to the advent of the printing press, empirical data concerning usage of these technologies shows that there has been a radical shift in the ability to control the dissemination of copyright works. Networking technologies allow, in an unprecedented manner, user-initiated activities including perfect replications, insta

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20

Lee, Yin Harn. "Videogame modifications under copyright law." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709009.

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21

Davies, Gillian. "Copyright and the public interest." Thesis, Aberystwyth University, 1997. http://hdl.handle.net/2160/e7feebe6-b07c-4e1f-b989-6633d48b0033.

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The law of copyright will celebrate its tricentennial in thirteen years time. First introduced in England in 1709 in response to the invention of printing, its history has been one of constant development to keep pace with significant changes in technology. In the 1990s, copyright is more topical than ever. The potential for worldwide distribution of multi-media works over the emerging Global Information Infrastructure is the latest challenge facing the copyright system. This situation has prompted ambitious programmes for copyright reform and harmonisation at national level and within the Ber

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22

Beland, Christopher D. (Christopher David) 1978. "Digital technology and copyright law." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/16818.

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Thesis (S.B.)--Massachusetts Institute of Technology, Program in Science, Technology, and Society, 2002.<br>Includes bibliographical references (p. 88-108).<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Intellectual Property is an ideology of the late Twentieth Century which reserves property-like rights in information, so that creators may extract its economic value. Current American copyright law draws mainly from this concept; it has been constructed through history by negotiation betw

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23

Mysoor, Poorna. "Implied licences in copyright law." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:8d5f4169-4f04-4e1f-9600-d93b6adbcd53.

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Copyright licences can be implied when the doing of a restricted act is covered neither by the express licence of the copyright owner, nor by one of the statutory limitations and exceptions. The manner in which copyright licences are implied, therefore, holds the key to broadening the scope of permissible acts. In contrast to the rigidity of statutory limitations and exceptions, implied licences are more malleable in being able to respond to a diverse set of circumstances, as the need arises. Thus, implied licences can serve as a flexible and targeted mechanism to balance competing interests,

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24

Benegas, Lynch Alberto. "Apuntes sobre el concepto Copyright." THĒMIS-Revista de Derecho, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/109462.

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25

Caquet, Anne-Laure. "Ludiciel, droit d'auteur et copyright." Paris 11, 1998. http://www.theses.fr/1998PA111013.

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Le droit d'auteur et le copyright sont au coeur de la production et de l'exploitation du ludiciel. Le ludiciel se presente, lors de la production, sous sa forme eclatee en une pluralite de composantes obeissant a des criteres de protection distincts. Ces criteres seront d'autant plus difficile a appliquer que la creation et la technique sont souvent imbriquees dans l'elaboration de ces composantes. Objet incertain, le ludiciel n'a pas de qualification determinee. Aux etats unis, la jurisprudence semble s'orienter vers une double qualification, d'oeuvre audiovisuelle et de logiciel. En revanche

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26

Suzor, Nicolas. "Transformative use of copyright material." Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16226/1/Nicolas_Suzor_Thesis.pdf.

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This thesis concerns the ability of individuals to engage in transformative use of copyright expression without the permission of the copyright owner. Transformative use refers to the use of existing expression as an input into the creative process, resulting in the creation of new expression that, while still embodying elements of the original work, is original in its own right. This type of creativity is beneficial for society and should be encouraged. Individuals should have the ability to express themselves, and participate in the interpretation of their culture. My enquiry has shown that

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27

Suzor, Nicolas. "Transformative use of copyright material." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16226/.

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This thesis concerns the ability of individuals to engage in transformative use of copyright expression without the permission of the copyright owner. Transformative use refers to the use of existing expression as an input into the creative process, resulting in the creation of new expression that, while still embodying elements of the original work, is original in its own right. This type of creativity is beneficial for society and should be encouraged. Individuals should have the ability to express themselves, and participate in the interpretation of their culture. My enquiry has shown that

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28

Scharf, Nicholas Friedrich. "Digital copyright law : exploring the changing interface between copyright and regulation in the digital environment." Thesis, University of East Anglia, 2013. https://ueaeprints.uea.ac.uk/43164/.

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This thesis seeks to address and clarify the changing interface between copyright law and other forms of regulation in the digital environment, in the context of recorded music. This is in order to explain the problems that rightsholders have had in tackling the issue of unauthorised copyright infringement facilitated by digital technologies. Copyright law is inextricably bound-up with technological developments, but the ‘convergence’ of content into a single digital form was perceived as problematic by rightsholders and was deemed to warrant increased regulation through law. However, the prob

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29

Davis, LiAnna L. "A rhetorical analysis of competing copyright conceptualizations, the Digital Millennium Copyright Act and Creative Commons." CONNECT TO ELECTRONIC THESIS, 2008. http://dspace.wrlc.org/handle/1961/5478.

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30

Almuaini, Abdelrahman H. "The enforcement of copyright law in the United Arab Emirates." Thesis, Available from the University of Aberdeen Library and Historic Collections Digital Resources, 2009. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=33527.

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31

Rimmer, Matthew Rhys. "The pirate bazaar the social life of copyright law." View electronic text, 2001. http://eprints.anu.edu.au/documents/disk0/00/00/08/14/index.html.

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Available via the Australian National University Library Electronic Pre and Post Print Repository. Title from title screen (viewed Mar. 28, 2003) Includes bibliographical references. Mode of access: World Wide Web.

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32

Gilchrist, John Steel. "The government as proprietor, preserver and user of copyright material under the Copyright Act 1968 (CTH)." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/62189/1/John_Gilchrist_Thesis.pdf.

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This thesis examines the role of government as proprietor, preserver and user of copyright material under the Copyright Act 1968 (Cth) and the policy considerations which Australian law should take into account in that role. There are two recurring themes arising in this examination which are significant to the recommendations and conclusions. The first is whether the needs and status of government should be different from private sector institutions, which also obtain copyright protection under the law. This theme stems from the 2005 Report on Crown Copyright by the Copyright Law Review Commi

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33

Ahmad, Zaidi Adruce Shahren Mueller Milton Mueller. "Academic authors' perception on copyright protection /." Related Electronic Resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2004. http://wwwlib.umi.com/cr/syr/main.

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34

Ahmad, Zaidi Adruce Shahren Mueller Milton. "Academic authors' perception on copyright protection." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2004. http://wwwlib.umi.com/cr/syr/main.

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35

Wikström, Patrik. "Reluctantly Virtual : Modelling Copyright Industry Dynamics." Doctoral thesis, Karlstad University, Faculty of Economic Sciences, Communication and IT, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-478.

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<p>During the evolution of the music industry, developments in the media environment have required music firms to adapt in order to survive. Changes in broadcast radio programming during the 1950s; the Compact Cassette during the 1970s; and the deregulation of media ownership during the 1990s are all examples of changes which have heavily affected the music industry. This study explores similar contemporary dynamics, examines how decision makers in the music industry perceive and make sense of the developments, and reveals how they revise their business strategies, based on their mental models

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36

Aplin, Tanya Frances. "Multimedia technology and copyright law protection." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395284.

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37

Towheed, Syed Shafquat. "Copyright and literary authority, 1880-1914." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.621852.

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38

Duffy, J. S. "The management of change & copyright." Thesis, University of Nottingham, 1985. http://eprints.nottingham.ac.uk/12573/.

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The main focus of this thesis is the three copyright collecting societies operating in the music field - PRS, which looks after the public performance and broadcasting rights in music, MCPS which is responsible for the mechanical (recording) right in music and PPL which looks after the public performance and broadcasting rights in sound recordings. Between them, these three societies had gross revenue (before costs) of over £83 million in 1983, of which PRS was responsible for 72%, MCPS for 17% and PPL for 11%. The thesis attempts to investigate their operations and performance. In many ways t

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39

Fraser, Henry. "Copyright and culture : a qualitative theory." Thesis, University of Oxford, 2018. https://ora.ox.ac.uk/objects/uuid:cd4e645a-7e45-4309-bc68-e115e1fa306d.

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Copyright is conventionally justified as an incentive to produce and disseminate works of authorship. We can justify and theorise copyright more richly, not least because empirical evidence does not support the incentive narrative. Rather than focussing on quantitative matters such as the number of works incentivised and produced, we should consider copyright's qualitative influence on culture. A threshold objection to such an approach is the risk of cultural paternalism. This objection can be overcome. Rather than specifying paternalistic standards of merit for works, we can target the condit

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40

Ramello, Giovanni Batista. "Analisi economica del diritto d'autore-copyright." Lyon 3, 2003. http://www.theses.fr/2003LYO33009.

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La thèse a été rédigé dans le but de combler certaines lacunes de la théorie économique du droit d'auteur (d. D. A. ). Il essaie d'une part de construire un paradigme théorique de référence solide et, d'autre part, de conduire l'analyse dans des domaines jusqu'à présent négligés dans les contributions publiées. Le premier chapitre présente une reconstruction de ce qui pourrait être défini comme l'histoire de la pensée économique du d. D. A. Lato sensu. Le deuxième chapitre se concentre sur l'institution juridique et ses effets dans les contextes économiques et créatifs. Le troisième chapitre s

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41

Hick, Darren Hudson. "The metaphysics and ethics of copyright." College Park, Md. : University of Maryland, 2008. http://hdl.handle.net/1903/8071.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2008.<br>Thesis research directed by: Dept. of Philosophy. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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42

Rife, Martine Courant. "Rhetorical invention in copyright imbued environments." Diss., Connect to online resource - MSU authorized users, 2008.

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43

Vaidhyanathan, Siva. "Unoriginal sins : copyright and American culture /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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44

Coleman, Anita Sundaram, and Cheryl Knott Malone. "Copyright Transfer Agreements and Self-Archiving." Association for Computing Machinery (ACM), 2005. http://hdl.handle.net/10150/106282.

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Concerns about intellectual property rights are a significant barrier to the practice of scholarly self-archiving in institutional and other types of digital repositories. This introductory level, half-day tutorial will demystify the journal copyright transfer agreements (CTAs) that often are the source of these rights concerns of scholars. In addition, participants will be introduced to the deposit processes of self-archiving in an interdisciplinary repository and open access archive (OAA), such as DLIST, Digital Library for Information Science and Technology. Editor's Note: This is a 1-

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45

Mandic, D. "Copyright and technology : hearing the dissonance." Thesis, University of Westminster, 2014. https://westminsterresearch.westminster.ac.uk/item/96824/copyright-and-technology-hearing-the-dissonance.

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This thesis concerns copyright and technology. It investigates their ever-growing dissonance, currently intensified by the processes of digitisation taking place in society at large. If there is a pressing need to reassess/modify copyright law against the backdrop of digital technology, the thesis argues that a prerequisite of this is that it divorces itself from the limitations in the existing copyright paradigm and, accordingly, recognise technology as a quality and condition for both its emergence and subsistence. In contrast to the prevailing tradition of viewing technology as an extrinsic

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46

Hsu, Ming-Sen, and 許銘森. "Fair Practice of Copyright－Reaching from Copyright Hunter." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/32838859441456081136.

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碩士<br>逢甲大學<br>財經法律研究所<br>98<br>The Intellectual Property Right is widely valued in Taiwan recently. This is because that the legal protection for copyright has been enhanced by criminal charges and some people got penalties due to their ignorance of the infringement of copyright. The reason for our government to amend the law is the concern to avoid a punishment of Special Clause 301, American economic sanctionses, canvass of the copyright collective management organization, and the admission from the international community hopefully. In the name of economy development, the criminal charges o

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47

Hahn, Gregory K. "Anti-copyright 18th- and 20th-century arguments against copyright /." 1993. http://catalog.hathitrust.org/api/volumes/oclc/30968503.html.

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48

Iturralde, Gonzalez Raul. "Parallel Imports: A Copyright Problem with no Copyright Solution." Thesis, 2009. http://hdl.handle.net/1807/18765.

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Parallel Imports refer to the legal importation of products that have some form of Intellectual Property rights attached to them. These products enter in direct competition with the products authorized for the imported market. As a result of that, Intellectual Property holders have attempted to deter these importations through the enforcement of Intellectual Property rights (such as Trademarks and Copyrights). In this work, it will be shown that Copyrights cannot be used to prevent Parallel Imports. Copyrights grant the right to reproduce works of authorship and in that form to obtain a benef

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49

Tseng, Chih-li, and 曾志立. "The Economic Structure of Copyright and Copyright Fair Use." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/80722044242588771045.

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碩士<br>逢甲大學<br>財經法律研究所<br>95<br>The nature of copyright has been argued for a long time, and there are two different theories, one deems it is human right, another deems it is the result of policy-making. This thesis suggests that the emphasis of copyright law is how to maximize the social welfare. Than this thesis try to analyze copyright through economic point, for example, copyrighted work has public good character, this character may cause free-ride behavior and market failure, and hence copyrighted work supply will reduce. The government should take steps, such as law to rectify the market

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50

Hsieh, Pei-Yuna, and 謝佩芫. "Copyright Management Organization Surveillance of the Copyright Authority Study." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/77721673813274432201.

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碩士<br>國立臺灣大學<br>國家發展研究所<br>97<br>Since Copyright Intermediary Organization Act has been implemented from November 5th, 1997, the practical operation of the Act has revealed the lack of norms, even if the CIO and the authority are trying to set on the wheels. Although the authority can not do everything, it should be able to act as a guardian in some aspects which stated as follows: First, the approval of CIO establishment, the number of CIOs involved in the amount of real estate. Second, the contents of CIO signed management agreements with members, involving authorization of diversity and fle

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