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1

Grodd, Elizabeth Stafford. "The Love Poems of John Clare and John Keats: A Comparative Study." PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/4907.

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This study addresses lesser known works of romantic poets John Clare and John Keats--Clare's Child Harold and Keats's poems to Fanny Brawne--which I refer to as their love poems because the works are informed by intense feelings the poets had for women they loved. Although these works have been the brunt of negative criticism because Clare was considered insane at the time of the composition of Child Harold and Keats was accused of using the poems to give vent to his personal sufferings, nonetheless I argue that the love poems are significant for several reasons. They are a reflection of the p
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2

Holmes, Michael M. (Michael Morgan). "John Donne's Apocalypse." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60624.

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This thesis explores John Donne's vision of the Apocalypse as revealed by his religious poetry and prose. Donne believed himself to be alive in the last age of the world; however, he rejected historicist interpretations of the Apocalypse. Instead, he located the conflict with sin and death within the individual soul. Donne was concerned to create an image of the sinful soul restored to unity with the divine through its own exertions and by God's grace, free from social and political constraints. The Apocalypse presented Donne with a paradigm of unity which he appropriated in order to represent
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3

Wright, John Samuel Flectcher, and mikewood@deakin edu au. "Liberty in key works of John Locke and John Stuart Mill." Deakin University, 1995. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20051201.154348.

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The ideas of liberty presented in the important works of John Locke and John Stuart Mill, The Second Treatise of Government (1689) and On Liberty (1859), are often viewed as belonging to the same conceptual tradition, that of English liberalism. This thesis is an articulation of the diversity between the theories of liberty expressed by Locke and Mill in the Second Treatise and On liberty. \ am aiming to provide a corrective to the tendency to ignore or to gloss over very significant differences between the two men. The work concentrates on the philosophical aspects of each theory of liberty,
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4

De, Beer Marésa. "Oor die kortkuns van John Miles." Thesis, Rhodes University, 1988. http://hdl.handle.net/10962/d1002092.

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This thesis involves intensive analyses of some of the short-short stories in John Miles's Liefs nie op straat nie, in order to reveal the narrative strategies employed in each. In other words, it is geared to "the rules that govern ... textual actualization and, consequently, those rules that govern the way literary discourse functions as communication" (Riffaterre 1983: 158). Subsequently, attention is given to the interrelationship among the texts, the way in which they act upon one another and interact with the title of the volume, in order to establish the function of such relations. The
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5

Graham, Catherine (Catherine Elizabeth). "Standpoints : the dramaturgy of Margaretta D'Arcy and John Arden." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60621.

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The political popular theatre which has developed in the West since the 1960s challenges the current hegemony in Western cultures by attacking its basic models of knowledge, yet little critical attention has been paid to the dramaturgies particular to this form. An application of the Possible Worlds theory, the concept of ludic framing, and feminist "standpoint" theory to the Irish stage plays written by Margaretta D'Arcy and John Arden after they left the "legitimate" stage, shows how the dramaturgy of this theater is a critical part of its strategic challenge to the status quo. This analysis
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6

McIlroy, Brian. "Scientific art : the tetralogy of John Banville." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31040.

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The main thesis of this study is that John Banville's fictional scientific tetralogy makes an aesthetically challenging attempt to fuse renewed popular notions of science and scientific figures with renewed artistic forms. Banville is most interested in the creative mind of the scientist, astronomer, or mathematician, his life and times in Doctor Copernicus (1976) and Kepler (1981), and his modern day influence in The Newton Letter (1982) and Mefisto (1986). The novelist's writing is a movement of the subjective into what has normally been regarded as the objective domain of science. Chapter
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7

Anderson, David Roy. "John Graves and the Pastoral Tradition." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2919/.

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John Graves's creative non-fiction has earned him respect in Texas letters as a seminal writer but scarce critical commentary of his work outside the region. Ecological criticism examines how language, culture and the land interact, providing a context in which to discuss Graves in relation to the southwestern literary tradition of J. Frank Dobie, Walter P. Webb, and Roy Bedichek, to southern pastoral in the Virgilian mode, and to American nature writing. Graves's rhetorical strategies, including his appropriation of form, his non-polemical voice, his experimentation with narrative persona, an
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8

Voss, Annemarie. "John Milton's Paradise lost in Germany : reception and German-language criticism." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/762991.

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This survey focuses on German-language studies of John Milton's Paradise Lost, based on a bibliography of more than 140 German-language publications dating from 1651 to the present. Its purpose is to describe and evaluate these studies and to make their arguments accessible to readers who have difficulties locating, obtaining, and/or reading these texts.Chapters 1-4 give an account of Milton's reception in Germany and Switzerland. Topics discussed include the evaluation of Milton as poet and man, the influence of Milton's Paradise Lost on the development of German literature (Klopstock's Messi
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9

Bider, Noreen Jane. "The rhetorical strategies of John Donne's "Holy Sonnets" /." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61283.

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This study examines two important influences that shape John Donne's "Holy Sonnets": The Ignatian meditative tradition and the devotional tradition of the psalm genre. It argues that their confluence in his sonnets gives rise to unique rhetorical structures and strategies that reflect the doctrinal uncertainties of his age.
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10

Lennox, John 1980. "Poetic attention : the impressionist sensibility and the poetry of John Ashbery." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79959.

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"Poetic Attention" reveals how John Ashbery's ties with past literary traditions elucidate his own personal aesthetic. Starting with a review of Ashbery's critical reception, the thesis shows how Ashbery's poetry and its reception are polarized in two major post-Romantic approaches to poetry: the Romantic, and the "objectivist" tradition of modernism. Beginning with a look at how Ashbery's early poetry reflects both paradigms, I focus on moments where both are simultaneously active. I demonstrate how impressionism, as a sensibility with certain methodological, epistemological, and techn
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11

Stanislaw, Rebecca W. "The poetic voice of John Ciardi." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/833002.

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The poetry of John Ciardi, a versatile and prolific man of letters, has not received adequate critical attention. Through an examination of his poetic canon, using traditional elements of poetry, this dissertation establishes his unique poetic voice. Attention is focused on his Selected Poems, but representative poems from his full canon are examined.Chapter One reviews critical writings relevant to establishing Ciardi's poetic voice, introduces texts to be examined, and sets forth criteria for analyzing his poetry.Chapter Two identifies Ciardi's poetics and places him as a poet in the realist
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12

Harikae, Ryoko. "John Bellenden's Chronicles of Scotland : translation and circulation." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:d0ebf41c-8263-45e0-a6d5-5826bf8e0396.

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John Bellenden's Chronicles of Scotland (1531-r. 1537) is a humanist Scots translation of Hector Boece's Scotorum Historia (1527). As the first full-scale printed national history in the vernacular, the Chronicles assumed a pivotal role in sixteenth-century Scottish literary culture. Despite its contemporary importance,however, relatively little critical attention has been paid to Bellenden's work itself, primarily due to the misconception that it is a neutral translation of the Scotorum Historia. However, as Bellenden successively revised his text in several stages with stylistical, ideologic
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13

Cheetham, David. "Transforming John Hick's eschatology." Thesis, University of Wales Trinity Saint David, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683123.

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14

Latham, Jonathan Cyril. "Text and context : an examination of the way in which John's prologue has been interpreted by selected writers : Origen, Luther and Bultmann." Thesis, Rhodes University, 1988. http://hdl.handle.net/10962/d1004612.

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In chapter one of this work, as a preliminary to the formulation of the question that this thesis will attempt to answer, the changing understanding of the part played by the interpreter in the process of interpretation is discussed. This outline begins with the understanding of the role of the interpreter in liberal theology - where he is thought of as one who applies critical methods to the text in a detached and scientific way. After this the hermeneutic spiral is discussed - the formation of this model acknowledges to a greater degree the individual and human part played by the interpreter
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15

Johnstone, Michael 1971. "Breathing eyes : Keats and the dynamics of reading." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26692.

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Starting with Jerome McGann's landmark 1979 essay "Keats and the Historical Method in Literary Criticism," the recent sixteen-plus years of Keats criticism brims to overflowing with the dominance of New Historicism and its archaeological recovery of the political, historical Keats against the previous preeminence of a formalist, aesthetic Keats. The grip of New Historicism now holds tightly enough, perhaps, to the point where it suffers from a lack of attention to formalist, aesthetic, stylistic differentials and peculiarities. A critical position, then, that addresses this lack of attention l
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16

Jang, Young. "A narratological approach to the structure of the apocalypse of John." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52095.

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Thesis (DTh)--Stellenbosch University, 2001<br>ENGLISH ABSTRACT: This study aims to investigate the structure of the Apocalypse from the narratological viewpoint, to further the adequate interpretation of the book. Throughout this work. three things are presupposed: (1) the Apocalypse follows an episodic, non-chronological pattern; (2) the Apocalypse is a coherent unit: (3) the Apocalypse. as a genre. should be defined by means of form. content. and function. To start with. earlier attempts to reveal the structure of the Apocalypse are briefly dealt with in chapter 2. in order to establ
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17

Wagler, Brent M. "Stars, stones and architecture : an episode in John Dee's natural philosophy." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22550.

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The work of John Dee (1527-1608) posits an approach to architecture based upon the concept of wonder. Sympathetic correspondences permeate Dee's disparate practical activities and architectural discourse. His contributions to astronomy, alchemy, cartography and navigation are grounded in the intersubjective cosmology of the Renaissance. It is in Dee's Mathematicall Praeface (1570), which promotes mathematics as a natural philosophy, that the architect's metier is aligned with the marvellous and established as an art encompassing numerous disciplines. Dee's syncretic formulation of architecture
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18

Malick, Shah Jaweedul. "The dramaturgy of John Arden : dialectical vision and popular tradition : a doctoral dissertation." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=71987.

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The subject of this dissertation is John Arden's dramaturgy. It covers the stage plays written by Arden (alone or with Margaretta D'Arcy) during their career in the "professional" theatre--that is, from The Waters of Babylon to and including The Island of the Mighty. It approaches them as one dramaturgically coherent opus and identifies and examines the basic artistic and cognitive emphases immanent to it.<br>The study explores two fundamental and related constitutive features of Arden's dramaturgy: diachronically, its adherence to the forms, conventions, and techniques of popular or tradition
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19

Heterick, Garry R. (Garry Raymond) 1965. "Dethroning Jupiter : E.M. Forster's revision of John Ruskin." Monash University, English Dept, 1998. http://arrow.monash.edu.au/hdl/1959.1/8604.

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20

Gerber, Edward. "The scriptural tale in the Fourth Gospel : with particular reference to the prologue and a syncretic (oral and written) poetics." Thesis, University of Wales Trinity Saint David, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683084.

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21

Quigley, Jennifer. "Literary criticism as a method of biblical scholarship: narrative space and the Gospel of John." Thesis, Boston University, 2008. https://hdl.handle.net/2144/28582.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02
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22

Ditmann, Laurent. "Cheever's signs : a semiotic approach to thirteen stories by John Cheever." PDXScholar, 1988. https://pdxscholar.library.pdx.edu/open_access_etds/3741.

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Literary criticism dealing with John Cheever focuses on the social implications of Cheever's description of suburban America. The purpose of this thesis is to propose a new approach to Cheever's short stories, and to apply the concepts developed by French literary critics Jacques Derrida and Roland Barthes to thirteen short stories by Cheever.
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23

Ng, Wing Hong. "John Rawls' idea of public reason : religious reason in public justification." HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/782.

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24

Hazzard, Oli. "Trying to have it both ways : John Ashbery and Anglo-American exchange." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:87f922c5-79dc-4fd5-85dd-50c4a7661015.

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This dissertation explores John Ashbery's interactions with several generations of English poets, during a period which ranges from the late 1940s to the present day. It seeks to support two principle propositions: that Ashbery's engagements with contemporaneous English poets had a decisive influence on his poetic development; and that Ashbery's own poetic and critical work can be employed to revise our understanding of mid-to-late 20th century English poetry. The dissertation demonstrates that Ashbery's relationships with four English poets - W.H. Auden, F.T. Prince, Lee Harwood and Mark Ford
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25

McCormack, Christopher. "Cracking the codes : a textual and editorial examination of John Fante's literature." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33914.

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After many years of neglect, American novelist and short-story writer John Fante is beginning to attract scholarly attention. In the current critical field there is an absence of textual and editorial criticism that needs to be redressed. It is important for Fante criticism to acknowledge the fact that Black Sparrow Press has not only republished Fante, but has re-invented him. Following the example of textual and editorial critics such as Lawrence S. Rainey, Jerome McGann, and George Bornstein, I address Black Sparrow's influence on the institutional, bibliographic, and linguistic codes of th
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26

Baynes, Kenneth. "The normative grounds of social criticism : Kant, Rawls and Habermas /." Albany (N.Y.) : State university of New York press, 1992. http://catalogue.bnf.fr/ark:/12148/cb366818579.

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27

Bishop, Scot. "John Donne's poetry and sermons : some parallels in spiritual discovery." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26659.

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This study argues that there is an essential unity to John Donne's poems and sermons. Chapter One is a survey of Donne criticism: Ilona Bell suggests Donne "seeks communion, but is continually prepared to recognize disjunction." It is argued that Bell's notion is validated in both genres where Donne renders concrete a movement of thought or emotion through figurative language. Chapter Two examines how the sermons move between the literal sense of scripture, and its multiform spiritual significance. Chapter Three examines the writerly tradition of the Church Fathers in relation to some of Donne
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28

MacArthur, Lori Kinder. "John Rawls, Feminism, and the Gendered Self." PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/5030.

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John Rawls's theory of justice, which he calls "justice as fairness," has proven to be most influential with regard to the course of contemporary political theory. In both of Rawls's books, A Theory of Justice and Political Liberalism, his aim was to present a theoretically-compelling defense of deontological liberalism, and to present a set of principles by which to fairly order a just society. While Rawls's project has attracted a fair number of proponents over the years, it has also been a popular target for liberal and nonliberal critics alike. A recurrent theme among these criticisms has
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29

Kwok, Yin-ning, and 郭燕寧. "Concepts of realism and the reception of John Constable's landscape paintings." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B39707301.

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30

Bach, Edward Stanley. "A performance project on selected works of five contemporary composers : Malcolm Arnold, Robert Henderson, Stan Friedman, John Elmsley, Lucia Dlugoszweski." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/32135.

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The principal objective of this dissertation is to discuss music for unaccompanied trumpet and trumpet and tape composed after 1965. The discussion of these works will emphasize a method of preparation for each work. New techniques and effects that modern-day trumpet players will need to master will be pursued with relationship to each composition under consideration. Each chapter is dedicated to one composition. The introductory chapter discusses the execution of difficult leaps which is one of the most common challenges in the majority of modern trumpet music. Technique books and general su
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31

Goldie, David W. S. "John Middleton Murry and T.S. Eliot : tradition versus the individual in English literary criticism, 1919-1928." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314917.

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32

Padgett, Jeffrey Lynn. "The monistic continuity of the Miltonic heresy." Virtual Press, 1987. http://liblink.bsu.edu/uhtbin/catkey/514853.

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John Milton's Christian Doctrine reveals a number of doctrinal opinions clearly in disagreement with the orthodox Christianity of his day. His four major heresies, his monism itself, his theory of creation ex Deo, his anti-Trinitarianism, and his mortalism, form a logical system, developed in accordance with his monistic conception of the cosmos.Milton's monism denies the Platonic dualism between matter and spirit. He presents a world which is a continuum in which that which is usually called material is merely further removed from God than that which is normally called spiritual. This monism
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33

Larsen, Brian. "An interaction of theology and literature by means of archetypal criticism, with reference to the characters Jesus, Pilate, Thomas, the Jews, and Peter in the Gospel of John." Thesis, University of St Andrews, 2001. http://hdl.handle.net/10023/13419.

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This thesis explores the interaction of literature and theology by means of archetypal criticism with specific reference to certain characters in the Gospel of John. Northrop Frye's system of archetypal literary criticism consisting of the four mythoi or archetypes of romance, tragedy, irony and satire, and comedy forms the governing framework and means of exchange between literature and theology. This synchronic interaction is centered on Jesus, an innocent man acting on behalf of others, as romance; Pilate, unable or unwilling to act justly in an unwanted and unavoidable particular circumsta
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34

Reed, Marthe. "The poem as liminal place-moment : John Kinsella, Mei-mei Berssenbrugge, Christopher Dewdney and Eavan Boland." University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0136.

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Places are deeply specific, and often richly resonant for us in terms of memory, emotion, and association, yet we nevertheless frequently move through them insensible of their constitution and diversity, or the shaping influences they have upon our lives. As such, place affords a vital window into the creation and experience of poetry where the poet is herself attuned to the presence and effect of places; the challenge for the scholar is to articulate place's nature and role with respect that poetry. In
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35

Preuss, Rosemary J., and University of Lethbridge Faculty of Arts and Science. "John Clark : transformation and the void : with a catalogue raisonné." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 1994, 1994. http://hdl.handle.net/10133/59.

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The intent of the thesis is twofold: interpretive and documentary. Volume 1 focuses on the work John Clark considered to be his mature oeuvre. The general structure is chronological, with the first three chapters devoted to formative influences, and a further chapter to what Clark had to say about meaning in his own work and that of others. The remaining four chapters offer an interpretation of the mature paintings in terms of two concepts: trasformation and the void. Annotated bibliographies and exhibition lists are included. The catalogue raisonne, volume 2, is an ongoing project to provide
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Baker, Cynthia J. (Cynthia Jane). "Rain and Diagonal Light: Nature Imagery in the Novels of John Cheever." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc501241/.

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John Cheever uses nature imagery, particularly images of light and water, to support his main themes of nostalgia, memory, tradition, alienation, travel, and confinement in his five novels. In the novels these images entwine and intersect to reveal Cheever's vision of an attainable earthly paradise comprised of familial love and an appreciation of the beauties and strengths of the natural world.
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Hope, Laura Lee. "John Fowles' narrative stylistics in The Collector, Daniel Martin, and A Maggot." CSUSB ScholarWorks, 1990. https://scholarworks.lib.csusb.edu/etd-project/564.

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Cook, James Daniel. "Preaching and Christianization : reading the sermons of John Chrysostom." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:cd60a862-b0f7-49ae-a600-74ad7f3368d0.

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The rise of Late Antiquity as a separate discipline, with its focus on social history, has meant that the vast homiletic corpus of John Chrysostom has received renewed attention as a source for the wider cultural and historical context within which his sermons were preached. Recent studies have demonstrated the exciting potential his sermons have to shed light on aspects of daily life, popular attitudes and practices of lay piety. In short, Chrysostom's sermons have been recognised as a valuable source for the study of 'popular Christianity' and the extent of Christianization at the end of the
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39

Henry, John. "Unclarity of expression in the letters of John and its elucidation according to four recent commentaries." Thesis, University of Wales Trinity Saint David, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683348.

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40

Danna, Elizabeth. "Which side of the line? : a study of the characterisation of non-Jewish characters in the Gospel of John." Thesis, Durham University, 1997. http://etheses.dur.ac.uk/4708/.

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The theme of kpiσιϛ which runs through the gospel has been taken account of in studying the characterisation of "the Jews," but never yet of non-Jewish characters. The method set out covers all the important aspects of characterisation, including both anthropological and rhetorical interests. This method is then applied to the gospel's non-Jewish characters. The Samaritan woman's faith is tentative and hesitating at best; she sees Jesus only as a prophet. Her faith is ambiguous, but not ineffective. The ambiguity in her faith is resolved by the townspeople's. The title Saviour of the World ind
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41

Chong, Kenneth Tze Aun School of English UNSW. "Donne???s Holy Sonnets and Calvin." Awarded by:University of New South Wales. School of English, 2006. http://handle.unsw.edu.au/1959.4/26154.

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Criticism on Donne???s Holy Sonnets has traditionally been concerned with trying to find an explanation for the doubt, anxiety, and despair that is often expressed by the speaker of those poems. In recent decades, critics have increasingly made recourse to Calvinist theology in an effort to explain these melancholy states of mind. The accounts that such critics provide of ???Calvinism,??? however, have been varied and largely inadequate, mainly because they fail to engage with Calvin???s work at the level it requires. My thesis seeks to correct such deficiencies by providing a detailed reading
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42

Hartmann, Melissa Bakeman. "Blurred relationships: The factual fiction of John Edgar Wideman." CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2166.

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Control is a central issue in any text: does the author's intention or the reader's interpretation better explain the resulting meaning of the text? This question has long been the subject of debate among textual theorists; this essay proposes a middle ground, namely that the author and the reader engage in a collaborative effort to make meaning in a text.
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Jorgensen, Michael R. "John Philip Sousa's operetta El capitan : a historical, analytical and performance guide." Virtual Press, 1994. http://liblink.bsu.edu/uhtbin/catkey/955086.

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This dissertation provides a guide to John Philip Sousa's operetta El Capitan through investigating its historical significance, compositional distinctives, and performance practice. Chapter one introduces the nature and scope of the work by presenting a statement of the problem, the need and significance for the study, and its delimitations.The historical section of this document traces the genesis and process of the actual composition of the work, including identifying pieces borrowed from other Sousa works as well as consideration of Sousa's sketchbooks and other sources for compositional t
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Rhodes, Carol Shirley. "The dance of time: The evolution of the structural aesthetics of the prepared piano works of John Cage." Diss., The University of Arizona, 1995. http://hdl.handle.net/10150/187153.

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John Cage, (1912-1992) pioneer in new music, innovator, inventor of the happening and philosopher, writer and artist was one of the most creative forces of the twentieth century. His earliest works were 25-tone contrapuntal compositions. He later developed a strong interest in writing for percussion ensembles and collected instruments that were both found and made. He conducted his own percussion orchestras and discovered that they were the answer to his philosophy of the sounds of the future. He considered percussion music the transition from keyboard-influenced music to music which allowed f
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45

Hacksley, Helen Elizabeth. "An edition of a selection of poems by John Randal Bradburne." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1008069.

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This thesis examines the life and work of John Randal Bradburne (1921-1979), poet, mystic, musician, cenobite, sometime soldier, pilgrim and wanderer. His religious experiences, particularly, gave rise to a vast corpus of verse, virtually all of it as yet unpublished. This study provides a brief overview of his life, and a critical and textual introduction to a sample selection of poems entitled Bradburne 's Assays. The biography has been compiled from published and unpublished sources, as well as from personal interviews and correspondence with Bradburne's friends, relatives and associates in
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Burri, Stella Teresia. "Silenced women of John Steinbeck's dustbowl trilogy." Thesis, University of Fort Hare, 2012. http://hdl.handle.net/10353/d1005643.

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The primary aim of this project is to examine selected works by John Steinbeck, a significant American writer. Through a close contextual and textual analysis of Steinbeck’s Dustbowl Trilogy, which consists of the novels In Dubious Battle, Of Mice and Men, and The Grapes of Wrath, this project will interrogate Steinbeck’s contribution to the silencing of women and their inferior placement in their society and determine the extent to which Steinbeck promotes patriarchal ideology through his literature. A close examination of the modernist era in which these novels were written will provide the
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Jasper, Alison E. "The shining garment of the text : feminist criticism and interpretative strategies for readers of John 1:1-18." Thesis, University of Glasgow, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321507.

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Coxon, Paul. "The Paschal New Exodus in John's Gospel : an interpretative key, with particular reference to Chapters 5-10." Thesis, University of Wales Trinity Saint David, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683362.

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Kowalczyk, Stephanie W. "Beyond the Painted Diary: Love, Loss, and Modernity in the Landscapes of John Singer Sargent." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1470007149.

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Kobayashi, Takanori. "The apocalyptic-eschatological drama of Jesus in the Fourth Gospel : an investigation into the Johannine Christology and eschatology with special reference to John 12.20-36." Thesis, University of St Andrews, 1999. http://hdl.handle.net/10023/9572.

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In this thesis we will explore the question of Jesus' revelation as a central motif of the Johannine Christology from the perspectives of literary criticism, Jewish apocalypticism and Graeco-Roman dramatic literature. In particular, we will attempt to solve the riddle of the visions developed in John 12.20-36, by answering the fragmentary theory of the text, the claim for the divergent christologies, the question of realised eschatology with or without future eschatology, and the claim that the Johannine community its symbolic world creates is 'sectarian'. A special attention will be paid to t
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