Relevant bibliographies by topics / Democratic poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Democratic poetry'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Democratic poetry"

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Nwosu, Onyebuchi, and Chika Ose-Agbo. "Vistas of Corruption in New Nigerian Poetry: A Marxist Perspective on Halima Amali’s Poetry." Research in African Literatures 55, no. 2 (2025): 91–108. https://doi.org/10.2979/ral.00061.

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ABSTRACT: Wanton corruption has characterized Nigeria’s fourth democratic dispensation. Though this has retarded growth and development, it has engaged the attention of contemporary Nigerian poets. Deploying the theory of Marxism, this paper discusses the poetic representations of Nigeria’s democratic and undemocratic principles in Halima Amali’s poetry. Exploring her application of poetic instruments to portray corrupt practices by some of the Nigerian political elite, it discusses her poetic vituperations against Nigerians’ tacit acquiescence of corrupt practices that run contrary to democra
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Mhire, Jeremy J. "The Poetic Past as Democratic Prologue: Robert Penn Warren’sDemocracy and Poetry." American Political Thought 3, no. 2 (2014): 303–21. http://dx.doi.org/10.1086/677735.

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Yang, Hyun-chul. "The Expression of Democratic Spirit in Whitman’s Poetry." Modern Studies in English Language & Literature 67, no. 4 (2023): 295–314. http://dx.doi.org/10.17754/mesk.67.4.295.

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Frank, Jason. "Aesthetic Democracy: Walt Whitman and the Poetry of the People." Review of Politics 69, no. 3 (2007): 402–30. http://dx.doi.org/10.1017/s0034670507000745.

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This essay argues for Walt Whitman's significance to contemporary democratic theory, neither as a theorist of moral or aesthetic individualism nor as a theorist of communitarian nationalism, but as a theorist of the democratic sublime. Whitman's account of “aesthetic democracy” emphasizes the affective and autopoetic dimensions of political life. For Whitman, popular attachment to democracy requires an aesthetic component, and he aimed to enact the required reconfiguration of popular sensibility through a poetic depiction of the people as themselves a sublimely poetic, world-making power. Thro
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Riley, Jeannette E. "THE VOICE OF POETRY IS CALLING: Adrienne Rich's Democratic Impulse." Soundings: An Interdisciplinary Journal 92, no. 3-4 (2009): 347–64. http://dx.doi.org/10.2307/41179252.

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Riley, Jeannette E. "THE VOICE OF POETRY IS CALLING: Adrienne Rich's Democratic Impulse." Soundings: An Interdisciplinary Journal 92, no. 3-4 (2009): 347–64. http://dx.doi.org/10.5325/soundings.92.3.0347.

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Garcia, J. M. R. "Manuel Maria's Agrarian Poetry, Galician Literature, and Spain's Democratic Transition." Modern Language Quarterly 75, no. 4 (2014): 541–75. http://dx.doi.org/10.1215/00267929-2796897.

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Sebola, Moffat, and Olufemi J. Abodunrin. "Not Yet Uhuru: Aspects of Social Realism in Vonani Bila’s Selected Poetry." Journal of African Languages and Literary Studies 2, no. 3 (2021): 87–107. http://dx.doi.org/10.31920/2633-2116/2021/v2n3a5.

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This article analyses Vonani Bila’s selected poetry for its ability to produce an ‘air of reality’. The central argument of the article is that Bila embraces an aesthetic of realism, which essentially values unsparing, accurate and sordid representations of the psychological, social and material realities of postcolonial (and democratic) South Africa. Undergirded by the Marxist theory of Social Realism, the qualitative approach and descriptive design, this article purposively selected ten poems from some of the anthologies in which Bila published his poetry, namely; Magicstan Fires, Handsome J
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Kapusevska-Drakulevska, Lidija. "The Presence of Portuguese Contemporary Poetry at the Struga Poetry Evenings." e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes 02 (2019): 150–55. http://dx.doi.org/10.53943/elcv.0119_11.

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The idea of political union of a democratic Europe must be founded upon its cultural dimension. Poetry is a very important dimension of European civilization and an essential exercise of creative freedom for approximating individual human beings and countries. The topic of this paper will be the presence of Portuguese contemporary poetry at the Struga Poetry Evenings (SPE), an international poetry festival started in 1962. The SPE has a very significant role in reception and promoting the other literatures and cultures to the Macedonian authors and readership. The selection of Portuguese conte
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Judy, R. A. "Introduction: For Dignity; Tunisia and the Poetry of Emergent Democratic Humanism." boundary 2 39, no. 1 (2012): 1–16. http://dx.doi.org/10.1215/01903659-1506218.

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Dissertations / Theses on the topic "Democratic poetry"

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Banerjee, G. S. "Transcendental and democratic trends in Whitman`s poetry." Thesis, University of North Bengal, 1985. http://hdl.handle.net/123456789/1148.

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Owen, Ruth J. "The poet's role : lyric responses to German unification, by poets from the GDR." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324345.

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Miller, Sydney A. "Peaceful Verses: Political Ideology in Newspaper Poetry of the War of 1812." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cmc_theses/679.

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Both the Centinel and the Republican were publishing during a period when newspapers became increasingly partisan. Editors were changing from largely nonpartisan craftsman to advocates of party policy. Newspapers aligned with the two political parties of the day, the Federalists and the Democratic-Republicans. As statements of political ideology, these papers reveal not only partisan polarization, but also the parties’ shared ideological roots. Though the Federalists and Republicans responded to British aggression in very different ways (one wanting peace at any cost, the other militarization)
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Waggoner, Eliza K. "America Singing Loud: Shifting Representations of American National Identity in Allen Ginsberg and Walt Whitman." University of Dayton / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1336052921.

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Leeder, Karen Jane. "#Hineingeboren' : a new generation of poets in the German Democratic Republic (1979-1989)." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.358525.

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Catani, Damian. "The poet as democrat : art in relation to consumerism and politics in Mallarme's prose writings." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325069.

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Pires, Robert Brose. "Os fragmentos atenienses de Simônides. Um estudo das fontes epigráficas anteriores a 480 a. C." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-19052008-114517/.

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RESUMO Serão investigadas, nesta dissertação, as origens da democracia ateniense através da análise de quatro epigramas de Simônides de Ceos e da contextualização de alguns outros. Partindo do assassinato de Hiparco por Harmódio e Aristogíton e traçando suas conseqüências, tanto do ponto de vista mítico quando político, tentaremos demonstrar como o povo, agora identificado como mesmo ideal de igualdade perante a lei (isonomia), foi capaz de afastar tanto o perigo de uma helotização da Ática, quanto o de uma submissão ao império aquemênida, ao vencer duas batalhas decisivas, cujo relato foi pr
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Haile, Adam. "Imagined Democracy: Material Publishing, War, and the Emergence of Democratic Thinking in Walt Whitman's Leaves of Grass, 1855-1867." Diss., 2010. http://hdl.handle.net/10161/3124.

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<p>This dissertation traces the evolution of Whitman's democratic thinking across the first four editions of Leaves of Grass, covering the auspicious years 1855, 1856, 1860 and 1867. While democracy is the master political term within Whitman's later editions, it was nearly devoid from the original one, in which republican political concepts were still regnant. The argument put forth is that in the space of twelve years, Whitman's relationship to democracy went through a strikingly classic dialectic trajectory: emergence, consolidation and fissure. The immediate engine driving this progress
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Stasko, Carly. "A Pedagogy of Holistic Media Literacy: Reflections on Culture Jamming as Transformative Learning and Healing." Thesis, 2009. http://hdl.handle.net/1807/18109.

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This qualitative study uses narrative inquiry (Connelly & Clandinin, 1988, 1990, 2001) and self-study to investigate ways to further understand and facilitate the integration of holistic philosophies of education with media literacy pedagogies. As founder and director of the Youth Media Literacy Project and a self-titled Imagitator (one who agitates imagination), I have spent over 10 years teaching media literacy in various high schools, universities, and community centres across North America. This study will focus on my own personal practical knowledge (Connelly & Clandinin, 1982) as a cult
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Books on the topic "Democratic poetry"

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George, Rogers. George Washington crowned by "equality, fraternity, and liberty": A democratic poem, dedicated unto youth. Printed by Leavitt, Trow, 1985.

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Kamatenda, Djungu-Simba. Voix du Congo: Poésie. Le Cri édition, 2013.

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1949-, Kabawu Badibanga, ed. Champs qui chantent. Lwemba L & M. Ed., 1995.

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Mono, Paul N'zo. Si patrie en était une. Harmattan, 2014.

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Okoundji, Gabriel. Second poème. L'Harmattan, 1998.

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Comité de lecture de l'UEZA., ed. Cris intérieurs: Écrits pour ne pas rompre l'attache avec la terre ancestrale. Editions de l'Union des écrivains zaïrois, 1986.

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1948-, Scrivener Michael Henry, ed. Poetry and reform: Periodical verse from the English democratic press, 1792-1824. Wayne State University Press, 1992.

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Maalu-Bungi. Poésie orale congolaise. Centre de linguistique théorique et appliquée, 2002.

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Lutondo, Olivier Sangi. Larmes ensanglantées au Kivu: (poèmes et nouvelles) : avec le concours du cénacle des jeunes écrivains du Kivu (CJEK), branche provinciale de l'association des jeunes écrivains du Congo (AJECO). MÉDIASPAUL, 2014.

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1946-, Pius Ngandu Nkashama, ed. La terre à vivre: La poésie du Congo-Kinshasa : anthologie. Harmattan, 1994.

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Book chapters on the topic "Democratic poetry"

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Sanders, Michael. "Courtly Lays or Democratic Songs? The Politics of Poetic Citation in Chartist Literary Criticism." In Class and the Canon. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137030337_9.

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Kümmerling-Meibauer, Bettina, and Jörg Meibauer. "Chapter 10. Portrait of the child as a socialist." In Children’s Literature, Culture, and Cognition. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.10kum.

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This chapter focuses on portraits of children in three photographic picturebooks from the German Democratic Republic (GDR). While these picturebooks draw largely on modernist photography in the postwar period, they also react sensitively to ideological demands from the official state authorities. To demonstrate this influence, this chapter exemplifies that these photobooks represent different aesthetic and ideological strategies. While Bullermax (1964) by Edith Rimkus and Horst Beseler is an exemplar of a poetic strategy and Matti im Wald (Matti in the Forest, 1966) by the same couple represen
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Jahanbegloo, Ramin. "Discovering Poetry." In Talking Poetry. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192869180.003.0003.

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Abstract Vajpeyi wrote his first poem in Jan 1950 at the age of 9, when he was in the 6th standard and India was becoming a democratic republic on 26th Jan. All kinds of celebrations were planned in schools and he wrote my first poem, in praise of the new republic.
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Kopley, Emily. "A Room of One’s Own, Woolf’s “little book on poetry”." In Virginia Woolf and Poetry. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198850861.003.0004.

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In several essays concurrent with her major experimental works of the 1920s, Woolf proclaims that the novel will usurp the tools and the place of poetry. Most important among these essays is the book-length A Room of One’s Own (1929). Here Woolf identifies the lack of poet foremothers available as models to women writers. She urges young women to fill this gap by writing not poetry per se, but rather prose whose greatness qualifies it as “poetry.” Woolf wants to gain for prose, and by extension women writers, the prestige historically accorded to verse. This chapter sketches the historic link
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Folsom, Ed. "Walt Whitman’s Invention of a Democratic Poetry." In The Cambridge History of American Poetry. Cambridge University Press, 2014. http://dx.doi.org/10.1017/cho9780511762284.018.

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Scully, Matthew. "A Poetics of Dissensus Migrant, Citizen, and the Catachresis of Identity." In Democratic Anarchy. Fordham University Press, 2024. https://doi.org/10.5422/fordham/9781531507060.003.0004.

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The third chapter, “A Poetics of Dissensus: Migrant, Citizen, and the Catachresis of Identity,” argues that anxiety functions as the central affect of contemporary U.S. democratic politics through a reading of contemporary art by Nari Ward and poetry by Ocean Vuong and Safiya Sinclair alongside contemporary iterations of U.S. imperialism and state violence. To critique and supplement Rancière’s frequent occlusions of race, gender, and sexuality, this chapter shows how these artistic and literary works contest the violence of totalizing representations of identity without abandoning so-called i
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Marshall, Alan. "Introduction." In American Experimental Poetry and Democratic Thought. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780199561926.003.0001.

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Marshall, Alan. "The Flag of His Disposition: Whitman's Posture." In American Experimental Poetry and Democratic Thought. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780199561926.003.0002.

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Marshall, Alan. "The Poet in the Dark: Ezra Pound, an Arendtian Perspective." In American Experimental Poetry and Democratic Thought. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780199561926.003.0003.

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Marshall, Alan. "‘I am alive—because | I do not own a House’: Emily Dickinson, Mina Loy, and Lorine Niedecker." In American Experimental Poetry and Democratic Thought. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780199561926.003.0004.

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Conference papers on the topic "Democratic poetry"

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Coin-Longeray, Sandrine. "The Lexicon of Wealth in Hellenistic Poetry: Between Continuity and Recomposition Τὸ Ἄφενος, and Ἀφνειός, η, ον". У GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.11-2.

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In my book Poésie de la richesse et de la pauvreté. Étude du vocabulaire de la richesse et de la pauvreté dans la poésie grecque antique, d'Homère à Aristophane : ἄφενος, ὄλβος, πλοῦτος, πενία, πτωχός (Publications de l’université de Saint-Étienne, 2014), the study in particular of the theme of wealth showed how closely its stylistic uses are connected to the socio-political contexts in which poetic practice is embedded. In the epic, wealth is glorifying for the hero and a marker of social status and quality: If the situation is comparable for the choral lyrics, in a context of sporting victor
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Freitas, Daive Cristiano Lopes de. "Salles Dounner: art-nula – desenhos, um livro para além das imagens." In Encontro de História da Arte. Universidade Estadual de Campinas, 2012. http://dx.doi.org/10.20396/eha.8.2012.4202.

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Neste trabalho pesquisamos sobre os primeiros anos de vida do artista plástico e poeta francano Salles Dounner até a idade adulta e suas experiências relatadas pelo próprio artista e por familiares e amigos. Este funde um breve histórico do desenvolvimento econômico e social de Franca com o desenvolvimento da cultura artística local disseminada pelos estilos acadêmico e moderno. Neste captamos os anos de vivência de Salles enquadrando-o desde fim do período populista, o regime militar até a nova democracia no Brasil. Também conheceremos o ciclo artístico de Salles Dounner em Franca em suas fas
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Alonso, Miguel, Bruna Costa, and Luca Ribeiro. "Trying to read: the "In Memorian" artwork." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.124.

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In this presentation we will analyze the multimedia artwork In Memorian, 2021, from the Research Group Realidades (School of Communication and Arts of University of São Paulo, ECA-USP, Brazil). The artwork is a web art that deals with the visualization of data from the coronavirus pandemic in Brazil. These data are appropriated from online databases and it works as the rule of loss of information from 1988’s Brazilian Federal Constitution, Title II - Of Fundamental Rights and Guarantees. The text is fragmented proportionally to Brazilian population and, then, loses its information, pixel by pi
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