Academic literature on the topic 'Digital video recorder'

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Journal articles on the topic "Digital video recorder":

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Ali, Dave. "Impact of personal video recorder/digital video recorder on hard disk drive acoustic requirements." Journal of the Acoustical Society of America 127, no. 3 (March 2010): 1832. http://dx.doi.org/10.1121/1.3384263.

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MAURICE, F. "TOWARDS THE MULTITRACK DIGITAL VIDEO TAPE RECORDER." Journal of the Magnetics Society of Japan 15, S_1_MORIS_91 (1991): S1_389–394. http://dx.doi.org/10.3379/jmsjmag.15.s1_389.

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Jiang, Jack, Emily Lin, and David G. Hanson. "Effect of Tape Recording on Perturbation Measures." Journal of Speech, Language, and Hearing Research 41, no. 5 (October 1998): 1031–41. http://dx.doi.org/10.1044/jslhr.4105.1031.

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Tape recorders have been shown to affect measures of voice perturbation. Few studies, however, have been conducted to quantitatively justify the use or exclusion of certain types of recorders in voice perturbation studies. This study used sinusoidal and triangular waves and synthesized vowels to compare perturbation measures extracted from directly digitized signals with those recorded and played back through various tape recorders, including 3 models of digital audio tape recorders, 2 models of analog audio cassette tape recorders, and 2 models of video tape recorders. Signal contamination for frequency perturbation values was found to be consistently minimal with digital recorders (percent jitter=0.01%–0.02%), mildly increased with video recorders (0.05%–0.10%), moderately increased with a high-quality analog audio cassette tape recorder (0.15%), and most prominent with a low-quality analog audio cassette tape recorder (0.24%). Recorder effect on amplitude perturbation measures was lowest in digital recorders (percent shimmer = 0.09%–0.20%), mildly to moderately increased in video recorders and a high-quality analog audio cassette tape recorder (0.25%–0.45%), and most prominent in a low-quality analog audio cassette tape recorder (0.98%). The effect of cassette tape material, length of spooled tape, and duration of analysis were also tested and are discussed.
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Kim, Cheonshik, Dongkyoo Shin, Dongil Shin, and Chin-Nung Yang. "Secure protection of video recorder video in smart car." International Journal of Distributed Sensor Networks 12, no. 12 (December 2016): 155014771668179. http://dx.doi.org/10.1177/1550147716681792.

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Many automobile drivers have come to believe that installation of video recording equipment in a car is essential to providing evidence in case of a car accident and to facilitate reporting to police. Thus, it is important to develop an in-vehicle video recorder with high resolution to document accidents. To provide such video quality, the H.264 video format, which offers high compression and good quality, has been used for an in-vehicle video recorder. However, due to problems with fabricated evidence of digital records, we propose a new watermark method to authenticate in-vehicle video. This watermarking scheme authenticates and protects in-vehicle video. The proposed scheme manipulates the quantization table of the I-frames in car surveillance videos and embeds watermarks in the I-frames. Experimental verification was done to confirm the authentication and tamper detection of the proposed watermark image method for in-vehicle video.
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Choi, Jong-Woon. "Product development for Digital Video Recorder Design Analysis." Journal of the Korea Contents Association 12, no. 12 (December 28, 2012): 135–45. http://dx.doi.org/10.5392/jkca.2012.12.12.135.

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Lin, Chin-Tsai, Che-Wei Chang, and Yu-Jen Lin. "Grey relational analysis evaluation of digital video recorder." Journal of Information and Optimization Sciences 26, no. 1 (January 2005): 123–33. http://dx.doi.org/10.1080/02522667.2005.10699638.

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Tomita, M., T. Ohtsuki, S. Ogata, and H. Niwa. "Video tape recorder with digital television standards converter." IEEE Transactions on Consumer Electronics 36, no. 3 (1990): 572–79. http://dx.doi.org/10.1109/30.103176.

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Oldershaw, Reginald. "Playback Video Processing for a Composite Digital Videotape Recorder." SMPTE Journal 101, no. 11 (November 1992): 785–89. http://dx.doi.org/10.5594/j02186.

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Chorianopoulos, Konstantinos, and Diomidis Spinellis. "Coping with TiVo: Opportunities of the networked digital video recorder." Telematics and Informatics 24, no. 1 (February 2007): 48–58. http://dx.doi.org/10.1016/j.tele.2005.12.003.

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Seo, Joong Eon, In Sik Park, Young Nam Oh, Seung Hoon Lee, Pyong Yong Seong, Yoon Ki Jang, and Dong Ho Shin. "Digital Video Disc Recorder Using Second Harmonic Generation Green Laser." Japanese Journal of Applied Physics 32, Part 1, No. 11B (November 30, 1993): 5455–56. http://dx.doi.org/10.1143/jjap.32.5455.

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Dissertations / Theses on the topic "Digital video recorder":

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Stegmann, Johann. "Design and implementation of a digital video recorder, with live video streaming to cellphone over mobile broadband." Thesis, Stellenbosch : University of Stellenbosch, 2007. http://hdl.handle.net/10019.1/2642.

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Thesis (MScEng (Electrical and Electronic Engineering))--University of Stellenbosch, 2007.
The work presented in this Thesis relates to the increased capabilities of the mobile Internet and the possible use of cellphones as an enhancement to video surveillance systems. The focus of the Thesis is on the delivery of live video content to Java enabled cellphones. The various characteristics, capabilities and limitations of the mobile networks- and phones are investigated. Various options for streaming video content to cellphones are also explored. The design and implementation of a digital surveillance system with the ability to stream live video to a cellphone is presented. Two versions of the streaming protocol are developed and implemented in cellphone applications, with which the video stream can be viewed. An evaluation and real-life testing of the applications are presented. Recommendations regarding further enhancements are provided.
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Wise, Richard J. Jr. "A DESIGN FOR A 10.4 GIGABIT/SECOND SOLID-STATE DATA RECORDER." International Foundation for Telemetering, 1999. http://hdl.handle.net/10150/607335.

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International Telemetering Conference Proceedings / October 25-28, 1999 / Riviera Hotel and Convention Center, Las Vegas, Nevada
A need has been identified in the Test and Evaluation (T&E) and tactical aircraft communities for a ruggedized high-speed instrumentation data recorder to complement the ever-increasing number of high frame-rate digital cameras and sensors. High-speed digital camera manufacturers are entering this market in order to provide adequate recording capability for their own cameras. This paper discusses a Solid-State Data Recorder (SSDR) for use in Imaging and High-Speed Sensor Data Aquisition applications. The SSDR is capable of a 10.4 Gb/sec sustained, 16Gb/sec burst, input data rate via a proprietary 32-channel-by-10-bit generic high-speed parallel interface, a massively-parallel 256-bit bus architecture, and unique memory packaging design. A 32-bit PCIbus control/archive and dedicated DCRsi™ interface are also employed, allowing data archiving to standard high-speed interfaces (SCSI, Fiber-Channel, USB, etc.) and DCRsi™-compatible tape recorders.
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Van, der Merwe Willem Johannes. "Rapid 3D measurement using digital video cameras." Thesis, Link to the online version, 2008. http://hdl.handle.net/10019/915.

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Lukeš, Pavel. "Implementace nových koncových uzlů do firmy a jejich management." Master's thesis, Vysoké učení technické v Brně. Fakulta podnikatelská, 2016. http://www.nusl.cz/ntk/nusl-241594.

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This thesis deals with analysis of company’s MBG, spol. s r.o. problems, following with teoretical basis for these problems and in the end, it suggests the solutions. These problems are insufficient monitoring, any of used technology are old and absent of any information security management system. The first part is focused on a teoretical basis for the described problems, the second part will completely analyze all mentioned problems of a company. Final part will contain a solution for every company’s problem, based on theory and analysis with taking care about company’s demand too.
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Way, Heather C. Albarran Alan B. "The reshaping of the traditional television advertising model an analysis of media agency perceptions and decision-making processes regarding the effects of digital video recorders on television commercial effectiveness /." [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-3906.

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Way, Heather C. "The reshaping of the traditional television advertising model: An analysis of media agency perceptions and decision-making processes regarding the effects of digital video recorders on television commercial effectiveness." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3906/.

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This research analyzes media agency executives' perceptions and strategic decision-making processes when accessing the impact of digital video recorders (DVRs) on the traditional television commercial spot. Strategic decision-making models, as well as major industry research, forms the theoretical framework used to guide the study. The research takes a quantitative approach using a survey in order to obtain the perceptions and decision-making processes of the media agency executives'. The findings are presented while a discussion of the findings is detailed. The thesis concludes with a summary of the overall thesis research as applied to the field of study.
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Huang, Guo Heng. "On-line video object segmentation using superpixel approach." Thesis, University of Macau, 2017. http://umaclib3.umac.mo/record=b3691897.

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Zhu, Jun Chao. "The evolution of official media reports on video games :a case study of the People's Daily." Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3953768.

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Lüghausen, Philip. "Die Auslegung von [Para] 53 Abs. 1 S. 1 UrhG anhand des urheberrechtlichen Dreistufentests : am Beispiel virtueller Private Video Recorder /." Aachen : Shaker, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017323847&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Mladenov, Sanja Kojić. "Diskursi o rodu u umetnosti: konstrukcija profesionalnog identiteta umetnica u oblasti novih medija u Vojvodini krajem 20. i početkom 21. veka." Phd thesis, Univerzitet u Novom Sadu, Asocijacija centara za interdisciplinarne i multidisciplinarne studije i istraživanja, 2018. https://www.cris.uns.ac.rs/record.jsf?recordId=107328&source=NDLTD&language=en.

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Cilj istraživanja je konstrukcija profesionalnogidentiteta vizuelnih umetnica koje stvaraju uVojvodini krajem 20. i početkom 21. veka,analiza njihovog umetničkog rada i života,ukazivanje na mogućnosti njihovog povoljnijegpoložaja.Hipoteza 1: Nedovoljna je valorizacijavizuelnih umetnica Vojvodine, naročito onihkoje se bave novim tehnologijama.Hipoteza 2: Nevidljiv je njihov doprinosznačaju za razvoj aktuelne umetničke prakse i usistemu visokog obrazovanja.Hipoteza 3: Značaj umetničkog rada ovihvizuelnih umetnica ne prepoznaju masovnimediji, što još više doprinosi njihovojnevidljivosti u javnosti.U istraživanju su primenjene analize:svedočenja (intervjui) umetnica; analizetekstova o umetnicama, analize umetničkihradova umetnica.Osnovni korpus istraživanja čine razgovoriautorke sa umetnicama, ukupno 12 umetnicavezane za Vojvodinu, tekstovi o njima i njihoviumetnički radovi.Rezultati istraživanja su pokazali da jeumetnicama profesionalni identitetnajistaknutiji, ostalim pristupaju kaopromenljivim kategorijama; da pridaju važnostprenošenju znanja i formiranju novih kadrova,te uvođenju ženskog identiteta u umetnost;ističu da im nedostaje finansijska sigurnost uprofesiji, te da rešenje vide u udruživanju iizgradnji mreže saradnica (međugeneracijskih,umetničkih, interdisciplinarnih, lokalnih,regionalnih i internacionalnih).Zaključujem da je istraživanje ukazalo da suumetnice koje se bave novim medijima uVojvodini delimično valorizovane. O njima jepisan veći broj tekstova, ali su oni rasutu porazličitim izvorima, na mnogim jezicima imestima (lokalno, regionalno, internacionalno).Politika institucija kulture im nije posvetiladovoljno pažnje kada su u pitanju monografskepublikacije i retrospektivne izložbe, otkupiumetničkih radova i sl. Njihov doprinos nijedovoljno vidljiv u sistemu visokog obrazovanja,a značaj njihovog umetničkog rada neprepoznaju dovoljno mas-mediji.Istraživanjem su prvi put umetnice koje se bavenovim medijima u Vojvodini krajem 20. ipočetkom 21. veka okupljene u jednu celinu.Izneti podaci o njihovoj generacijskoj,medijskoj, umetničkoj i drugoj povezanostipredstavljaju samo početak budućih istraživanjau okviru istorije i teorije umetnosti. Za njih jeizgrađivanje profesionalnog identiteta kaobogatstva različitosti najvažnije, ali je onuklopljen u mnogostruke ženske mreže ipovezanosti jer je to jedan od načina njegovograzvoja i opstanka.Ukupni podaci o različitim aspektima identitetaumetnica novih medija mogu doprineti opštojdiskusiji o prirodi identiteta.Preporuka je da se uspostavi sistem čuvanja nesamo radova, već arhiviranja dokumentacije oumetnicama novih medija budući da su podacirasuti po različitim izvorima i privatnimkolekcijama, slabo dostupni javnosti; da se ugalerijama i muzejima koji nemaju posebnoizdvojena sredstva za mlade umetnike/ce, zaprodukciju umetničkih radova i sl. uvede sličnapraksa; takođe nedovoljno kritičara i kritičarkikoji prate nove medije predstavlja problem kojitreba rešavati.Iz svega izloženog pokazali smo da je reč oumetničkim izrazima i umetničkim praksamakoje osvajaju prostor i otuda je prvi važanrezultat analize u ovom radu to što su najednom mestu pokazane različite prakse i totako da se sučeljavaju ocene o njihovom radu sasvedočenjem samih umetnica o sopstvenimradovima i dilemama. 
The aim of the research is the construction ofthe professional identity of female visual artistswho are creating in Vojvodina in the late 20thand early 21st century, an analysis of theirartistic work and life, pointing to thepossibilities of their favorable position.Hypothesis 1: Valorization of female visualartists of Vojvodina is insufficient, especiallythose dealing with new technologies.Hypothesis 2: Their contribution for thedevelopment of current art practice and in thehigher education system is invisible.Hypothesis 3: The importance of the artisticwork of these female visual artists is notrecognized by the mass media, which furthercontributes to their invisibility in the public.The research involved these analyzes: femaleartists testimonies (interviews); analysis of textsabout female artists, analyzes of art works byfemale artists.The main research corpus is the interviews ofthe author with female artists, a total of 12female artists related to Vojvodina, texts aboutthem and their art works.The results of the research have shown that forthe female artists the professional identity is themost prominent identity, to other identities theyapproach as to variable categories; they giveimportance to the transfer of knowledge, to theformation of new personnel and to theintroduction of women's identity in art;emphasize that they lack financial confidence inthe profession and that they see the solution inthe merging and building of a network ofcollaborators (intergenerational, artistic,interdisciplinary, local, regional andinternational).I conclude that the research indicated thatfemale artists dealing with new media inVojvodina are partially valorized. A number oftexts are written about them, but they are spreadacross different sources, in many languages andplaces (locally, regionally, internationally). Thepolitics of the cultural institutions did not givethem enough attention when it comes tomonographic publications and retrospectiveexhibitions, the purchase of art works, etc. Theircontribution is not sufficiently visible in thehigher education system and the importance oftheir artistic work is not sufficiently recognizedby mass media.This research is the first time that female artistswho are engaged in new media art in Vojvodinain the late 20th and early 21st century have beenintegrated into one whole. The presented dataon their generational, media, artistic and otherconnections are only the beginning of futureresearch within the history and theory of art.For them, building the professional identity asthe wealth of diversity is the most important,but it is integrated into multiple women'snetworks and connections because it is one ofthe ways of its development and survival.The overall data on different aspects of theidentity of female new media artists cancontribute to a general discussion of the natureof identity.It is recommended to establish a system forstoring not only works, but also archivingdocumentation about female new media artists,since the data that is scattered across differentsources and private collections is not readilyavailable to the public; that in galleries andmuseums that do not have special fundsallocated for young artists/female artists, for theproduction of works of art, etc., introducesimilar practices; also insufficient critics andfemale critics who follow new media art is aproblem that needs to be addressed.From all of the exhibited we have shown that itis about artistic expressions and artisticpractices that conquer space and hence the firstimportant result of the analysis in this paper isthat different practices have been shown in oneplace, so that the evaluation of their work isconfronted with the testimony of the femaleartists themselves about their own works anddilemmas. 

Books on the topic "Digital video recorder":

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Watkinson, John. The digital video tape recorder. Oxford: Focal Press, 1994.

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Watkinson, John. The Digital video tape recorder. Oxford: Focal, 1994.

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Watkinson, John. The D-3 digital video recorder. Oxford, OX: Focal Press, 1992.

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Watkinson, John. The D-2 digital video recorder. London: Focal Press, 1990.

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Watkinson, John. An introduction to digital video. Oxford: Focal Press, 1994.

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Goodman, Robert L. Troubleshooting and Repairing Digital Videosystems. New York: TAB Books, 1995.

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Media, Kagan World. Digital video recorders: The future of television viewing. Carmel, CA: Kagan World Media, 2002.

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Masura, Shauna. Record it!: Shooting and editing digital video. Ann Arbor, Mich: Cherry Lake Pub., 2013.

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Solari, Stephen J. Digital video and audio compression. New York: McGraw-Hill, 1997.

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McNamee, Kevin. High capacity digital storage on VCR. Dublin: University College Dublin, 1996.

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Book chapters on the topic "Digital video recorder":

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Diehl, Eric. "Protection of Pre-recorded/Recordable Medium." In Securing Digital Video, 147–71. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-17345-5_8.

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"The video cassette recorder." In Digital Cinematography, 110–12. Routledge, 2013. http://dx.doi.org/10.4324/9780080494548-24.

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"Copyright." In Digital Video Recorders, iv. Elsevier, 2009. http://dx.doi.org/10.1016/b978-0-240-81116-1.00001-3.

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"Dedication." In Digital Video Recorders, v. Elsevier, 2009. http://dx.doi.org/10.1016/b978-0-240-81116-1.00002-5.

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"Acknowledgments." In Digital Video Recorders, xi. Elsevier, 2009. http://dx.doi.org/10.1016/b978-0-240-81116-1.00003-7.

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"About the Author." In Digital Video Recorders, xiii. Elsevier, 2009. http://dx.doi.org/10.1016/b978-0-240-81116-1.00004-9.

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"Executive Summary." In Digital Video Recorders, xv—xvi. Elsevier, 2009. http://dx.doi.org/10.1016/b978-0-240-81116-1.00005-0.

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"Introduction." In Digital Video Recorders, xvii—xx. Elsevier, 2009. http://dx.doi.org/10.1016/b978-0-240-81116-1.00006-2.

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Jimmy, Schaeffler. "An Overview of Digital Video Recorders." In Digital Video Recorders, 1–65. Elsevier, 2009. http://dx.doi.org/10.1016/b978-0-240-81116-1.00008-6.

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Jimmy, Schaeffler. "What is a DVR?" In Digital Video Recorders, 67–83. Elsevier, 2009. http://dx.doi.org/10.1016/b978-0-240-81116-1.00009-8.

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Conference papers on the topic "Digital video recorder":

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Ahmed, Sarfaraz, M. Ashraf Khan, Amir Akbar Bukhari, and Zaki Masood. "Digital Audio/Video Channel Recorder." In 2014 IEEE 17th International Multi-Topic Conference (INMIC). IEEE, 2014. http://dx.doi.org/10.1109/inmic.2014.7097340.

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Jaegeun Oh, Myeongjin Cho, Peter Lee, and Seon Wook Kim. "Fault tolerant MPEG-4 Digital Video Recorder." In 2008 IEEE International Symposium on Consumer Electronics - (ISCE 2008). IEEE, 2008. http://dx.doi.org/10.1109/isce.2008.4559515.

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Matsui, T., T. Sekiguchi, and T. Katagiri. "Non-Compressed NTSC Digital Video Disk Recorder." In SMPTE Advanced Television and Electronic Imaging Conference. IEEE, 1995. http://dx.doi.org/10.5594/m00842.

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Tomita, Ohtsuki, Ogata, and Niwa. "Video tape recorder with digital television standards converter." In IEEE 1990 International Conference on Consumer Electronics. IEEE, 1990. http://dx.doi.org/10.1109/icce.1990.665880.

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Chang, Qing, Ke Pei, and Gang Zhang. "Design of Digital Video Recorder Based on TMS320DM642." In 2009 International Symposium on Computer Network and Multimedia Technology (CNMT 2009). IEEE, 2009. http://dx.doi.org/10.1109/cnmt.2009.5374607.

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Herz, William S. "Diagnostics for a Composite Digital Video Tape Recorder." In SMPTE Television Conference. IEEE, 1988. http://dx.doi.org/10.5594/m00525.

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Lin, Chien-Chuan, and Ming-Shi Wang. "An Implementation of a Vehicular Digital Video Recorder System." In Int'l Conference on Cyber, Physical and Social Computing (CPSCom). IEEE, 2010. http://dx.doi.org/10.1109/greencom-cpscom.2010.78.

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Sekiguchi, Toru, M. Miyatake, T. Uchikawa, Tsutomu Matsui, Hiroshi Inada, Yuzo Ono, and Soichiro Araki. "Development of noncompressed NTSC digital video disk recorder: I." In Optical Data Storage '94, edited by David K. Campbell, Martin Chen, and Koichi Ogawa. SPIE, 1994. http://dx.doi.org/10.1117/12.190207.

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Katagiri, Toshiyuki, Ken-ichi Nakamura, Satoshi Itoi, and Soichiro Araki. "Development of noncompressed NTSC digital video disk recorder: II." In Optical Data Storage '94, edited by David K. Campbell, Martin Chen, and Koichi Ogawa. SPIE, 1994. http://dx.doi.org/10.1117/12.190208.

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Naether, Harald, and Wolfgang Jourdan. "Multistandard image sequence storage: digital video silicon recorder DVSR 1000 and viewstore VS 5000." In Video Communications and Fiber Optic Networks, edited by Naohisa Ohta. SPIE, 1993. http://dx.doi.org/10.1117/12.161482.

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