Relevant bibliographies by topics / Epistolary form

Academic literature on the topic 'Epistolary form'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Journal articles on the topic "Epistolary form":

1

Carroll, Katherine. "Representing Ethnographic Data Through the Epistolary Form." Qualitative Inquiry 21, no. 8 (February 24, 2015): 686–95. http://dx.doi.org/10.1177/1077800414566691.

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Sheehan, Rebecca Anne. "Epistolary Form and the Displaced Global Subject in Recent Films by James Benning and Jem Cohen." Área Abierta 19, no. 3 (November 4, 2019): 363–81. http://dx.doi.org/10.5209/arab.63612.

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This essay focuses on the epistolary enunciation of recent works by two contemporary American filmmakers, Jem Cohen and James Benning, arguing for the stakes of viewing their films through an epistolary lens rather than the lenses of literary forms like the essay and the diary more commonly deployed to describe films that hug the boundaries between fiction and non-fiction. Looking specifically at Cohen’s Chain (2004) and Counting (2015) and Benning’s Stemple Pass (2013) and his installation Two Cabins (2011), I show how it is the epistolary enunciation of Benning’s and Cohen’s recent work that allows them to properly explore and depict the displacement of late capitalism’s subject in an increasingly globalized world. I go on to show that through epistolary enunciation both filmmakers also tap into American Transcendentalist and Pragmatist notions of individualism and selfhood that resist the homogenizing nature of late capitalism.
3

Mylne, Vivienne, and Elizabeth J. MacArthur. "Extravagant Narratives: Closure and Dynamics in the Epistolary Form." Modern Language Review 87, no. 2 (April 1992): 465. http://dx.doi.org/10.2307/3730714.

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Parker, Deven M. "Epistolary Form in the Age of the Post Office." SEL Studies in English Literature 1500-1900 59, no. 3 (2019): 625–45. http://dx.doi.org/10.1353/sel.2019.0028.

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DeGabriele, Peter. "The Legal Fiction and Epistolary Form: Frances Burney’s Evelina." Journal for Early Modern Cultural Studies 14, no. 2 (2014): 22–40. http://dx.doi.org/10.1353/jem.2014.0017.

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van Eerden, Jessie. "This Present Absence: The Generative Power of Epistolary Form." Appalachian Review 48, no. 3 (2020): 98–104. http://dx.doi.org/10.1353/aph.2020.0031.

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Rogoza, Olga. "Forms Used to Convey Reported Speech in French Epistolary Novel." Studies About Languages, no. 37 (December 3, 2020): 100–111. http://dx.doi.org/10.5755/j01.sal.1.37.24501.

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The article is focused on the study of forms used to convey reported speech in the French epistolary novel of the 18th–20th centuries. The study is based on the novels Les Liaisons dangereuses by Pierre Choderlos de Laclos, Mémoires de deux jeunes mariées by Honoré de Balzac, and Les jeunes filles by Henry de Montherlant, which are prominent examples of the epistolary novel of the respective epochs. Proceeding from duality of the epistolary novel, i.e., a combination of the form of a letter andthe genre of the novel, the French epistolary novel is defined by its special structure and composition, which determine perception of the information delivered in the novel. The form that conveys reported speech is aligned with writer’s intention. A descriptive variant of presenting dialogues prevails, while the use of direct speech in decisive moments of narration results from the pursuit of credibility. When the credibility is not more important, the reported speech is used to describe the characters and cover their characterisations. Indirect speech is used in an epistolary novel more often, but free indirect speech is virtually absent, which is explained by the absence of narrative speech that is usually interpreted via free indirect speech.
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Pardee, Dennis, and Robert M. Whiting. "Aspects of Epistolary Verbal usage in Ugaritic and Akkadian." Bulletin of the School of Oriental and African Studies 50, no. 1 (February 1987): 1–31. http://dx.doi.org/10.1017/s0041977x00053179.

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In a recent brief survey in Biblische Notizen Pardee has defended the concept of an ‘epistolary perfect’ in Hebrew letters. In that survey he examined each of the usages of a ‘perfect’ verbal form (i.e. ‘suffix conjugation’ or qātat) in the extant corpus of Hebrew letters most of them extra-Biblical. Those forms which described completed acts prior to the writing of the letter were separated off from those which described aspects of the epistolary acts themselves such as ‘writing’ ‘sending’ and ‘commanding’ and the latter were termed ‘epistolary perfects’. In the present study we wish to examine the epistolary conventions observed in Ugaritic and in Akkadian. As in Pardee's previous study Ugaritic ‘perfect’ (qtt) forms and Akkadian preterite (iprus) and perfect (iptaras) forms will be examined in order to determine the conventions governing their usage in letters.
9

Richards, William. "Reading Philippians: Strategies for unfolding a story." Studies in Religion/Sciences Religieuses 34, no. 1 (March 2005): 69–79. http://dx.doi.org/10.1177/000842980503400104.

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Identifying different parts of the présent text of Philippians as separate letters takes the task of epistolary analysis beyond simple form criticism into the realm of narratology, for any conclusions about the composite nature of a text imply reconstructing a story of how the relationship between sender and recipient was unfolding. Using work on the discourse of epistolary novels, this study moves from a formal study of epistolary units in Philippians to examining how any compositional hypothesis (including a reading "as is") implies a more or less adequate strategy for appreciating the story of a Ist-century Macedonian community's friendship with the Christian traveler Paul.
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Brisman, Shira. "Nachrichten aus Nürnberg: The Annunciation as an Epistolary Address." Zeitschrift für Kunstgeschichte 79, no. 2 (December 30, 2016): 193–210. http://dx.doi.org/10.1515/zkg-2016-0017.

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Abstract When, around the turn of the fifteenth century, the art of northern Europe developed a pictorial motif whereby an angel delivers the news of the Incarnation in the form of a sealed document, the material properties of ink and wax metaphorically evoked the unique properties of the inscription of divine form upon Mary’s virginal body. The social impact of this communication, the dissemination of the message to a community of recipients, could be strengthened by references to the re-transmittable nature of the announcement, as enforced by other indicators of sociability detectable in different portions of the narrative scheme. The Tucher Altarpiece in Nuremberg and Michael Wolgemut’s altarpiece for the cathedral of St. Mary in Zwickau present two examples of uses of the epistolary Annunciation that may have influenced Albrecht Dürer, who employs the motif in his woodcut series The Life of the Virgin, which also contains, along with this pictorial form of broad address, more narrowly articulated messages to his contemporaries in the form of written words.
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Journal articles Dissertations / Theses Books

Dissertations / Theses on the topic "Epistolary form":

1

Sharp, Krista. "The Epistolary Form| A Familiar Fiction." Thesis, The George Washington University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10118620.

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During the 18th century, the novel was criticized for a lack of representation of reality and in turn a public distrust of fiction was established. The epistolary form addressed these issues by presenting a narrative that was bound by a real-life structure that allowed for the illusion of reality and authenticity. Today, this distrust of fiction is nonexistent but the epistolary form is still present and a frequently used literary device, providing the real-life structure for an escape from reality. However, while commercial fiction has embraced the form and moved past the historical justification of the epistolary novel, most artists’ books have not. This paper will prove how the artist book has struggled to move past the historical epistolary form and what lessons it can take from the world of contemporary commercial fiction.

2

Gubernatis, Catherine. "The epistolary form in twentieth-century fiction." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1184950116.

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Jolly, Margaretta. "Everyday letters and literary form : correspondence from the Second World War." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360528.

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Patterson, Katharine Bassett. "A communicative approach to the epistolary form in letters of Victorian women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1995. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ28147.pdf.

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Vincent, Tonja S. "From Epistolary Form to Embedded Narratological Device: Embedded Epistles in Austen and Scott." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6444.

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The perception that the epistolary form was rejected by novelists during the Romantic Era has largely been accepted by scholars. However, in looking at the period's two most prominent authors, Walter Scott and Jane Austen, we see that the epistolary form remained vibrant long after its supposed demise. Throughout their careers, both Austen and Scott employed embedded letters as a tool to create authenticity. Both Austen and Scott use what I call "literary letters" to create a sense of realism in their novels that contributed to the rise of the novel. Scholars often claim that Austen eschewed the epistolary form with Lady Susan and solidified her rejection by revising both Sense and Sensibility and Pride and Prejudice from epistolary novels to third person narration. But a careful examination shows that Austen followed Richardson's tradition with Lady Susan, that Sense and Sensibility was not originally written in epistolary form, and that Austen retained sixteen critical letters in Pride and Prejudice. In fact, Darcy's five-page letter to Elizabeth signals Austen's continued reliance on the form as it completely changes the dynamics of the novel and transforms Elizabeth from a static protagonist to a dynamic heroine. Further indication that Austen found value in the form is seen in her later and often considered more mature novels, Emma and Persuasion, where she found innovate ways to turn the epistolary form into an embedded narratological device. The value of letters in Scott's novels is often overlooked. For instance in Heart of Midlothian, Jeanie Down's claim that letters cannot feel is often cited as an argument that oral testimony is more valuable than written, yet it is a letter that ultimately gets her an audience with the queen. In fact, in both Heart of Midlothian and Redgauntlet, Scott explains the legal implications of the written testimony, its preference over oral testimony, and its power in persuading both in and out of court. And in Guy Mannering, Scott relies on embedded letters to develop important plot points including the identity of the lost heir, create believable characters, and explore the conflict between Scottish traditions and law. And although Redgauntlet is often considered the moment Scott eschewed the epistolary form, the way he employs letters to create the illusion that his characters are authentic historical figures helps him explore notions of national identity.
6

Lundegård, Karin. "Bränn mitt bref! : En poststrukturalistiskt inspirerad studie av författaren Marianne Lundegård-Hagbergs utträdande ur historien." Thesis, Stockholms universitet, Institutionen för etnologi, religionshistoria och genusvetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77317.

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Abstract This thesis discusses and analyses a 19th century female author's vanishing from history. The study investigates social relationships as figured and described in the epistolary form, based on letters between the author herself and different members of her family. It also tries to identify the author's position and situation in her time and society according to important themes and motifs in her novels. The main purpose is not to reconstruct history, but rather to show the many complex histories that can also be described, apart from the simplified and generalized one. The aim of this study is to, from a post-structuralist perspective, analyze the position of author Marianne Lundegård-Hagberg, and her role as a performative, discursive person that history forgot.
7

Kafala, Maram. "Le rôle d'Amédée Pichot dans l'implantation d'idées littéraires anglaises en France de 1825 à 1850." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100135.

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Notre travail examine le processus de l'implantation de nouvelles idées littéraires anglaises en France au XIXe siècle. La personnalité à laquelle est consacrée cette étude est Amédée Pichot. La question principale qui se pose ici est la suivante : quelle est l'importance de cet écrivain dans le développement de la littérature française dans une époque dominée par de grands écrivains comme Chateaubriand, Hugo, Lamartine, Stendhal et beaucoup d'autres ?C'est à travers l'étude de trois grands axes de sa carrière littéraire que nous allons essayer de montrer ce qu'un écrivain mineur comme Amédée Pichot a apporté à la littérature française. Son ouvrage, intitulé Voyage historique et littéraire en Angleterre et en Écosse, publié en 1825, son rôle comme journaliste et directeur de différentes revues littéraires et ses travaux dans le domaine de la traduction sont les points principaux que nous allons aborder pour montrer comment il a enrichi la littérature française en révélant aux écrivains de nouveaux aspects de la littérature anglaise
Our work examines the process of the establishment of new ideas of English literature in France in the XIXth century. The essential personality of this study is Amédée Pichot. The main question that arises here is the following: what is the importance of this writer in the development of French literature in an era dominated by other major writers, such as Chateaubriand, Hugo, Lamartine, Stendhal and many others?It is through the study of three parties of his literary career that we want to emphasize what a minor writer as Amédée Pichot can do to improve the French literature. His book, entitled Voyage historique et littéraire en Angleterre et en Écosse, published in 1825, his role as a journalist and director of various literary journals and his great efforts in the field of translation are the principal axes which will reveal to us up to what point it was able to participate in enriching the French literature by new aspects of English literature
8

Chauvel, Thaïs. "O harém das Cartas persas: um concerto de vozes dissonantes." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-07122018-120146/.

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A presente dissertação apresenta uma leitura das Cartas persas, de Montesquieu, centrada na análise do chamado romance do serralho, conjunto temático correspondente à intriga do harém abandonado na Pérsia. O estudo busca mostrar em que medida a trama oriental das Cartas persas adquire mais densidade após a primeira publicação da obra, em 1721, enfatizando sua importância para a reflexão de cunho político-filosófica que Montesquieu desenvolve em sua obra. A proposta é demonstrar de que maneira o romance do serralho constitui uma crítica ao despotismo e como ele representa dois regimes de poder distintos que se sobrepuseram a partir do século XVIII. Levando em consideração a complexidade do dispositivo epistolar posto em prática por Montesquieu em suas Cartas persas, propõe-se, ainda, compreender o papel das diferentes personagens que integram o sistema polifônico do harém, com o intuito de depreender o alcance de sua significação para a obra.
The present dissertation intends to provide an analysis of Montesquieus Lettres persanes focused in the so-called romance of seraglio, a set of themes which correspond to the dispute of the abandoned harem in Persia. This study proposes to show how the oriental plot of Lettres persanes attains greater density after the first publication of the oeuvre, in 1721, highlighting its importance to the political-philosophical reflection developed by Montesquieu in his oeuvre. The proposal aims to demonstrate the way the romance of seraglio constitutes a critic to despotism and how it represents two different power regimes which overlapped since the 18th century. Taking into consideration the complexity of the epistolary device concocted by Montesquieu in his Lettres persanes, this study also aims to understand the role of its various characters which integrate the polyphonic system of the harem, with the intention of fathom the reach of its significance to the oeuvre.
9

Fowler, Steve Allen. "A layman's guide for preparing expository messages from epistolary literature." Lynchburg, Va. : Liberty University, 1995. http://digitalcommons.liberty.edu.

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Cheng, Oi Man. "Model missives : epistolary guidebooks for women in early twentieth century China." HKBU Institutional Repository, 2012. https://repository.hkbu.edu.hk/etd_ra/1466.

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Books on the topic "Epistolary form":

1

MacArthur, Elizabeth J. Extravagant narratives: Closure anddynamics in the epistolary form. Princeton, N.J: Princeton University Press, 1990.

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MacArthur, Elizabeth Jane. Extravagant narratives: Closure and dynamics in the epistolary form. Princeton, N.J: Princeton University Press, 1990.

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Howland, John W. The letter form and the French enlightenment: The epistolary paradox. New York: P. Lang, 1991.

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Nitka, Małgorzata. Writing of the heart and the epistolary form: The case of Richardson's Clarissa. Katowice: Wydawn. Uniwersytetu Śląskiego, 1997.

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Tabucchi, Antonio. It's getting later all the time: A novel in the form of letters. New York: New Directions Pub., 2006.

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Cook, Elizabeth Heckendorn. Epistolary bodies: Gender and genre in the eighteenth-century Republic of letters. Stanford, Calif: Stanford University Press, 1996.

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Haywood, Eliza Fowler. Selected works of Eliza Haywood. London: Pickering & Chatto, 2001.

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Haywood, Eliza Fowler. Selected works of Eliza Haywood. Edited by Pettit Alexander 1958-, Blouch Christine, and Hanson Rebecca Sayers. London: Pickering & Chatto, 2001.

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Haywood, Eliza Fowler. Selected works of Eliza Haywood. Edited by Pettit Alexander 1958-. London: Pickering & Chatto, 2000.

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Haywood, Eliza Fowler. Selected works of Eliza Haywood. Edited by Pettit Alexander 1958- and King Kathryn R. London: Pickering & Chatto, 2001.

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Book chapters on the topic "Epistolary form":

1

Botha, Phil J. "Ephrem the Syrian’s Fictitious Use of the Epistolary Form in His “First Discourse for Hypaṭius”." In Patrologia Pacifica: Selected Papers Presented to the Asia Pacific Early Christian Studies Society, edited by Vladimir Baranov and Kazuhiko Demura, 32–48. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463229443-005.

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Payne, Cathie. "Miniature and Series: The Re-invention of the Epistolary Form in the Work of Alexander Hahn." In Digital Media and Documentary, 83–99. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-68643-1_6.

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Prieto-Blanco, Patricia. "Afterword: Visual Research in Migration. (In)Visibilities, Participation, Discourses." In IMISCOE Research Series, 327–43. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67608-7_18.

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AbstractProfound developments in terms of scale, diversity of digital media and prosumerism (García-Galera & Valdivia, 2014; Madianou, 2011) in the last decade have resulted in vast monitoring of movement, migratory or otherwise. While migrants have been outlined as digital natives, early adopters and heavy users of digital technologies (Ponzanesi & Leurs, 2014); the intersection of ICT (Information and Communications Technology) and migration is still under-researched (Oiarzabal & Reips 2012), Madianou’s (2011) work being a notable exception. As Leurs and Prabhakar highlight (2018, p. 247), the implications of the rise of ubiquitous and pervasive technologies (software and hardware) for the migration experience can be grouped in two sets of media practices. On the one hand, these technologies are used to reproduce and (forcefully) enforce top-down control by (state) authorities. On the other, they enable migrants - both voluntary and forced - to connect (dis)affectively, manage kinship and other relationships (Cabalquinto, 2018; Madianou, 2012; Prieto-Blanco, 2016), participate in collective processes (Siapera & Veikou, 2013; Martínez Martínez, 2017; Özdemir, Mutluer & Özyürek, 2019), establish a sense of belonging (Yue, Li, Jin, & Feldman, 2013; Budarick, 2015; Gencel-Bek & Prieto-Blanco, 2020), and move money across borders (Aker, 2018; Batista & Narciso, 2013). “[T]he transformed epistolary base and the communication infrastructure of the migrant experience” (Hedge 2016, p. 3), with their distinct affordances, impact on how migration is currently understood via a focus on connectivity and presence. Stay in touch. Remain within reaching distance. Leave, but let your presence linger.
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"1. Reconstructing the Anglo-Saxon ars dictaminis: Form, Vocabulary, and Immediacy." In Epistolary Acts, 24–62. University of Toronto Press, 2018. http://dx.doi.org/10.3138/9781487512248-004.

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"The Diary and the Epistolary Form." In Women's Diaries as Narrative in the Nineteenth-Century Novel, 91–110. Routledge, 2016. http://dx.doi.org/10.4324/9781315561431-16.

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"The Diary and the Epistolary Form." In Women's Diaries as Narrative in the Nineteenth-Century Novel, 89–108. Routledge, 2016. http://dx.doi.org/10.4324/9781315233536-15.

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"The Right Sort of Form for “The Right Sort”: David Mitchell’s Tweet-Story." In The Epistolary Renaissance, 277–88. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110584813-016.

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"An Open Letter to Nick Bantock OR Letters and/as Ephemera(l): Desire, Transposition and Transpoetic Possibility with/in Epistolary Form." In The Epistolary Renaissance, 181–92. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110584813-010.

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"Philosophical And Epistolary Contexts For Pauline Paraenesis." In Paul and the Ancient Letter Form, 269–306. BRILL, 2010. http://dx.doi.org/10.1163/ej.9789004181632.i-369.72.

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"A Functional Letter Perspective: Towards A Grammar Of Epistolary Form." In Paul and the Ancient Letter Form, 9–31. BRILL, 2010. http://dx.doi.org/10.1163/ej.9789004181632.i-369.7.

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Conference papers on the topic "Epistolary form":

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Kuzmina, Luiza, and Elena Remchukova. "RUSSIAN CLASSICAL LITERATURE TEXT AS A PRECEDENT PHENOMENON OF THE MODERN MEDIA SPACE." In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/18.

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The article is devoted to the functioning features of precedent texts in modern media discourse. Texts by F.M. Dostoevsky, namely, fiction, journalism and epistolary heritage, served as the research material. The relevance of the study is explained by the intertextual nature of the modern media space. The article shows that along with the use of Dostoevsky's precedent texts as signs of high culture, the modern media space also actively manifests the features of the postmodern cultural paradigm. The specifics of the latter include metatextuality, irony, various kinds of transformation, e.g., in headlines, which indicates their game foregrounding. Special attention is paid, firstly, to various types of intertextuality and ways of precedent phenomena foregrounding; secondly, to their use in various media areas (advertising, urban naming) and genres (interviews, internet blogs, etc.). The problem of recoding precedent phenomena is considered against the background of the use of signs of high culture as a form of reflection of modern mass consciousness in modern media communication, which is of research interest from an axiological point of view.

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