Books: 'Epistolary form'

1

MacArthur, Elizabeth J. Extravagant narratives: Closure anddynamics in the epistolary form. Princeton, N.J: Princeton University Press, 1990.

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2

MacArthur, Elizabeth Jane. Extravagant narratives: Closure and dynamics in the epistolary form. Princeton, N.J: Princeton University Press, 1990.

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3

Howland, John W. The letter form and the French enlightenment: The epistolary paradox. New York: P. Lang, 1991.

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4

Nitka, Małgorzata. Writing of the heart and the epistolary form: The case of Richardson's Clarissa. Katowice: Wydawn. Uniwersytetu Śląskiego, 1997.

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5

Tabucchi, Antonio. It's getting later all the time: A novel in the form of letters. New York: New Directions Pub., 2006.

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6

Cook, Elizabeth Heckendorn. Epistolary bodies: Gender and genre in the eighteenth-century Republic of letters. Stanford, Calif: Stanford University Press, 1996.

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7

Haywood, Eliza Fowler. Selected works of Eliza Haywood. London: Pickering & Chatto, 2001.

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8

Haywood, Eliza Fowler. Selected works of Eliza Haywood. Edited by Pettit Alexander 1958-, Blouch Christine, and Hanson Rebecca Sayers. London: Pickering & Chatto, 2001.

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Haywood, Eliza Fowler. Selected works of Eliza Haywood. Edited by Pettit Alexander 1958-. London: Pickering & Chatto, 2000.

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10

Haywood, Eliza Fowler. Selected works of Eliza Haywood. Edited by Pettit Alexander 1958- and King Kathryn R. London: Pickering & Chatto, 2001.

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11

Watson, Nicola J. Revolution and the form of the British novel, 1790-1825: Intercepted letters, interrupted seductions. Oxford: Clarendon Press, 1994.

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12

Barbaglio, Giuseppe. La teologia di Paolo: Abbozzi in forma epistolare. Bologna: EDB, 1999.

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13

Bochenek-Franczakowa, Regina. Le roman épistolaire à voix multiples en France de 1761 à 1782: Problèmes de forme : destinateur-destinataire. [Kraków]: Nakładem Universytetu Jagiellońskiego, 1986.

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14

Piermattei, Dante. La resurrezione cosmica di Piero della Francesca: Un'ipotesi in forma epistolare. Fano: Fortuna, 1986.

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15

Murphy-O'Connor, J. Paul et l'art epistolaire: Contexte et structure litteraires. Paris: Editions du Cerf, 1994.

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16

Campanini, Magda. In forma di lettere: La finzione epistolare in Francia dal Rinascimento al classicismo. Venezia Lido: Supernova, 2011.

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17

Silvestro, Antonio Di. In forma di lettera: La scrittura epistolare di Verga tra filologia e critica. Acireale: Bonanno, 2012.

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18

Cabakulu, Mwamba. Forme épistolaire et pratique littéraire en Afrique francophone: État des lieux. Saint-Louis du Sénégal: Editions XAMAL, 1996.

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19

Citroni, Mario. Poesia e lettori in Roma antica: Forme della comunicazione letteraria. Roma: Editorial Laterza, 1995.

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20

Bonvicini, Mariella. Le forme del pianto: Catullo nei Tristia di Ovidio. Bologna: Pàtron, 2000.

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21

Innocenti, Barbara, Marco Lombardi, and Josiane Tourres, eds. In viaggio per il Congresso di Vienna. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-215-7.

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The volume focuses on the transcription of the unpublished letters of Daniello Berlinghieri to Anna Martini during Berlinghieri’s mission to the Congress of Vienna for the Order of Malta. The critical apparatus aims to reconstruct the stages of the journey on a documentary basis, and contextualize characters and events evoked from a biographical, literary and historical-cultural standpoint, including them into the Microhistory and Macrohistory of which they were the protagonists. The epistolary is translated here in French.

22

Spentzou, Efrossini. Readers and writers in Ovid's Heroides: Transgressions of genre and gender. Oxford: Oxford University Press, 2003.

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23

Baglow, Christopher T. "Modus et forma": A new approach to the exegesis of Saint Thomas Aquinas with an application to the Lectura super epistolam ad Ephesios. Roma: Pontificio Istituto biblico, 2002.

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24

Italy) Corrispondenza epistolare in Italia (Conference) (2nd 2011 Rome. La corrispondenza epistolare in Italia 2: Forme, stili e funzioni della scrittura epistolare nelle cancellerie italiane (secoli V-XV) = Les correspondances en Italie 2 : formes, styles et fonctions de l'écriture épistolaire dans les chancelleries italiennes (Ve-XVe siècle) : convegno di studio, Roma, 20-21 giugno 2011. Trieste: CERM, 2013.

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25

Zamponi, Stefano, ed. Intorno a Boccaccio / Boccaccio e dintorni - 2018. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-6453-997-3.

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The volume ‘Intorno a Boccaccio/Boccaccio e dintorni 2018’ is the outcome of the international seminar held in Certaldo on September 6 and 7, 2018, promoted by the ENGB National Association (Ente Nazionale Giovanni Boccaccio) now at its fifth edition. The seminar is held annually and was born with the intent to giving voice to young scholars, who are invited to present their research, either concluded or current. The volume, alongside contributions on the Decameron, stands out for its attention towards other Latin and vulgar works by Boccaccio (Teseida, Genealogia deorum gentilium, De mulieribus claris, Epistolae) and for two contributions focused on the iconography of Decameron and Teseida.

26

Dolfi, Anna, ed. Non finito. Opera interrotta e modernità. Florence: Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-729-6.

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Non finito, opera interrotta… difficile trovare una definizione, circoscrivere il tema, distinguere il caso dall’intenzionalità. Certo pochi ‘generi’ e/o declinazioni hanno come il non finito bisogno di ciò che è esterno all’opera e che in qualche modo la completa, collocandola in posizione privilegiata per la sintonia con la nostra inquieta modernità. Non stupisce che in letteratura siano naturaliter ‘sospesi’ – oltre a ciò che è stato brutalmente interrotto – gli epistolari, i diari, le cronache della malattia e della sofferenza; né che l’incompiutezza accompagni gli scritti che rinviano a grumi irrisolti, traumi nascosti, taciute malinconie. Dettata da scelta o da gradi distinti di incapacità, la tentazione del non finito, del non finire, insegue, incalza, illude… Ce ne parlano le scritture del privato, gli abbozzi, i progetti, le carte che testimoniano il cammino necessario all’opera per arrivare alla sua forma. Questo libro, ricco e suggestivo, ideato e curato da Anna Dolfi, inscritto – come il suo oggetto – all’insegna dell’incompiuto, del non finibile, si interroga su alcuni dei tanti esempi possibili, lungo un arco diacronico che va alla letteratura alle arti figurative, al teatro, al cinema: da Leonardo a Blake, da Ariosto a Stendhal, da Dossi a Gadda, da Kafka a Borges, dalla Sarraute alla Morante, dagli sconosciuti scriventi affetti da ‘cancroregina’ all’ultimo Pirandello messo in scena da Tiezzi, fino al Fellini dell’impossibile Mastorna ... Al centro del volume una sezione con le pagine del dattiloscritto ed i quaderni di appunti inediti di/per La scelta di Giuseppe Dessí conduce ai limiti dello spazio bianco, là dove la chambre claire fissa con pochi, rarefatti segni, quanto si cela oltre la scrittura.

27

Amato, Rachel Armitage. Escribir cartas: Inglés. 3rd ed. Barcelona: Océano, 1998.

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28

Alice, Walker. The Color Purple. New York, USA: Pocket Books, 1992.

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29

Alice, Walker. The Color Purple. 3rd ed. London: Phoenix, 2011.

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30

Alice, Walker. The color purple: A novel. Boston, Mass: G.K. Hall, 1986.

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31

Alice, Walker. The Color Purple. New York, USA: Pocket Books, 1985.

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32

Alice, Walker. The Color Purple. New York: Harcourt, 1992.

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33

Alice, Walker. The Color Purple. Orlando, FL, USA: Harcourt, 2004.

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34

Alice, Walker. The Color Purple. New York, USA: Pocket Books, 1985.

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35

Alice, Walker. Màu tím =: Nguyên tác, The color purple. 2nd ed. Stanton, CA: Văn Nghue, 1998.

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36

Alice, Walker. The Color Purple. Orlando: Harcourt, 2004.

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37

Alice, Walker. The Color Purple. New York: Pocket Books, 1985.

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38

Alice, Walker. The color purple. Cambridge: Cambridge University Press, in association with The Women's Press, 1991.

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39

Jim, Villani, Leslie Naton, and Matascik Sheri, eds. The Epistolary form & the letter as artifact. Youngstown, Ohio: Pig Iron Press and the Pig Iron Literary & Art Works, 1991.

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40

MacArthur, Elizabeth Jane. Extravagant Narratives: Closure and Dynamics in the Epistolary Form. Princeton University Press, 2014.

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41

MacArthur, Elizabeth Jane. Extravagant Narratives: Closure and Dynamics in the Epistolary Form. Princeton University Press, 2014.

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42

MacArthur, Elizabeth Jane. Extravagant Narratives: Closure and Dynamics in the Epistolary Form. Princeton University Press, 2014.

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43

MacArthur, Elizabeth Jane. Extravagant Narratives: Closure and Dynamics in the Epistolary Form. Princeton University Press, 2016.

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44

Bowers, Toni. Epistolary Fiction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199580033.003.0024.

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This chapter focuses on epistolary fiction. In epistolary fiction, stories unfold by means of letters exchanged among fictional correspondents. The governing pretence is that the letters that make up the work represent not fiction at all, but a real-life exchange among correspondents who do not expect their communications ever to become public; only later are the letters collated for publication, often not by the supposed letter writers themselves. Typically written in a moment-by-moment simple past or present progressive tense, stories in epistolary form tend to privilege scenes of intense emotion or suspense, when fictional letter writers are uncertain or confused and the way forward is not clear. There is no controlling narrative voice; the characters who contribute to the telling of the story are themselves trying to determine what particular events mean.

45

Karen, Cherewatuk, and Wiethaus Ulrike, eds. Dear Sister: Medieval women and the epistolary genre. Philadelphia: University of Pennsylvania Press, 1993.

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46

Dussinger, John. Samuel Richardson and the Epistolary Novel. Edited by Alan Downie. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.011.

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Despite having turned 50 before publishing his first novel, Samuel Richardson’s literary career began already in his youth as a precocious letter-writer and developed during the 1720s after launching his London printing business. Richardson’s letter-writing style stresses continual flux as living experience, and this emphasis on temporality is continued in his three experimental ‘histories’ of characters struggling under the pressure of momentary perceptions. As a ‘dramatic’ novel, Clarissa exploits the resources of theatrical presentation as direct discourse and of narrative storytelling as indirect and free indirect discourse. Its epistolary form obviates an omniscient narrator and, except for an occasional ‘editor’, depends wholly on the individual voices that comprise piecemeal the story. This focus on temporality, however, has ultimately a religious and moral dimension: beyond the sound and the fury of present time is an intimation of eternal order.

47

Daybell, James. Gender, Writing Technologies, and Early Modern Epistolary Communications. Edited by Malcolm Smuts. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199660841.013.28.

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Shakespeare’s age witnessed the extension of letter-writing skills to an increasing range of social groups, including women. The letter as a cultural form encompassed a complex range of practices and writing technologies connected to the composition, folding, sealing, delivery, reading, and afterlife of correspondence. Shakespeare depicts women across the social spectrum from queens to illiterate servants, composing, reading, or delivering letters. An understanding of early modern epistolary culture, and women’s involvement in it, is thus fundamental to interpreting the social and cultural practices embedded in Shakespearean drama. This chapter focuses on the writing technologies connected with women’s letter-writing, from the acquisition of basic literacy and skills of penmanship (in relation to the gendered nature of early modern education), through models, templates and printed epistolographies, the mechanics of composition, and personal and collaborative forms of authorship, to the material practices of writing, archiving and circulating epistles and forms of secret writing.

48

(Editor), Karen Cherewatuk, and Ulrike Wiethaus (Editor), eds. Dear Sister: Medieval Women and the Epistolary Genre (Middle Ages Series). University of Pennsylvania Press, 1993.

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49

Rascaroli, Laura. Narration. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190238247.003.0007.

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This chapter reappraises the connections between narration and argumentation. It contests the claim that narrative is merely a fictional layer superimposed on the nonfictional content (and, by extension, the true essence) of the essay film. The work examined in this chapter explores some of the ways in which narration can give expression to argumentation. The essay form is inherently fragile, with a particular potential for disassemblage. The chapter focuses on epistolarity as a disjunctive narrative form marked by distance and by absence and on the counternarrative aspects of lyricism, based on its tendency to fragmentation, allusiveness, metaphoricity, formalism, and affectivity. Two long-standing traditions are addressed, the epistolary essay via an engagement with Lettres de Panduranga (Letters from Panduranga, 2015) by Nguyễn Trinh Thi and the lyric essay via a study of The Idea of North (1995) by Rebecca Baron.

50

Hodkinson, Owen. Epistolography. Edited by Daniel S. Richter and William A. Johnson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199837472.013.30.

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This chapter examines the genre of epistolography, which flourished and proliferated in the variety of its forms and uses in the Empire. The epistolary genre in the Second Sophistic is first briefly situated within rhetorical theory and practice, then contextualized within both earlier Greek literature and developments in Latin letters. The variety of Greek literary uses of the letter form in the Second Sophistic is then illustrated with a series of subgenres and examples. Surveyed are collections of fictional and pseudonymous letters (including Aelian, Alciphron, Philostratus, Apollonius of Tyana), epistolary novels (Chion of Heraclea, Themistocles), shorter narratives in letter form, and letters embedded in longer narratives (including the Greek novels and Lucian’s Verae Historiae).

Books on the topic 'Epistolary form'

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