Dissertations / Theses on the topic 'Epistolary form'
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Sharp, Krista. "The Epistolary Form| A Familiar Fiction." Thesis, The George Washington University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10118620.
During the 18th century, the novel was criticized for a lack of representation of reality and in turn a public distrust of fiction was established. The epistolary form addressed these issues by presenting a narrative that was bound by a real-life structure that allowed for the illusion of reality and authenticity. Today, this distrust of fiction is nonexistent but the epistolary form is still present and a frequently used literary device, providing the real-life structure for an escape from reality. However, while commercial fiction has embraced the form and moved past the historical justification of the epistolary novel, most artists’ books have not. This paper will prove how the artist book has struggled to move past the historical epistolary form and what lessons it can take from the world of contemporary commercial fiction.
Gubernatis, Catherine. "The epistolary form in twentieth-century fiction." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1184950116.
Jolly, Margaretta. "Everyday letters and literary form : correspondence from the Second World War." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360528.
Patterson, Katharine Bassett. "A communicative approach to the epistolary form in letters of Victorian women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1995. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ28147.pdf.
Vincent, Tonja S. "From Epistolary Form to Embedded Narratological Device: Embedded Epistles in Austen and Scott." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6444.
Lundegård, Karin. "Bränn mitt bref! : En poststrukturalistiskt inspirerad studie av författaren Marianne Lundegård-Hagbergs utträdande ur historien." Thesis, Stockholms universitet, Institutionen för etnologi, religionshistoria och genusvetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77317.
Kafala, Maram. "Le rôle d'Amédée Pichot dans l'implantation d'idées littéraires anglaises en France de 1825 à 1850." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100135.
Our work examines the process of the establishment of new ideas of English literature in France in the XIXth century. The essential personality of this study is Amédée Pichot. The main question that arises here is the following: what is the importance of this writer in the development of French literature in an era dominated by other major writers, such as Chateaubriand, Hugo, Lamartine, Stendhal and many others?It is through the study of three parties of his literary career that we want to emphasize what a minor writer as Amédée Pichot can do to improve the French literature. His book, entitled Voyage historique et littéraire en Angleterre et en Écosse, published in 1825, his role as a journalist and director of various literary journals and his great efforts in the field of translation are the principal axes which will reveal to us up to what point it was able to participate in enriching the French literature by new aspects of English literature
Chauvel, Thaïs. "O harém das Cartas persas: um concerto de vozes dissonantes." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-07122018-120146/.
The present dissertation intends to provide an analysis of Montesquieus Lettres persanes focused in the so-called romance of seraglio, a set of themes which correspond to the dispute of the abandoned harem in Persia. This study proposes to show how the oriental plot of Lettres persanes attains greater density after the first publication of the oeuvre, in 1721, highlighting its importance to the political-philosophical reflection developed by Montesquieu in his oeuvre. The proposal aims to demonstrate the way the romance of seraglio constitutes a critic to despotism and how it represents two different power regimes which overlapped since the 18th century. Taking into consideration the complexity of the epistolary device concocted by Montesquieu in his Lettres persanes, this study also aims to understand the role of its various characters which integrate the polyphonic system of the harem, with the intention of fathom the reach of its significance to the oeuvre.
Fowler, Steve Allen. "A layman's guide for preparing expository messages from epistolary literature." Lynchburg, Va. : Liberty University, 1995. http://digitalcommons.liberty.edu.
Cheng, Oi Man. "Model missives : epistolary guidebooks for women in early twentieth century China." HKBU Institutional Repository, 2012. https://repository.hkbu.edu.hk/etd_ra/1466.
Solow, Y. "The Bendithion chronicles : an epistolary tale in a variety of literary forms." Thesis, University of Wales Trinity Saint David, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683059.
Messmer, Marietta Elisabeth. "I have a vice for voices, reconstructing Emily Dickinson's epistolary subject positions." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq22920.pdf.
Brant, C. "Eighteenth century letters : Aspects of the genre, with reference to the epistolary novel and the familiar letter of personal correspondence." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.381768.
Tillman, Kacy Dowd. "The epistolary salon : eighteenth and nineteenth century letter writing as a vehicle for female authorship /." Full text available from ProQuest UM Digital Dissertations, 2008. http://0-proquest.umi.com.umiss.lib.olemiss.edu/pqdweb?index=0&did=1800301751&SrchMode=2&sid=11&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1258490937&clientId=22256.
Typescript. Vita. Major professors: Jaime Harker and Jay Watson "December 2008." Includes bibliographical references (leaves 220-231). Also available online via ProQuest to authorized users.
Franco, Sandra Coelho. "O biografema na biodiagramação da obra literária e epistolar de Monteiro Lobato." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/14833.
This essay is aimed to study Biografema as the only possible and basic element of the traditional biography, defined as a distinct biodiagram feature which is the biography of the Brazilian writer called Monteiro Lobato. The Chapter I deals with the Biografema concept and the biodiagram process since Roland Barthes conception, starting from the difference of the style and the writing of his displacements . It centralizes the subject of the writing that is not shown in the body and it is brought back by the benefit of the language-body. The Chapter II clarifies the Biografemática reading concept and its analogical relations on the textual practice. This feature can be seen in ¨A Barca¨ by Gleyre, and in ¨Memórias da Emília by Monteiro Lobato where the childhood and childlike concept is mentioned. In the Chapter III we discuss the epistolary and literary style for children which has been studied and interpreted by Biodiagramação where the memory and the oral roles emphasize Monteiro Lobato s linguistical work and new style. This new style is shown on metalinguistical references of A Barca by Gleyre, and the memorial references of Memórias da Emília . In the Conclusion we emphasize Lobato s valuable contribution through his work A Barca by Gleyre and Memórias da Emília that send us to the exceptional biographical text, the Creative Biography, developed through the author s life language and world conception which lead to a language and a literature design (view)
Esta dissertação analisa o biografema como um possível elemento unitário e básico da biografia tradicional, definido como traço distinto de um biodiagrama, que é a biografia em si, do escritor brasileiro Monteiro Lobato, apresentado em um córpus único e cronológico onde registra as marcas de sua oralidade, criando um discurso que o próprio autor denominou conversa em mangas de camisa. O Capítulo I trata do conceito de biografema e biodiagramação, a partir da concepção de Roland Barthes, da diferença que entremeia o estilo e a escritura e seus deslocamentos. Centraliza o sujeito da escrita ausente em seu corpo e resgatado pela fruição no corpo-linguagem. O Capítulo II aclara o conceito de leitura biografemática e de suas relações analógicas na prática textual, distinção caracterizada em A Barca de Gleyre e em Memórias da Emília de Monteiro Lobato e, nelas, os conceitos de infância e infantil. No Capítulo III tratamos do gênero epistolar e literário infantil, em estudo interpretativo pela biodiagramação. Nela, o papel da memória e da oralidade destaca o trabalho lingüístico e o ¨novo estilo¨ de Lobato. A prova deste estilo é apresentada nas remissivas metalingüísticas de A Barca de Gleyre e remissivas memorialistas de Memórias da Emília. Na conclusão, destaca-se a valiosa contribuição de Lobato, que por meio das obras A Barca de Gleyre e Memórias da Emília, remete-nos à singularidade do texto biográfico, a Biografia Criativa, revelada pela linguagem da vida do autor e sua concepção de mundo, traçando um panorama da língua e da literatura
Hobisch, Elisabeth [Verfasser]. "La forma epistolar en los espectadores españoles : Características y tipología de las cartas / Elisabeth Hobisch." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/1138919675/34.
Doig, Katherine. "Correspondances avec l'absence : la fiction épistolaire monologique aux XXe et XXIe siècles." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA127.
Long fictions composed of one uninterrupted letter – monologic epistolary fictions – are underrepresented in critical discourse, and frequently shunted more or less overtly beyond its margins. Their existence is brought to light here by one play and fourteen novels in French, English, Italian and German, ranging from 1902 (Gide) to 2011 (Norman) via a cast of authors including Yourcenar, Coetzee, Amis and Celestini.This study aims firstly to fill the critical lacuna, establishing the dimensions of this new sub- genre. It measures the breadth of the formal definitions of the single-letter epistolary novel, the length of its inscription in literary history, and the depth conferred upon it by critical discourse about real letters, the letter-novel genre and a certain epistolary quality to be found in all literature, which our novels set themselves up to reflect and refract.Our rather disparate corpus of texts reveals the interest of this technical framework, haunted as it is by recurrent themes which illuminate the characteristics of monological epistolary writing. Firstly, the theme of one's own death (Yourcenar, Coetzee, Bernstein, Robinson, Amis) shines a light on the physical structure of any text, rendered visible in the format of the letter; this conjunction suggests the idea of the text as corpse. A series of apocalyptic universes complicates this rather empirical portrait, which reads like the symbol of the Death of the Author; novels by Coetzee, Amis and Auster use complex portraits of fictional time to suggest the possibility of coincidence, overlap, meetings both epistolary and literary. These two chapters set up the terms of a final debate concerning literary communication, investigated via the symbol of the double (Gide, Coeztee, Bernstein, Celestini). After the narrative of the text itself and the implied drama of the letter's trajectory, a pragmatic dimension comes to light. This final analysis allows us to investigate the ethics of correspondence, and the letter as one key to understanding those of fiction itself
Chiou, Tim Yi-Chang. "Romantic posthumous life writing : inter-stitching genres and forms of mourning and commemoration." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:1a316a0f-7365-4555-8bc8-9e09b47ec674.
Stejskalová, Anna. "Podoby autobiografických forem. Přestupný rok - Disiecta membra - Let let." Doctoral thesis, 2016. http://www.nusl.cz/ntk/nusl-348923.
Pčola, Marián. "Za hranicami fikčného rozprávania." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-329158.