Relevant bibliographies by topics / Exclusive copyright

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Exclusive copyright'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Exclusive copyright"

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Wang, Jingyi. "Legal Regulation of Abuse of Copyright Exclusive License by Digital Music Platforms." Journal of Economics and Law 1, no. 2 (2024): 209–13. http://dx.doi.org/10.62517/jel.202414231.

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Digital music copyright exclusive licence is now the most applicable form of agreement in the digital music market. Although the National Copyright Administration interviewed in 2017, which had a short-term good effect, the digital exclusive licensing model dominated by "exclusive license" gradually evolved into the exclusive copyright agency model allowing "non-exclusive license+ sub-licensing", the digital exclusive copyright authorization model still raises great monopoly risks, such as abuse of market dominance, vertical monopoly agreements, and concentration of operators. However, the spe
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Nainggolan, Samuel Dharma Putra, Ni Made Yordha Ayu Astiti, and Diajeng Woro Andini. "COPYRIGHT DAN RIGHT TO COPY (PEMAHAMAN DASAR HAK CIPTA DAN HAK YANG TERKAIT DENGAN HAK CIPTA DALAM BIDANG HAK KEKAYAAN INTELEKTUAL)." HUKUM DAN DINAMIKA MASYARAKAT 20, no. 2 (2022): 1. http://dx.doi.org/10.56444/hdm.v20i2.3551.

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Copyright is a system of rights in the field of Intellectual Property Rights (IPR). In Indonesia, arrangements regarding Copyright are currently governed by Law Number 28 of 2014 Concerning Copyright. Regulates the scope and protection of a work which is the embodiment of human creativity, taste and initiative as God's creatures. Copyright which is an exclusive right attached to the Author in which there are Economic Rights and Moral Rights. Authors and other parties who receive Rights Related to Copyrights can receive economic benefits from an existing copyrighted work (Economic Rights). died
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Beckman, Sydney A. "The Copyright Crusher." 2013 Fall Intellectual Property Symposium Articles 1, no. 4 (2014): 901–20. http://dx.doi.org/10.37419/lr.v1.i4.4.

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Authors of original works (such as music, books, et cetera) have certain exclusive rights including, but not limited to, the reproduction of copyrighted works in copies and the preparation of derivative works. Apple’s iTunes is a vehicle for infringement. The conversion of compact discs (“CDs”) to a compressed format for portable music players such as iPods, iPhones, iPads, and computers violates a copyright holder’s exclusive rights. This Article discusses the fundamental issue of copyright protections, the way iTunes facilitates the infringement of these rights, and the legal liability of Ap
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Ndokii, Pongki Paulus, and Yunanto Yunanto. "Pelanggaran Hukum Terhadap Hak Cipta Lagu Karena Melakukan Perubahan Secara Ilegal." AL-MANHAJ: Jurnal Hukum dan Pranata Sosial Islam 5, no. 1 (2023): 667–72. http://dx.doi.org/10.37680/almanhaj.v5i1.2646.

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Copyright is the exclusive right of the creator that arises automatically based ondeclarative principles after a work is realized in a tangible form without reducingrestrictions in accordance with the provisions of laws and regulations. Thedefinition of Copyright is regulated in Law Number 28 of 2014 concerningCopyright Article 1 number 1. Copyright is different from other IntellectualProperty Rights which must be registered. Copyright does not protect ideas,information or facts. Copyright begins with the existence of an idea which is thenrealized in a tangible form. The idea that has been rea
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Dewi Zion, Fransisca, Evita Isretno Israhadi, and Ahmad Redi. "Juridical Review of Criminal Sanctions Against Perpetrators of Intellectual Property Rights Violations." Edunity : Kajian Ilmu Sosial dan Pendidikan 2, no. 1 (2023): 63–69. http://dx.doi.org/10.57096/edunity.v1i05.37.

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Copyright is the exclusive right of the Creator or Copyright Holder to regulate the use of the results of casting specific ideas or information. Copyright applies to various types of works of art or copyrighted works. With the existence of Law Number 28 of 2014 concerning Copyright, it is hoped that it will facilitate proof in copyright disputes, especially in works of art, as well as the originality of ideas, content, and digital products.
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Sastrawan, Gede, and Gede Sastrawan. "ANALISIS YURIDIS PELANGGARAN HAK CIPTA PADA PERBUATAN MEMFOTOKOPI BUKU ILMU PENGETAHUAN." Ganesha Law Review 3, no. 2 (2021): 111–24. http://dx.doi.org/10.23887/glr.v3i2.446.

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 This article discusses the Juridical Analysis of Copyright Infirigement On The Act Of Photocopying Books of Science. Copyright is a part of Intellectual Property Rights (HKI). The copyright phrase comes from a foreign term, namely Copyrights. The term Copyrights was first put forward in the Berne Comvertion (International Convention on Copyright concerning the protection of Art and Literature) which was held in 1886. According to Article 1 number (1) of Law Number 28 of 2014 concerning Copyright, it states that "Copyright is the right exclusive to the creator that a
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Junaidi, Ahmad Khusnan, and Dwi Fidhayanti. "The Validity of Song Modifications Made by Unknown Identities (Anonymous) Under the Copyright Law." Dialogia Iuridica 17, no. 1 (2025): 111–29. https://doi.org/10.28932/di.v17i1.11404.

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The rapid development of digital technology makes it easier for someone to disseminate music content illegally which causes harm to the creators or music copyright holders as a whole. This study aims to explain and analyze the validity of exclusive rights obtained by anonymous works that modify or rearrange other people's works. The research method used is normative juridical with a Legislative Approach and Conceptual Approach. Primary and secondary legal materials collected through literature study are then analyzed descriptively. The research findings show that the exclusive rights obtained
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Merista, Ovia. "HAK CIPTA SEBAGAI OBYEK JAMINAN FIDUSIA DITINJAU DARI UNDANG-UNDANG NOMOR 28 TAHUN 2014 TENTANG HAK CIPTA DAN UNDANG-UNDANG NOMOR 42 TAHUN 1999 TENTANG JAMINAN FIDUSIA." Veritas et Justitia 2, no. 1 (2016): 204. http://dx.doi.org/10.25123/vej.2072.

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<p><em>This article shall discuss the possibility to utili</em><em>z</em><em>e copyright as fiduciary security to a loan, in accordance to Law </em><em>N</em><em>o. 42 of 1999 regarding fiduciary pledge/security and the Copyrights Law (</em><em>Law No. </em><em>28 of 2014). The use of copyrights as a fiduciary security is made possible as copyright owner possess exclusive economic rights and not only moral rights. The procedure to be followed is regulated by Law </em><em>N</em><em>o. 42
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Shtanko, Viacheslav. "Modern problems of maintaining the balance between private and public interests: exercising the copyright in the conditions of digital transformation." Actual problems of improving of current legislation of Ukraine, no. 64 (January 24, 2024): 139–46. http://dx.doi.org/10.15330/apiclu.64.139-146.

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The article examines the influence of the digital transformation of society on the maintenance of the balance between public and private interests in the field of legal regulation of intellectual property, in particular copyright. It is shown that the role of exclusive copyrights has changed – the author claims that in the conditions of digital transformation exclusive copyrights become not only a competitive advantage on the market, but also a real tool for controlling the behaviour of consumers (users). It is shown that this leads to a violation of the balance of interests in favour of techn
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Churilov, A. Yu. "Fixation and Turnover of Exclusive Rights to Copyrighted Works Using Smart Contracts: A Myth or Reality?" Actual Problems of Russian Law 19, no. 3 (2024): 89–99. http://dx.doi.org/10.17803/1994-1471.2024.160.3.089-099.

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The use of new technologies, including blockchain and NFT, can become a tool to ensure protection of rights and legitimate interests of copyright holders and stimulate innovation in various fields. The paper considers two legal problems related to the deposit and turnover of the results of intellectual activities, including copyrighted works. The first problem is the possibility of using blockchain technology to deposit such works. The paper provides an overview of main methods of fixing the fact of existence of a copyrighted work, including options without depositing and with depositing. The
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Dissertations / Theses on the topic "Exclusive copyright"

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Yang, Liyuan. "From Analogue to Digital: Reconsidering Copyright And The Exclusive Rights of Authors In An Era Of Technological Change." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/27348.

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After the First Industrial Revolution, a series of technologies challenged copyright law and pushed the law to accommodate, expand, and develop. Compared with analogue technologies, digital technologies present an even greater challenge to copyright law, which is under pressure to adapt to the rapid changes in the technologies. When digital technology was in its infancy, analogue copyright law was extended to the digital realm and became known as digital copyright law. ‘Digital copyright law’, however, is no more than a tailoring, tinkering and twisting of analogue copyright law, which fits po
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Helmi, Amr Shoukry. "The enforcement of digital copyright in Egypt : the role and liability of internet service providers." Thesis, Brunel University, 2013. http://bura.brunel.ac.uk/handle/2438/12628.

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The thesis examines to what extent copyright holders can enforce the online reproduction and communication rights against online service providers in Egypt. The objective of the thesis is therefore to highlight that the existing Egyptian copyright law 2002/82 is insufficient to impose liability on internet service providers, both substantively and also with regards to enforcement. Various recommendations are thus made to improve the legislative framework in Egypt, all with a view of achieving that a fair balance is struck for all those parties, who/which are involved in digital communications,
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Drzewińska, Agata. "Digital exhaustion in European Union." Thesis, Uppsala universitet, Juridiska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-385620.

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The plea of applying the exhaustion doctrine to intangible copies of copyrighted artistic works has been extensively discussed within scholar circles. Although, the debate substantially concerns provisions of the international treaties and the explanation of the exhaustion doctrine under European Union copyright law, the subject brings more uncertainties. Under the European Union copyright law the distribution right is exhausted after the first sale with the consent of a right holder. However, there is neither explicit regulation nor decision in regard to the exhaustion doctrine to the online
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Shi, Xiaoxiang. "Towards a relational theory of copyright law." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/41761/1/Xiaoxiang_Shi_Thesis.pdf.

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This research provides a systematic and theoretical analysis of the digital challenges to the established exclusive regime of the economic rights enjoyed by authors (and related rightholders) under the law of copyright. Accordingly, this research has developed a relational theory of authorship and a relational approach to copyright, contending that the regulatory emphasis of copyright law should focus on the facilitation of the dynamic relations between the culture, the creators, the future creators, the users and the public, rather than the allocation of resources in a static world. In this n
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Atkinson, Benedict. "Ownership causes social inequality. To reduce social inequality, reduce or diffuse ownership: An analysis with particular application to the copyright system." Thesis, Australian Catholic University, 2015. https://acuresearchbank.acu.edu.au/download/0c042cb0a8b2204d0e982df401871dbf98f7b0642ed32c650bb58743428e5752/4165658/201500_Benedict_ATKINSON_LAW_PHD_AS_AMENDED.pdf.

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Humans contest for control or ownership. Contest is to a considerable extent inescapable because conceptually a large part of most grammars involve possession and appropriation. Language creates antithesis (‘mine, yours’) that results in conflict. The result of conflict is possession and dispossession, which results in ownership, which is expressed in property and property systems. This dissertation focuses on the exclusionary effect of property systems. Property confers the power to exclude and the aggregate of legal exclusions, which constitutes a property system, objectively or instrumental
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Kell, David. "The exclusion of immoral and illegal subject matter from protection under intellectual property law." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260685.

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Beaudoin, Guillaume. "Pratiques anticoncurrentielles et droit d'auteur." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100040/document.

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De tous les droits de propriété intellectuelle, le droit d’auteur était celui qui semblait le plus éloigné des préoccupations économiques des autorités de concurrence. Conçu à l’origine dans un souci de protection de la création littéraire et artistique, il apparaît aujourd’hui davantage comme un outil de puissance économique tourné vers la protection de l’investissement et, plus généralement, un vecteur de l’activité économique. C’est à ce titre que l’application des règles de concurrence à des pratiques mettant en cause l’exercice ou la gestion de droits d’auteur est désormais considérée com
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Ola, Olukunle Rotimi. "Operation and regulation of copyright collective administration in Nigeria : important lessons for Africa." Diss., 2012. http://hdl.handle.net/10500/7768.

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The introduction of a regulatory framework in the area of collective management of rights in Nigeria must have been intended to strengthen the creative industry. Unfortunately, it has thrown this industry and in particular the music and film industries into a battle of a regulated against a non-regulated collective administration sector for upward of twenty (20) years. My choice of research on this topic could be attributed to the interest I developed while administering the collective administration desk at the Nigerian Copyright Commission. Serving on that desk afforded the opportunity to s
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Books on the topic "Exclusive copyright"

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Balabanova, Evgeniya, E. Voynikanis, and A. Minbaleev. Permissible limits of copyright restrictions in the context of domestic, foreign and international law. INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1859604.

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The monograph is devoted to the study of the problem of determining the permissible limits of copyright restrictions on works of science, literature and art. Limitations of exclusive rights to copyright objects, as well as their protection, have a serious impact on the formation of the general cultural context of the intellectual space and the socio-economic development of society as a whole. The free use of copyright objects acts as one of the key creative incentives and is of fundamental importance for balancing the interests of participants in legal relations arising in connection with the
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United States. Congress. Senate. Committee on the Judiciary. Subcommittee on Patents, Copyrights, and Trademarks. News monitoring: Hearing before the Subcommittee on Patents, Copyrights, and Trademarks of the Committee on the Judiciary, United States Senate, One Hundred Second Congress, second session, on S. 1805, a bill to amend Title 17, United States Code, to clarify news reporting monitoring as a fair use exception to the exclusive rights of a copyright owner, June 16, 1992. U.S. G.P.O., 1993.

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Tapia, José Miguel Rodríguez. La cesión en exclusiva de derechos de autor. Editorial Centro de Estudios Ramón Areces, 1992.

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Society for Computers and Law., ed. Computer copyright =: The Exclusion of computer contracts from the Unfair Contract Terms Act 1977. Society for Computersand Law, 1986.

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Administration, United States Congress House Committee on the Judiciary Subcommittee on Intellectual Property and Judicial. Exclusion of copyright protection for certain legal compilations: Hearing before the Subcommittee on Intellectual Property and Judicial Administration of the Committee on the Judiciary, House of Representatives, One Hundred Second Congress, second session, on H.R. 4426 ... May 14, 1992. U.S. G.P.O., 1993.

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Ginsburg, Jane. Copyright. Edited by Rochelle Dreyfuss and Justine Pila. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198758457.013.23.

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This chapter offers an overview of copyright in general in common law and civil law countries, with an emphasis on the United States (US) and the European Union (EU). It addresses the history and philosophies of copyright (authors’ right), subject matter of copyright (including the requirement of fixation and the exclusion of “ideas”), formalities, initial ownership and transfers of title, duration, exclusive moral and economic rights (including reproduction, adaptation, public performance and communication and making available to the public, distribution and exhaustion of the distribution rig
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Variable Scope of the Exclusive Economic Rights in Copyright. Wolters Kluwer Legal & Regulatory U.S., 2014.

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The variable scope of the exclusive economic rights in copyright. Kluwer Law International, 2014.

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Copyright Law of the United States of America: Exclusive Edition. Independently Published, 2020.

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Chapdelaine, Pascale. User Rights to Commercial Copies of Copyright Works. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198754794.003.0002.

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The chapter begins the investigation of the rights users have to copyright works by looking at the scope of the personal property rights users may have in copies of copyright works. These rights have been largely overlooked in copyright law and theory. Applying the ownership spectrum developed by James W. Harris in Property and Justice (1996) this chapter shows how copyright users’ personal property rights are distinct from other forms of personal property and heavily dictated by the exclusive property rights of copyright holders in the copyright work. The personal property rights of copyright
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Book chapters on the topic "Exclusive copyright"

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Mendis, Sunimal. "A Conceptual Basis for Justifying the Grant of an Exclusive Right." In A Copyright Gambit. Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-59454-4_5.

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Kowala, Michalina. "Exclusive rights of press publishers in light of the CDSM Directive and national laws." In Publishers’ Rights and Copyright Law. Routledge, 2025. https://doi.org/10.4324/9781003599494-3.

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Ledoux, Clémence, Karen Shire, and Franca van Hooren. "Correction to: Introduction: From the Emergence to the Dynamics of Welfare Markets." In The Dynamics of Welfare Markets. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-56623-4_16.

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The original version of chapter 1, “Introduction: From the Emergence to the Dynamics of Welfare Markets” was previously published with exclusive rights reserved by the Publisher. It has now been converted to open access retrospectively under a CC BY 4.0 license and the copyright holder updated to ‘The Author(s)’. The book has also been updated with this change.
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Inshakova, Agnessa O., Tatiana V. Deryugina, and Evgenij Y. Malikov. "Intellectual Property Exchange as a Platform for Exclusive Copyright Transfer by Means of Smart Contracts." In Artificial Intelligence: Anthropogenic Nature vs. Social Origin. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39319-9_77.

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Harutyunyan, Nikolay. "Open Source Software Governance: Distilling and Applying Industry Best Practices." In Ernst Denert Award for Software Engineering 2020. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-83128-8_5.

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AbstractModern software architectures are becoming increasingly complex and interdependent. The days of exclusive in-house software development by companies are over. A key force contributing to this shift is the abundant use of open source frameworks, components, and libraries in software development. Over 90% of all software products include open source components. Being efficient, robust, and affordable, they often cover the non-differentiating product requirements companies have. However, the uncontrolled use of open source software in products comes with legal, engineering, and business r
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Popović, Dušan V. "Mediation Mechanisms in Serbian Intellectual Property Law: A Steady Progression." In European Union and its Neighbours in a Globalized World. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-76345-8_14.

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Abstract The introduction of mediation mechanisms in Serbian civil law was incited by the accession of the country to the Council of Europe in 2003. The chapter starts by examining the general rules on mediability in Serbian law and applying them to IP-related disputes. As a general rule, mediation may be used as an alternative dispute resolution mechanism: (i) in contentious legal matters in which the parties may freely dispose of their claims; (ii) unless the law stipulates exclusive authority of a court or other relevant entity. This rule sets the objective boundaries of mediation. The subj
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Manninger, Sandra, and Matias del Campo. "Deep Mining Authorship." In Computational Design and Robotic Fabrication. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-8405-3_1.

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AbstractConsidering the emerging field of architecture and artificial intelligence, it might be necessary to contemplate the remodeling of the concept of authorship entirely. The invention of authorship is a complex historical process that can be traced back to the emergence of print culture in Europe in the 15th century. Prior to this period, most literary and artistic works were created anonymously or attributed to collective or anonymous sources, such as folklore or religious traditions. However, with the rise of printing, texts became more easily reproducible and marketable, and there emer
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Netanel, Neil Weinstock. "The Battles Over Copyright: Overview." In Copyright. Oxford University Press, 2018. http://dx.doi.org/10.1093/wentk/9780199941148.003.0003.

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As we have seen in Chapter I, copyright law reflects a delicate balance. Copyright law provides authors with a set of exclusive rights to copy and disseminate their creative expression. But copyrights are also punctuated by significant exceptions and limitations. These include fair...
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"Exclusive rights." In Film Copyright in the European Union. Cambridge University Press, 2002. http://dx.doi.org/10.1017/cbo9780511495250.008.

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Netanel, Neil Weinstock. "Fair Use." In Copyright. Oxford University Press, 2018. http://dx.doi.org/10.1093/wentk/9780199941148.003.0005.

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Fair use is a longstanding, major exception to copyright owners’ exclusive rights. You do not infringe copyright if your copying of someone else’s work qualifies as fair use. I explained some fair use basics in Chapter I. Recall that to determine whether a...
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Conference papers on the topic "Exclusive copyright"

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Martyanova, Elizaveta. "Inheritance Of Exclusive Copyright In Case Of One Of Co-Author'S Death." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.90.

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Savčić, Sanja. "Veštačka inteligencija i problem autorstva." In Veštačka inteligencija: izazovi u poslovnom pravu. Univerzitet u Beogradu – Pravni fakultet, 2024. http://dx.doi.org/10.51204/internet_dijalog_2401a.

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The use of computer programs in human intellectual work has attracted the attention of lawyers in the field of copyright since the very beginning. Even though to this day not all discussions regarding the role of a computer program in the creation of an author’s work have been resolved, it is an indisputable fact that a computer or a computer program in the process of creating a mental creation is nothing more than a tool for work, i.e., a mean of expressing the intellectual sphere of human being. Unlike previous forms of computer technology, artificial intelligence is capable of autonomously
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Matanovac Vučković, Romana, Ivana Kanceljak, and Marko Jurić. "CULTURAL HERITAGE INSTITUTIONS DURING AND AFTER THE PANDEMIC: THE COPYRIGHT PERSPECTIVE." In EU 2021 – The future of the EU in and after the pandemic. Faculty of Law, Josip Juraj Strossmayer University of Osijek, 2021. http://dx.doi.org/10.25234/eclic/18312.

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The COVID-19 pandemic has imploded the traditional ways in which creative, cultural and artistic content are presented and consumed. Museums, libraries, archives, and other cultural institutions have been closed in lockdowns all around the European Union, and their content presented and consumed online. This paper will analyse how copyright rules affect cultural heritage institutions (publicly accessible libraries or museums, archives or film or audio heritage institutions) in the digital age. Four recent legal documents at the European level refer to the digitalisation of their collections an
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Zollinger, Alexandre. "Propos synthétiques sur l’intégrité à l’épreuve de la liberté de reproduction (domaine public et licences libres)." In 2ème Colloque International de Recherche et Action sur l’Intégrité Académique. « Les nouvelles frontières de l’intégrité ». IRAFPA, 2022. http://dx.doi.org/10.56240/cmb9908.

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Works in the public domain may be used, and in particular reproduced, freely. This freedom of exploitation can result from the absence of protection of the object in question by the various intellectual property rights (in the presence in particular of non-original creations), or else from the end of the patrimonial rights of author (in general 70 years after his death). A third scenario: the copyright holder can choose to use his right of exploitation, not yet prescribed, by authorizing in advance any reproduction or representation of his work. This “open” use of the exclusive right is carrie
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Sharma, Dr Ruchi. "Future Ready Organizations: Staying Ahead of the Curve." In Intellectual Property Rights: Issues and Challenges. The Bhopal School of Social Sciences, 2025. https://doi.org/10.51767/c250621.

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The 21st century is an era of knowledge and is fueled by the knowledge economy. The knowledge economy places a high value on innovation as major tool of economic expansion. The organizations who invest in education, research and development, and skill development will have a competitive advantage in this knowledge-driven era. The information and communications technology revolution has opened up new avenues for global connection, collaboration, and information sharing. In this knowledge era, creativity and innovation are essential for advancement, economic growth, and societal development. The
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Berta, Doraanca, and Maximilianiosif Robu. "INTELLECTUAL PROPERTY RIGHTS IN THE INFORMATION AGE." In eLSE 2012. Editura Universitara, 2012. http://dx.doi.org/10.12753/2066-026x-12-102.

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In a world in which the means of spreading information are more and more advanced and data distribution is done exponentially, the need to protect the originality of the papers becomes of great importance. In the XXI century, intellectual property will play an increasingly important role on the international scene. Works of the mind, such as inventions, concepts, brands, books, music and films are now used and consumed with pleasure in every corner of the world. With the dramatic rise in the use of the Internet, specifically for e-commerce and exchange of information and knowledge, the system
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Marin, Dramnescu, and Ion Stavre. "COPYRIGHTS IN ROMANIA." In eLSE 2015. Carol I National Defence University Publishing House, 2015. http://dx.doi.org/10.12753/2066-026x-15-199.

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The continuous development of the internet, the wide availability of online services, as well as the intuitive, facile, and almost instantaneous utilization of available data from the virtual environment have generated an incredible dissemination of information. These elements have also brought people closer, have cancelled borders and traditional barriers between states and have facilitated a novel manner of socialization. At the same time and in an equal facile manner, the internet has also generated specific problems, some of which are yet unresolved. A problem that requires an urgent solut
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Mudaliar, Dr Arti, Ms Akansha Chouhan, Ms Aishwarya Suresh, and Ms Arya S. Pillai. "“Tech IP Odyssey: exploring the intellectual property rights maze in a tech-driven world”." In Intellectual Property Rights: Issues and Challenges. The Bhopal School of Social Sciences, 2025. https://doi.org/10.51767/c250604.

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In the words of Albert Einstein: "Imagination is more important than knowledge. For knowledge is limited, whereas imagination embraces the entire world, stimulating progress, giving birth to evolution." “Tech IP Odyssey: exploring the intellectual property rights maze in a tech driven world" is a comprehensive study that takes a deep dive into the world of intellectual property (IP) and its essential role in shaping innovation within the dynamic landscape of technology. The research involves highlighting the evolving importance of Intellectual property rights in the digital age, placing them a
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Reports on the topic "Exclusive copyright"

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Cooper, Danielle, and Katherine Klosek. Copyright and Streaming Audiovisual Content in the US Context. Ithaka S+R, 2023. http://dx.doi.org/10.18665/sr.318118.

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Copyright law includes special rights for research and teaching, including the fair use right, which can help address gaps between the educational activities that technology facilitates and the exclusive rights copyright grants to authors. In this brief, we review how US copyright law currently applies to streaming content for educational and research purposes and explore the opportunities for academic libraries.
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