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Journal articles on the topic 'Exclusive copyright'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Wang, Jingyi. "Legal Regulation of Abuse of Copyright Exclusive License by Digital Music Platforms." Journal of Economics and Law 1, no. 2 (2024): 209–13. http://dx.doi.org/10.62517/jel.202414231.

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Digital music copyright exclusive licence is now the most applicable form of agreement in the digital music market. Although the National Copyright Administration interviewed in 2017, which had a short-term good effect, the digital exclusive licensing model dominated by "exclusive license" gradually evolved into the exclusive copyright agency model allowing "non-exclusive license+ sub-licensing", the digital exclusive copyright authorization model still raises great monopoly risks, such as abuse of market dominance, vertical monopoly agreements, and concentration of operators. However, the spe

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2

Nainggolan, Samuel Dharma Putra, Ni Made Yordha Ayu Astiti, and Diajeng Woro Andini. "COPYRIGHT DAN RIGHT TO COPY (PEMAHAMAN DASAR HAK CIPTA DAN HAK YANG TERKAIT DENGAN HAK CIPTA DALAM BIDANG HAK KEKAYAAN INTELEKTUAL)." HUKUM DAN DINAMIKA MASYARAKAT 20, no. 2 (2022): 1. http://dx.doi.org/10.56444/hdm.v20i2.3551.

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Copyright is a system of rights in the field of Intellectual Property Rights (IPR). In Indonesia, arrangements regarding Copyright are currently governed by Law Number 28 of 2014 Concerning Copyright. Regulates the scope and protection of a work which is the embodiment of human creativity, taste and initiative as God's creatures. Copyright which is an exclusive right attached to the Author in which there are Economic Rights and Moral Rights. Authors and other parties who receive Rights Related to Copyrights can receive economic benefits from an existing copyrighted work (Economic Rights). died

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3

Beckman, Sydney A. "The Copyright Crusher." 2013 Fall Intellectual Property Symposium Articles 1, no. 4 (2014): 901–20. http://dx.doi.org/10.37419/lr.v1.i4.4.

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Authors of original works (such as music, books, et cetera) have certain exclusive rights including, but not limited to, the reproduction of copyrighted works in copies and the preparation of derivative works. Apple’s iTunes is a vehicle for infringement. The conversion of compact discs (“CDs”) to a compressed format for portable music players such as iPods, iPhones, iPads, and computers violates a copyright holder’s exclusive rights. This Article discusses the fundamental issue of copyright protections, the way iTunes facilitates the infringement of these rights, and the legal liability of Ap

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4

Ndokii, Pongki Paulus, and Yunanto Yunanto. "Pelanggaran Hukum Terhadap Hak Cipta Lagu Karena Melakukan Perubahan Secara Ilegal." AL-MANHAJ: Jurnal Hukum dan Pranata Sosial Islam 5, no. 1 (2023): 667–72. http://dx.doi.org/10.37680/almanhaj.v5i1.2646.

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Copyright is the exclusive right of the creator that arises automatically based ondeclarative principles after a work is realized in a tangible form without reducingrestrictions in accordance with the provisions of laws and regulations. Thedefinition of Copyright is regulated in Law Number 28 of 2014 concerningCopyright Article 1 number 1. Copyright is different from other IntellectualProperty Rights which must be registered. Copyright does not protect ideas,information or facts. Copyright begins with the existence of an idea which is thenrealized in a tangible form. The idea that has been rea

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5

Dewi Zion, Fransisca, Evita Isretno Israhadi, and Ahmad Redi. "Juridical Review of Criminal Sanctions Against Perpetrators of Intellectual Property Rights Violations." Edunity : Kajian Ilmu Sosial dan Pendidikan 2, no. 1 (2023): 63–69. http://dx.doi.org/10.57096/edunity.v1i05.37.

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Copyright is the exclusive right of the Creator or Copyright Holder to regulate the use of the results of casting specific ideas or information. Copyright applies to various types of works of art or copyrighted works. With the existence of Law Number 28 of 2014 concerning Copyright, it is hoped that it will facilitate proof in copyright disputes, especially in works of art, as well as the originality of ideas, content, and digital products.

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6

Sastrawan, Gede, and Gede Sastrawan. "ANALISIS YURIDIS PELANGGARAN HAK CIPTA PADA PERBUATAN MEMFOTOKOPI BUKU ILMU PENGETAHUAN." Ganesha Law Review 3, no. 2 (2021): 111–24. http://dx.doi.org/10.23887/glr.v3i2.446.

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    This article discusses the Juridical Analysis of Copyright Infirigement On The Act Of Photocopying Books of Science. Copyright is a part of Intellectual Property Rights (HKI). The copyright phrase comes from a foreign term, namely Copyrights. The term Copyrights was first put forward in the Berne Comvertion (International Convention on Copyright concerning the protection of Art and Literature) which was held in 1886. According to Article 1 number (1) of Law Number 28 of 2014 concerning Copyright, it states that "Copyright is the right exclusive to the creator that a

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7

Junaidi, Ahmad Khusnan, and Dwi Fidhayanti. "The Validity of Song Modifications Made by Unknown Identities (Anonymous) Under the Copyright Law." Dialogia Iuridica 17, no. 1 (2025): 111–29. https://doi.org/10.28932/di.v17i1.11404.

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The rapid development of digital technology makes it easier for someone to disseminate music content illegally which causes harm to the creators or music copyright holders as a whole. This study aims to explain and analyze the validity of exclusive rights obtained by anonymous works that modify or rearrange other people's works. The research method used is normative juridical with a Legislative Approach and Conceptual Approach. Primary and secondary legal materials collected through literature study are then analyzed descriptively. The research findings show that the exclusive rights obtained

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8

Merista, Ovia. "HAK CIPTA SEBAGAI OBYEK JAMINAN FIDUSIA DITINJAU DARI UNDANG-UNDANG NOMOR 28 TAHUN 2014 TENTANG HAK CIPTA DAN UNDANG-UNDANG NOMOR 42 TAHUN 1999 TENTANG JAMINAN FIDUSIA." Veritas et Justitia 2, no. 1 (2016): 204. http://dx.doi.org/10.25123/vej.2072.

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<p><em>This article shall discuss the possibility to utili</em><em>z</em><em>e copyright as fiduciary security to a loan, in accordance to Law </em><em>N</em><em>o. 42 of 1999 regarding fiduciary pledge/security and the Copyrights Law (</em><em>Law No. </em><em>28 of 2014). The use of copyrights as a fiduciary security is made possible as copyright owner possess exclusive economic rights and not only moral rights. The procedure to be followed is regulated by Law </em><em>N</em><em>o. 42

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9

Shtanko, Viacheslav. "Modern problems of maintaining the balance between private and public interests: exercising the copyright in the conditions of digital transformation." Actual problems of improving of current legislation of Ukraine, no. 64 (January 24, 2024): 139–46. http://dx.doi.org/10.15330/apiclu.64.139-146.

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The article examines the influence of the digital transformation of society on the maintenance of the balance between public and private interests in the field of legal regulation of intellectual property, in particular copyright. It is shown that the role of exclusive copyrights has changed – the author claims that in the conditions of digital transformation exclusive copyrights become not only a competitive advantage on the market, but also a real tool for controlling the behaviour of consumers (users). It is shown that this leads to a violation of the balance of interests in favour of techn

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10

Churilov, A. Yu. "Fixation and Turnover of Exclusive Rights to Copyrighted Works Using Smart Contracts: A Myth or Reality?" Actual Problems of Russian Law 19, no. 3 (2024): 89–99. http://dx.doi.org/10.17803/1994-1471.2024.160.3.089-099.

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The use of new technologies, including blockchain and NFT, can become a tool to ensure protection of rights and legitimate interests of copyright holders and stimulate innovation in various fields. The paper considers two legal problems related to the deposit and turnover of the results of intellectual activities, including copyrighted works. The first problem is the possibility of using blockchain technology to deposit such works. The paper provides an overview of main methods of fixing the fact of existence of a copyrighted work, including options without depositing and with depositing. The

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11

Karjiker, Sadulla. "Hyperlinking and copyright." South African Law Journal 139, no. 1 (2022): 181–204. http://dx.doi.org/10.47348/salj/v139/i1a6.

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This article critically considers the legality of hyperlinking to copyright-protected material on the Internet. It considers the position with respect to standard hyperlinks, and attempts to provide a possible approach in light of the proposed introduction of two new exclusive rights, namely (i) the right of communication to the public; and (ii) the making-available right. These new exclusive rights appear to be an attempt to amend the South African Copyright Act in order to give effect to the 1996 WIPO Copyright Treaty, which sought to ‘digitise’ copyright law in light of the digital technolo

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12

Kohila, G.T, and AP Vismaya. "Perception and Awareness of Copyright Laws among Pondicherry University Postgraduate Students." Journal of Advances in Library and Information Science 13, no. 3 (2023): 169–73. https://doi.org/10.5281/zenodo.8347483.

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<em>Perception and awareness of copyright laws is an essential issue in the digital age, as more and more people engage in activities that involve using and creating copyrighted material. Copyright laws are designed to protect the rights of creators and owners of original works of authorship, such as books, music, movies, and software. These laws give the copyright owner the exclusive right to reproduce, distribute, and display their work, and to create derivative works based on their original material. The study focuses on the perception and awareness of copyright laws among PG students. By u

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13

Maharani, Bondan Ayu, and Rina Arum Prastyanti. "Alternatives Resolution of Copyright Infringement Dispute Through Arbitration." International Journal of Law Analytics 3, no. 2 (2025): 219–28. https://doi.org/10.59890/ijla.v3i2.5.

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Copyright is an exclusive right that rewards its creators in the form of economic rights and moral rights. Moral rights are rights inherent in the creator person which is basically done to respect the creativity of the creator by including his name in the copyrighted work. A copyright infringement can occur if someone advertises or reproduces a work without permission from the creator or copyright holder. In this study, it is to find out the mechanism for resolving copyright infringement disputes through arbitration and the mechanism for canceling the decision to settle copyright infringement

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14

Priestley, Rosie. "Copyright, Exclusive Licence and Online Publishing." Nurse Author & Editor 16, no. 1 (2006): 1–3. http://dx.doi.org/10.1111/j.1750-4910.2006.tb00061.x.

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15

Suriadiningrat, Sendee Theresia, and Fitra Deni. "Copyright Legal Protection for Portrait on Trademark (Analysis on Cassation Decision Number 52k/Pdt.Sus-Hki/2021)." Jurnal Ilmiah Kebijakan Hukum 16, no. 2 (2022): 283. http://dx.doi.org/10.30641/kebijakan.2022.v16.283-300.

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Legal Protection within the scope of Copyright includes the protection of 2 (two) basic rights, Moral Rights and Economic Rights. The goal is that there are restrictions so anyone cannot use other’s Copyrights commercially without permission from the Creator or His Heirs. In the case of the use Mrs. Meneer's Portrait in Trademark without written permission of the Heirs, it becomes debate whether the legal protection of the Portrait remains under the Copyright Law, or its Exclusive Rights have been lost because it falls within the scope of the Trademark Law. The research method used is normativ

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16

Albarashdi, Saleh Hamed, and Muhammed Masum Billah. "Restrictive Conditions for Free Uses of Copyrighted Materials under Omani Law and Their Implications for Users’ of Copyrighted Materials." Journal of Arts and Social Sciences [JASS] 10, no. 3 (2019): 35. http://dx.doi.org/10.24200/jass.vol10iss3pp35-45.

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Omani Copyright and Neighboring Rights Law of 2008 contains a list of exceptions to the exclusive rights of copyright holders. These exceptions allow people to copy and use copyrighted materials in certain cases without paying any fees or obtaining any permission from the copyright holders. The exceptions cover free uses for purposes like teaching, education, quotation in another work, dissemination of news etc. However, the Omani Copyright and Neighboring Rights Law puts many conditions for such free uses. Some of these conditions mirror similar conditions under the Berne Convention and other

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17

Albarashdi, Saleh Hamed, and Muhammed Masum Billah. "Restrictive Conditions for Free Uses of Copyrighted Materials under Omani Law and Their Implications for Users’ of Copyrighted Materials." Journal of Arts and Social Sciences [JASS] 10, no. 3 (2019): 35–45. http://dx.doi.org/10.53542/jass.v10i3.3595.

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Omani Copyright and Neighboring Rights Law of 2008 contains a list of exceptions to the exclusive rights of copyright holders. These exceptions allow people to copy and use copyrighted materials in certain cases without paying any fees or obtaining any permission from the copyright holders. The exceptions cover free uses for purposes like teaching, education, quotation in another work, dissemination of news etc. However, the Omani Copyright and Neighboring Rights Law puts many conditions for such free uses. Some of these conditions mirror similar conditions under the Berne Convention and other

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18

ISRAHADI, Evita Isretno. "Copyright Law Protection Competence in Paying Royalty as Exclusive Rights Substance." Journal of Advanced Research in Law and Economics 9, no. 3 (2020): 863. http://dx.doi.org/10.14505/jarle.v11.3(49).20.

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Copyright is considered as a moving and intangible object; therefore, a copyright devolution cannot be done verbally but must be with an authentic deed or Underhand deed. Problem Identification: 1. How does the song copyright devolution mechanism make economic interest for a composer or Copyright Holder? 2. What is the system of song copyright royalty payment in Indonesia? and 3. What should be done by the parties to resolve the royalty payment execution dispute? It is a normative juridical method that must be used. Research Result: It is true that copyright license mechanism, fee retaining or

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19

Gunawan, Heri, Joni Emirzon, and Muhammad Syaifuddin. "THE COMPARISON OF LEGAL DAMAGES FOR COPYRIGHT & BRAND INFRINGEMENT AMONG INDONESIA-CHINA LAWS." Jurnal Pembaharuan Hukum 8, no. 3 (2021): 466. http://dx.doi.org/10.26532/jph.v8i3.17482.

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Intellectual Property Rights or what is often abbreviated as HAKI is a legal protection given by a certain country to a person or group of individuals who express their ideas in the form of works. This law is a state territory. This means that a work will only be protected by rights in the country where the work originated to obtain IPR. As stated in the Copyright Laws, Intellectual Property Rights are exclusive rights granted by a regulation to a person or group of people for their copyrighted works. This protected work is in the form of intangible objects such as copyrights, patents, and tra

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20

Emruli, Safet, Agim Nuhiu, and Besa Kadriu. "Copyright and Copyright Protection." European Journal of Interdisciplinary Studies 2, no. 4 (2016): 36. http://dx.doi.org/10.26417/ejis.v2i4.p36-40.

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One of the legal intellectual property disciplines are copyrights which concerns artistic and literary works. Copyright is: bundle of exclusive legal rights that has to do with protection of literary and artistic works. It is granted to authors and artists to protect expressive works against unauthorized reproduction or distribution by third parties. Copyright protect “works”, expression of thoughts and ideas. Literary, dramatic, musical and artistic works must be original, it means not to be a copy. Copyright covers two other types of right: economic rights, the right of the owner to benefit

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21

Emruli, Safet, Agim Nuhiu, and Besa Kadriu. "Copyright and Copyright Protection." European Journal of Interdisciplinary Studies 6, no. 1 (2016): 36. http://dx.doi.org/10.26417/ejis.v6i1.p36-40.

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One of the legal intellectual property disciplines are copyrights which concerns artistic and literary works. Copyright is: bundle of exclusive legal rights that has to do with protection of literary and artistic works. It is granted to authors and artists to protect expressive works against unauthorized reproduction or distribution by third parties. Copyright protect “works”, expression of thoughts and ideas. Literary, dramatic, musical and artistic works must be original, it means not to be a copy. Copyright covers two other types of right: economic rights, the right of the owner to benefit

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22

Mastura Muhammad Arif, Afida. "An analysis of copyright protection in Saudi Arabia." International Journal of Law and Management 56, no. 1 (2014): 38–49. http://dx.doi.org/10.1108/ijlma-03-2012-0010.

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Purpose – This paper aims to explore the copyright laws of Saudi Arabia, illustrating the provisions governing the law. It seeks to outline Saudi Arabia copyright law within the framework of the international copyright protection, which include the Berne Convention and the TRIPS agreement. Design/methodology/approach – The paper is a thorough scrutinizing of the legal provisions of the Saudi Copyright Laws in regard to protected works, author's exclusive rights, lawful use of copyrighted works and the exceptions, mandatory licenses, duration of protection, provisions of infringements and penal

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23

SHCHERBAK, N. V. "IDEAL SHARE IN EXCLUSIVE COPYRIGHT: UTOPIA OR REALITY?" Civil Law Review 21, no. 5 (2021): 166–92. http://dx.doi.org/10.24031/1992-2043-2021-21-5-166-192.

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The article discusses the problem of allocating ideal shares in exclusive copyright. The legal and dogmatic design of exclusive rights allows you to establish not only a joint, but also share right and this is fully consistent with the stimulating function of exclusive rights. The paper analyzes various theoretical models of exclusive right, and concludes that the lack of ideal shares in exclusive right becomes a stumbling block for commercializing the results of intellectual activity and leads to paralysis of civil turnover.

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24

Siswajanthy, Farahdiny, Herli Antoni, and Nuradi Nuradi. "Legal Protection for Tiktok Content Creators from Re-Uploading Other Parties Without Permission Based on Law Number 28 of 2014 Concerning Copyright." International Journal of Multicultural and Multireligious Understanding 11, no. 2 (2024): 363. http://dx.doi.org/10.18415/ijmmu.v11i2.5591.

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Protection of creative video copyrights of Tiktok content creators taken without permission through social media for commercial purposes based on Law Number 28 of 2014 concerning Copyright. Copyright is the exclusive right of the creator that arises automatically based on the declarative principle after a work is realized in tangible form without prejudice to restrictions in accordance with the provisions of laws and regulations. Moral rights are rights that must remain eternally attached to the work born by the creator, which is basically done to honor the creativity of the creator by includi

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25

Gultom, Hosiana Daniel Adrian, Ellora Sukardi, and Serlly Waileruny. "Kajian Terhadap Hak Eksklusif Atas Jingle Dari Perspektif Hak Cipta Dan Merek." Ajudikasi : Jurnal Ilmu Hukum 5, no. 2 (2021): 135–50. http://dx.doi.org/10.30656/ajudikasi.v5i2.3978.

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Jingle is included in the category of creation in the form of songs or music under copyright law and is included in the type of sound mark in trademark law. Therefor there is a double legal protection for the jingle, namely copyright and trademark. Copyright law protection uses a declarative system while trademark law protection uses a constitutive system. In copyright law and trademark law there are exclusive rights, namely rights granted by the state to the rightful owner. Exclusive rights in copyright are moral rights and economic rights while exclusive rights in trademarks are called trade

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26

Woodberry, Evelyn. "Copyright vs Contract: Are They Mutually Exclusive?" Australian Academic & Research Libraries 33, no. 4 (2002): 269–74. http://dx.doi.org/10.1080/00048623.2002.10755208.

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27

TATAR, Olga, and Oxana MITITELU. "CONCEPT, CONTENT AND SCOPE OF COPYRIGHT." LEGEA ŞI VIAŢA=LAW AND LIFE=ЗАКОН И ЖИЗНЬ . 11-12 (December 20, 2022): 94–106. https://doi.org/10.5281/zenodo.7462508.

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Intellectual property law is a sub-branch of civil law, consisting of a set of legal norms that are designed to regulate the use of various objects of intellectual property. This sub-sector includes institutions: patent law, copyright, the right to a secret of production (know-how), the right to means of individualization, etc. Intellectual rights are rights to the results of intellectual activity and means of individualization equated to them, including the exclusive right, as well as personal non-property rights and other rights. Exclusive right is a property right to use the results of inte

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28

Barrett, Jonathan. "Time to Look Again? Copyright and Freedom of Panorama." Victoria University of Wellington Law Review 48, no. 2 (2017): 261. http://dx.doi.org/10.26686/vuwlr.v48i2.4740.

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Copyright grants exclusive rights to authors of qualifying works. However, the Copyright Act 1994 permits reproduction, communication and commercial exploitation of certain artistic works which are on permanent public display. This exclusion from copyright, which is widely referred to as "freedom of panorama", is distinguishable from other permitted uses which tend to be narrow in scope and commonly manifest an element of fair dealing. Like other corresponding provisions of British heritage copyright legislation, New Zealand's freedom of panorama exclusion is significantly wider than comparabl

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29

Poturai, Kateryna. "The features of the contractual form of protection of subjective intellectual property rights for a cinematographic work under the laws of Ukraine and the countries of the European Union." Law Review of Kyiv University of Law, no. 4 (December 30, 2020): 323–28. http://dx.doi.org/10.36695/2219-5521.4.2020.57.

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The article reveals the features of the contractual form of subjective intellectual property rights to a cinematographic work underthe laws of Ukraine and the European Union as the main form of protection of cinematographic works.The author emphasizes that in modern development of copyright relations, civil law has abandoned the legislative consolidationof the concept of copyright agreement, yet only lists and discloses the sense of its types.Thus, at the legislative and theoretical level, the problem of classifying a copyright agreement on the creation of a cinematogra -phic work as an agreem

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Hartati, Dwi Surya, and Nely Herlina. "UTILIZATION OF ECONOMIC RIGHTS IN MUSIC AND SONG WORKS AS A PILLAR OF CREATIVE ECONOMY." Jambe Law Journal 1, no. 1 (2018): 115–33. http://dx.doi.org/10.22437/home.v1i1.3.

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The work of songs and music is one of several types of artistic works that is protected by the Act of Copyright. Copyright is regulated through Act No. 28 of 2014 About Copyright (Undang-Undang Hak Cipta or UUHC). Creators and Copyright holders have an exclusive right in the form of economic rights and moral rights. Economic rights can be acquired through the payment of royalty. According to the Act of Copyright, the National Collective Management Institution (Lembaga Manajemen Kolektif Nasional or LMKN) is the institution appointed to collect royalties from creators and/or holders of related

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Hartati, Dwi Surya, and Nely Herlina. "UTILIZATION OF ECONOMIC RIGHTS IN MUSIC AND SONG WORKS AS A PILLAR OF CREATIVE ECONOMY." Jambe Law Journal 1, no. 1 (2018): 115–33. http://dx.doi.org/10.22437/jlj.1.1.115-133.

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The work of songs and music is one of several types of artistic works that is protected by the Act of Copyright. Copyright is regulated through Act No. 28 of 2014 About Copyright (Undang-Undang Hak Cipta or UUHC). Creators and Copyright holders have an exclusive right in the form of economic rights and moral rights. Economic rights can be acquired through the payment of royalty. According to the Act of Copyright, the National Collective Management Institution (Lembaga Manajemen Kolektif Nasional or LMKN) is the institution appointed to collect royalties from creators and/or holders of related

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Situmeang, Asima Trismawati, Saidin ., and T. Keizerina Devi A. "Legal Protection on the Moral Rights and Economic Rights of the Author of Film Script Writing Pursuant to Law No. 28 of 2014 Concerning Copyright (Analysis of Copyright Infringement Case by a Production House of the “ Benyamin Biang Kerok” Film)." International Journal of Research and Review 8, no. 8 (2021): 731–39. http://dx.doi.org/10.52403/ijrr.20210896.

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Moral Rights and Economic Rights are Exclusive Rights that cannot be separated in relation to Copyrights. Copyright protects all forms of work, one of which is Film Script Writing as referred to in Article 40 paragraph (1) of Law Number 28 of 2014 concerning Copyright (UUHC). One of the forms of infringement on the copyrighted work of the film script is the reuse of the film script without the permission of the creator, resulting in the loss of the moral rights and economic rights of the creator. The problems in this study are: how to use the principles of Moral Rights and Economic Rights of t

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33

Nurhayati, Siti, and Dina Andiza. "Legal Review of the Publication of Song Covers to Youtube without the Creator's Permission is Reviewed from Law No. 28 of 2014 on Copyright." International Journal of Research and Review 9, no. 3 (2022): 48–59. http://dx.doi.org/10.52403/ijrr.20220307.

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Copyright in the field of music and songs has been supported by technological advances one of which is Youtube, with this technological advancement many things can be done by irresponsible people so that it can harm others such as making a cover version of other people's songs and uploading them to Youtube media without getting permission from copyright holders and not infrequently today many become famous and benefit more than creating songs. The collection and collection of data in this study was carried out by document study (Library Research) using skunder data that includes primary, skund

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34

Shirkova, Irina. "Problems of the Legal Regulation of Copyright as a Commodity." Legal Concept, no. 2 (July 2023): 132–38. http://dx.doi.org/10.15688/lc.jvolsu.2023.2.17.

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Introduction. The development of economic and social relations leads to a change in the role of the results of intellectual activity, which, in turn, requires new legal solutions to ensure the legal protection of intellectual property objects. There are many definitions of the concept in the scientific literature, but the unity in their understanding has not been achieved. There is no clear definition of the concept of “exclusive rights” in the regulatory framework; only the structure of exclusive rights is asserted. Taking into account the multidimensional definition of “copyright as a commod

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35

Abdul Latif, Mohd Syaufiq, Nazura Abdul Manap, and Nabeel Mahdi Althabawi. "THE TRANSFORMATIVE USE OF USER-GENERATED CONTENT: DISCOVERING THE FINE LINE BETWEEN PERMITTED USE AND COPYRIGHT INFRINGEMENT FROM A MALAYSIAN PERSPECTIVE." UUM Journal of Legal Studies 16, no. 1 (2025): 54–69. https://doi.org/10.32890/uumjls2025.16.1.4.

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User-generated content or more commonly known as UGC has revolutionized the digital landscape by allowing individuals to create, share, and engage with various forms of copyrighted content across digital platforms. This paradigm shift in content creation and distribution has introduced new challenges in copyright law concerning the transformative use of copyrighted work. Balancing the exclusive rights of the right holder as a content creator and copyright user and the interests of society has become increasingly complex in the face of rapid digital innovation and creative expression. Determini

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36

Fahringer, James. "Why the Copyright Act Expressly Preempts State-Level Public Performance Rights in Pre-1972 Recordings." Michigan Technology Law Review, no. 24.2 (2018): 271. http://dx.doi.org/10.36645/mtlr.24.2.why.

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Over the past several years, two former bandmates in the 1960s rock group, The Turtles, have initiated several lawsuits against the popular music streaming services, Pandora and Sirius XM, arguing that the band owns common law copyrights in the sound recordings of its songs, and that these state-level copyrights grant the band an exclusive public performance right in its sound recordings. If accepted, this argument has the potential to significantly distort federal copyright policy because states would not be constrained by any of the balancing features of the Copyright Act, including Digital

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Osmańska, Monika. "Wykorzystywanie utworów w dydaktyce w świetle ochrony autorskoprawnej. Dozwolony użytek i otwarte zasoby edukacyjne." Themis Polska Nova 7, no. 2 (2014): 190–223. http://dx.doi.org/10.15804/tpn2014.2.12.

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Fair use allows to certain limited uses of copyrighted work without permission from the author or right holder. As a limitation and exception to the exclusive right of the author of a creative work fair use is permitted for educational purposes in the Polish law and is covered by the Polish copyright law articles. In view of high importance of education fair use for educational purposes seems to be wholly justified. The paper presents the issue of possible use of copyrighted works in teaching process which comes from the Polish Act on Copyright and Related Rights. It analyses whether the provi

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Putra, Jessica Djaja, Mariska Budialim, Djunita Djunita, and Michelle Yaputri Budiman. "SPEECH COMPOSING MENURUT UNDANG-UNDANG NOMOR 28 TAHUN 2014 TENTANG HAK CIPTA." JCH (Jurnal Cendekia Hukum) 5, no. 1 (2019): 49. http://dx.doi.org/10.33760/jch.v5i1.174.

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Speech Composing is a creation that has not been clearly regulated in Law Number 28 Year 2014 on Copyright. This opens up the possibility of copyright infringement from making Speech Composing. Copyright is an exclusive right of the creator granted by the State automatically after a creation is manifested in its tangible form. This exclusive right consists of the eternal inherent moral rights of the creator and the economic right of creation. Often people think just by putting the name of the creator in his work can prevent him from copyright infringement. Whereas the element of permission is

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Destyarini, Normalita, Idha Pratiwi Dyah Sinta Dewi, Ravina Savitri, and Alifah Nur Fitriana Naridha. "COPYRIGHT ISSUE ON MUSIC BACK SOUND USAGE ON YOUTUBE VIDEO." Diponegoro Law Review 7, no. 1 (2022): 1–16. http://dx.doi.org/10.14710/dilrev.7.1.2022.1-16.

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The emergence of social media Youtube also raises new legal problems in the field of copyright. The use of music as a video background by a content creator is often done without the permission of the creator. Using the work without the author's permission violates the exclusive rights of the creator. This paper will describe the policies that YouTube has in protecting music creators as well as law enforcement efforts for Content Creators who use music as a background without the creator's permission in connection with copyright regulations in Indonesia. The research is normative research using

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JUMABAYEVA, Karlygash Asilkhanovna, Lola Furkatovna TATARINOVA, Gulnaz Tursunovna ALAYEVA, Saule Zhusupbekovna SULEIMENOVA, and Danila Vladimirovich TATARINOV. "Specific Notarial Protection of the Testator's Exclusive Rights: Kazakh and International Experience." Journal of Advanced Research in Law and Economics 10, no. 3 (2019): 770. http://dx.doi.org/10.14505//jarle.v10.3(41).11.

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This study is concerned with one of the most burning issues of intellectual property rights, namely the notarial protection of the testator's exclusive rights. The article analyzes the Kazakh and international experience in solving this issue. In the course of the study, the authors obtained the following results: - In legal practice, the non-acceptance of inheritance and refusal to inherit exclusive rights have their specific features; - It is proposed to supplement the existing civil legislation on the protection of the testator's copyrights. ‘Kazakhstan Authors' Society’ conduct

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Noor, Natasha. "Copyright Law in Protecting Creators’ Exclusive Rights in The Creative Industry: A Comparative Study." Lawpreneurship Journal 1, no. 2 (2021): 200–217. http://dx.doi.org/10.21632/tlj.1.2.200-217.

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The concerning numbers of copyright infringement in Indonesia’s creative industries raises a question on whether there is an obstacle in enforcing the law or whether there are loopholes in its regulatory framework. Comparatively, the United States as one of the developed countries, is rather firm and strict when it comes to protecting its intellectual property rights against other countries. While the ever-growing business sectors may play a significant role in contributing to the strict protection of copyright law for its economic growth, the United States’ legal framework regarding copyright

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Sinaga, Wetmen. "Analysis of Criminal Offices on Copyrights and its Applications in Indonesia." Advances in Social Sciences Research Journal 9, no. 11 (2022): 420–30. http://dx.doi.org/10.14738/assrj.911.13482.

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Copyright is a work of someone's imagination, who has exclusive rights in the use of his or her copyrighted work so that if there are parties who will use the copyright for commercial purposes, they must first obtain a license (license) from the creator or his proxies and pay royalties. Any party who does not obtain a license as mandated by UUHC will be subject to legal sanctions, both civil and criminal. Copyright crime occurs when someone announces or reproduces a work for commercial purposes without permission from the Creator or Copyright Holder is an infringement and such violation will b

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Gorina, N. V. "On the Issue of Copyright Protection on the Internet." Juridical science and practice 19, no. 1 (2023): 39–45. http://dx.doi.org/10.25205/2542-0410-2023-19-1-39-45.

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This study is devoted to the consideration of certain aspects of the protection of copyrights on the Internet. Digital technologies make it possible to use any work without concluding an agreement on the transfer of the exclusive copyrights. The article notes that free use of works is a violation of personal non-property rights of authors’ science, literature and art works. Russian legal problems of intellectual property on the Internet related to the impossibility of identifying some person as the author of the work and the absence of legal mechanism for free use of works. The scientific nove

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Dwikayanti, Ni Made Rai, Dr Made Gde Subha Karma Resen, and SH MH. "Legal Protection of Copyright on Digital Creative Works in Indonesia Based on Law Number 28 of 2014 Concerning Copyright." International Journal of Judicial Law 4, no. 2 (2025): 01–06. https://doi.org/10.54660/ijjl.2025.4.3.01-06.

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The rapid development of information and communication technology in the digital era has increased the importance of legal protection of copyright. This journal aims to comprehensively analyse the regulations and rules related to copyright in Indonesia, with a focus on the impact of the digital era on copyright protection. The development of science and technology over time has changed very rapidly and significantly. In this digital era, works that are usually in physical form can be transformed into digital form. The purpose of this research is to find out how the legal protection of copyrigh

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Gwoździewicz-Matan, Paulina. "MUSEUM EXHIBITION VERSUS COPYRIGHT." Muzealnictwo 60 (September 2, 2019): 225–32. http://dx.doi.org/10.5604/01.3001.0013.4132.

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Organisation of exhibitions from the point of view of copyright (Act on Copyright and Related Rights of 4 Feb. 1994, further copyright) is a multifaceted issue. The analysis conducted in the paper boils down to some selected aspects: beginning with the right to display, through exhibition as a separate copyrighted work, up to the exhibition author, namely curator. When purchasing items for collections or acquiring them on the ground of a loan contract, museums should make sure the work can be exploited through public display. Such agreement can be either expressed in the contract (rights or li

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Rizkina, Silfi, and Arief Suryono. "Legal Efforts Related to Legal Protection Againts Book Piracy Through Marketplace." International Journal of Educational Research & Social Sciences 5, no. 3 (2024): 497–503. https://doi.org/10.51601/ijersc.v5i3.830.

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In Law No. 28 0f 2014 an Copyright it is confirmed that an act is considered copyright infringement if it violates the exclusive right of the creator to publish or reproduce and to grant permission or prohibit others who without his consent make, reproduce, or broadcast his copyrighted work. The online marketplace is classified as an Electronic Trading System Operator. The research conducted uses normative legal research. The type of research used in this research is descriptive. The result of this research is that the Marketplace is responsible for prohibiting all sales and duplication of goo

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Zidan, Abdul Hakim, and Hidayatulloh Hidayatulloh. "Copyright Act License for Commercial Broadcasting of 2014 World Cup Matches." Jurnal Kepastian Hukum dan Keadilan 4, no. 2 (2022): 93. http://dx.doi.org/10.32502/khk.v4i2.5556.

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This study intends to determine the legal protection of copyright as licenses for broadcast copyrighted world cup works. Specifically, this study investigates the legal protection criteria for licenses registered with the Directorate General for Intellectual Property Rights. In addition, it attempts to examine instances of court decisions relating to copyright licensing issues. This study employs normative research and literature in accordance with a statutory methodology. As described in Article 83, paragraph 1, of the Copyright Law No. 28 of 2014, copyright certainty is established if the co

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Muhamad Akmal Jamalullail, Irvan Fauzan, Harmono, and Moh Sigit Gunawan. "Protection of the Economic Rights of the Licensee for the Activities of Watching Together Without Permission." Indonesian Journal of Business Analytics 5, no. 3 (2025): 2141–48. https://doi.org/10.55927/ijba.v5i3.14499.

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Economic rights in the Copyright Law Number 28 of 2014 expressly protect the potential income from cinematographic works, including football broadcasts. The practice of illegal watching, especially commercial ones, directly violates the exclusive rights of copyright owners and broadcasting rights to economically utilize their works through performances and communication to the public. Football broadcasts as cinematographic works are protected by copyright, and commercial broadcasting without a permit violates the economic rights of the creator/copyright holder and broadcasting rights, potentia

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Labetubun, Muchtar A. H. "A LEGAL AWARENESS OF COPYRIGHT ON REGIONAL SONG CREATORS." International Journal of Law Reconstruction 5, no. 1 (2021): 49. http://dx.doi.org/10.26532/ijlr.v5i1.15406.

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Copyright as an exclusive right for the creator or copyright holder to carry out the results of his ideas or ideas in the form of specific information or certain. Basically, copyright is the right to copy, adapt or produce a work, copyright is possible for the right holder to limit the copying or in any form without the illegitimate permission of a work, it can be realized by registration copyright, in its application, of course, there are obstacles that exist in the enforcement of copyright law itself. One example is the lack of awareness in registration copyright of songs by the creator. The

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Sunarto, Atika, and Bohal Sijabat. "Juridical Reviews of Users of Song Copyright Works are Associated with Government Regulation Number 56 of 2021 Regarding the Management of Song or Music Copyright Royalties." International Journal of Research and Review 9, no. 4 (2022): 405–11. http://dx.doi.org/10.52403/ijrr.20220450.

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Intellectual property rights (IPR) are rights that arise because of the results of someone's intellectual creativity, provided that they must be in real form, creativity, so that they cannot be just ideas or concepts, which do not have certain physical dimensions. one of the areas of intellectual property rights that get protection is the copyright of the Republic of Indonesia Law No. 28 of 2014 (UUHC 2014) article 1 paragraph (1) concerning copyright is the exclusive right of the creator that arises automatically based on declarative principles after the creation is realized in a tangible for

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