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1

Balabanova, Evgeniya, E. Voynikanis, and A. Minbaleev. Permissible limits of copyright restrictions in the context of domestic, foreign and international law. INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1859604.

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The monograph is devoted to the study of the problem of determining the permissible limits of copyright restrictions on works of science, literature and art. Limitations of exclusive rights to copyright objects, as well as their protection, have a serious impact on the formation of the general cultural context of the intellectual space and the socio-economic development of society as a whole. The free use of copyright objects acts as one of the key creative incentives and is of fundamental importance for balancing the interests of participants in legal relations arising in connection with the
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2

United States. Congress. Senate. Committee on the Judiciary. Subcommittee on Patents, Copyrights, and Trademarks. News monitoring: Hearing before the Subcommittee on Patents, Copyrights, and Trademarks of the Committee on the Judiciary, United States Senate, One Hundred Second Congress, second session, on S. 1805, a bill to amend Title 17, United States Code, to clarify news reporting monitoring as a fair use exception to the exclusive rights of a copyright owner, June 16, 1992. U.S. G.P.O., 1993.

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3

Tapia, José Miguel Rodríguez. La cesión en exclusiva de derechos de autor. Editorial Centro de Estudios Ramón Areces, 1992.

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4

Society for Computers and Law., ed. Computer copyright =: The Exclusion of computer contracts from the Unfair Contract Terms Act 1977. Society for Computersand Law, 1986.

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5

Administration, United States Congress House Committee on the Judiciary Subcommittee on Intellectual Property and Judicial. Exclusion of copyright protection for certain legal compilations: Hearing before the Subcommittee on Intellectual Property and Judicial Administration of the Committee on the Judiciary, House of Representatives, One Hundred Second Congress, second session, on H.R. 4426 ... May 14, 1992. U.S. G.P.O., 1993.

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6

Ginsburg, Jane. Copyright. Edited by Rochelle Dreyfuss and Justine Pila. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198758457.013.23.

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This chapter offers an overview of copyright in general in common law and civil law countries, with an emphasis on the United States (US) and the European Union (EU). It addresses the history and philosophies of copyright (authors’ right), subject matter of copyright (including the requirement of fixation and the exclusion of “ideas”), formalities, initial ownership and transfers of title, duration, exclusive moral and economic rights (including reproduction, adaptation, public performance and communication and making available to the public, distribution and exhaustion of the distribution rig
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7

Variable Scope of the Exclusive Economic Rights in Copyright. Wolters Kluwer Legal & Regulatory U.S., 2014.

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8

The variable scope of the exclusive economic rights in copyright. Kluwer Law International, 2014.

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9

Copyright Law of the United States of America: Exclusive Edition. Independently Published, 2020.

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10

Chapdelaine, Pascale. User Rights to Commercial Copies of Copyright Works. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198754794.003.0002.

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The chapter begins the investigation of the rights users have to copyright works by looking at the scope of the personal property rights users may have in copies of copyright works. These rights have been largely overlooked in copyright law and theory. Applying the ownership spectrum developed by James W. Harris in Property and Justice (1996) this chapter shows how copyright users’ personal property rights are distinct from other forms of personal property and heavily dictated by the exclusive property rights of copyright holders in the copyright work. The personal property rights of copyright
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11

Jacques, Sabine. The Parody Exception in Copyright Law. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198806936.001.0001.

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Parodies have been created throughout times and cultures. A glimpse at the judicial latitude generally afforded to parodies, satires, caricatures, and pastiches demonstrates the social and cultural value of this particular form of artistic expression. With the advent of technologies and the evolution of copyright legislation, creative endeavours in the form of parody were rejuvenated but became unlawful. While copyright law grants exclusive rights to right-holders, these rights are not absolute. Legislation includes specific exceptions, which preclude right-holders from exercising their prerog
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12

Mendis, Sunimal. A Copyright Gambit: On the Need for Exclusive Rights in Digitised Versions of Public Domain Textual Materials in Europe. Springer, 2019.

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13

Rosati, Eleonora. Copyright and the Court of Justice of the European Union. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198837176.001.0001.

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This title focuses specifically on the role, action, and legacy of the Court of Justice of the European Union (CJEU) in the field of copyright, providing an exclusive survey that covers two decades (1998–2018) of decisions in this area. The main objective is to give a sense of the direction of EU copyright, by attempting to ‘tidy up’ and rationalize existing rulings. The book consists of three parts. The first part explores the role of the CJEU in copyright cases. Besides outlining the history of EU harmonization and providing data concerning the Court’s activity, it extracts the key standards
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14

Morrison, Kevin A., ed. Walter Besant. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620351.001.0001.

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In the 1880s and 1890s, Walter Besant was one of Britain’s most lionized living novelists. Like many popular writers of the period, Besant suffered from years of critical neglect. Yet his centrality to Victorian society and culture all but ensured a revival of interest. While literary critics are now rediscovering the more than forty works of fiction that he penned or co-wrote, as part of a more general revaluation of Victorian popular literature, legal scholars have argued that Besant, by advocating for copyright reform, played a crucial role in consolidating a notion of literary property as
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15

Kuenzler, Adrian. Argumentation of the Courts and Contemporary Legal Scholarship. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190698577.003.0003.

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This chapter analyzes existing U.S. Supreme Court case law with respect to, on the one hand, antitrust’s minimum resale price maintenance plans, bundling and tying practices, as well as refusals to deal, and, on the other hand, trademark law’s dilution, postsale, sponsorship, and initial interest confusion doctrines, including design patent and selected areas of copyright law. It demonstrates that courts, based on the free riding hypothesis, have come to protect increasing amounts of artificial shortage of everyday consumer goods and services and corresponding incentives to innovate. Through t
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16

Karapapa, Stavroula, and Luke McDonagh. Intellectual Property Law. Oxford University Press, 2019. http://dx.doi.org/10.1093/he/9780198747697.001.0001.

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Intellectual Property Law aims to provide a comprehensive text on all aspects of this field. The first part looks at the complexities of copyright law, from authorship and first ownership to infringements and defences. It also covers moral and related rights. The second part looks exclusively at passing off. Then the text turns to trade marks. It examines the absolute grounds for refusal and the relative grounds for refusal of registration. It looks in detail at infringement and loss of registration of trade marks, and this part of the book ends with an examination of defences to trade mark in
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17

US GOVERNMENT. Exclusion of copyright protection for certain legal compilations: Hearing before the Subcommittee on Intellectual Property and Judicial Administration ... session, on H.R. 4426 ... May 14, 1992. For sale by the U.S. G.P.O., Supt. of Docs., [Congressional Sales Office], 1993.

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