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Dissertations / Theses on the topic 'Film studies'

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1

Newson, Pamela Lynn. "Studies of diamond film formation." Diss., Georgia Institute of Technology, 1997. http://hdl.handle.net/1853/30529.

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2

McKinley, Iain Stewart. "Studies in thin film flows." Thesis, University of Strathclyde, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366911.

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3

Fox, Neil James. "How film education might best address the needs of UK film industry and film culture." Thesis, University of Bedfordshire, 2014. http://hdl.handle.net/10547/575401.

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This thesis reveals and explores contemporary relationships between film education, film industry and film culture within a UK context through a series of interviews, data analysis, historical research and international case studies. It highlights what appear to be binary oppositions within film such as divisions between theory and practice, industry and academia or art and entertainment and interrogates how they have permeated film education to the point where the relationship between film studies and film practice is polemical. Also, the thesis investigates how a relationship between two bin
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4

Liu, Zuting. "A short film: Christmas Eve." Kent State University Honors College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1386634878.

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5

Andersson, Emma. "Islam på film : En undersökning om framställningen av muslimer på film." Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK, Ämnesforskning, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-40934.

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Producing religion on film is not new and investigating the production of religion on film has also been done before. Popular culture has never been so present in our everyday life as it is today, therefore the interest in popular culture is big. This qualitative content analysis examines how Muslims are produced on film. The films used in the survey are: American Sniper, The Hurt Locker, Not without my daughter and Desert flower. Previous research on the subject shows that films generally produce a stereotypical image of Muslims. Researchers argue that instead of showing that culture and indi
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6

Heiman, Christopher James. "LAKESIDE: AN INDEPENDENT STUDENT FILM." Kent State University Honors College / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1313072280.

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7

Gu, Erdan. "Studies in thin film systems and X-ray multilayer film design." Thesis, University of Aberdeen, 1992. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU547604.

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The design and optimization of soft X-ray multilayer film mirrors have been studied using optical theory. Our investigations show that the reflectivity of multilayer films is sensitive to their modulation wavelength and that their reflectivity can be improved by structural optimization. A new design method has been developed which can be used to increase the bandwidth and to change the shape of the reflectivity curves of multilayer film mirrors. Detailed studies of the formation and structure of practical vacuum deposited erbium(Er) thin film systems are presented. It was found that the phase
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8

Boff, Arthur. "Electrochemical studies of thin-film diamond." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496830.

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9

Inameti, E. E. "Thermal studies of thin film fuses." Thesis, University of Nottingham, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234026.

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10

Cannon, Stephen. "Making political films politically? : the film making practice of Jean-Luc Godard." Thesis, Aston University, 1993. http://publications.aston.ac.uk/10301/.

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This thesis attempts to re-examine the work of Jean-Luc Godard and in particular the claims which have been made for it as the starting-point for a revolutionary cinema. This re-examination involves, firstly, a critical summary of the development of Structuralist thinking, from its origins in linguistics, with Saussure, through to its influence on Marxism, with Althusser. It is this `Structural Marxism' which prepared the ground for a view of Godard as a revolutionary film-maker so its influences on film theory in the decade after 1968 is traced in journals such as Cahiers du Cinéa and Screen
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11

Olson, Ted. "Film Review of Let Your Feet Do the Talkin’: A Documentary Film about Buckdancer Thomas Maupin." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/1157.

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12

Gewert, Niklas. "Film och religion : En undersökning om populärkulturens påverkan på film." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-43884.

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Denna uppsats undersöker om populärkulturen påverkar framställningen av religiösa myter på film. Studien utfördes för att ta reda på vilka likheter och skillnader det finns i filmernas händelseförlopp och hur hjälten gestaltas i filmerna. Studien genomfördes som en kvalitativ undersökning med hjälp av en komparativ närläsning av materialet. Empirin som användes i studien var Disneys Moana och Hercules som båda baseras på religiösa myter. Efter den komparativa närläsningen användes Campbells teoretiska hjälteresa som teori. Undersökningens resultat var att de två filmerna har ett mycket liknand
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13

Bidgood, Lee. "Collaboration, Fieldwork, and Film." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1039.

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Excerpt: I never imagined that I would help produce a documentary film based on my ethnographic fieldwork. Meeting documentary filmmaker Shara Lange during new faculty orientation at the university where we were both newly hired eventually led to our film Banjo Romantika (2013)—a full-length feature based on my research on bluegrass music in the Czech Republic, in which I play a key role as writer, producer, and on-screen character. Taking part in this film project has led me to consider how film enriches relationships with field colleagues, providing new opportunities for teaching and learnin
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14

Wang, Chen. "Film Diplomacy Under the Bush and Obama Administration: A Film Analysis of the American Film Institute’s Project: 20/20 and the Sundance Institute’s Film Forward Program." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1436834287.

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15

Ullah, Hanif. "Simulation studies of photovoltaic thin film devices." Doctoral thesis, Universitat Politècnica de València, 2015. http://hdl.handle.net/10251/48800.

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To cope with energy requirements the utilization of renewable energies, particularly the Sun supplies the biggest and abundant energy source in Earth. Photo-voltaic and solar cell are the well advance and burning technology and a field of hot research. Majority of research centers and universities are working in this field. 1G, 2G, 3G and next generation of photo-voltaic cells have been developed and still to improve its efficiency and to decrease it 0.2 $/W cost. Our work mainly based on the theoretical and physical analysis of thin-film Photovoltaic devices. We will explore different softw
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16

Yoshiikawa, Osamu. "Studies on organic thin film solar cells." Kyoto University, 2009. http://hdl.handle.net/2433/123895.

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Kyoto University (京都大学)<br>0048<br>新制・課程博士<br>博士(エネルギー科学)<br>甲第14742号<br>エネ博第195号<br>新制||エネ||44(附属図書館)<br>UT51-2009-D454<br>京都大学大学院エネルギー科学研究科エネルギー基礎科学専攻<br>(主査)教授 八尾 健, 教授 石原 慶一, 教授 辻井 敬亘<br>学位規則第4条第1項該当
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17

Haya, Faisal, and Susanna Benatti. "Film som läromedel inom religionskunskap." Thesis, Malmö universitet, Malmö högskola, Institutionen för samhälle, kultur och identitet (SKI), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-42468.

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18

Hall, Kenneth E. "Mountain Men on Film." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/5447.

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19

Mera, Miguel. "Second Generation Film Musicology: Fundamental Issues in the Progression of Film Music Studies." Thesis, Oxford Brookes University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.490515.

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This thesis is based on eight of the author's published works that challenge some of the disciplinary biases, methodological approaches, and deficiencies in first generation film musicology. Creating a balance between theoretical and practicebased approaches, these works are: Writing l. Mera, M. M)'chael Danna's The Ice Storm. Lanham, MD: Scarecrow Press, 2007. 2. Mera, M. and Bumand, D. European Film Music. Aldershot: Ashgate, 2006. 3. Mera, M. 'Takemitsu's Composed Space in Kurosawa's Ran', in Robynn Stilwell and Peter Franklin, eds., Cambridge Companion to Film Music. Cambridge: Cambridge U
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20

Hall, Kenneth Estes. "Mountain Men on Film." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/596.

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Excerpt: The mountain man of American folklore and history is a man between cultures. Like Janus, the doorkeeper god of the Romans, he is bifrontal, looking back at European, white civilization, and forward toward Indian civilization and culture.
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21

Wilmes, Justin A. "Projecting Social Concerns: Russian Auteur Cinema in the Putin Era." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1431037346.

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22

Sorensen, Abigail. "The Feminine Sublime in 21st Century Surrealist Cinema." Wright State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=wright1464046230.

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23

Thompson, Julia Erwin. "Exploitative to Favorable, Freak to Ordinary: The Evolution of Disability Representation in Film." Ohio Dominican University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=odu1449053412.

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24

Pereira, Joshua R. "GRAND: A Short Film." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2235.

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In this paper I will describe the creative process throughout the making of my short film thesis GRAND. I will describe this in three parts: pre-production, wherein I will detail developing the concept, writing the script, and funding/preparing for production; production, wherein I will detail the set construction, visual planning, and the day-to-day operations on set; and post-production, wherein I will detail the editing of the film and the composition of the score. All of this will be framed in reference to the proposed theme of the film, and I will conclude by evaluating whether or not the
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25

Hoare, Jonathan Giles. "Imperialism & 'alternative' film culture : the Empire Marketing Board film unit : 1926-1933." Thesis, Kingston University, 2010. http://eprints.kingston.ac.uk/21827/.

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This thesis explores the early years of the British documentary movement as it formed within the Empire Marketing Board between 1926 and 1933. I begin by offering new insights into this formation by focusing on key institutions that have been under-researched in existing literature. The movement started with government money and resources, in a position formalised by the EMB's use of the Imperial Institute, a Victorian institution with an established history of public education, exhibition and research. Within this official institutional framework the EMB's filmmakers enjoyed an extraordinary
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26

Hatton, Hilary J. "Magnetic and structural studies of nanoscale multilayer and granular alloy systems of Ag and FeCo." Thesis, University of Sheffield, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286916.

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27

Lange, Shara K. "Documentary Film Engagement." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/3651.

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28

Paleker, Gairoonisa. "Creating a 'black film industry' : state intervention and films for African audiences in South Africa, 1956-1990." Doctoral thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/8259.

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Includes abstract.<br>Includes bibliographical references (leaves 217-239).<br>This thesis examines one aspect of cinema in South Africa, namely, the historical construction of a 'black film industry' and the development of a 'black' cinema viewing audience. It does so by focusing on films produced specifically for an African audience using a state subsidy. This subsidy was introduced in 1972 and was separate from the general or A-Scheme subsidy that was introduced in 1956 for the production of English- and Afrikaans-language or 'white' films. This thesis is a critical assessment of the actual
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29

French, Heidi Marie. "Gravimetric and optical studies of electroactive film dynamics." Thesis, University of Leicester, 2002. http://hdl.handle.net/2381/30065.

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The novel combined Electrochemical Quartz Crystal Microbalance-Probe Beam Deflection (EQCM-PBD) technique was used to study electroactive film dynamics and determine the individual contributions made by cation, anion and solvent species to the overall redox switching mechanism. The interpretation of the responses was extended to investigate the nature of the species transfer and film thickness changes in response to volume constraints. Studies of nickel hydroxide films in LiOH electrolyte show that hydroxide is the only detected ion transferring across the electrode/electrolyte interface to ma
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30

Bateman, Libei. "Studies of heme proteins using protein film voltammetry." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289588.

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31

Barnes, Jean-Paul L. P. Barnes. "TEM studies of thin film oxide/metal nanocomposites." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.398136.

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32

Whyte, Alex. "Thin film studies of planar transition metal complexes." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/7966.

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At present the field of molecular electronics - also known as molecular semiconductors, organic semiconductors, plastic electronics or organic electronics - is dominated by organic materials, both polymeric and molecular, with much less attention being focused on transition metal based complexes despite the advantages they can offer. Such advantages include tuneable frontier orbitals through the ligand/metal interaction and the ability to generate stable paramagnetic species. Devices containing radical materials are particularly interesting in order to examine the interplay between conduction
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33

Sethu, Murugesan. "Performance studies of thin film electroluminescent (TFEL) devices." Thesis, Nottingham Trent University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.250453.

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34

Sugimoto, Yoshiharu. "Studies of CdTe electrodeposition." Thesis, University of Southampton, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.241263.

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35

Baracco, Alberto. "Phenomenological hermeneutics of film philosophical thinking : a hermeneutic method for film world interpretation." Thesis, Kingston University, 2016. http://eprints.kingston.ac.uk/37321/.

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Over the past few decades, the relationship between film and philosophy has been an object of an intense debate among film scholars, revitalizing some basic theoretical questions about cinematic representations and their meanings. As a result of this debate, many recent works in film philosophy, adopting the approach identified with the term 'Film as Philosophy' (FaP), have considered film as capable of its own philosophical thought. from this specific research perspective, the thesis proposed a new methodological strategy in maintaining FaP. The main aim of this thesis is to develop a hermene
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36

Bidgood, Lee. "Banjo Romantika: Film and Community Effort." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1042.

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37

Pyles, Tessa. "Confined: Motherhood in Twenty-First Century American Film." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1587303410049169.

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38

Pina, Tyler A. "Hell at Heathridge: A Student Film." Kent State University Honors College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1399218283.

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39

Candela, Buddy Anthony James. "Unlucky: A Student Film." Kent State University Liberal Studies Essays / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ksuls1460646282.

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40

Williams, Melanie Jane. "Divergent femininities in British film, 1945-59." Thesis, University of Hull, 2004. http://hydra.hull.ac.uk/resources/hull:11120.

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British cinema of the post-war period has often been characterised as anodyne in terms of gender relations, with the exciting 'wicked ladies' of the war years erased in favour of more conservative versions of femininity. Recent writing (Geraghty, 2000, Harper and Porter, 2003) has brought challenges to bear on this paradigm and opened up a critical space for a more nuanced analysis of gender. This thesis considers representations of divergent femininities in post-WWII British films, that is, female characters who function as liminal figures and who queer boundaries between normative and diverg
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41

Sands, Zachary Adam. "Film Comedy and the American Dream." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1483612711940071.

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42

Roberts, Jason Kelly. "The Awkward Ages| Film Criticism, Technological Change, and Cinephilia." Thesis, Northwestern University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3741433.

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<p> This dissertation examines the rhetoric of popular and academic film criticism across moments of major technological change, focusing on the coming of sound, television broadcasts of movies, home video, and digital projection. Specifically, I investigate the appearance of four seemingly binary oppositions (change/continuity; specificity/convergence; scarcity/plenitude; and hope/disillusionment) constructed and deployed by film critics to ascertain the scope and value of these changes. In doing so, I uncover common responses to otherwise new and distinct cinematic technologies. </p><p> Al
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James-Erickson, Luke Hunter. "Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema." Thesis, University of Colorado at Denver, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10289396.

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<p> This paper critically examines films created with smart phones and similar devices in order to discuss how these films are understood within modern society, and how they can potentially be used as a potent source of empathy or a destructive tool of manipulation. Since the tools of cinematic creation have become more widely available, thanks to the development of inexpensive cameras and smartphones, making films and viewing films made by other amateur filmmakers has become a part of many people&rsquo;s everyday life, so much so that these films are rarely considered to be &lsquo;films&rsquo
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Freeman, Lee Paul. "'The mild revolution' : the politics of Ealing Studios." Thesis, University of Hull, 2014. http://hydra.hull.ac.uk/resources/hull:13229.

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McLean, Gregory J. "Power, privilege, and the past| A rhetorical analysis of ideology in cinematic portrayals of memory." Thesis, Northern Arizona University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10251866.

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<p> Autobiographical memory is an elusive and ephemeral experience to try and articulate or analyze. It is dynamic, interpretive, and subject to influence. It is malleable and inevitably colored by the variety of beliefs and values held by individuals and which change over the course of a life. With these considerations in mind, is it possible that our own autobiographical memories are ideological? It doesn&rsquo;t seem a stretch to presume our autobiographical memories are imbued with and surrounded by ideas of racism, sexism, classism, patriarchy, privilege and other ideologies of power; top
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46

Hughes, Alan Edmund. "The North of England in British fiction feature film, 1927-2000." Thesis, University of Central Lancashire, 2018. http://clok.uclan.ac.uk/24013/.

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This thesis is an historical investigation of the North of England in British fiction feature film released between 1927 and 2000. Taking an approach to the research that involved an examination of the entire corpus of texts available, rather than the more orthodox route of studying a smaller number of films deemed representative of the wider body of work, this thesis has quantitatively and qualitatively mapped the presence of the North of England in British film outputs. This methodological approach is, in itself, unique compared to the existing studies of how the different regions or ‘Home N
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47

Sheldon, Amy Gabrielle. "The Relevance of the Biopic Krotoa (2017): A Mis-Representation of History?" Master's thesis, Faculty of Humanities, 2021. http://hdl.handle.net/11427/34028.

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This dissertation examines the representation the Khoi woman Krotoa in the film of the same name directed by Roberta Durrant (2017). It draws on scholarship by Pamela Scully (2005) and Julia C. Wells (1997), who argue that Krotoa adapted well to her circumstances, following the arrival of Jan Van Riebeeck at the Cape in 1652. Krotoa used her gender to influence Van Riebeeck's decision-making, regarding trade relations with the Khoi people. This thesis shows these views to be complicated and contested, especially considering evidence of victimisation and sexual assault of indigenous women by co
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48

Broodryk, Chris Willem. "Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014." Doctoral thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/20299.

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This thesis develops a conceptual and theoretical framework within which to position contemporary Afrikaans cinema as a cinema of political impotence. Afrikaans cinema is first located within the tensions of democratic post-transitional South African society and linked to the identity politics of being identified as 'Afrikaner' or 'Afrikaans speaking'. The thesis provides a critical overview of film scholar Thomas Elsaesser's studies of (New) German Cinema and Hollywood, identifying key notions such as double occupancy to inform the study's vocabulary, and discussing how certain cultures have
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49

Mdege, Norita. "Heroines, victims and survivors: female minors as active agents in films about African colonial and postcolonial conflicts." Doctoral thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/27845.

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This thesis analyses the representations of girls as active agents in fictional films about African colonial and postcolonial conflicts. Representations of these girls are located within local and global contexts, and viewed through an intersectional lens that sees girls as trebly marginalised as "female," "child soldiers" and "African." A cultural approach that combines textual and contextual analyses is used to draw links between the case study films and the societies within which they are produced and consumed. The thesis notes the shift that occurs between the representations of girls in a
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50

Rijsdijk, Ian-Malcolm. "Seeking the other shore : myth and history in the films of Terrence Malick." Doctoral thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/14738.

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Includes bibliographical references (leaves 254-269).<br>Terrence Malick is a unique director in contemporary film, an enigmatic and resolutely independent filmmaker who operates successfully within the studio system of Hollywood. His unusual career - which includes a twenty-year 'sabbatical' during which he appeared to have dropped out of the industry altogether - has produced comparatively little in the way of academic research, though there has been increased activity since the release of The Thin Red Line in 1998. The title - 'Seeking the Other Shore' - provides a thematic approach to the
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