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Journal articles on the topic 'Film studies'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Jimeno Aranda, Ricardo. "African film studies: an introduction." Comunicación Revista Internacional de Comunicación Audiovisual Publicidad y Literatura 2, no. 21 (2023): 176–91. http://dx.doi.org/10.12795/comunicacion.2023.v21.i02.09.

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2

Bruch, Anne. "Educational Film Studies." Journal of Educational Media, Memory, and Society 8, no. 1 (2016): 120–29. http://dx.doi.org/10.3167/jemms.2016.080107.

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Since the 1890s early film pioneers used their cinematographic oeuvre for educational and informative purposes. As a result not only did film production companies regard schools as a lucrative emerging market, but progressive teachers also welcomed this new resource for teaching and learning. Soon a professional infrastructure was created and included several teachers’ associations, film catalogues, journals, and conferences dealing with educational films and their use in teaching and the education sector.

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3

Botz-Bornstein, Thorsten. "Mapping Film Studies." Film-Philosophy 10, no. 2 (2006): 82–86. http://dx.doi.org/10.3366/film.2006.0022.

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4

Klevan, Andrew. "Ordinary Language Film Studies." Aesthetic Investigations 3, no. 2 (2020): 387–406. http://dx.doi.org/10.58519/aesthinv.v3i2.11945.

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 This essay explains Ordinary Language Philosophy (OLP), because it is relatively unfamiliar to those working in the field of Film-Philosophy, and proposes it as beneficial to film study. OLP provides us with a method of philosophising in relation to films that (1) is not theoretical, paradigmatic or thematic, and is therefore potentially unrestrained because it is not a priori or determining; that (2) is context sensitive, proceeding on a case-by-case basis, while also capable of synoptic overview (through connective analysis); that (3) encourages conceptual clarification and responsive

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Klevan, Andrew. "Ordinary Language Film Studies." Aesthetic Investigations 3, no. 2 (2020): 387–406. https://doi.org/10.5281/zenodo.6560409.

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This essay explains Ordinary Language Philosophy (OLP), because it is relatively unfamiliar to those working in the field of Film-Philosophy, and proposes it as beneficial to film study. OLP provides us with a method of philosophising in relation to films that (1) is not theoretical, paradigmatic or thematic, and is therefore potentially unrestrained because it is not a priori or determining; that (2) is context sensitive, proceeding on a case-by-case basis, while also capable of synoptic overview (through connective analysis); that (3) encourages conceptual clarification and responsive articu

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6

Balasundraprabhu, Rangasamy, E. V. Monakhov, N. Muthukumarasamy, and B. G. Svensson. "Studies on Nanostructure ITO Thin Films on Silicon Solar Cells." Advanced Materials Research 678 (March 2013): 365–68. http://dx.doi.org/10.4028/www.scientific.net/amr.678.365.

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Nanostructure ITO thin films have been deposited on well cleaned glass and silicon substrates using dc magnetron sputtering technique. The ITO films are post annealed in air using a normal heater setup in the temperature range 100 - 400 °C. The ITO film annealed at 300°C exhibited optimum transparency and resistivity values for device applications. The thickness of the ITO thin films is determined using DEKTAK stylus profilometer. The sheet resistance and resistivity of the ITO films were determined using four probe technique. Finally, the optimized nanostructure ITO layers are incorporated on

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7

Sokoloff, Naomi. "Cinema Studies/Jewish Studies, 2011–2013." AJS Review 38, no. 1 (2014): 143–60. http://dx.doi.org/10.1017/s0364009414000075.

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In an era of massive university budget cuts and pervasive malaise regarding the future of the humanities, cinema and media studies continue to be a growth industry. Many academic fields have been paying increasing attention to film, in terms of both curriculum development and research. Jewish studies is no exception. Since 2011, a boom in publications has included a range of new books that deal with Jews on screen, Jewish themes in cinema, and the construction of Jewish identity through film. To assess what these recent titles contribute to Jewish cinema studies, though, requires assessing the

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8

Hwang, Young Kyu, Ajit Singh Mamman, K. R. Patil, Lee Kyung Kim, Jin Soo Hwang, and Jong San Chang. "Reflectometry Studies of Mesoporous Silica Thin Films." Solid State Phenomena 135 (February 2008): 31–34. http://dx.doi.org/10.4028/www.scientific.net/ssp.135.31.

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Reflectometry technique has been successfully applied to investigate the correlation between the porosity and optical property (refractive index) of the ordered mesoporous thin film deposited on silicon wafer substrates. The measured optical spectra were simulated by the Effective Medium approximation model. The reflectometry technique has been found to be appropriate for the measurement of thickness of thin films as well as thick layer films. The mesoporous silica films prepared from tri-block copolymer (F-127) as a surfactant and polypropylene oxide as a swelling agent were subsequently expo

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9

Purdie, S. "Film Studies." Year's Work in Critical and Cultural Theory 3, no. 1 (1993): 341–67. http://dx.doi.org/10.1093/ywcct/3.1.341.

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10

Ben McCann. "French Studies: Film Studies." Year's Work in Modern Language Studies 76 (2016): 108. http://dx.doi.org/10.5699/yearworkmodlang.76.2014.0108.

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Piero Garofalo. "Italian Studies: Film Studies." Year's Work in Modern Language Studies 76 (2016): 319. http://dx.doi.org/10.5699/yearworkmodlang.76.2014.0319.

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12

Chaplin, Felicity. "French Studies: Film Studies." Year’s Work in Modern Language Studies 82, no. 1 (2022): 97–112. http://dx.doi.org/10.1163/22224297-08201005.

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13

Chaplin, Felicity. "French Studies: Film Studies." Year’s Work in Modern Language Studies 81, no. 1 (2021): 159–73. http://dx.doi.org/10.1163/22224297-08101008.

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14

Lucchi, Nicola. "Italian Studies: Film Studies." Year’s Work in Modern Language Studies 81, no. 1 (2021): 460–77. http://dx.doi.org/10.1163/22224297-08101024.

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15

Cabrini, Leonardo. "Italian Studies: Film Studies." Year’s Work in Modern Language Studies 84, no. 1 (2024): 364–73. http://dx.doi.org/10.1163/22224297-08401009.

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16

McCann, Ben. "French Studies: Film Studies." Year’s Work in Modern Language Studies 77, no. 1 (2017): 61–71. http://dx.doi.org/10.1163/22224297-07701006.

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17

McCann, Ben. "French Studies: Film Studies." Year’s Work in Modern Language Studies 78, no. 1 (2018): 129–40. http://dx.doi.org/10.1163/22224297-07801009.

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18

McCann, Ben. "French Studies: Film Studies." Year’s Work in Modern Language Studies 79, no. 1 (2019): 167–77. http://dx.doi.org/10.1163/22224297-07901009.

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19

Härmänmaa, Marja, and Nicola Lucchi. "Italian Studies: Film Studies." Year’s Work in Modern Language Studies 79, no. 1 (2019): 460–70. http://dx.doi.org/10.1163/22224297-07901031.

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Chaplin, Felicity, and Gemma King. "French Studies: Film Studies." Year’s Work in Modern Language Studies 80, no. 1 (2020): 261–71. http://dx.doi.org/10.1163/22224297-08001011.

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21

Lucchi, Nicola. "Italian Studies: Film Studies." Year’s Work in Modern Language Studies 80, no. 1 (2020): 606–20. http://dx.doi.org/10.1163/22224297-08001033.

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22

Chaplin, Felicity. "French Studies: Film Studies." Year’s Work in Modern Language Studies 83, no. 1 (2023): 128–47. http://dx.doi.org/10.1163/22224297-08301034.

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23

Kopbayeva, G. K., B. K. Nurpeis, N. R. Eskendirov, and K. A. Gabdrashitova. "Trends in Film Studies in the Context of Modern World Cinematography." International Journal of Criminology and Sociology 9 (April 5, 2022): 1876–83. http://dx.doi.org/10.6000/1929-4409.2020.09.216.

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This article is devoted to the questions of the history of the Kazakh film studies development and further prospects in comparison with the dynamics of world film studies. The authors have analyzed the typical issues of film studies development in the Central Asia region, studied the specifics of film schools in five countries: Kazakhstan, Kyrgyzstan, Uzbekistan, Turkmenistan and Tajikistan. Conclusions have been drawn on the development of film studies in this region. Overall, the evaluation of development prospects, given in the conclusion of the study, can certainly have a beneficial

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24

Martínez-Miranda, L. J., J. J. Santiago-Avilés, W. R. Graham, P. A. Heiney, and M. P. Siegal. "X-ray structural studies of epitaxial yttrium silicide on Si(111)." Journal of Materials Research 9, no. 6 (1994): 1434–40. http://dx.doi.org/10.1557/jmr.1994.1434.

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We performed a series of glancing angle and reflection x-ray diffraction experiments to study both the in-plane and out-of-plane structure of epitaxial YSi2−x films grown on Si(111), with thicknesses ranging from 85 Å to 510 Å. These measurements allowed us to characterize the mean film lattice constants, the position correlation lengths of the film, and the presence and extent of strain as a function of film thickness. We find that the strain along the basal plane increases as a function of increasing thickness to approximately 1% in the 510 Å film; the corresponding out-of-plane strain is su

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25

Nahm, S., L. Salamanca-Riba, D. L. Partin, and J. Heremans. "Transmission electron microscopy studies of bismuth films." Journal of Materials Research 5, no. 4 (1990): 784–88. http://dx.doi.org/10.1557/jmr.1990.0784.

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We have studied the structure of Bi films grown on BaF2 substrates as a function of the distance from the interface with the substrate. Close to the interface the films show a polycrystalline structure and probably contain some amorphous regions. The crystallite size increases as the distance from the interface increases. At distances ≥90 nm the film becomes single crystalline and has the (111) trigonal direction normal to the film surface. Our structural data relate very well to mobility measurements performed on samples grown under the same conditions. Our results suggest that the carrier mo

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26

Kozhokaru, T. I. "Analytical Schemes of Early Film Studies." Koinon 4, no. 3 (2024): 39–56. http://dx.doi.org/10.15826/koinon.2024.04.3.013.

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The article is devoted to the description of some concepts of the nature of cinema and identification of algorithms for analyzing films presented in early cinema studies. The paper provides an overview of the formation of film theory and, for the first time in Russian, outlines the ideas about cinema of such thinkers as Maffio Maffii, Giovanni Fossi, Crainquebille, Gaio, Gustav Melcher, Kurt Weisse, Hermann Kienzl, and Albert Hellwig. The article also formulates the ideas of Vachel Lindsay and Hugo Münsterberg, the first film theorists who laid the foundations for two branches of cinema studie

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27

Rick Altman. "Whither Film Studies (in a Post–Film Studies World)?" Cinema Journal 49, no. 1 (2009): 131–35. http://dx.doi.org/10.1353/cj.0.0160.

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28

Fong, Benjamin Ruilin. "Learning to Speak Chinese: Defining the Sino-American Film Paradigm." Arts 13, no. 1 (2024): 18. http://dx.doi.org/10.3390/arts13010018.

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This article proposes a new paradigm, Sino-American film, that is centered on Chinese language in American films. Sino-American films comprise two generations. The First Generation includes Pushing Hands (1993), Take Out (2004), and Saving Face (2004) and is characterized by independent production, limited distribution, and creation during a period when Asian Americans were rarely represented on film. The Second Generation includes The Farewell (2019), Tigertail (2019), Shang-Chi and the Legend of Ten Rings (2021), and Everything Everywhere All at Once (2022) and is characterized by a Hollywoo

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29

Garofalo, Piero. "Italian Studies: Film Studies, 2015." Year’s Work in Modern Language Studies 78, no. 1 (2018): 324–30. http://dx.doi.org/10.1163/22224297-07801027.

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30

Lucchi, Nicola. "Italian Studies: Film Studies, 2016." Year’s Work in Modern Language Studies 78, no. 1 (2018): 331–39. http://dx.doi.org/10.1163/22224297-07801028.

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31

Hakim, Luqman Abdul. "MENERAWANG MASA LALU DI ERA DIGITAL: FILM SEJARAH VIS A VIS HISTORIOGRAFI." SASDAYA: Gadjah Mada Journal of Humanities 3, no. 1 (2019): 33. http://dx.doi.org/10.22146/sasdayajournal.43885.

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In recent years historical film production or historical films — Historical Film, Historical Movie, Historical Cinema—have become increasingly massive in Indonesia. In its development, historical films in Indonesia are a massive medium to present a past that deserves to be remembered as a collective memory of society. Since the reform era, dozens of historical film titles have been produced and colouring the Indonesian film industry. As a result, many historical films have become references and reference sources for the community to find information about the past. It becomes reasonable to see

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32

Miyake, S., R. Kaneko, Y. Kikuya, and I. Sugimoto. "Micro-Tribological Studies on Fluorinated Carbon Films." Journal of Tribology 113, no. 2 (1991): 384–89. http://dx.doi.org/10.1115/1.2920633.

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Micro-tribology is a key technology in micro-mechanics and the magnetic recording head-media interface. The atomic-scale surface state is very important in micro-tribology. However, the concepts of micro-tribological material design are not clear. The top-surface must be modified to improve micro-tribological properties. To improve adhesion and strength, hard carbon films containing silicon deposited by an electron cyclotron resonance (ECR) plasma depositor are examined for friction and wear using a reciprocating tribometer. Fluorinated silicon-containing films are deposited to reduce atomic-s

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33

Grover, Rakhi, Ritu Srivastava, and Kanchan Saxena. "Luminescence studies in cadmium telluride nanocrystals grown on glass substrates." RSC Advances 12, no. 41 (2022): 26596–602. http://dx.doi.org/10.1039/d2ra01387h.

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CdTe thin films deposited using vacuum thermal evaporation and incorporated inside OLEDs. A shift in electroluminescence peak observed with increasing film thickness. The method can be employed to control emission properties by varying film thickness.

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34

Jatti, Vijaykumar S., Meena Laad, and T. P. Singh. "Raman Spectroscopy Studies on DLC Films Synthesized by PECVD Method." Applied Mechanics and Materials 592-594 (July 2014): 842–46. http://dx.doi.org/10.4028/www.scientific.net/amm.592-594.842.

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Diamond like carbon (DLC) is a metastable form of amorphous carbon containing fraction of sp2 and sp3 bonds. Their mechanical properties depend on the sp3 content as well as on the number and size of graphitic nanoclusters. It is noted that properties change significantly depending on the method of preparation of these films. These properties are also altered by the composition of the films. In view of this, the objective of present work was to deposit hydrogenated DLC films on p-type silicon substrate using inductively coupled plasma enhanced chemical vapor deposition (IC-PECVD) technique wit

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35

Jamaludin, J., F. Adam, R. Abdul Rasid, and Z. Hassan. "Thermal studies on Arabic gum - carrageenan polysaccharides film." Chemical Engineering Research Bulletin 19 (September 10, 2017): 80. http://dx.doi.org/10.3329/cerb.v19i0.33800.

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<p>The main objective of this work is to develop film and study the thermal characteristics of polysaccharides films at various concentration of carrageenan in the mixture by calculating activation energy of polysaccharides films. There were four (4) film samples of two polysaccharides combination; arabic gum (AG) and carrageenan (C) with different formulations; sample A, sample B, sample C and sample D prepared. Sample A film is the control sample that contained only arabic gum and distilled water (DI) with 40% weight arabic gum per volume DI water (w/v%). Meanwhile for sample B and C w

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36

Wasson, Haidee. "Formatting Film Studies." Film Studies 12, no. 1 (2015): 57–61. http://dx.doi.org/10.7227/fs.12.0007.

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Film studies is currently undergoing a needed and healthy expansion of methodologies and critical approaches, including media, cultural and technology studies. This is crucial not just for examining cinemas present but also its past. Using format theory, this article opens up our understanding of what cinema has been, rather than what it should have been. It does this by documenting the minor technological footprint of movie theatres when compared to the expansive one consisting of 8mm and 16mm small-gauge projectors. In the United States by 1980, these portable devices,outnumbered commercial

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37

Seyferth, Peter. "Utopian Film Studies." Science Fiction Studies 47, no. 2 (2020): 304–7. http://dx.doi.org/10.1353/sfs.2020.0077.

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38

Kaplan, E. A. "Inventing Film Studies." Screen 51, no. 4 (2010): 426–30. http://dx.doi.org/10.1093/screen/hjq037.

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39

Seyferth. "Utopian Film Studies." Science Fiction Studies 47, no. 2 (2020): 304. http://dx.doi.org/10.5621/sciefictstud.47.2.0304.

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40

Lewis, Jon. "Introducing Film Studies." Cinema Journal 50, no. 3 (2011): 93–95. http://dx.doi.org/10.1353/cj.2011.0037.

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41

Bottomore, Stephen. "Inventing film studies." Early Popular Visual Culture 10, no. 1 (2012): 98. http://dx.doi.org/10.1080/17460654.2012.646760.

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42

María Antonia Vélez-Serna. "(Micro)film Studies." Moving Image: The Journal of the Association of Moving Image Archivists 17, no. 2 (2017): 95. http://dx.doi.org/10.5749/movingimage.17.2.0095.

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43

Miller, Henry K. "Film studies before film studies: Derek Jarman at the Slade." Screen 57, no. 3 (2016): 371–78. http://dx.doi.org/10.1093/screen/hjw032.

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44

Moustakas, Theodore D. "Molecular Beam Epitaxy: Thin Film Growth and Surface Studies." MRS Bulletin 13, no. 11 (1988): 29–36. http://dx.doi.org/10.1557/s0883769400063892.

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Molecular Beam Epitaxy (MBE) is a thin film deposition process in which thermal beams of atoms or molecules react on the clean surface of a single-crystalline substrate, held at high temperatures under ultrahigh vacuum conditions, to form an epitaxial film. Thus, contrary to the CVD processes described in the other articles, the MBE process is a physical method of thin film deposition.The vacuum requirements for the MBE process are typically better than 10−10torr. This makes it possible to grow epitaxial films with high purity and excellent crystal quality at relatively low substrate temperatu

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45

Hanich, Julian. "How Many Emotions Does Film Studies Need?" Projections 15, no. 2 (2021): 91–115. http://dx.doi.org/10.3167/proj.2021.150204.

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A look at current emotion research in film studies, a field that has been thriving for over three decades, reveals three limitations: (1) Film scholars concentrate strongly on a restricted set of garden-variety emotions—some emotions are therefore neglected. (2) Their understanding of standard emotions is often too monolithic—some subtypes of these emotions are consequently overlooked. (3) The range of existing emotion terms does not seem fine-grained enough to cover the wide range of affective experiences viewers undergo when watching films—a number of emotions might thus be missed. Against t

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46

Lai, Chin Wei. "WO3Nanoplates Film: Formation and Photocatalytic Oxidation Studies." Journal of Nanomaterials 2015 (2015): 1–7. http://dx.doi.org/10.1155/2015/563587.

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High surface area of tungsten oxide (WO3) nanoplates films was prepared via simple electrochemical anodization technique by controlling the fluoride content (NH4F) in electrolyte. The design and development of WO3-based nanostructure assemblies have gained significant interest in order to maximize specific surface area for harvesting more photons to trigger photocatalytic oxidation reaction. This study aims to determine the optimum content of NH4F in forming WO3nanoplates on W film with efficient photocatalytic oxidation reaction for organic dye degradation by utilizing our solar energy. The N

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47

Wei, Juntong. "Wong Kar-wai's Film Aesthetics: An Analysis of Chungking Express from the Perspective of Film Studies." Journal of Education, Humanities and Social Sciences 33 (June 17, 2024): 78–84. http://dx.doi.org/10.54097/hq19yz65.

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Chungking Express is a strong stroke in Hong Kong films, whether it is the choice of characters, the deep meaning of the shooting technique, the suspenseful metaphor or the subtle and rich emotion, all make this film bring a unique look and feel to the audience. Since its release in the 90s of the 20th centuries, Chungking Express has received wide attention in society and film academia and has also triggered a boom in appreciation and analysis by many audiences and critics. The external characteristics and internal significance of the film are still worth studying and reading in the 21st cent

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48

Mahalingam, T., V. Dhanasekaran, S. Rajendran, R. Chandramohan, Luis Ixtlilco, and P. J. Sebastian. "Electrosynthesis and Studies on CdZnSe Thin Films." Journal of New Materials for Electrochemical Systems 15, no. 1 (2011): 37–42. http://dx.doi.org/10.14447/jnmes.v15i1.86.

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Electrodeposited CdZnSe thin films have been prepared at various bath temperatures. The thickness of the films was estimated between 850 nm and 1500 nm by stylus method. The X-ray diffraction patterns revealed that the polycrystalline nature with cubic structure of CdZnSe alloy thin films. Microstructural properties such as, crystallite size, dislocation density, microstrain and number of crystallites per unit area were calculated using predominant orientation of the films. SEM images revealed that the surface morphology could be tailored suitably by adjusting the pH value during deposition. T

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49

Patil, M. M., K. P. Joshi, and S. B. Patil. "Studies on nanocomposites nanoplates and pervoskite nanorod thin films." YMER Digital 20, no. 12 (2021): 303–13. http://dx.doi.org/10.37896/ymer20.12/27.

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Nano crystalline nickel oxide thin films of different film thickness were deposited onto glass substrate at 350 oC by varying volume of precursor solution using spray pyrolysis technique. This structural, morphological and microstructure properties were investigated using XRD, FE-SEM and TEM. The element composition was studied using EDAX. It is found that increase in the volume of sprayed solution leads to the increment in film thickness and amelioration of crystallinity of the film. The results are discussed and interpreted.

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50

Ochoa, Chrystian, Shang Gao, Samanvaya Srivastava, and Vivek Sharma. "Foam film stratification studies probe intermicellar interactions." Proceedings of the National Academy of Sciences 118, no. 25 (2021): e2024805118. http://dx.doi.org/10.1073/pnas.2024805118.

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Ultrathin foam films containing supramolecular structures like micelles in bulk and adsorbed surfactant at the liquid–air interface undergo drainage via stratification. At a fixed surfactant concentration, the stepwise decrease in the average film thickness of a stratifying micellar film yields a characteristic step size that also describes the quantized thickness difference between coexisting thick–thin flat regions. Even though many published studies claim that step size equals intermicellar distance obtained using scattering from bulk solutions, we found no reports of a direct comparison be

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