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1

John, Mercer. Glossary of film terms. Edited by Erens Patricia 1938- and University Film and Video Association. University Film and Video Association, 1986.

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John, Mercer. Glossary of film terms. Edited by Erens Patricia 1938- and University Film and Video Association. University Film and Video Association, 1986.

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3

Beaver, Frank E. Dictionary of film terms: The aesthetic companion to film analysis. Twayne, 1994.

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Beaver, Frank Eugene. Dictionary of film terms: The aesthetic companion to film analysis. Twayne Publishers, 1994.

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5

Beaver, Frank Eugene. Dictionary of film terms: The aesthetic companion to film art. Peter Lang, 2007.

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6

Inc, Facts on File, ed. The Facts on File dictionary of film and broadcast terms. Facts on File, 1991.

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7

Bushby, Alex. A-Z of film, television and video terms. Blueprint, 1994.

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8

Chatman, Seymour Benjamin. Coming to terms: The rhetoric of narrative in fiction and film. Cornell University Press, 1990.

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9

Printing, London College of. BA Film and Video thesis 1990: Coming To Terms with Pornography. LCP, 1990.

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10

Heidmann, James D. Coarse grid modeling of turbine film cooling flows using volumetric source terms. National Aeronautics and Space Administration, Glenn Research Center, 2001.

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11

Yee, Martha M. Moving image materials: Genre terms. Cataloging Distribution Service, Library of Congress, 1988.

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12

Ettore, Segnari. The European film market and new technologies: Analysis of the film market in terms of the prospects offered by the new technologies. Council of Europe, Council for Cultural Co-operation, Cultural Affairs Division, 1985.

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13

Mon, Ya-Feng. Film Production and Consumption in Contemporary Taiwan. Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789089648884.

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This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience's freedom to choose and respond to culture on its own terms. Interweaving in-depth interviews with filmmakers, producers, marketers, and spectators, Ya-Fong Mon takes a biopolitical approach to the question, showing how the industry uses investments in techno-science, ancillary marketing, and media convergence to seduce and control the sensory experience of the audience-yet that control only extend
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Ostrowska, Dorota, and Tamara L. Falicov. Shaping Film Festivals in a Changing World. Amsterdam University Press, 2025. https://doi.org/10.5117/9789463725576.

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This volume is a collective attempt on the part of a community of academics, film festival curators, and archivists to come to terms with practical and intellectual challenges of the pandemic and post-pandemic realities affecting cultures of film festivals. The collection draws contours of critical inquiry orienting current film festival research and practice to explore new directions in archiving and decolonizing practices and big data analysis in the post-Covid-19 context and beyond. The four-part study gathers the voices of academics and practitioners who engage in a dialogue to articulate
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Stoeva, Emilii︠a︡. Angliĭsko-bŭlgarski rechnik na foto, kino i video termini i definit︠s︡ii: English-Bulgarian vocabulary of photo, film, and video terms and difinitions. Action, 2001.

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16

Andrejew, Piotr. Polsko-angielski slownik filmowy - Polish-English Motion Pictures Dictionary: [2500 fachowych terminow filmowych i ich angielskie oraz amerykanskie odpowiedniki] [2500 film terms and their English translations]. Aeroscope - an imprint of Oficyna Wydawnicza "Sadyba", 2007.

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17

Lenfestey, Tom. The Facts on File dictionary of nautical terms. Facts on File, 1994.

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18

Hendrickson, Robert. The Facts on File encyclopedia of wordand phrase origins. Facts on File, 1987.

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19

1963-, Stevens Matt, ed. Script partners: What makes film and TV writing teams work. Michael Wiese Productions, 2002.

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20

Hendrickson, Robert. The Facts on File encyclopedia of word and phrase origins. 4th ed. Facts On File, 2008.

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21

Hendrickson, Robert. The Facts on File encyclopedia of word and phrase origins. 4th ed. Facts On File, 2008.

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22

Hendrickson, Robert. The Facts on File encyclopedia of word and phrase origins. 4th ed. Facts On File, 2008.

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23

Weseliński, Andrzej. A Dictionary of Film Terms and Film Studies. Warsaw University Press, 2014. http://dx.doi.org/10.31338/uw.9788323515258.

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24

Film-video terms and concepts. Focal Press, 1992.

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25

Moshansky, Tim. A-Z Guide to Film Terms. First Wave Publishing, 2001.

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26

Beaver, Frank Eugene. Dictionary of Film Terms: The Aesthetic Companion To Film Art. Peter Lang Publishing, 2006.

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27

Dictionary of Film Terms: The Aesthetic Companion to Film Art. Lang Publishing, Incorporated, Peter, 2015.

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28

Dictionary of film terms: The aesthetic companion to film art. P. Lang, 2005.

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29

Dictionary of film terms: The aesthetic companion to film art. 4th ed. Peter Lang, 2009.

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30

Ferncase, Richard. Film and Video Lighting Terms and Concepts. Routledge, 2013. http://dx.doi.org/10.4324/9780240814438.

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31

Film and video lighting terms and concepts. Focal Press, 1995.

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32

A to Z Guide to Film Terms. 4th ed. First Wave Publishing, 2007.

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33

A-Z Guide to Film Production Terms. First Wave Publishing, 1996.

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34

NA. Philosphy Thru Fictn& Film& Commn Phil Terms. Addison Wesley Longman, 2003.

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35

Ferncase, Richard. Film and Video Lighting Terms and Concepts. Taylor & Francis Group, 2013.

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36

Moshansky, Tim. A to Z Guide to Film Terms. First Wave Publishing, 2010.

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37

Ferncase, Richard. Film and Video Lighting Terms and Concepts. Taylor & Francis Group, 2013.

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38

Film finance & distribution: A dictionary of terms. Silman-James Press, 1992.

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39

Beaver, Frank. Dictionary of Film Terms: The Aesthetic Companion to Film Art - Fifth Edition. Lang AG International Academic Publishers, Peter, 2014.

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40

Beaver, Frank. Dictionary of Film Terms: The Aesthetic Companion to Film Art - Fifth Edition. Lang AG International Academic Publishers, Peter, 2014.

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41

Beaver, Frank. Dictionary of Film Terms: The Aesthetic Companion to Film Art - Fifth Edition. Lang AG International Academic Publishers, Peter, 2014.

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42

Away**, Alex Bus. A-Z of Film, Television and Video Terms. Routledge, 1990.

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43

Stephens, Michael L. Film Noir: A Comprehensive, Illustrated Reference to Movies, Terms, and Persons. McFarland & Company, 1994.

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44

Stephens, Michael L. Film Noir: A Comprehensive, Illustrated Reference to Movies, Terms and Persons. 2nd ed. McFarland & Company, Inc., Publishers, 2006.

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45

Coming to terms: The rhetoric of narrative in fiction and film. Cornell University Press, 1990.

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46

Film noir: A comprehensive, illustrated reference to movies, terms, and persons. McFarland, 1995.

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47

Holliday, Christopher. The Computer-Animated Film. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427883.001.0001.

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The Computer-Animated Film: Industry, Style and Genre is the first academic work to examine the genre identity of the computer-animated film, a global phenomenon of popular cinema that first emerged in the mid-1990s at the intersection of feature-length animated cinema and Computer-Generated Imagery (CGI). Widely credited for the revival of feature-length animated filmmaking within contemporary Hollywood, computer-animated films are today produced within a variety of national contexts and traditions. Covering thirty years of computer-animated film history, and analysing over 200 different exam
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48

Kuhn, Annette, and Guy Westwell. A Dictionary of Film Studies. Oxford University Press, 2020. http://dx.doi.org/10.1093/acref/9780198832096.001.0001.

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Over 550 entries This dictionary covers all aspects of its discipline as it is currently taught at undergraduate level. Offering exhaustive and authoritative coverage, this A-Z is written by experts in the field and covers terms, concepts, debates, and movements in film theory and criticism; national, international, and transnational cinemas; film history, movements, and genres; film industry organizations and practices; and key technical terms and concepts. Since its first publication in 2012, the dictionary has been updated to incorporate over 40 new entries, including computer games and fil
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49

Bernardi, Daniel, and Michael Green, eds. Race in American Film. Greenwood, 2017. http://dx.doi.org/10.5040/9798216983736.

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This expansive three-volume set investigates racial representation in film, providing an authoritative cross-section of the most racially significant films, actors, directors, and movements in American cinematic history. Hollywood has always reflected current American cultural norms and ideas. As such, film provides a window into attitudes about race and ethnicity over the last century. This comprehensive set provides information on hundreds of films chosen based on scholarly consensus of their importance regarding the subject, examining aspects of race and ethnicity in American film through t
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50

Bernardi, Daniel, and Michael Green, eds. Race in American Film. Greenwood, 2017. http://dx.doi.org/10.5040/9798216983750.

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This expansive three-volume set investigates racial representation in film, providing an authoritative cross-section of the most racially significant films, actors, directors, and movements in American cinematic history. Hollywood has always reflected current American cultural norms and ideas. As such, film provides a window into attitudes about race and ethnicity over the last century. This comprehensive set provides information on hundreds of films chosen based on scholarly consensus of their importance regarding the subject, examining aspects of race and ethnicity in American film through t
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