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Journal articles on the topic 'Film terms'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Ісаєнко, Оксана Володимирівна. "НАУКОВА РЕЦЕПЦІЯ ТЕРМІНОПОНЯТЬКІНОІНДУСТРІЇ В УКРАЇНСЬКІЙ КІНОЛЕКСИКОГРАФІЇ". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 40 (28 жовтня 2015): 145–49. https://doi.org/10.5281/zenodo.32838.

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<em>The article deals with the lexical units from the field of cinematography from the point of view of their terminological nature and the main approaches to their classification were defined on the basis of the material taken from professionally arranged dictionaries by V.N. Myslavskiy and S.I. Yutkevich as well as from the Internet-glossaries founded on the Ukrainian national cinema portals. The system of film terms is ramified and it continues to renew and develop its structure that is why the necessity of its detailed analysis arises. The central aim of the article is to identify the prim

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Chirilli, Chiara, and Luisa Torri. "Effect of Biobased Cling Films on Cheese Quality: Color and Aroma Analysis for Sustainable Food Packaging." Foods 12, no. 19 (2023): 3672. http://dx.doi.org/10.3390/foods12193672.

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Biobased and biodegradable polymeric materials are a sustainable alternative to the conventional plastics used in food packaging. This study investigated the possible effect of biobased cling films derived from renewable and circular and sustainable sources on key cheese sensory parameters (appearance and odor) able to influence consumer acceptance or rejection of a food product over time. For this purpose, a semi-hard cheese was selected as food model and stored for 14 days at 5 °C wrapped with five cling films: two bio-plastic materials from renewable circular and sustainable sources (R-BP1

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3

Deng, Tiantian, and Tianzi Zhang. "A Study of the Documentary Aesthetics of Tokyo Story in Terms of Society, Family, and Life." Advances in Humanities Research 8, no. 1 (2024): 42–45. http://dx.doi.org/10.54254/2753-7080/8/2024095.

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Based on the history of documentary film development and related theoretical arguments, this paper analyzes Yasujir Ozus work Tokyo Story. It combines Ozus expressed attitudes towards family, life, and society with the films narrative content, character development, and visual composition to elucidate the documentary aesthetics of the film.

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4

Zhao, Yuehan. "Research on Experimental Film--Based on Comparison of Experimental Film and Traditional Film." Communications in Humanities Research 9, no. 1 (2023): 123–27. http://dx.doi.org/10.54254/2753-7064/9/20231145.

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Experimental film is an important type of cinematic expression that originated from Europe in the 20th century. The content of experimantal film is more flexible and diverse than any other cinematic form. However, people nowadays seem to prefer traditional Hollywood films than experimental films. This paper analyses on experimental films. The reasons why experimental film works are not as popular among the general public as mainstream films may involve a variety of factors, including the nature of art, audience acceptance and aesthetic habits, limitations in publicity and marketing, cultural d

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5

Heineman, Elizabeth. "Gender, Sexuality, and Coming to Terms with the Nazi Past." Central European History 38, no. 1 (2005): 41–74. http://dx.doi.org/10.1163/1569161053623679.

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In the years leading to the sixtieth anniversary of the end of the Second World War, popular books and films have sparked lively discussions about the ways Germans use gender and sexuality to interpret the Nazi past. July 2003 saw the re-release of Eine Frau in Berlin, the anonymous diary of a woman who experienced the mass rapes surrounding the Battle for Berlin. In October of that year, the film Das Wunder von Bern (The Miracle of Bern) told a sentimental tale of a late-returning POW's relationship with his son. Coming on the heels of renewed discussions of German suffering, the popular film

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Zhu, Xia, Kazuki Kubo, Hiromichi Toyota, Shinfuku Nomura, Yukiharu Iwamoto, and Pria Gautama. "Deposition of a Diamond-Like-Carbon Film by Ion Plating and Investigation on its Adhesiveness." Key Engineering Materials 749 (August 2017): 70–75. http://dx.doi.org/10.4028/www.scientific.net/kem.749.70.

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Diamond-like-carbon (DLC) films are promising as coating materials. Ion plating, an excellent method in terms of adhesiveness, step coverage, and deposition rate, can form not only pure metal films but also oxide films, nitride films, and carbonized films. In this study, which aimed to form a DLC film with good adhesiveness and a diamond crystal structure, a DLC film, with a SiC interlayer formed by ion plating with introduction of tetramethylsilane (TMS), was formed. It was experimentally revealed that as the interlayer thickness increases, the crystal structure in the DLC film becomes more d

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Zhou, Qi, Guang Xia Sun, Ping Zhao, and Hong Yan Liu. "Corrosion Resistance of KH-550 and KH-567 Composite Silane Films on Cast Aluminum Alloy." Advanced Materials Research 460 (February 2012): 90–93. http://dx.doi.org/10.4028/www.scientific.net/amr.460.90.

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The silane films are fabricated by dipping cast aluminum alloy in silane solution, then curing films. The corrosion resistance of single silane film, composite silane film is compared with phosphating film through acid dropping test, salt water immersion test and electrochemical impedance test (EIS), the results shows that the silane films are obviously superior to the phosphating films in terms of the corrosion resistance of acid solution and neutral salt solution, particularly the corrosion resistance of composite silane films is much better than sigle silane films; corrosion polarization cu

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Ayurianti, Rininta, and Rista Ihwanny. "Character Convention of The Heist Film Subgenre in “Stealing Raden Saleh” (2022)." Deiksis 16, no. 2 (2024): 155. http://dx.doi.org/10.30998/deiksis.v16i2.21270.

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<p class="8Abstractcontent">In terms of genre study, film critics have engaged in lengthy discourses to figure out a consistent determining variable. Heist film is one of the genres that has also gone into overdrive due to the many variations that arise from the flexibility of its genre conventions. “Stealing Raden Saleh” (2022) is therefore chosen as the object of this research because it reflects the similarity of patterns with many films in the heist film subgenre. Furthermore, the film also markets itself as an action-heist film. This prompted the author to investigate how the charac

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9

Mathews, N. G., A. K. Saxena, N. Venkataramani, G. Dehm, and B. N. Jaya. "Multiscale characterization of damage tolerance in barium titanate thin films." Journal of Applied Physics 132, no. 4 (2022): 045302. http://dx.doi.org/10.1063/5.0095139.

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Barium titanate is a brittle, lead free ferroelectric and piezoelectric ceramic used in patterned and thin film forms in micro- and nano-scale electronic devices. Both during deposition and eventually during service, this material system develops stresses due to different loads acting on the system, which can lead to its failure due to cracking in the films and/or interface delamination. In situ microcantilever bending based fracture experiments and tensile tests based on shear lag tests in combination with digital image correlation were used to understand the cracking behavior of barium titan

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10

Grewal, Zareena. "Ruptured Cinema as Visual Anthropology: Reflections on 11”09’01 (September 11), From Ground Zero, and Palestinian Counter-Ethnography." Public Anthropologist 7, no. 2 (2025): 372–96. https://doi.org/10.1163/25891715-bja10079.

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Abstract In this essay, I offer close readings of the film shorts in two critically acclaimed film anthologies: 11”09’01, alternatively titled September 11, (2003) and From Ground Zero (2025). I argue that these two omnibus films can be understood as visual anthropology texts. Both films demonstrate the power of ruptured cinema and experimental film techniques to represent political violence and trauma. By drawing on visual and sound techniques that condense and expand time and space, including the use of found footage and audio, these films depart from familiar memorialization narratives and

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Zhang, Ying. "A Study on The Strategy Of "Social Media Loop" Of Chinese Commercial Films--Taking Chen Sicheng's Film as An Example." Journal of Education, Humanities and Social Sciences 28 (April 1, 2024): 377–83. http://dx.doi.org/10.54097/8qqb2067.

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Today's Chinese film industry is thriving, and there are many commercial films that have achieved high box office. So how to stand out from the crowd and get high box office is a question to ponder. Therefore, this paper starts from the study of Chen Sicheng's commercial film's media marketing tactics to explore the media marketing strategy of Chinese commercial film constitutes the closed loop of media marketing. Such a study is significant, not only in terms of how it helps a high-grossing film come to life, but also in terms of the positive lessons such marketing strategies can have for oth

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Ibagere, Elo, and Osakue Stevenson Omoera. "The Nigerian Film Plot." Matatu 48, no. 2 (2016): 435–49. http://dx.doi.org/10.1163/18757421-04802012.

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The Nigerian film industry, otherwise known as Nollywood, has been acknowledged to be the second-largest in the world in terms of volume of production. This fact presents an interesting vista worthy of investigation, especially with regard to the quality of the films produced. It is in respect of this premise that this article examines the plot of the Nigerian film—a feature capable of affecting the popularity of the film. The essay, having dwelt on what plot is, critically examines the Nigerian film plot and finds that Nollywood films mostly adopt an episodic structure, thereby making them un

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Roopa, K. V., S. Udayaraj, M. Annappa, Gavisiddayya Mathad, K. Subramanya, and H. Devendrappa. "Study the effect of cobalt chloride (CoCl₂) on the structural, optical, and electrical properties of polymer electrolyte (PVA-CoCl₂) films." IOP Conference Series: Materials Science and Engineering 1300, no. 1 (2024): 012017. http://dx.doi.org/10.1088/1757-899x/1300/1/012017.

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Abstract A study of non-ionic polymer Polyvinyl Alcohol (PVA) in pure and transition metal salt Cobalt Chloride (CoCl2) incorporated films with different weight percentages to change the optical, electrical, structural, and chemical structure also to make electrically conductive. To prepare the material in terms of film desired weight percentage of polymer PVA alone and for doped polymer different weight percentages of transition metal salts are dissolved in deionized water at a certain temperature and a solution cast technique is followed to get the desired thickness of film. Obtained films w

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Dyrwal, Paweł, and Piotr Borysiuk. "Impact of phenol film grammage on selected mechanical properties of plywood." Annals of WULS, Forestry and Wood Technology 111 (September 30, 2020): 5–12. http://dx.doi.org/10.5604/01.3001.0014.6418.

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Impact of phenol film grammage on chosen mechanical properties of plywood. For the purpose of this research several plywood samples with a thickness of 15 mm were produced and coated, in industrial conditions, with 5 different variants of phenol films varying in terms of grammage (40/120 g/m2, 60/145 g/m2, 60/167 g/m2, 80/220 g/m2, 2 × 80/220 g/m2). Finished plywood was tested for abrasion resistance, MOR, MOE and density. It was concluded that higher grammage of phenol film increases wear resistance and final density of plywood. Plywood coated with two-layer phenol film with grammage of 80/22

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Dyrwal, Paweł, and Piotr Borysiuk. "Impact of phenol film grammage on selected mechanical properties of plywood." Annals of WULS, Forestry and Wood Technology 111 (September 30, 2020): 5–12. http://dx.doi.org/10.5604/01.3001.0014.6418.

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Impact of phenol film grammage on chosen mechanical properties of plywood. For the purpose of this research several plywood samples with a thickness of 15 mm were produced and coated, in industrial conditions, with 5 different variants of phenol films varying in terms of grammage (40/120 g/m2, 60/145 g/m2, 60/167 g/m2, 80/220 g/m2, 2 × 80/220 g/m2). Finished plywood was tested for abrasion resistance, MOR, MOE and density. It was concluded that higher grammage of phenol film increases wear resistance and final density of plywood. Plywood coated with two-layer phenol film with grammage of 80/22

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16

Chunli, Yu, Nor Shahila Mansor, Lay Hoon Ang, and Sharon Sharmini. "The Pattern and Translation of Chinese Address Terms in Contemporary Film Happiness Around the Corner." World Journal of English Language 13, no. 1 (2022): 19. http://dx.doi.org/10.5430/wjel.v13n1p19.

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This paper discusses the translation and classification of Chinese address terms by selecting a representative film with a range of contexts. The data for this study were collected from a Chinese comedy film Happiness Around the Corner screened in 2018 with a length of 91.34 minutes. This film was chosen firstly because it was highly rated by the Chinese mainstream media People’s Daily Overseas Edition for its conveying of positive energy in a humorous manner. Furthermore, considering a range of contexts and interlocutors in this film, the data collected from this film would be sufficient to r

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17

Pal, U., M. Herrera Zaldivar, R. Sathyamoorthy, et al. "Nanocrystalline CdSe Thin Films of Different Morphologies in Thermal Evaporation Process." Journal of Nanoscience and Nanotechnology 8, no. 12 (2008): 6474–80. http://dx.doi.org/10.1166/jnn.2008.18410.

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Cadmium selenide nanocrystalline thin films of quasi-spherical morphology are prepared by evaporating CdSe nanopowders on glass substrates. Slightly oval shaped CdSe particles of about 165 nm average size (in 2-D) could be assembled over glass substrates by controlling the film thickness. Morphologies like assembly of particles, interconnected particles with mosaic-like structures and thin films of smooth surfaces could be prepared simply by controlling film thickness. A mechanism for such morphological variations is proposed. Observed variation of band gap energy in the films is explained in

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18

López-Díez, Jaime, and Farshad Zahedi. "World cinema in the Spanish international festivals and movie theatres (2016-2021)." Comunicación y Sociedad 2024 (March 13, 2024): 1–28. http://dx.doi.org/10.32870/cys.v2024.8614.

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In this study, we analyze the films in the world cinema category that have been screened at the two most important international film festivals in Spain: The San Sebastian International Film Festival, and the Valladolid International Film Week in the period of 2016-2021. It is also studied the output of these festivals in terms of screenings in the Spanish cinemas during the same period. The results show that nearly a third of the films at these two festivals belong to world cinema, and about a third of these films screened at the festivals have been shown in cinemas.

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Rebenklau, L., P. Gierth, and H. Grießmann. "Electrical characterization of thick film materials." Additional Conferences (Device Packaging, HiTEC, HiTEN, and CICMT) 2015, CICMT (2015): 000079–84. http://dx.doi.org/10.4071/cicmt-tp23.

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The thick-film technology is one of the fundamental technologies for the production of circuit carriers for electronic modules. It is mainly used in areas with harsh environmental conditions, such as sensor or automotive applications. Basis of the thick film technology are glass-based pastes, which are screen printed on ceramic substrates and fired in a high temperature process at (500…1000) ° C. Such thick film pastes are commercially available from various suppliers as elements of paste systems, which mainly include compatible isolation, resistance and conductive pastes. There are a number o

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Zhang, Runze. "Research on the Creative Principles of Chinese Thriller Films." Lecture Notes in Education Psychology and Public Media 64, no. 1 (2024): 29–34. http://dx.doi.org/10.54254/2753-7048/64/20240939.

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The Chinese thriller film, as a specific genre, exhibits unique principles and characteristics in its creation, which is also significant in terms of cultural heritage and creative expression. Nevertheless, the current systematic investigation of the research principles and creative connotations of the sample remains inadequate. The objective of this paper is to analyze the research principles of Chinese thriller-horror films and identify the sources and evolution of the narrative materials underlying them. The analysis employs both the literature analysis method and the case study method. The

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21

Kluyeva, Ljudmila Borisovna. "The Non-Selection Virus. A. Zvygintsev’s “Elena” in Terms of Identity theory." Journal of Flm Arts and Film Studies 4, no. 4 (2012): 6–18. http://dx.doi.org/10.17816/vgik446-18.

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The article (the conclusion; for the beginning see ## 12-13) investigates the artistic peculiarities of A. Zvyagintsev's new film “Elena” which stands apart from all his preceding work. In a sense, the film demonstrates the director’s rejection of the previously found pattern associated with Zvyagintsev’s style. The analysis is done from two points of view: the philosophy of the film (the anthropological aspect) and in terms of the identity.

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Duchemin, Laurent, and Christophe Josserand. "Dimple drainage before the coalescence of a droplet deposited on a smooth substrate." Proceedings of the National Academy of Sciences 117, no. 34 (2020): 20416–22. http://dx.doi.org/10.1073/pnas.2007857117.

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Thin liquid or gas films are everywhere in nature, from foams to submillimetric bubbles at a free surface, and their rupture leaves a collection of small drops and bubbles. However, the mechanisms at play responsible for the bursting of these films is still in debate. The present study thus aims at understanding the drainage dynamics of the thin air film squeezed by gravity between a millimetric droplet and a smooth solid or a liquid thin film. Solving coupled lubrication equations and analyzing the dominant terms in the solid- and liquid-film cases, we explain why the drainage is much faster

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Hu, Tingyu. "The "Childlike" Expression of Animated Picture Book Films." International Journal of Education and Humanities 8, no. 2 (2023): 114–16. http://dx.doi.org/10.54097/ijeh.v8i2.7757.

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There are many successful precedents for animated picture book films in the United Kingdom and the United States. As the first Chinese animated film adapted from picture books, Towards the Bright Side presents a romantic imaginary world and a warm realistic life for children in the structure of a collection, presenting "child-oriented" creative characteristics in terms of picture, story and thematic ideas. This paper uses the textual analysis of Towards the Bright Side, combined with Gestalt psychology, to explore the important role played by the psychology of visual art in the film. At the sa

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Hanchard, Matthew, Peter Merrington, Bridgette Wessels, and Simeon Yates. "Exploring contemporary patterns of cultural consumption: offline and online film watching in the UK." Emerald Open Research 1 (October 30, 2019): 16. http://dx.doi.org/10.35241/emeraldopenres.13196.1.

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This paper focuses on patterns of film consumption within cultural consumption more broadly to assess trends in consumerism such as eclectic consumption, individualised consumption and omnivorous/univorous consumption and whether economic background and status feature in shaping cultural consumption. We focus on film because it is widely consumed, online and offline, and has many genres that vary in terms of perceived artistic and entertainment value. In broad terms, film is differentiated between mainstream commercially driven film such as Hollywood blockbusters, middlebrow ‘feel good’ movies

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SHKLYAEV, OLEG E., and ELIOT FRIED. "Stability of an evaporating thin liquid film." Journal of Fluid Mechanics 584 (July 25, 2007): 157–83. http://dx.doi.org/10.1017/s0022112007006350.

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We use a newly developed set of interface conditions to revisit the problem of an evaporating thin liquid film. In particular, instead of the conventional Hertz–Knudsen–Langmuir equation for the evaporation mass flux, we impose a more general equation expressing the balance of configurational momentum. This balance, which supplements the conventional conditions enforcing the balances of mass, momentum and energy on the film surface, arises from a consideration of configurational forces within a thermodynamical framework. We study the influence of two newly introduced terms on the evolution of

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Skorin-Kapov, Jadranka, and Martin Benson. "Teaching Business Ethics Through Narrative Film." Journal of Business Ethics Education 15 (2018): 185–202. http://dx.doi.org/10.5840/jbee2018159.

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We address the question: what can experience of narrative film bring to a business student? The medium of narrative film allows discussions of ethical issues, as well as discussions of film as a product in terms of its artistic creativity versus its business goal and its marketing of an underlying ideological position. Hence, we look at films from philosophical (ethical), aesthetic (artistic), and business perspectives. We describe the effort and the outcome of delivering a new course in the business undergraduate program at the College of Business at Stony Brook University in New York, USA. T

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Sultan, Noor Fatimah Kader, and Wan Lutfi Wan Johari. "The development of banana peel/corn starch bioplastic film: a preliminary study." Bioremediation Science and Technology Research 5, no. 1 (2017): 12–17. http://dx.doi.org/10.54987/bstr.v5i1.352.

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The aim of this study is to develop bioplastic film from a combination of two biopolymers of same source, namely banana peel and corn starch. Five banana peel films (BP film) were prepared with different concentrations of corn starch (1% up to 5%) as co-biopolymer and film without corn starch acted as a control. The films were carried out with several durability tests and characterization analyses. Based on the results obtained, the BP film with 4% corn starch gave the highest tensile strength 34.72 N/m2 compared to other samples. The water absorption test showed that BP films with 3% corn sta

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Kluyeva, Ljudmila Borisovna. "The Non-Selection Virus. A. Zvyagintsev’s «Elena» in Terms of Identity Theory." Journal of Flm Arts and Film Studies 4, no. 2-3 (2012): 31–48. http://dx.doi.org/10.17816/vgik42-331-48.

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The article investigates the artistic peculiarities of A. Zvyagintsev’s new film «Elena» which stands apart from all his preceding work. In a sense, the film demonstrates the director’s rejection of the previously found pattern associated with Zvyagintsev’s style. The author analyses the director’s specific manner reflecting his aesthetic principles. The analysis is done from two points of view: the philosophy of the film (the anthropological aspect) and in terms of the identity. Special attention is given to the audience’s projective perception in the film’s structure.

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GÜRAL, Ufuk. "“GLADYATÖR” FİLMİNİN ARKEOLOJİK AÇIDAN İNCELENMESİ A REVIEW OF “GLADIATOR” FROM THE ARCHEOLOGICAL POINT OF VIEW." IEDSR Association 6, no. 14 (2021): 126–39. http://dx.doi.org/10.46872/pj.317.

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Epic Films, which is an important genre in cinema, have always won the appreciation of the audience and have been most popular in the 1950s and 60s with their samples that depict the “Antique Age”. The samples of this genre, that educate while entertain are still being made today. After the 2000 movie "Gladiator", many Epics have being produced. One of the best Epic Films, director Ridley Scott's 2000 film "Gladiator" is successful not only in terms of cinematic point of view but also in terms of its reflecting archaeological facts correctly. The film successfully transferred history to the pe

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Muliawan, Pondra, Rahmat Mulya Nugraha, and Noni Mulyani. "Reinterpretation of Etymology in Pop Culture: The Transformation of Language and Identity Through Film and Music." International Journal of Language and Culture 3, no. 1 (2025): 31–40. https://doi.org/10.63762/ijolac.v3i1.29.

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This study explores the phenomenon of semantic change in language influenced by pop culture, particularly through film and music. The use of terms in these media, which carry social and cultural implications, triggers shift in communication styles and the formation of social identity. The aim of this research is to examine how the etymology of words popularized by film and music undergoes semantic transformation and how this process affects broader social values. A qualitative method with a literature review approach was employed, analyzing data from various films, songs, and scholarly sources

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Király, Hajnal. "Arrested and Arresting: Intermedial Images and the Self-Reflexive Spectator of Contemporary Cinema." Acta Universitatis Sapientiae, Film and Media Studies 18, no. 1 (2020): 57–71. http://dx.doi.org/10.2478/ausfm-2020-0003.

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AbstractThe paper departs from the assumption that while the analysis of the systematic effect that popular cinema (genres like melodrama, horror or action movies) has on its spectators has been largely discussed by film theorists, little has been written on the affective dimensions of arthouse cinema. The lasting effect of visually compelling films on the individual spectator’s emotions has been addressed only sporadically by cognitive film theory, film phenomenology and aesthetics. Therefore, the author proposes to bring together terms and concepts from different discourses (film and literar

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Finta, Fadia, and Moh Atikurrahman. "THE ICONICITY OF WOMEN IN INDONESIAN HORROR FILMS: A SEMIOTIC RESEARCH OF POSTERS FROM 2022-2023." Matapena: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya 6, no. 2 (2023): 384–94. http://dx.doi.org/10.36815/matapena.v6i02.2770.

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This article aimed to investigate the sign system in Indonesian horror film posters throughout the years 2022-2023. Over the past two years, an intriguing trend emerged in relation to horror films in Indonesia, wherein iconicity involving women became the representamen of the sign system within a film poster. The research methodology used was qualitative description, with Indonesian horror films from the years 2022-2023 serving as the data source. To comprehend the meanings encapsulated within the latest Indonesian horror film posters, Charles Sanders Peirce's paradigm on signs was adopted as

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Chow, Rey. "Lyricism of the Chance Encounter; or, The Cultural Specificity of Affect in (Examples of) Hong Kong Cinema." Film-Philosophy 29, no. 2 (2025): 312–28. https://doi.org/10.3366/film.2025.0307.

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Like any theoretical term, the phrase “culturally specific”, together with its conceptual affiliates such as cultural difference, the local, native and indigenous, invites different approaches of exploration, but in the context of Hong Kong culture, including film and literature, the question that seems unavoidable is how the culturally specific as such has become or persisted as a question worth asking. In a world that is often described as global, simultaneous and instantaneous, on the one hand, and as subject to systemic racialization and racism, on the other, can cultural specificity be un

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Xiao-ling, Wang, Liu Zhi-long, and Zamira Madina. "Machine Learning-Enabled Development of Model for Japanese Film Industry." Security and Communication Networks 2022 (June 6, 2022): 1–9. http://dx.doi.org/10.1155/2022/7637704.

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Not only are numerous components absorbed and modified in terms of movie subjects, but also various art forms like painting and music are researched and examined in the production of Japanese cinema, resulting in the development of film styles with national characteristics. The fundamental role of film industrialization is to increase production efficiency, reduce industry risks, create job opportunities, and provide related technologies and services for professional creative people, so that the creativity crystallization of all industry insiders can become an invisible creative power and tang

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Cordill, Megan J., Patrice Kreiml, and Christian Mitterer. "Materials Engineering for Flexible Metallic Thin Film Applications." Materials 15, no. 3 (2022): 926. http://dx.doi.org/10.3390/ma15030926.

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More and more flexible, bendable, and stretchable sensors and displays are becoming a reality. While complex engineering and fabrication methods exist to manufacture flexible thin film systems, materials engineering through advanced metallic thin film deposition methods can also be utilized to create robust and long-lasting flexible devices. In this review, materials engineering concepts as well as electro-mechanical testing aspects will be discussed for metallic films. Through the use of residual stress, film thickness, or microstructure tailoring, all controlled by the film deposition parame

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Kulidzhanyan, Syuzanna S. "The name of a comedy film in the aspect of linguistic creativity." Vestnik of Saint Petersburg University. Language and Literature 18, no. 4 (2021): 736–49. http://dx.doi.org/10.21638/spbu09.2021.406.

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The article aims to identify the specific features for forming the name of a comedy film from the point of view of linguistic creativity. The research is based on 30 British comedy films, which were released between the 1960s and 2010s. Five highly rated films were selected from each decade. The developed algorithm for analysis includes several steps which makes it possible to sequentially study the following aspects, in terms of linguistic creativity, that are critical for specific features in the formation of comedy films’ names: 1) source of the name, 2) structure of the name and 3) correla

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Marshall, A. F. "Evolution of surface structure, microstructure, and superconducting properties during YBa2Cu3O7a-axis thin film growth." Journal of Materials Research 13, no. 3 (1998): 551–56. http://dx.doi.org/10.1557/jmr.1998.0070.

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The evolution of surface structure, grain microstructure, and superconducting transition temperature of a-axis YBa2Cu3O7 thin films has been studied as a function of film thickness. The grain size increases and develops a bimodal distribution of grain size during film growth, concurrent with an improvement in Tc. The surface structure does not represent the grain size, but rather the development of the bimodal grain structure follows the formation of the surface structure. The results are discussed in terms of thin film growth modes.

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Bessaleh, Salma, Samira Jebahi, Rachida Abbassi, Safa Ben Belgecem, and Asim Faraz. "Bioactive Gelatin-based Date By-Product for Packaging Applications: Physico-Chemical and Biological Characterization." Journal of Materials and Applications 11, no. 1 (2022): 10–16. http://dx.doi.org/10.32732/jma.2022.11.1.10.

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Biodegradable films from gelatin (Gn) with various date by-product (DBP) concentrations (1, 2, 3 and 4 wt %) were prepared. Elaborated films were examined in terms of physical properties (thickness, density, water solubility, water content, degree of swelling, color), and antimicrobial properties (Escherichia coli and Staphylcoccus aureus). Adding the highest concentration of DBP (4%), resulted an increase in the WHC of film as compared with control film. Moreover, the incorporation of 1% DBP reduced the moisture level of Gn based composite films as compared with the control film. Furthermore,

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El Horri, Hafsa, Maria Vitiello, Costanza Ceccanti, et al. "Ultraviolet-to-Blue Light Conversion Film Affects Both Leaf Photosynthetic Traits and Fruit Bioactive Compound Accumulation in Fragaria × ananassa." Agronomy 14, no. 7 (2024): 1491. http://dx.doi.org/10.3390/agronomy14071491.

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The influence of light downconversion films (red, pink and blue films) on leaf physiological features and fruit bioactive compound accumulation was studied in strawberry plants. Red, pink and blue films were able to convert light less utilised by plants into more efficient light wavebands with various possibilities depending on the film characteristics (blue film shifts UV into blue radiation; red film shifts green into red radiation, pink film shifts UV and green into blue and red radiation but to a lesser extent than red film). Indeed, by enhancing the quality of light available for photosyn

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Pamerleau, William. "Bad Faith in Film Spectatorship." Film-Philosophy 24, no. 2 (2020): 122–39. http://dx.doi.org/10.3366/film.2020.0135.

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This article seeks to develop an under-appreciated aspect of spectator activity: the way in which viewers make use of film to enter or sustain a project of bad faith. Based on Jean-Paul Sartre's account of bad faith in Being and Nothingness (1943), the article explains the aspects of bad faith that are pertinent to viewer activity, then explores the way viewers can make use of filmic depictions to facilitate self-denial. For example, spectators may emphasize the fact that persons are depicted in narrow terms as corroboration for their belief that human nature is just as its depicted, thereby d

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Walichnowska, Patrycja, Weronika Kruszelnicka, Adam Mazurkiewicz, Zbigniew Kłos, Anna Rudawska, and Michał Bembenek. "An Analysis of Changes in the Harmfulness of the Bottle Packaging Process Depending on the Type of Heat-Shrinkable Film." Materials 17, no. 16 (2024): 4115. http://dx.doi.org/10.3390/ma17164115.

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This article shows an analysis of selected stages of a machine’s life cycle environmental impact in the specific case of machines that package bottles in thermo-shrinkable film. As part of this analysis, laboratory tests were carried out to compare the performance properties of polyethylene films (with and without recycled material). Then, a life cycle assessment (LCA) was carried out within the specified system boundaries using the SimaPro program. Using the ReCiPe 2016 method, differences in the impact of the mass bottle packaging process on the categories human health, ecosystems and resour

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Czekaj, Dionizy, and Agata Lisińska-Czekaj. "Piezoresponse force microscopy and dielectric spectroscopy study of Ba0.6Sr0.4TiO3 thin films." Journal of Advanced Dielectrics 09, no. 03 (2019): 1950025. http://dx.doi.org/10.1142/s2010135x19500255.

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Research on synthesis, characterization and determination of processing — structure — property relationships of commercially important ferroelectric thin films has been performed. The sol–gel type solution deposition technique was applied to produce good quality thin films of [Formula: see text][Formula: see text]TiO3 (BST60/40) chemical composition on the stainless steel substrates. The thin films were characterized in terms of their microstructure, crystal structure, phase composition, piezoelectric and dielectric properties. It was found that the BST60/40 thin film adopted the cubic structu

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Lu, Yong, and R. J. Rogers. "A Nonlinear Model for Short Length, Cylindrical Squeeze Films With Large Planar Motions." Journal of Tribology 114, no. 1 (1992): 192–98. http://dx.doi.org/10.1115/1.2920860.

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A rotating shaft vibrating in a squeeze film bearing and a tube in a heat exchanger oscillating with fluid-filled cylindrical supports both involve cylindrical squeeze films. Many theoretical and experimental results show that the squeeze film force consists of both a damping force and an inertia force. For relatively large amplitude motions or when the initial eccentricity is large, the time waveform of the squeeze force is significantly nonlinear. In order to predict the transient response of a rotor with squeeze film bearings or a heat exchanger tube subject to flow induced vibration, the n

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Rahmatika, Arina. "Dakwah Melalui Film: Sebuah Kajian Aksiologi." Jurnal at-Taghyir: Jurnal Dakwah dan Pengembangan Masyarakat Desa 4, no. 1 (2021): 133–46. http://dx.doi.org/10.24952/taghyir.v4i1.4283.

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The rapid development of information and communication tools makes da'wah must be transformed according to the times, one of which is through film media. Da'wah through films can be seen from how the internalization of Islamic values in the film. In addition, film as a medium of mass communication has the opportunity to be a means to guide Muslims through the Islamic values contained in the film. The merging of da'wah and film as an expression of art and culture produces contemporary da'wah, alternative da'wah and transformative da'wah. However, to find out the extent to which the nature and b

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Macarthur, David. "A Vision of Blindness:Blade Runnerand Moral Redemption." Film-Philosophy 21, no. 3 (2017): 371–91. http://dx.doi.org/10.3366/film.2017.0056.

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Despite its oft-noted ambiguities, critical reception of Ridley Scott's Blade Runner (Theatrical Cuts (1982); Director's Cut (1992); Final Cut (2007)) has tended to converge upon seeing it as a futuristic sci-fi film noir whose central concern is what it means to be human, a question that is fraught given the increasingly human-like replicants designed and manufactured by the Tyrell Corporation for human use on off-world colonies. Within the terms of this way of seeing things a great deal of discussion has been devoted to putative criteria of being human and the question whether the once-retir

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Shen, Zheyu, Dicong Xu, and Luhao Zhang. "Research on the Marketing and Development of Chinese and the U.S. Film Industries." Highlights in Business, Economics and Management 22 (December 27, 2023): 119–24. http://dx.doi.org/10.54097/4sdjgx06.

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Despite the recent rapid growth of the Chinese and US film industries, several researchers have discovered that there is still a gap about their marketing and future development plans. As a result, this study’s research objective is a comparison of the development and marketing of the film industry in China and the United States. The research method of this study is as follows: firstly, collecting related data of Chinese and US film markets to provide a basis for comparative analysis; secondly, to comprehend the differences between the audiences of the two markets and the audiences of various

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De Paola, Maria Gabriela, Rosy Paletta, Catia Giovanna Lopresto, et al. "Stability of Film-Forming Dispersions: Affects the Morphology and Optical Properties of Polymeric Films." Polymers 13, no. 9 (2021): 1464. http://dx.doi.org/10.3390/polym13091464.

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Starch-based films are promising alternatives to synthetic films in food packaging. They were widely studied in terms of mechanical and optical properties. In food packaging, optical properties are of great interest because ultra violet (UV-light) protection is strictly required. Nevertheless, the characterization of film-forming dispersions was poorly addressed, especially regarding its correlation with the film produced. In this work, we characterized film-forming dispersions at different compositions of starch and carboxymethyl cellulose (CMC) by Turbiscan. This instrument is based on multi

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Suyatma, Nugraha Edhi, Yutaka Ishikawa, and Hiroaki Kitazawa. "Nanoreinforcement of Pectin Film to Enhance its Functional Packaging Properties by Incorporating ZnO Nanoparticles." Advanced Materials Research 845 (December 2013): 451–56. http://dx.doi.org/10.4028/www.scientific.net/amr.845.451.

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The main objective of this study was to enhance functional packaging properties of pectin film by using zinc oxide nanoparticles (ZnO-NPs) as nanoreinforcing agent. Pectin/ZnO bio-nanocomposite films were fabricated at 4 levels of ZnO-NPs, i.e., 0.5, 1.0, 2.0 and 5.0% (w/w). The effects of ZnO-NPs incorporation on improving the mechanical properties and water resistance of the films were investigated. ZnO-NPs were successfully incorporated into pectin films by nanodispersion technique followed by casting method. The presence of ZnO-NPs inside pectin films was observed clearly by SEM. The impro

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Pandey, Neha, Brijesh Kumar, and D. K. Dwivedi. "Influence of Thermal Annealing on Structural and Optical Properties of Sb Doped ZnTe Thin Film." Advanced Science, Engineering and Medicine 12, no. 1 (2020): 100–104. http://dx.doi.org/10.1166/asem.2020.2521.

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Paper presents the influence of thermal treatment on structural and optical characteristics of Sb0.5ZnTe thin film. Alloy of Sb0.5ZnTe has been prepared through traditional and economical melt quenching technique and thin films of prepared alloy was deposited onto glass substrate by thermal evaporation method at pressure of 10–6 Torr. The antimony doped films were annealed for 2 h at three different temperatures ranges (373 K, 393 K and 413 K). Structural characterization of as prepared and annealed film was done by XRD technique and it was found that annealing improves the film crystal struct

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Ren, Xuyan. "Spatial Research on Tibetan Film Images --Taking the Works of Local Tibetan Directors in China Since the New Century as an Example." Communications in Humanities Research 17, no. 1 (2023): 149–56. http://dx.doi.org/10.54254/2753-7064/17/20230900.

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Tibetan films, as a branch of Chinese national cinema, have produced many excellent works in recent years with the focus of film creators, and have made remarkable achievements in terms of filming techniques, artistic style, aesthetic value and film language, presenting a thriving scene in creation and dissemination. This paper explains the establishment of the external image space of Tibetan films since the new century, the construction of the internal spiritual space of Tibetan films, and the aesthetic presentation of the image space of the Tibetan New Wave, analyses and summarizes the ethni

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